Drawing Paintings

Vintage Portrait of 1940's Noir Writer Cornell Woolrich Pencil portrait of famous 1930's 40's noir/crime writer Cornell George Hopley-Woolrich, circa 1980. Cornell George Hopley-Woolrich is one of America’s best crime and noir writers who sometimes wrote under the pseudonyms William Irish...

"Reclining " Nude Watercolor Painting 13" x 19" in (1986) by Zaccaria Zeini Medium: watercolor on paper Signed and dated Zaccaria El Zeini (1932 - 1993) was raised in the popular ...

Greyhound, This stunning large minimalist black and white painting of a Greyhound dog, is a contemporary portrait in acrylic on canvas. Ian Mason's portrai...

Acrylic on beaverboard

Sailboat at full moon Oil on canvas, 60x70 cm

Portrait of two tigers

This new series of painting is an exciting transition for Kinney as he is best known for assemblage and sculpture. “Anim”, the Latin root word of animal, means life, soul or breath. This exhibition features select large-format monochromatic oil paintings on stretched canvas and wood panels. On view as well are works on paper with Japanese Sumi Ink, which inspired the oil paintings. Kinney has been looking at pre-historic cave paintings as well as animals depicted therein, such as the Chauvet caves in Nice, Southern France. Emerging from the inextricable interplay of light and dark, Kinney’s black and white ink paintings capture the ever-shifting subjectivity shaped by shadow. Cast in Japanese Sumi ink, each unique painting explores the trajectories of human and animal, natural and architectural form- what is revealed or hidden? A variety of hand-torn, heavy weight papers add textural dimension to each mark and brush stroke, as well as through the immediacy of brushstrokes to depict the action within the artwork In his latest collection of works, Kinney explores animal form and meaning as seen in both contemporary and ancient times. In “Savanna (Zebras) ”, a stampede of zebras is depicted through oil paint on wood panel. Animal populations in regions like the horn of Africa today face the loss of their natural habitats due to extreme draught. He explores the deep imprint they leave behind and the interconnectedness of humans and animals in the world. With the balance of nature at stake, Kinney’s paintings underscore the importance of the relationship between the natural environment and civilization. Matt Kinney...

Oil Pastel and Pencil Liquor Still Life Oil pastel and pencil still life depicting a line up of Dutch liquor bottles and drinking glasses by Erin Pearce (American, 20th C). Liquor ...

Lalu Prasad Shaw - Bibi - 15 x 22 inches Tempera on Board, 2020 (Unframed & Delivered) Style : Known widely for his highly stylized portraits of Bengali women and couples, Lalu Pras...

This is my best work that I have done in 24 years of my work. I’m a fantasy soul, futurologist. This work tells us what awaits us in the future. How the human body mutates, and will ...

Oil on canvas 13 x 20 inches Signed and dated center right: "Matthew Spender / 1981" Titled on canvas overlap verso: "#16 Remote Foreground" Retail: $2...

Oil on Canvas realized by Emmett Graham in 2021. The painting was created from a photograph. The photograph was a spontaneous picture capturing the innocence, carefree fun and inq...

Marie Gardeski grew up in Grand Rapids, Michigan. She received her BFA from the Maryland Institute College of Art and her MFA from the Cranbrook Academy of Art, and currently lives i...

This original drawing by artist Ellen Williams is one in a series of elegant minimal nude studies, using a singular line to interpret the curves of a body. ADDITIONAL INFORMATION: C...

Japanese No. 2 Mikhail Turovsky, Russian (1933) Date: 1990 Oil Pastel on Paper, signed l.r. Size: 22 in. x 30 in. (55.88 cm x 76.2 cm) Frame Size: 33 x 40 ...

Title: Historic Miniature Watercolor of St Peters Hospital in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 4 inches ...

Sunil Das - Horse - 9.5 x 7 inches (unframed size) Ink on Paper Inclusive of shipment in ready to hang form. Sunil Das was one of India's most important postmodernist painters and r...

21st Century Angel, a real picture of innocence.

Stephen Namara's work is a testament to technical mastery and emotional depth. His artistic execution showcases a level of skill that is both rare and commanding. His ability to rend...

Title: Mid-Century French Red Pastel Drawing of Mother Reading to Child on Small Stool by Anne Marie Migette Perard (French 1902-1977) Medium: Pastel and p...

Marie Gardeski grew up in Grand Rapids, Michigan. She received her BFA from the Maryland Institute College of Art and her MFA from the Cranbrook Academy of Art, and currently lives i...

Bernard Lorjou (1908-1985 Fr.) Don Quixote is from the Bull Fighter series from the period of 1960 and was in one collection till recently. In 1948, he sh...

Observing and understanding the world around us are the foundations of her reflections. Her approach to the world of Art has been largely influenced by the diversity of media underwr...

Authentic drawing from the early 20th century by the well-known French painter Gustave Guetant (1873-1953). Technique: pencil and charcoal on paper. Bottom right stamp: ATELIER GUET...

Two in the supermarket 2023, paper, acrylic, 25x25 cm Ansis Butnors (1977) Education: J. Rozentals Art School in Riga – 1989. – 1996. Latvian Academy of Art, Painting Department ...

Title: Original French Anatomical Study of Horse's Head and Neck Artist: Robert Ladou (French, 1929-2014) Medium: Pen and Pencil on card Size: 19.75 (Height) x 12.75 (Width) Signed: ...

Provenance: Family of the artist, studio sale. Signed in pencil lower right. SHIPPING: Continental USA and Worldwide delivery included Born in Paris, the French painter Paul Lecomt...

Ferd Sondern (b.1923) Christmas Toys, 1978. Ink and watercolor on illustration board. Complete panel measures 10 x 18 inches. Signed lower left. Credited on verso. Printer nota...

Artist: Charles Cobelle Title: Plaza Year: circa 1959 Medium: Acrylic on paper, Signed lower right Image Size: 22 x 30 inches Frame Size: 28 x 36 inches

Ferd Sondern (b.1923) Puppy chasing Kitten chasing Mouse, 1977. Pencil, gouache and watercolor on illustration board. Complete panel measures 7 x 15 inches. Signed lower left. Cr...

Ferd Sondern (b.1923) Puppy and Duckling, 1977. Pencil, gouache and watercolor on illustration board. Complete panel measures 7 x 9 inches. Signed lower left. Credited on verso. ...

Signed 1926 Armin Carl Hansen Etching and Drypoint of Central Coast California Valley Farm Wonderful etching and drypoint of Valley Farm signed and titled by Armin Carl Hansen (Amer...

Ferd Sondern (b.1923) Puppy and Bluebird, 1977. Pencil, gouache and watercolor on illustration board. Complete panel measures 7 x 7.5 inches. Signed lower left. Credited on verso...

REWA says of her work… Viewers largely label me under “Contemporary African Art”. I label my work as Igbo Vernacular Art. The reason for this is that I believe that I have created a...

Ferd Sondern (b.1923) Puppy and Bluebird, 1977. Pencil, gouache and watercolor on illustration board. Complete panel measures 6 x 7.5 inches. Signed lower left. Credited on verso...

Original painting by Daria Kusto. Acrylic markers on paper. The magic flow reality... The painting will be shipped directly from Thailand – safely and promptly."

Artist: Slonem, Hunt Title: Hutch Date: 2022 Medium: Oil on Panel Unframed Dimensions: 28.5" x 23" Framed Dimensions: 31.5" x 26" Signature: Signed Verso Edition: Unique Prove...

In this quiet, intimate moment, Mama and Ayò found peace, their hearts filled with hope and faith. As they prayed, the world outside receded, leaving only the warmth of their love an...

Robert Childers (1924-1984) Oktoberfest Dogs, 1977. Gouache, watercolor and pencil on illustration board measuring 10 x 17 inches. Signed lower left. Credited on verso. Printer...

"Shih Tzu" a sentimental dog painting by Robert Zakanitch a founder of the Pattern and Decoration movement of the 1970's believes in painting subjects of beauty with delicate patterns as well as animals. This Shih Tzu dog charms along with Zakanitch's graphite drawings depicting the dog in different positions. Zakanitch was an original exhibitor at Holly Solomon...

Oil on canvas, ''I offer art collectors series about the world we live in simultaneously with reality, they can live in these colorful, interesting, modern and dynamic world filled ...

With a background in engineering and architecture, Marco Araldi is demonstrably comfortable with both mathematical design and geometry. Naturally drawn t...

Odilon Roche was born in Chateauneuf-sur-Loire in 1868. He was a professional wine taster who traveled around Europe attending wine fairs. In 1902 he opened a shop selling artists'...

"THE NEW YORK - DOMINIQUE CLAIRE" Oil Painting 49" x 31" in by Charles Malinsky Full name: THE BLACK COAT PROJECT - THE NEW YORK SESSIONS - DOMINIQUE CLAIRE X Artwork ships rolled ...

limited_edition Oil based inks on 300gsm Somerset Velvet Paper Edition number 50 Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:40 cm x W:40 cm x D:1cm Sold Unf...

Bust of a young woman in profile Paul-César Helleu (1859-1927) JEUNE FEMME EN BUSTE, DE PROFIL À DROITE Color drypoint, circa 1900, on wove paper, signed and annotated 29 in pencil,...

ANDRZEJ FOGTT (born in 1950) He graduated from the PWSSP in Poznań in 1974 where he studied in the studios of prof. Z.Kępiński and M. Abakanowicz. Initially, his art was considered t...

In the recent years Maris Abilevs has been exploring the beauty of female shapes by using mixed media and various drawing techniques raging from expressi...

Garden is an original painting artwork in mixed media on paper realized by the Greek-French artist Alkis Matheos . Good conditions except for some diffu...

Title: Paseo de Sitges Artist: Jordi Curós Ventura (1930–2017) Medium: Oil on canvas Dimensions: 23.6 x 28.7 in Signature: Signed in the lower right corner Estimated date: 1980s or 1...

A Large, 1950s Mid-Century Modern Ink Drawing of Quebec City by Rudolph Pen. Artwork is formatted in a trapezoid shape, an innovative composition device for which the artist's work ...

This stunning large black and white ink painting of a Jack Russell Terrier dog, is a contemporary minimal portrait in black ink on Fabriano 300gsm paper. Ian Mason's portraits of d...

Compelling mid century nude figure study of a black woman reclining by Raul Anguiano (Mexican/American, 1915-2006), 1968. Signed and dated lower left hand corner "R. Anguiano." Presented in wood frame under plexiglass. Image size: 25"H x 34"W. Framed size: 35"H x 43.75"W. Raúl Anguiano was born in Guadalajara, Jalisco, on February 26th, 1915. He started drawing cubist pictures at the age of 5, taking as his first models movie stars, as Mary Pickford, Pola Negri and Charlie Chaplin. Anguiano first artistic influence or aesthetic emotion came from the Holy Family by Rafael Sanzio. At the age of 12, Anguiano attended Guadalajara's Free School of Painting under the tuition of Ixca Farias. From 1928 to 1933, he studied with the Master painter José Vizcarra, the disciple of Santiago Rebull and José Salomé Piña, and organised the group "Young Painters of Jalisco" with other artists. During this period, Anguiano worked with different kinds of models: workmen, employees and a few intellectuals like Pita Amor. In 1934 Anguiano moved to Mexico City. He began teaching in primary schools and taught drawing and painting at La Esmeralda academy and the UNAM School of Art. Anguiano was a member of the Mexican Artistic Renaissance movement which was started in the 1920's by the Mexican School of Art in which he belonged. This renaissance began with the San Carlos Academy movement -- among whose leaders were Ignacio Asúnsolo and Jose Clemente Orozco -- and which emerged out of the students' and teachers' discontent with the traditional paintings methods (academicism), and the close contact that the young artists had with the problems of Mexico and its people, explaining the marked critical realism to the painters of the time, including Anguiano himself. The same year, Anguiano received a commission to paint his first mural, Socialist Education, a 70 meters fresco located at A. Carrillo School in Mexico City. Other works followed, including Mayan rituals (oils on canvas and wood), for the Mayan Hall in the National Museum of Anthropology, and Trilogy of Nationality (acrylic on canvas and wood), for the Attorney General's Office. In 1936 he moved into his surrealist period, which lasted almost a decade. He painted circus performers and prostitutes. The most notable among his works of the time are: The Madame (gouche, 1936), The Clown's Daughter (oil, 1940), the Pink Circus Artist and the Grey Circus Artist (oil, 1941). Also during this period, Anguiano produced a series of drawings based on his dreams, with cold tones and silver-greys predominating. In 1937 Anguiano joined the Revolutionary Writers and Artists League. Together, with Alfredo Zalce and Pablo O'Higgins, he was also a founding member of the Popular Graphics Workshop, where artists practised a graphic style based on Mexico's folk traditions. This was due to the powerful influence of the recently discovered Jose Guadalupe Posada and Goya. Raúl Anguiano belonged to the so-called "Third Generation" of post-revolutionary painters, along with Juan O'Gorman, Jorge González Camarena...

Provenance: Family of the artist, studio sale. Framing options available upon request. Free US CONTINENTAL Shipping, incl Europe and Asia. Born in Paris, the French painter Paul Lec...

One of a kind painting by Noche Crist (1909-2004). Noche Crist was an American artist born in Romania. Acrylic painting is made with plaster on wood, which gives the painting a wonderful texture and depth. Painting is signed and titled on reverse "The Fountain of Youth...

Oil on canvas Salome Khubashvili is a Georgian artist born in 1995 who lives and works in Tbilisi, Georgia. In 2013, she graduated from the Painting Group at the Tbilisi Art School,...

Medium: Oil on Canvas Signature: Signed Lower Right Literature: Laurie Norton Moffatt, Norman Rockwell: A Definitive Catalogue, Norman Rockwell Museum...

Ernest Fiene China Town, 1925 Signed and dated to lower right ‘Ernest Fiene 1925’. Watercolor on paper 18 1/2 x 14 5/8 inches Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings from this trip were featured in an exhibition held at the First National Bank in Pittsburgh in October of 1937 by the Pittsburgh Commission for Industrial Expansion. Fiene said of these works that he formed rhythm, opportunity for space and color, and integrity in the Pennsylvania mill and furnace paintings. Fiene received the silver medal for one of the Pittsburgh paintings...

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

by Paul-Louis Bolot (French 1918-2003) original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tears whic...