Gem Paintings

In Mountain (2021), Iranian artist Soudeh Davoud blends abstraction and symbolism to explore the fragility and strength of human aspiration. The delicate lattice structure, rendered ...

I thought of these as paintings as “windows that look into a color-filled world that swirls, floats, sways, and breathes with constant motion. They reflect the way I observe the qu...

"Pinté por primera vez estas obras porque no sabía qué pintar o qué podría pintarse. Se trata, ciertamente, de un comienzo desdichado que no conduce a nada significativo. Sin embargo...

This artwork was created layering and blending thick layers of blues, green, turquoise and gold over canvas, completed with glossy effects! Ready to hang, signed. I include a certifi...

Transparent and Bold Colour Application , so many layers use in this painting. I really enjoy this Painting Process :: Painting :: Abstract Expressionism :: This piece comes with a...

Berlinetta is a deeply textured work of abstract art. The relaxing arrangement of circles contrasts nicely with the bold and exciting color palette. Signed on the lower right side...

The sculptural artwork is a portrayal of a religious scene, featuring Moses holding the iconic Ten Commandments, infusing the piece with a sense of depth and symbolism. The rich tex...

Mirror Pearls is an oil painting on prepared paper, sheet size 12.25 x 16.25 inches, signed, titled and dated verso, 'Ben Weiner Mirror Pearls 2019' and framed in a contemporary white frame. Connecting two opposing styles—abstraction and photorealism—Ben Weiner creates hyper-detailed, lush paintings and videos of extremely magnified consumer products, including hair gel, chemical food additives, and deodorant. In his work, he presents such meticulously rendered, close-up views of his subjects that they read as pure abstractions. A through-line in Weiner’s various bodies of work is contemporary culture’s obsession with bodily enhancement through chemical products—whether by using hair products or taking illegal drugs. "My paintings of pearls and hair gel merge varied notions of art as creation with biological and mythological concepts of creation. Visually, the pearls seem to emerge from the hair gel, suggesting biological processes such as cellular division, or the primordial soup that preceded life on earth. The all-over, abstract qualities of the hair gel recall the abstract expressionists’ concepts of the sublime art object and art as a transcendent act of creation. Additionally, the pearl itself is a naturally produced object of profound beauty. I use it to symbolize my understanding of creation as a feminine power, intrinsically linked to beauty (as in Boticelli’s The Birth of Venus). Finally, the pearls are an ode to Audrey Flack, one of my early artistic influences." - Ben Weiner Ben Charles Weiner (b. 1980) is a New York based contemporary artist. His work bridges the seemingly opposite styles of hyperrealism, and process-based abstraction. Mr. Weiner has exhibited his work widely in the US and internationally, at institutions including The Carnegie Art Museum, The Aldrich Contemporary Art Museum, The Boca Raton Museum of Art, and The Tarble Art Center. His work is in public collections including Microsoft, Sammlung/Collection, Progressive Insurance, and The Frederick R. Weisman Collection...

Natalia Aandewiel (Ukrainian, born 1996) "Across the Ocean" 2024 Oil Paint, Canvas, Stretcher Bars The artist signed the back of the painting. Natal...

The European Academy recognized still-life painting as the lowest form in its hierarchy. Being the depiction of the things of everyday life, it was considered a poor container for th...

Pitanius "Magical Realism" 2021 Japanese Sumi Ink on Paper. 22" x 28" inches. Artwork comes with the frame. About the artist Pitanius was born in 1...

This painting acts as a bridge between the past and the present, embodying the echo of primitive culture through modern art. Here we see symbols and signs carved into the stony surfa...

“Bruise Storm II” captures the visceral tension between turbulence and stillness, echoing the inner storm of the body and the soul. The painting fuses the emotive force of abstract e...

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York ...

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York ...

Francesca Fuchs Green Crystal, 2018 acrylic on canvas over board 16 x 22 1/4 in (40.6 x 56.5 cm) This work is from a series called How to Tell the Trut...

Oil on canvas Neliko Mamuchashvili is a Georgian female artist born in 2004 who lives and works in Tbilisi, Georgia. She is looks for forms and rhythms that serve as a metaphors of ...

On my trip to Petersburg I visited Peterhof placed in Finnish gulf. I was very impressed by the mystic, uneasy atmosphere of the place that was in sheer contrast to the flamboyant pa...

Rachel's aluminium resin paintings are constructed in layers. Initially in a gestural manner, then becoming more complex with each layer. By adding colour and cells she partly obscur...

Original Painting by Samuel Hung Samuel Hung (b. 1981, Taiwan) is a New York-based artist currently living in Brooklyn. He earned his BFA from the Art Center College of Design, Pasa...

A curated collection of a variety of eye-catching birds' eggs. :: Painting :: Realism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready t...

What is found in my paintings is nature's ability to change independently of the action of humanity, from its origins to today. The formation of the oceans, the origin of water on E...

Abstract with shades of green, and gloss finish. Created using palette knifes and fine paint layers. Signed in front. Ready to hang I include a certificate of authenticity that li...

Oil monotype on paper

'Early October' is an Abstract Expressionist painting on Canvas board/MDF, Triple Primed, Acid Free, 3mm Deep, 260 gsm. :: Painting :: Abstract Expre...

One of my new paintings, done at my recent residency at the Baltic Sea, where we had a lot of changing lights, dramatic skies and wind... This abstract painting shows approx. 50 t...

Islands of Verdant Greens - highlighted with a touch of silver - Abstract on Paper / Fresh - Harmony - Beauty - Tranquil / Frame or Mount to your decor / Large Size - High Quality Ma...

No Time for Questioning is an acrylic painting on 24 x 24" canvas, signed 'RENÉ LALONDE' lower left and framed in a contemporary maple wood frame. It is difficult to categorize the ...

Acrylic on Canvas, framed to Guild of Framers Museum Standard. :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: R...

Reflection Pearls II is an oil painting on prepared paper, sheet size 29.75 x 41.25 inches, signed, titled and dated verso, 'Ben Weiner Reflection Pearls II 2019' and framed in a contemporary white frame. Connecting two opposing styles—abstraction and photorealism—Ben Weiner creates hyper-detailed, lush paintings and videos of extremely magnified consumer products, including hair gel, chemical food additives, and deodorant. In his work, he presents such meticulously rendered, close-up views of his subjects that they read as pure abstractions. A through-line in Weiner’s various bodies of work is contemporary culture’s obsession with bodily enhancement through chemical products—whether by using hair products or taking illegal drugs. "My paintings of pearls and hair gel merge varied notions of art as creation with biological and mythological concepts of creation. Visually, the pearls seem to emerge from the hair gel, suggesting biological processes such as cellular division, or the primordial soup that preceded life on earth. The all-over, abstract qualities of the hair gel recall the abstract expressionists’ concepts of the sublime art object and art as a transcendent act of creation. Additionally, the pearl itself is a naturally produced object of profound beauty. I use it to symbolize my understanding of creation as a feminine power, intrinsically linked to beauty (as in Boticelli’s The Birth of Venus). Finally, the pearls are an ode to Audrey Flack, one of my early artistic influences." - Ben Weiner Ben Charles Weiner (b. 1980) is a New York based contemporary artist. His work bridges the seemingly opposite styles of hyperrealism, and process-based abstraction. Mr. Weiner has exhibited his work widely in the US and internationally, at institutions including The Carnegie Art Museum, The Aldrich Contemporary Art Museum, The Boca Raton Museum of Art, and The Tarble Art Center. His work is in public collections including Microsoft, Sammlung/Collection, Progressive Insurance, and The Frederick R. Weisman Collection...

My Reflection 50.0 x 28.0 x 0.25, 5.0 lbs Oil Paint Signed by artist Artist's Commentary: "If you love someone who looks like you, you are a reflection of a mountain in a pond. ...

Born August 4, 1945 in Chambéry. Apprenticeship in 1984 at the Etampes school founded and run by the painter Philipe Lejeune. -Price "Finez Planard" awarded by the Taylor Foundation...

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York ...

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York ...

My paintings are layered bursts of energy inspired by nature’s movement, blending the here and now with memories. Forms and lines fall into a sea of emotion. Shapes and reflections d...

watercolor on paper 28"x40" (available framed) This is a depiction of the asteroid Ida and its moon, rendered in watercolor by the artist Thomas Broadbent. Thomas Broadbent ...

Oli Sorenson’s solo exhibition, «Après moi, le déluge » discloses a series of impactful works on the deadly perils of capitalism through a group of paintings, prints, watercolours, and installations. The title draws a parallel between our times and Louis the XV’s sentiment, the French king’s citation indicating his disconnect with what chaos he left in the wake of his excesses. The same phrase was later revisited by Marx to stigmatize the bourgeoisie of his era, as the leitmotif of the flood strongly features throughout history and human consciousness from past myths to our very factual and impending future. Biblical creatures were punished for their sins by torrents, and today with climate change, we are also faced with rising seas and historic inundations worldwide. Hence the mood of Sorenson’s show reflects our anxieties in the face of natural disasters and the weight of the Anthropocene—the impact of human activities on the Earth’s ecosystem—bearing down on our collective psyche. Sorenson’s oeuvre depicts a myriad of humanitarian crises occurring as we stand on the edge of an ecological precipice. We find evidence of this pending collapse in African mining industries with Blood Diamond...

I made these paintings in response to a prediction for a change in the colour of the sky and oceans as a consequence of man-made climate change. This idea described by Peter Ward in his book Under a Pale Green Sky is based on his study of the great mass extinction events of the past. For many of these extinction events the earth’s chemistry changed the sky to green and the oceans purple. My personal memories are often tied to colour – my first recollection is of an orange cup...

Oil on paper

Tracey Harnish Untitled (green), 2010 Acrylic on canvas 4 x 4 in SKU: TH0002 bg gallery

This work is a poignant metaphorical representation of the American social climate in which Long was raised, educated, and experienced. Bert L. Long Jr., was self-taught artist, was...

Watercolor on paper, framed. Dark Night, 2020, watercolor, oil pastel, black, frame, landscape, fantasy, blue, creature. Framed and matted, frame size measures 24" x 35.75" x 1.25" ...

JULIE HEDRICK GREEN OM, 2012 oil on canvas 78 x 78 in. 198 x 198 cm.

Kiln formed glass, engraved with silvered paper.