Drawing Paintings

Original painting by Daria Kusto. Acrylic markers on paper. The magic flow reality... The painting will be shipped directly from Thailand – safely and promptly."

Original artwork by Daria Kusto. AcrIcrylic on Wotercolor Paper. The magic flow reality... The painting will be shipped directly from Thailand – safely and promptly."

English artist Jonjo Elliot's large scale still life works are a collision of expressionistic fauvism and his collections encourage a youthful candor. Plants thrive in environments t...

Mid Century French Portrait Josine Vignon (French 1922-2022) Medium: Pencil/ charcoal /watercolour on artists paper, double sided Size: 9.5 height) x 6.25 (width) Stamped Verso Con...

Mid Century French Landscape by Josine Vignon (French 1922-2022) Medium: Watercolour on artists paper Size: 7 height) x 9 (width) Stamped Verso Condition: Good Provenance: All the pa...

Title: French Gouache Painting of Pueblo Bread Baking in Taos New Mexico by Emile GALLOIS (1882-1965, French) Signed: Yes Medium: Original gouache painting on thick unframed paper, S...

Title: Drawing of a Seated Man in Thought Artist: Josine Vignon (French 1922-2022) Medium: signed black pen on artists paper stuck on board, glass covered Dated 1946 Size: 12 (hei...

Original art by Daria Kusto. Ink, acrylic on wotercolor paper. The magic flow reality... Shipped well protected, unframed

Standing Nude Figure black pen drawing on artist paper painting: 13.75 x 9 inches provenance: private collection, England condition: very good and sound condition

Title: French Watercolor of Vibrant Square with Painter, Palm Trees, and Architecture by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper ...

Painting made by DarIa Kusto and Angel Rivas and signed by both Shipped rolled in a tube, without frame! 4cm/2" extra of white edge around the painting surface Can make commissione...

Mid Century French Portrait Signed by Josine Vignon (French 1922-2022) Medium: Pencil/ charcoal/ink on artists paper, double sided Size: 9 (height) x 6.75 (width) Stamped Verso Con...

Title: Original French Anatomical Study of a Horse's Stride Artist: Robert Ladou (French, 1929-2014) Medium: Pen on paper Size: 20 (Height) x 13.75 (Width) Signed: No Condition: Good...

Title: Mid Century French Male Study Artist: Josine Vignon (French 1922-2022) Medium: Pencil/ charcoal on artists paper Size: 25 (height) x 19 (width) Stamped: Verso Condition: ...

This lithograph is a part of my private collection from the early 1970's. It is artist pencil signed in the lower right corner, and numbered in the lower left. Published : Guild de l...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...

This woodcut black and white is part of my private collection. It is in very good condition. It is artists signed in the lower right and numbered o the left. Atelier Othon-Friesz

As I connect with life's rhythm, I see my small but important role in the big picture of life. Time keeps moving, reminding me to enjoy each moment and think carefully. Like plants t...

Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. Undefined by medium, Celso Castro’s works each carry the presence of the artist’s hand through the transparency of their process. Castro’s oeuvre is strongly divided between his photomontage assemblies and watercolor paintings: the prior is marked by the labor-intensive deconstruction of portrait photographs and the latter, by the seemingly frenzied recreation of a past encounter rendered in the drips and scribbles of paint and ink. Both discriminating in what they reveal of the subject, his photomontage and watercolor portraits exude raw sexuality through the combination of Castro’s mark-making and gaze. Celso Castro’s work is a bare-bulb erotic photo foray into the underbelly of Colombia’s drug world. Castro’s labor-intensive, photo-collage works of drug kingpins, smugglers, hitmen, countrymen, street vendors, soldiers, paramilitaries, kidnappers, and pimps pose showing with pride their erect penises...

Mixed media on paper Original art by DARIA KUSTO The magic flow reality.. Shipped well protected, unframed.

Original painting by Daria Kusto. Acrylic markers on paper. The magic flow reality... The painting will be shipped directly from Thailand – safely and promptly."

This artwork captures the beauty, strength, and grace of women from the diverse cultures of Africa and celebrates the beauty of African women in all their forms. Shipping Procedure ...

Remnants of our consumer culture keep finding their way into my work. Our visual lives are cluttered with packages, clothing and furnishings that come at us in a swirl of color and p...

Nude Male Study French, circa 1800 Neo-Classical School, circle of Jacques Louis David (French 1748-1825) Pencil drawing on paper, unframed drawing: 14 x 8 inches double sided with ...

Original painting by Daria Kusto. acrylic on canvas. The magic flow reality... The painting will be shipped directly from Thailand – safely and promptly."

Butterflies by Josine Vignon (French 1922-2022) signed pastel/watercolor on paper, unframed painting: 13 x 19 inches good condition provenance: from the artists estate, France Josi...

17th Century Flemish Painting "A bustling scene of fishermen, merchants and visitors in a peaceful and picturesque port village” This intriguing painting offers a wonderful and real...

Barbara Shermund (1899-1978). Fancy Department Store Satirical Cartoon, ca. 1930's. Ink, watercolor and gouache on heavy illustration paper, panel measures 19 x 15 inches. Signed lower right. Very good condition. Unframed. Provenance: Ethel Maud Mott Herman, artist (1883-1984), West Orange NJ. For two decades, she drew almost 600 cartoons for The New Yorker with female characters that commented on life with wit, intelligence and irony. In the mid-1920s, Harold Ross, the founder of a new magazine called The New Yorker, was looking for cartoonists who could create sardonic, highbrow illustrations accompanied by witty captions that would function as social critiques. He found that talent in Barbara Shermund. For about two decades, until the 1940s, Shermund helped Ross and his first art editor, Rea Irvin, realize their vision by contributing almost 600 cartoons and sassy captions with a fresh, feminist voice. Her cartoons commented on life with wit, intelligence and irony, using female characters who critiqued the patriarchy and celebrated speakeasies, cafes, spunky women and leisure. They spoke directly to flapper women of the era who defied convention with a new sense of political, social and economic independence. “Shermund’s women spoke their minds about sex, marriage and society; smoked cigarettes and drank; and poked fun at everything in an era when it was not common to see young women doing so,” Caitlin A. McGurk wrote in 2020 for the Art Students League. In one Shermund cartoon, published in The New Yorker in 1928, two forlorn women sit and chat on couches. “Yeah,” one says, “I guess the best thing to do is to just get married and forget about love.” “While for many, the idea of a New Yorker cartoon conjures a highbrow, dry non sequitur — often more alienating than familiar — Shermund’s cartoons are the antithesis,” wrote McGurk, who is an associate curator and assistant professor at Ohio State University’s Billy Ireland Cartoon Library & Museum. “They are about human nature, relationships, youth and age.” (McGurk is writing a book about Shermund. And yet by the 1940s and ’50s, as America’s postwar focus shifted to domestic life, Shermund’s feminist voice and cool critique of society fell out of vogue. Her last cartoon appeared in The New Yorker in 1944, and much of her life and career after that remains unclear. No major newspaper wrote about her death in 1978 — The New York Times was on strike then, along with The Daily News and The New York Post — and her ashes sat in a New Jersey funeral home...

Robert Azensky Fine Art is pleased to offer original 1909 sketch study of oil painting "Homesteader Colorado Mountain" painting by Frank Tenney Johnson. It's always special to see the evolution of a painting through the plein air sketches ("studies") by the artist prior to its painting. Frank Tenney Johnson traveled throughout the Colorado Rockies sketching and painting western landscapes and native American and cowboy figurative art. Medium: Charcoal on paper Signature: Lower left corner Date: "1909" below signature Condition: Tonal aging and minor edge wear consistent with age and use. See images. Presented in black painted wood frame Mat size: 14"H x 11"W Paper size: 9"H x 6"W Image size (visible with mat): 8"H x 5.25"W Frank Tenney Johnson was born in Coucil Bluffs, Iowa, in 1874 not far from the Overland Trail. During his childhood, he saw the steady stream of people heading west in all forms of horse-drawn conveyance. This early exposure to the American West was critical in leading Johnson towards the Western landscape as an inspiration for his work. The resulting body of work is a moody and romantic depiction of a long-gone America, rendered in a style that has become practically a genre all its own. At the age of ten, Johnson moved from Iowa to Milwaukee, WI. There, he took an apprenticeship with F.W. Heinie, a prominent panoramic painter. After a year with Heinie, Johnson apprenticed for Richard Lorenz, a painter and former Texas Ranger who specialized in depictions of horses and western scenes. It was probably during his time with Lorenz that Johnson decided to focus on western subjects himself. He also started illustrating for regional papers and publications, in order to save money for further training. Further training, as with many of the artists who populated New Mexico in the early twentieth century, took place at the Art Students League in New York, where Robert Henri, William Merritt Chase, John Twachtman, Kenneth Hayes Miller and F. Louis Mora were in the process of teaching perhaps the last great batch of pre-modernists. Though highly stimulated by the training, Johnson was only able to stay for five months, after which he returned to Milwaukee to work and save money in an effort to return to New York. He was able to do so after a time and, upon returning, established an important professional relationship with Emerson Hough, the editor of "Field & Stream" magazine. At Hough's urging (and on Hough's dime), Johnson traveled to Hayden, Colorado, where he tagged along with a group of cowpunchers in order to sketch their way of life. Though primarily an artist, Johnson also wrote accounts of his time in Colorado for "Field & Stream." After Colorado came Cheyenne, Wyoming, where Johnson attended a "Frontier Days" celebration; after Wyoming, Johnson traveled to New Mexico, where he observed the Navajos and their threatened way of life. This trip changed Johnson from an academic artist with an appreciation for the west to a truly western artist. Of particular interest to him, in stark contrast to other western artists of the time like Frederic Remington and C.M. Russell, were the more quotidian scenes of the West. Specifically, Johnson focused upon scenes featuring horses, especially at night. Johnson painted a great number of pieces that featured horses tied up outside of saloons, inns or trading posts for the night, the moonlit night punctuated by the warm glow from the lamps inside. In this, he can be considered a pioneer, as his night pieces still serve as the archetype for such work in western art. Johnson became quite successful through his work for "Field & Stream." He was chosen to illustrate books by the prominent writer Zane Grey, and his gallery shows sold briskly. In fact, one particular show, at the Grand Central Art Galleries at the Biltmore Hotel in New York, sold out opening night. In fact, one man had bought out the entire show: Amon Carter. Having achieved financial security and comfort, Johnson followed his good friend Clyde Forsythe to Alhambra, CA, where the two established residency and shared a studio. California treated Johnson well. He and Forsythe founded the gallery at the Los Angeles Biltmore...

Original artwork by Daria Kusto. AcrIcrylic on Wotercolor Paper. The magic flow reality... The painting will be shipped directly from Thailand – safely and promptly."

A moment when a woman is alone with herself — capturing the intimacy of ritual, of silence, of her own space. She reconnects with the sensation of her body, her beauty, and life itse...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 7 x 5.5 inches Provenance: private collection Condition: very good condition Ha...

Title: French Mid-Century Ink and Wash Drawing of Parisian Boulevard and Rooftops by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Graphite and Ink on unframed pap...

Garry Dorsainvil (Haitian) Cap-Haïtien, c. 1980s Acrylic on canvas Framed: 24 1/4 x 35 1/4 x 1 1/2 in. Signed and titled lower right This painting shows the port city of Cap-Haïtien...

Original Mid Century Pen and Ink on Paper "Cowboy and Bronco" Western Genre Compelling pen and ink western picture of Cowboy wrangling the bro...

This piece titled "I-76" is original artwork made from pencil, marker, carborundum drypoint print adhered to panel by Miriam Singer. This piece measures 10"h x 6"w. Miriam Singer grew up in Buffalo, New York, In 2000 she received her BA from Brandeis University, and in 2003 her MFA from Massachusetts College of Art. Since moving to Philadelphia in 2004; Miriam Singer has exhibited at James Oliver Gallery. Stanek Gallery, LG Tripp Gallery, Woodmere Art Museum, Space 1026, Friends of the Print and Picture...

Original art by Daria Kusto. acrIcrylic on wotercolor paper. The magic flow reality... Shipped free well protected unframed.

Shipped rolled in a tube, without frame! 5cm/2" extra of white edge around the painting surface Can make commissioned works_ -Specialist in large painting___ _intuitive painting, ...

Original painting by Daria Kusto. 2024y. Acryic ,markers on watercolor paper. THE MAGIC FLOW REALITY...

Sakti Burman - Two Friends Watercolour on Paper 26 x 20 inches, 1978 ( Framed and delivered ) Born : 1935 Kolkata Education : 1956 Government College of Arts and Crafts in Kolkata ...

Antique French Study Sheet signed pencil sketch on artist paper painting: 20.75 x 15 inches provenance: private collection condition: good and sound condition with some damages to age.( Shown in photos.) Description: This fascinating antique sketch...

Title: French Gouache Painting of Indigenous Council Gathering in Colorado Nevada by Emile GALLOIS (1882-1965, French) Signed: Yes Medium: Original gouache painting on thick unframed...

Title: Original French Pencil Study of Riders and Horses in Misty Landscape Artist: Robert Ladou (French, 1929-2014) Medium: Pencil on paper Size: 11.75 (Height) x 16.5 (Width) Sign...

From London with Love is a drawing series by Shizico Yi, composed of en plein air studies that capture quiet, private moments between the artist and the city—drawn in beloved corners...

Original painting by artist Daria Kusto. Medium: Acrylic on canvas. The magic flow reality... "Summer Adventure", warm, dynamic figurative painting filled with ornamental play and co...

This drawing studied of Van Gogh's self-portrait at his Solo exhibition " Poets and Lovers" in National Gallery, London, 2024. Shizico Yi learned her craft in drawings from old mast...

Our Gallery acquired the estate of a Northern California artist, Thelma Terrell. Terrell lived in Oakland and was an illustrator and profes...

Melissa Chalhoub, a 2014 graduate of Saint Joseph University in Beirut, seamlessly navigates the realms of cinema and visual art. With a background in directing and sound design for ...

TWELVE CHAIRS GALLERY Zura Panda, 2024 Acrylic on canvas 40 x 30 in. (102 x 76 cm) In Panda, Zura evokes empathy through the panda’s gentle, soulful expression, while its oversized ...

Artist: Slonem, Hunt Title: Pairis Date: 2025 Medium: Oil on canvas Unframed Dimensions: 30" x 30" Signature: Signed by Artist on Verso Edition: Unique Hunt Slonem is a veter...

Suzy Smith's "Let Them Eat Cake" is an original, handmade oil painting that depicts a portrait of a female nude with a crown set against a backdrop inspired by a Wayne Thiebaud cake...

A Poodle Pair, this stunning large minimalist black and white painting of Poodle dogs, is a contemporary portrait in acrylic on canvas. Ian Mason's portrai...

Mixed media on paper by artist Daria Kusto Shipped well protected, unframed.

"The Artists Model" French School, circa 1920's charcoal drawing on paper, unframed paper: 24.5 x 17.5 inches Condition report: The painting is in good and sound condition

Portrait of an Elegant Lady original pencil drawing on paper by Marjorie Schiele (1913-2008) *see notes below signed piece of paper is 12 x 9.5 inches In good condition, though with ...

Outstanding male portrait by 20th-century American artist, Vito Tomasello. Portrait of Young Man, John Alcorn, Eliot House, Cambridge MA. Pencil on pap...

Pencil, chalk and watercolour depiction of Napoleon at the head of his generals by French artist Jean Ducel. The work is signed bottom right. A bold and graphic depiction of Napoleo...

Artist: Slonem, Hunt Title: Tandy Date: 2025 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 12" x 10" Signature: Signed by Artist on Verso Edition: Uniq...

This dog painting, a stunning black and white ink painting of a sweet Dachshund dog, is a contemporary minimal portrait in black ink on Fabriano 300gsm paper. This Dachshund is loo...

This work is one of two panels depicting a traditional wildflower meadow in full bloom, which when hung together would form a diptych as shown in the 'in situ' illustrations. Althoug...