Head Paintings

LOOKING AT STRANGERS TO FIND MYSELF Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...

"Dear Chips" by David Craig Ellis Acrylic paint on hardboard, framed Since the early 1990s, David Craig Ellis has been involved in the NYC downtown art sc...

Contemporary emerging artist Min Ying was born in 1995. He is now a creation researcher of Sichuan Poetry and Calligraphy Painting Academy...

In her portraits, Paulina Archambault (1976, lives and works in Viriginia/USA) searches for the purest human emotions. To do so, she likes to reach back to her childhood. By being as...

[ New Orleans, LA :: b.1959, Augsburg, Germany ] In 1959, Ruth Owens was born to a young German woman and a Black serviceman from Georgia. The nomadic military lifestyle of her chi...

If you had to put Skele in a category, you could say he is a neo-expressionist artist. He loves working in various mediums, but primarily layers spray paint, acrylic paint, and oil p...

This work was featured at ComplexCon 2019 - November 2nd and 3rd in Long Beach, CA.

Amanda Joy Brown is a visual artist and educator based in Nashville, TN. Brown earned her MFA in the painting program at the Savannah College of Art and Design. During her time there...

Butterfly hunting 2001, wood, oil, 50.5x34 cm

Mario (Grin) 2018 16”x16.5”x1.25” inches Sumi ink and pencil on Japanese Washi Paper Mario, the main character from the Super Mario Bros. video game is one of the most recognizable images and a true archetype of our contemporary society. This traditional hand-drawn portrait of Mario in ink on paper, renders his likeness akin to a snapshot, or cell, removing him from the digital realm and freezing him in our tangible world of reality. Shelter Serra’s paintings, sculptures, and drawings explore mass consumption and cultural identity. He juxtaposes subject matters that are both common and recognizable: a Campbell's Soup Can, a copper plated baseball hat, and a Hermes Birkin bag...

Halo presents an amazing cast of historical black figures, most of whom were legendary and mythic characters in their time, but have been nearly lost to the vagaries and biases of hi...

With a strong emphasis on drawing, both as a medium itself and as an intrinsic part of his painting process, Diogo Barros Pires creates expressive renderings of the contemporary subj...

Artist/Designer; Manufacturer: Sabino Guisu (Mexican, b. 1986) Marking(s); notes: signed, marking(s); 2014 Materials: smoke on canvas Dimensions (H, W, D)...

Seated Nude by George Grosz (1893-1959) Oil on canvas 9 ½ x 5 ½ inches unframed (24.13 x 13.97 cm) 15 x 12 inches framed (38.1 x 30.48 cm) Signed on bottom...

Jim’s of Lambertville is proud to offer this artwork by: Josef Zenk (1904-2000) Josef Zenk was born in New York City in 1904. After graduating from high school, he studied for thre...

LOOKING AT STRANGERS TO FIND MYSELF Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...

LOOKING AT STRANGERS TO FIND MYSELF Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...

LOOKING AT STRANGERS TO FIND MYSELF Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...

LOOKING AT STRANGERS TO FIND MYSELF Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...

LOOKING AT STRANGERS TO FIND MYSELF Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...

Santos art education is worldly, and his work has been seen around the globe, from the Museum of Contemporary Art in Sicily, Italy and the Beijing museum in...

A portrait of Sasquatch (Harry from Harry and the Hendersons, Universal Pictures, 1987) Developing almost simultaneously with my appreciation of mannequins, I fell in love with what...

PORTRAIT IN SEPIA Size: 72 x 56 cm (including frame) Oil on Board A large and striking mid century modernist portrait in oil, painted onto board. With a very distinctive dark sepia...

Doors knocker. Oil on canvas, 90x63 cm The artist Vadim Kovalev was born in 1968 in the capital of Latvia, Riga, where he is also presently living and creating his works. When Vadi...

Rain. Oil on canvas, 90X65 cm The artist Vadim Kovalev was born in 1968 in the capital of Latvia, Riga, where he is also presently living and creating his works. When Vadim was fiv...

Ginger Williams Cook is a painter, published illustrator, and arts educator based in Jackson, MS. Her paintings have been featured in numerous exhibitions, publications, and media. G...

Two boys floating on the water. The uncertainty of the image induces the viewer to think about a boy swimming in the sea as well as about a memory from a dream, where the base concep...

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899 - 1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon ...

oil painting on canvas, Fu.. me 92 cm x 65 cm France, 2010

"Pharaoh Group" Oil Painting 13" x 17" inch (1955) by Shaaban Zaki Shaaban Zaki came from a lower-middle-class family who was mostly government employees, but he was distinguished f...

Guy Pène du Bois, 1884 - 1958 French Gardener, 1929 Oil on canvas Signed and inscribed: Pere Martin/Guy Pène du Bois/1929 Provenance: The Estate of Guy Pène du Bois Below is an excerpt from Guy Péne du Bois diary titled 'Artists Say the Silliest Things': “Our landlord and gardener, Pere Martin, who owned a considerable amount of land thereabouts, had been a butcher in the Batignolles section of Paris during the war. [WWI]. He was called hard and miserly in the neighborhood, a too shrewd bargainer, but he accepted two francs and hour, then eight cents in our money, to work the garden. He could be shrewd. When Kellogg was signing the peace pact in Paris, a sham battle of aeroplanes clouded the sky above us. Old Pere Martin rested on his hoe and pointed up, shrugging his shoulders with clownish exaggeration, ‘Monsieur Kellogg.’ It typified the talk on war of the countryside. During the last one he had delivered a magnificent pot au feu...

Russian authorities. 2002, oil on canvas, acrylic, collage, 60x40 cm Igor Leontiev (1957) - one of the leading independent painters in Latvia Born in Riga, Latvia. Studied in the A...

ISTVÁN CSÓK 1865-1961 Pusztaegres 1865-1961 Budapest (Hungarian) Title: Portrait of a Girl Playing Cards, ca. 1930's Technique: Original Signed Oil Painting on Panel size: 60 x 5...

Kevin Frank statement: For me, combining the techniques of the ancient Greco-Roman painters with those of the old and new masters help to create unique modern images. As with all enc...

A masterfully painted scene originating from the artist's studio In this painting, Langaskens brings together several motifs that were also the subject of his graphic work: the blind man, the priest, the nun and the farm that also appears in the famous etching "les toits rouges" (the red roofs). These elements are brought together in a dynamic and colourful composition, where the similarities to that other Belgian painter, Anto Carte, are striking. Combining these elements in this way creates a certain tension. Is the work about mercy (helping a blind man), or are we spectators of a scene where a poor wretch's purse is stolen? Striking is the use of impasto, in which the painter emphasises the texture of fabrics and skin via flowing lines. Maurice Langaskens 1884 - 1946 Biography A Belgian painter and printmaker, Maurice (Maurits) Langaskens enrolled in the Académie Royale des Beaux-Arts in Brussels in 1901, and was trained as a decorative painter by the leading Belgian muralist and sculptor Constant Montald. From early on, Langaskens was recognized as a fine draughtsman, and won several prizes at the Académie. After living and studying for a few months in France in 1906, mainly in Dijon, the young Langaskens settled in Schaerbeek, outside Brussels. He began his independent career in 1907, when he exhibited three decorative paintings at the Salon in Brussels for the first time and also had an exhibition of his work shown at the Salle Boute in the city. The following year he contributed six paintings to the 16th annual exhibition of the Belgian artist’s association ‘Pour l’Art’ in Brussels, where he was to exhibit frequently over the course of his later career, until 1941. (Langaskens also designed the poster for the 17th ‘Pour l’Art’ exhibition in 1909.) Also in 1908, one of his paintings was selected for an exhibition of modern Belgian art in Berlin. Much of Langaskens’s early work was in a vibrant and visually arresting Art Nouveau or Symbolist style. This bold and colourful manner also translated well into large-scale mural commissions, and he soon became one of the leading painter-decorators of the early 20th century in Belgium. His decoration of the town hall of the city of Zoutleeuw in 1912 earned the artist considerable fame and the praise of his teacher and mentor Montald: ‘He was one of the best students in the class; today he is the most outstanding artist among the decorators of our time.’ The same year the first of several exhibitions of Langasken’s work was mounted at the Cercle Artistique et Littéraire in Brussels. The outbreak of the First World War, however, brutally interrupted the rise of the artist’s successful career. Drafted into the Belgian army at the beginning of August 1914, Langaskens was captured by the Germans after less than a fortnight. He spent the next three and half years as a prisoner of war, at internment camps at Sennelager, Münsterlager and Göttingen. He produced numerous, mostly small-scale paintings and watercolours of portraits and depictions of many of his fellow prisoners, as well as scenes of daily camp life, that are today regarded as among his finest and most personal works. It was also during this period that he painted two of his best-known pictures, the large canvas In Memoriam, painted in 1916 and depicting the burial of a Belgian soldier by his comrades, and the monumental triptych Repose en Paix, painted between 1915 and 1918. After his liberation and return to Belgium, Langaskens exhibited over eighty of the paintings and drawings that he had produced as a prisoner of war at the Galerie Sneyers in Brussels in 1918. After the Armistice, Langaskens - suffering from aphasia and nervous disorders brought about by his long confinement - painted mainly easel pictures of winter landscapes, rustic genre scenes and floral subjects, and also produced a number of designs for tapestries, book illustrations and stained-glass windows. Within a few years, however, his health had recovered and he returned to undertaking large-scale decorative mural commissions. In 1920 Langaskens was one of the founders, alongside Montald, Jean Delville, Emile Fabry...

RESISTE - 2019 30 x 20 cms Techniques mixtes sur toile coton Signé au dos par l'artiste / avec son certificat PRIX: 550 euros

Wonderful young standing life size realist girl with peacock by Elias Delman (1898-unknown). Oil on canvas, circa 1910. In a period frame, overall with frame 51x43 inches and image...

This work along with its companion piece "Listen Here", exemplify Conde's unique pop realist style. They are to women speaking to each other. Though they can stand alone they appear ...

Halo presents an amazing cast of historical black figures, most of whom were legendary and mythic characters in their time, but have been nearly lost to the vagaries and biases of hi...

A model standing in a studio putting on, or taking off, her clothing.

Acrylic painting on paper Hand-signed lower right Unique work THE THOUSAND AND ONE NIGHTS OF MOHAMMAD ARIYAEI " Gentleness and oriental wisdom follow the supercharged bubbling to w...

Conde again wows us with the sheer beauty and of his subjects and pop realist technique. This work, "Listen Up" is the companion piece to "I Heard". Though they are not a diptych pe...

A pair of Portraits of a Rabbi by José Schneider (1848-1893) Oil on canvas 2 parts, 21.2 x 18.4 cm (8 ³/₈ x 7 ¹/₄ inches) each Signed lower left on second panel, José Schneider

I only make original works. Each is a one of a kind so you will have the only one! My artwork is my emotions and you can see that emotions on the canvas - You can experience it each...

We can see a very expressive woman who looks very angry, very interpretable.

"Encountering the work of Ian Cumberland is a peculiar, unsettling experience, as if the viewer has intruded into a 'space' and a 'moment' to which they...

Signed with initials upper left

Artist self portrait in mirror

Pintura

Original painting with custom frame from the artist. Hand signed, dated and finger printed by the artist. Image size: 24 x 21 inches. Frame size: 36 x 32.25 inches. Artwork is in...

Oil painting on paper of F. Murray Abraham as King Lear from his performance in the "King Lear" in the 1990s.

An elderly fruit vendor in Trinidad Cuba. :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: ...

I see each painting as a portal in life, a gateway to new experiences and perspectives, triggered by simple conversations or significant milestones. It fascinates me how viewers conn...

This work is from the artist's SOCIAL series, based on the iconic Cuban magazine of the same name. Conde, uninterested in painting his home town of Havana as it currently is, hearkens back to the heydays of Cuba, time of SOCIAL magazine. Conde has revived SOCIAL magazine, if only in his head, and is creating 240 new covers for the magazine. He will symbolically close the magazine on the date of the revolution. The artist often uses gold, silver and palladium leaf in the works to symbolize the power and wealth which Cuba once possessed. In this work, SOCIAL "I", a stylized woman from a bygone era has plucked the silver I from the word SOCIAL, in the background the pattern is representative of the ever present Cuban tiles.

I see each painting as a portal in life, a gateway to new experiences and perspectives, triggered by simple conversations or significant milestones. It fascinates me how viewers conn...

Very cool, 16x12 portrait of a death row inmate from Leavenworth in the early part of the century :: Painting :: Impressionist :: This piece comes with an official certificate of aut...

JACQUES CHAPIRO 1887-1972 Dvinsk, Belarus 1887-1972 Paris (Russian / French) Title: Vase of Flowers / Woman by the Mirror, circa 1930's Technique: Original Signed Double Sided Oil Painting on...

Oil painting on canvas Unique work Hand-signed lower right by the artist