Cross Paintings

Circle of Domenico Ubaldini known as il Puligo (Florence 1492 - 1527) - Christ Carrying the Cross with Simon of Cyrene. 56 x 44 cm (without frame) - 65 x 55 cm (with frame). Oil on...

Como pueden apreciar, la obra no va firmada, es de autor anónimo Se presenta enmarcada la obra (el marco presenta algunos signos de uso) El estado de la obra es aceptable, solo com...

Netherlandish School, 18th Century – Monogrammed Old Master Oil Painting on Panel A captivating Old Master oil painting depicting the Crucifixion at Calvary, set outside the walls o...

Oil on canvas realized by Benito Trolese (1937-2017) in 1988. Hand signed and dated. Titled on rear. Includes a contemporary wooden frame cm. 41x51. Benito Trolese is an Italian p...

Antique Italian painting from the first half of the 18th century. Oil on canvas artwork depicting an intense scene of mystical ecstasy of Saint Francis of Assisi. A large-scale paint...

A fine & monumental antique French oil painting of the San Damiano Crucifix, circa 1820. This monumental oil painting on canvas is very finely painted and is housed in a wooden cruc...

17th Century Italian Religious Painting on Glass Beautiful and important oil painting on glass based on an engraving, not signed, dated 1655 at the bottom centre, follower of Leandr...

Hunt Slonem "Peter" Black and White Bunny A single rabbit gestured in black on a white background in a vintage frame Unframed: 6.5 x 4.5 inches Framed: 11.5 x 9.5 inches *Painting i...

Egron Sellif Lundgren (1815–1875) Sweden Interior of a Kitchen, c. 1840 oil on paper laid on cardboard, inscribed “Lundgren Nr. 15” on the reverse. unframed 27.5 x 20.5 cm (10 ¾ x ...

Pierre TETAR VAN ELVEN Sint-Jans-Molenbeek, 1828 – Milan, 1908 Young Woman at a Well Oil on canvas 41 x 33 cm (47 x 41 cm with frame) Signed lower right " PT Van Elven" Very good con...

La obra no va firmada Buen estado de conservación el de la pintura, solo comentar que la tela está reentelada Se presenta enmarcada la obra Medidas obra: 72 cm x 54 cm. Medidas m...

An exceptional dated 1866 Mexican ex-voto retablo commemorating the miraculous recovery of a gravely ill child, hand-painted in oil on tin by an anonymous folk artist. Rich in devoti...

Crucifixion, studio of the Master of the Half-Figures (Antwerp, active 1500-1550), not signed Antwerp School, mid-16th century Oil on oak panel , h. 88 cm, w. 59 cm Original frame, framed: h. 98 cm, w. 68 cm A rare example of Antwerp painting from the first half of the 16th century, our Crucifixion captivates as much by the quality of its expansive river landscape as by the delicacy of its figures and the brilliance of its palette. The richness of the colors, the balance between devotion and narrative, and the subtlety of the atmospheric effects make it a particularly representative work of the artistic refinement developed in the workshop of the Master of the Half-Figures. Through its remarkable synthesis of the world-landscape inherited from Patinir and the expressive gentleness characteristic of the Master of the Half-Figures, this composition stands out as a particularly accomplished example of the Antwerp Flemish Renaissance. Our painting of the Crucifixion is organized around the central figure of Christ nailed to a high cross erected atop Golgotha. His slender, pale body stands out against a blue-green sky that lightens towards the horizon, creating an atmospheric depth characteristic of Flemish painting of this period. The bowed head, encircled by the crown of thorns, expresses agony in a restrained pose. The white loincloth, tied at the front according to a recurring motif in the work of the Master of the Half-Figures, has one end drawn between the legs before billowing outwards in a movement lifted by the wind, subtly animating Christ's silhouette. At the foot of the cross, a skull and a few bones evoke Adam and the redemption of humanity through Christ's sacrifice. To the left stands the Virgin Mary, enveloped in a flowing blue-green mantle whose heavy folds accentuate her contemplative posture. Her pale face, framed by a white veil, expresses silent sorrow. Kneeling at the center of the composition, Mary Magdalene embraces the cross in a gesture of fervent devotion, while to the right, Saint John, clad in a richly textured red cloak, gazes up at Christ, his hands folded across his chest. Contrary to the iconography typically found in 16th-century Antwerp workshops, he appears here as a bearded, middle-aged man. This relatively rare characteristic, however, is found in several works by the Master of the Half-Figures. The Virgin's face displays the typical characteristics of the Master of Half-Figures' repertoire : a high forehead, full cheeks, a rounded chin, and a gentle expression tinged with restrained melancholy. This youthful, feminine physiognomy is found in numerous depictions of Virgins, Magdalenes, and other saints from his workshop. The figures are also distinguished by their smooth complexions, elegant proportions, and attention to the richness of the fabrics, favoring formal refinement over dramatic expressiveness. The background unfolds according to the world-landscape formula inherited from Joachim Patinir. A vast panorama, blending a fortified city, estuary, winding paths, rocky outcrops, and bluish hills, stretches behind the sacred figures. At the heart of this lively river landscape, a small port, quays, and several boats also appear, their silhouettes punctuating the waterway and testifying to the attention paid by Antwerp painters to the commercial and maritime activities that ensured the city's prosperity. The composition is structured by a succession of narrative planes that invite the viewer's eye to move through the image as a continuous story, a technique characteristic of Antwerp painting in the first half of the 16th century. Behind the main scene appears the episode of the Carrying of the Cross, depicted by a group of soldiers and horsemen, with Golgotha rising on the mountain to the left, while to the right, in a grotto carved into the rocks, unfolds the Entombment of Christ. This multifaceted narrative, integrated into the landscape, enriches the meditative dimension of the work while highlighting its kinship with the inventions of Patinir. The attribution to the workshop of the Master of the Half-Figures seems all the more plausible given that several art historians, notably Robert Koch and Walter Gibson...

This late 17th-century German oil painting depicts the Crucifixion of Christ with kneeling donors, conceived as a complete memorial ensemble within its original inscribed frame. At...

"Wine and Cigarette" is a modern still-life that portrays a wine bottle and a cigarette on a table. Smoke rises from the cigarette, creating a moody atmosphere that is accentuated by...

Balconies of the sky II is a unique oil on canvas painting by contemporary artist Joachim van der Vlugt, dimensions are 100 × 130 cm (39.4 × 51.2 in). The artwork is signed, sold unf...

La obra no va firmada La obra se presenta enmarcada con un marco de la época de la pintura (el marco presenta algunas faltas) Medidas de la obra: 87 cm. de altura x 61 cm. de ancho...

Artist: Tigran Hovumyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2018 Style: Surrealism, Subject: Butle...

Willard Dixon is widely recognized for his calm, contemplative landscapes and skyscapes, paintings that hold stillness, clarity, and a quiet reverence for nature. In this exhibition,...

17th Century Antoon van Dyck Follower Religious Painting A very important not signed painting from the Flemish school, attributed to an artist from the circle of the great painter A...

Oil on Board. Venetian school of the mid-16th century. The crucified Christ in the center of the scene is surrounded by four saints identifiable by their iconographic signs: on the l...

Painting with a traveler on a white horse and accompanied by a dog looking up at a road sign in the form of a cross. On the roadsign is ” Arnhem”. (a town at the Rhine river in the E...

A compelling antique Mexican ex-voto retablo hand-painted on tin, depicting a miraculous healing and offering a vivid glimpse into Mexico's rich devotional folk art tradition. Create...

Christ Crucified (Christus Patiens) with God the Father, the Virgin and St. John In the manner of 14th century Tuscan painting Tempera on panel Height: 150 cm Width: 99 cm Perform...

US buyers pay no import tariffs on this item. This exquisite and exceedingly rare early 18th-century Russian Staurotek icon depicts The Crucifixion of Christ with an assemblage of s...

A Play of Elegance and Craftsmanship Duo Jewelry Design circa mid 20th century by Paul Touzet (French b. 1917) original gouache painting, with pencil on tracing paper unframed left d...

Title: Historic Miniature Watercolor Triptych of Coastal Vessels by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 3.75 inches (h...

Oil, pastel on cardboard Keta Jikia is a Georgian artist born in 2002 who lives and works in Tbilisi, Georgia. She is graduated in 2025 with a degree in International Relations from...

Antique European oil on panel, framed framed: 9 x 7 inches board: 7 x 5inches private collection, France the painting is in overall very good and sound condition

Gregory Kitterle's Sogno di Oro (Golden Dream) is a 39 x 50 inch horizontal figurative symbolist painting on canvas. This work brings the viewer in a magical setting of lapis lazuli ...

The Crucifixion, The Virgin Mary, St John the Evangelist and St Nicholas, 17th Century School of Abraham Willemsen (1605-1672) 17th Century Flemish Old Master depiction of the Cruc...

French Landscape by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back watercolour painting on artist paper, unframed measures: 10 high by 7 inches wide c...

An oil on panel idyllic seascape by Boggio. The painting is signed bottom right. An idealised seascape scene, boats under sail on a tranquil sea moving away from a rocky outcrop wit...

Title: Still Life VI Medium: Oil on canvas Size: 19.5 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pai...

La obra va firmada a mano por el artista en la parte inferior y fechada del año 1960 (creo) digo creo porque no sé si es 1950 o 1960... por la tela y el número diria que es 1960 Se ...

Clan Murray, Coat Of Arms, Duke Of Atholl, 18th Century Scottish School Large 18th Century Scottish Clan Murray Coats of Arms, oil on canvas. The shield bearing allegiance to the c...

Oil & charcoal on cardboard Keta Jikia is a Georgian artist born in 2002 who lives and works in Tbilisi, Georgia. She is graduated in 2025 with a degree in International Relations f...

This painting is acrylic on deep-profile canvas, wired and ready to hang. :: Painting :: Pop-Art :: This piece comes with an official certificate of authenticity signed by the artist...

Max Papart (French, 1911-1994), "Paris - Milan No. 4", Oil on Board, signed lower left, titled verso, unframed. 32.25" H x 39.5" W x 1.25" D. Provenance: From a New York City Estate.

Ferrara school of the late sixteenth century - circle of Giuseppe Mazzuoli known as Bastarolo (Ferrara 1536 - 1589) St. Jerome penitent in the cave ...

This view of the square in the Tagansky district from the monument to Dmitry Donskoy in the sketch shows only the cross on the Church of the Life-Giving Trinity in Serebryaniki on a...

Oil, charcoal on cardboard Keta Jikia is a Georgian artist born in 2002 who lives and works in Tbilisi, Georgia. She is graduated in 2025 with a degree in International Relations f...

Astian Rey "ADAM AND EVE"

Two hunters, one leaning against the cross and dogs on the left "halt in the forest" Oil on canvas, restored and cleaned in good condition. Very nice painting for hunting scene art...

US buyers pay no import tariffs on this item. This early 19th-century central European oil painting depicts Christ The Saviour standing atop an orb and carrying a cross over his left shoulder. An unusual composition, Christ’s rather striking posture is perhaps more ‘Saturday Night Fever’ than it is sacramental. However, the iconography is archaic and derived ultimately from New Testament illustrations dating to the Middle Ages. Depictions of orbs are usually symbolic of the universe, while the cross alludes to redemption. Hence, it’s a visual representation of Christ as the Saviour of humanity. Francisco de Zurbarán...

A. E. Halliwell (1905-1987) War is War Gouache 21 x 19 cm (full sheet size 38 x 28 cm) c.1930 With signature and title from applied support paper Provenance: Family of the artist ...

Triptych Of The Crucifixion, 19th Century after PIETRO PERUGINO (1446-1523) Large circa 19th Century Umbrian School Old Master triptych of the Crucifixion, watercolour. Beautiful d...

Christ on the cross is a modern artwork realized in the style of George Rouault in mid-20th Century. Mixed colored watercolor and tempera. Includes frame. Fair conditions

Acrylic & mixed media on canvas Goga Gomareli is a multidisciplinary Georgian artist born in 1983 who lives and works in Tbilisi, Georgia. He is also a musician and a professional i...

Artwork size: 207 x 150 cm. Frame size: 215 x 158 cm. Free shipment worldwide. Signed, titled and dated on the back. Acquired directly from the artist. Vladimir Velickovic was born ...

original en plein air oil on panel paint in Taos , New Mexico :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Re...

Medium: Oil on Canvas Signature: Signed Lower Right Illustration for the poem “The Radiant Christ” by Ella Wheeler Wilcox for Delineator Magazine, published December 1907. Ella Whe...

The Crucifixion, 16th Century PIETER AERTSEN (1507-1575) 16th Century Dutch Old Master of the Crucifixion, oil on panel, by Pieter Aertsen. Large circa 1570 devotional scene of th...

Michael Coxie (Mechelen, 1499 – Mechelen, 1592) Workshop of Christ Carrying the Cross Oil on panel 85 x 57 cm. – framed 112 x 85 cm. The painting on offer, by an artist fro...

Acrylic on canvas, Tamar Darchiashvili is a Georgian artist born in 1972 who lives and works in Tbilisi, Georgia. In 1996 she graduated from the Tbilisi State Academy of Arts, Facul...

"Christ Crucified" is a striking oil on copper painting by an anonymous German School artist. This bold composition presents a powerful portrayal of the crucifixion, a central theme ...

Claude Verois French, 20th Century Place de la Concord, Paris Oil on board 16 by 20 in, w/ frame 20 by 24 in Signed lower left, circa 1950 Inventory Number: 01701

Golden Domes. canvas, oil, triptych, 120 x 55 x 1.5 cm. 1988 each side 55x40cm Immerse yourself in the historical and spiritual grandeur of 'Golden Domes,' a magnificent original oil...

Artist's statement: In my series Critical Masses, I explore the relationship between our species and various small marine creatures to illustrate in symbolic form various narrative...

Crucifixion, cercle of Adriaen Isenbrandt, mid 16th century School of Bruges, cercle of Adriaen Isenbrandt (actif 1510-1551) Oil on oak panel with its original ebonized frame Dimensi...