Head Paintings

Signed to the lower right. On canvas on stretchers.

Alexander O. Levy was a painter, illustrator, printmaker and designer who was born in 1881 in Bonn, Germany. He died in 1946 in Buffalo, New York. At age three, he was brought to ...

Strength is not always measured by the noise we make, the battles we fight in the open, or the weight of the words we speak. Sometimes, true strength is found in stillness—in the gra...

French school of the 20th century, portrait of elegant, oil on canvas monogrammed and dated E.B. 1931 lower left. The monogram E.B. is also repeated on the back of the canvas. The...

This is a hand cut and hand painted artwork by Italian artist Riffblast. It’s signed on the back as an original work of art ready to hang with frame.

Up for sale is an original antique 19th-century oil painting on canvas depicting a scene in the interior of a house with a male figure dressed in a traditional hooded robe seated at ...

'Prisms of Identity: A Portrait Series I', Florentine School (circa 1980s-90s). This new collection represents some of the most appealing works we have acquired to date from our Flor...

Antique Indian Mughal portrait of a Prince, late 18th cent. , by repute possibly depicting Maharaja Vijay Singh of Marwar (1729 - 1793) Rajasthan, circa 1800’s The Maharaja is ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique; this is not a print or other type of copy. Accompanied by a Certificate of Authenticity. (Issues b...

This is a wonderful example of Louis Bouché's charming Nude portraits. The artist was truly a master of capturing the energy of the times, and character o...

This work is offered by CLAMP in New York City.

Pauwels Franck, known as Paolo Fiammingo (Antwerp, 1540 - Venice, 1596) Venus lying in a landscape Oil on canvas 116 x 150 cm. In antique frame 136 x 170 cm. The work is accompanied by a critical card by Dr. Federica Spadotto The splendid painting proposed sees portrayed, bare and stretched out on a red brocade cloth in gold sprinkled with roses, a refined and sensual Venus, in a composition with a profound symbolic value, and arriving at the perfect representation of the Renaissance woman who, like Venus, becomes an allegory love, eros, beauty and fertility. The canvas is part of the prestigious Venetian artistic and cultural environment of the second half of the sixteenth century, whose distinctive distinctive trait can be traced back to its cosmopolitan vocation. This characteristic, as Dr. Spadotto noted in her in-depth study, belongs to the same physiology of the Venetian capital, that is, being a distinctly commercial city located in a strategic point with respect to trade. Representing one of the liveliest ports in the Mediterranean also meant witnessing the continuous passage not only of goods, but of men, ideas, suggestions from distant countries, which influenced not only the taste of their people, but above all art. This happened thanks to the circulation of prints, as well as pictorial specimens, to which are added the stays of great foreign artists and, above all, the permanence in the capital of a non-negligible number of Dutch, Flemish and German masters. An emblematic case in this regard comes from Pauwels Franck (Antwerp, 1540 - Venice, 1596), better known as Paolo Fiammingo, who established himself in his native city at a young age - in 1561 a figure enrolled in the Guild of San Luca - and arrived in Venice in 1573. . He resided in Venice from 1584 until his death, although the stylistic and formal references of some of his works have led critics to believe that in previous years he had undertaken a journey to central Italy, or to Florence and Rome, where he would have metabolized the lively cultural debate that permeated these cities and which, on the other hand, seemed completely absent in Venice. Here Paolo will be fascinated by the sense of color and by the atmospheric component fixed on the canvas by Jacopo Tintoretto (Venice 1518 - 1594), of which he becomes a collaborator, to undergo, around 1590, the suggestion of Paolo Caliari...

This captivating oil portrait from the late 18th to early 19th century depicts a mysterious charming young woman, painted by an unknown but clearly professional master, presumably Fr...

Rooted in introspection and emotional nuance, Xenia Gray’s figurative mixed media works capture the quiet tension between solitude and connection. Her paintings often depict the huma...

A striking composition that fuses American nostalgia with contemporary energy. A red barn with a flag, a vintage light-blue car, and a young woman in denim holding a drink embody f...

"Sergei," an original oil painting on canvas created in 2016 by Viktoria Savenkova, is an expressive realist portrait rendered with skillful precision and emotional depth. Measuring ...

Signature bottom right Frederick Arthur Bridgman was born in Tuskegee, Alabama, then later moved to Boston and New York. Before long, he had enlisted a group of Brooklyn businessme...

Elegant Victorian original oil portrait of Mrs. Rogerson by John Charlton Robert Azensky Fine Art is pleased to offer this fine example of Victorian portraiture of Mrs. Frances Mary...

Jacob Dhein's (US based) "Nude with Light Blue" is an oil painting that depicts a nude female figure with her black robe parted with a white patterned background Bio/artist statement: Jacob Dhein was interested in art as a child. Crayons and colored pencils were his tools of expression. He spent hours intricately crafting drawings of comic book heroes and animals. By the time he graduated from high school, one of his drawings was exhibited on the wall of a local bank. It wasn't until he was a sophomore at the University of Wisconsin-Oshkosh that he decided to take a drawing class. He found this so compelling that he continued with sculpture and painting. During this time he met several accomplished and influential artists who encouraged him to pursue a career in art. Tc Farley...

This exceedingly charming mid-18th-century English oil painting depicts a girl wearing a red gown with a train over a white petticoat. She’s holding a posy or nosegay. Evidently once commissioned for an English country house, the identity of this young lady remains a mystery. Her gown appears to be inspired by the popular ‘robe à la française...

The Virgin of Kataphyge with Saint John the Evangelist, after a Bulgarian Byzantine icon of the 14th Century. Egg tempera and gold leaf on gesso and wood. Author: Oliver Samsinger...

A charming 18th-century oil study depicting a woman gathering wheat in the fields. Part of a pair of oils of women harvesting by the same hand. Unsigned. On panel.

Mary Cassatt 1844–1926 American Smiling Sara in a Big Hat Holding Her Dog Signed "Mary Cassatt" (lower right) Pastel on paper “I love to paint children. They are so natural and t...

[Bruce Sargeant (1898-1938)] Two Men on Beach is a painting by the artist Mark Beard which depicts two men in speedos standing on a beach. n.d. Signed i...

[Hippolyte-Alexandre Michallon (1849-1930)] Oil on canvas Signed in red, l.l. 48 x 60 inches, canvas size 54 x 66 inches in gold leaf frame 61 x 74 x 6 inches, framed This artwork is offered by ClampArt, located in New York City. “By his own account, the most ambitious work of Michallon’s career was a thirty-foot canvas depicting Noah’s Ark, which he exhibited in the Salon of 1875, where it went unmentioned by the critics. Preparatory work for this elaborate composition took him frequently to the Jardin des Plantes, where he made painstaking drawings and oil sketches of the animals on view. These studies were enthusiastically remarked upon by visitors to his studio, some of whom counseled him to give up history painting altogether and pursue the less dignified but presumably more lucrative career of animal painter. Following this advice, and profiting from the tremendous vogue in 1880s Europe for all things African...

The Artists Model Interior Scene French School, circa 1970's oil painting on card, unframed inscribed verso size: 25.5 x 18 inches condition: overall very good, a very few light mark...

American School, Portrait of a Woman, Oil on Burlap, circa 1920, apparently unsigned, painted wood frame. Image: 23.5" H x 26.5" W; frame: 27.75" H x 30.75" W.

A beautiful signed 1960's Belgian oil on board portrait of a lady wearing a blueb jumper against a striking orange background, by Noëlle Verheggen. Possibly a self portrait of the ar...

A thoroughly charming oil showing a young girl teaching a little boy to knit using red wool. The artist has beautifully captured the tutorial tilt of the girl's head and the inquisit...

Marcello Venusti (Mazzo di Valtellina 1510 - Rome 1579) workshop/circle Saint John the Baptist Oil on canvas (65 x 50 cm. -  In frame 74 x 58 cm.) The work depicts Saint John...

Lady is an orignal modern artwork realized by Antonio Feltrinelli in the 1930s. Mixed colored oil painting on canvas. Not signed. Antonio Feltri...

Antique Male Academic nude painting Henri Brugnot with exposition label (1st prize). by Henri Brugnot (1874-1940) Oil on canvas board 15" x 30" The lab...

this painting perfectly encapsulates the artistic Parisian Montparnasse bohemianism of the 1920s and 30s. We see a beautiful but certainly nonchalent woman seated on a day bed in the...

Joyce Roybal, American (1955 - ) - Three Woman Band, Medium: Oil on canvas, signed lower right, Size: 8 x 10 in. (20.32 x 25.4 cm), Frame Size: 12.5 x 14.5 inches

It's the dream. One going back centuries. The glossy canals instead of streets reflecting the delicate hues of adjacent buildings, yes. But especially when these waterways are dotted...

A finely detailed silhouette of a Victorian gentleman. Attributed Frederick Frith (1819-1871) The Reverend James Metze, bust length, turned to the left, wearing coat and cravat wate...

Escuela italiana; finales del siglo XVI, Siguiendo modelos de ALESSANDRO ALLORI (Florencia, 1535 – 1607) "Virgen Dolorosa". Óleo sobre tabla. Presenta faltas restauraciones. Medi...

Andrea Vaccaro (Naples, Italy, 1604 – 1670) Title: Penitent Magdalene Year: 1630-1635 ca. Medium: Oil on canvas Dimensions: without frame 75 x 62 cm – with frame 87.5 x 74.7 x 5.5 cm...

Skull, Original Signed Contemporary Black and Green Painting 18" x 18" x 0.75" (HxWxD) Acrylic on Canvas Hand-signed by the artist. Finished with a gloss varnish. A black background allows the subject matter of this acrylic painting by artist Lindsay Hall, a human skull, to both pop forward and recede into the background. There is an amount of chiaroscuro happening on the left side of the skull, keeping it in shadow, falling into the depths. An item in a cabinet of curiosities, this memento mori work serves as a pausing point to sit and reflect on one's own mortality. The green tones to the white of the skull give this work an interesting dimensionality to it, almost imbuing it with life, ironically. The black background is reminiscent of artists like Caravaggio and the subject matter is highly reminiscent of Van Gogh's Skull of a Skeleton with a Burning Cigarette. Artist Commentary: I painted this when I lived in Richmond, VA above an oddities shop. Being in such close proximity to various curiosities like taxidermied animals, preserved animal organs, coffins, and the like definitely kept my mind in the spooky mood all year round. The building itself was black and had a giant grim reaper...

From the artist: "The symbol of the Apple has held significance for humans throughout recorded history. In the bible it represents the forbidden. It was used by Newton to explain gra...

WWI American Scene Ashcan Modern 20th Century Historical Realism Industrial WPA "Constant Driving Will Win the War," 30 x 40 inches. Oil on canvas. Signed and dated 1918 lower right. In 1905, Gerrit Beneker began his art career as an illustrator. He married Flora Judd, his high school sweetheart from Grand Rapids and they moved to Brooklyn, NY. Gerrit's early passion was to create an art that would inspire and provide honor to the workingman. As such, he had no interest in painting portraits of pretty women, which were so often seen on the magazine covers of the day. Rather he wanted to seek out workingmen on the bridges, tunnels and skyscrapers of NYC, and paint them in their environments. He completed over 150 magazine covers, numerous ads including many for Ivory Soap...

Oil on paper realized by Luigi Granetto in 1998. Hand signed. Includes a wooden frame realized by the artist cm. 50x40

“Reflection” is a finely rendered oil painting by Dave Seeley, created in 2023. Measuring 16.5 x 13 inches, this striking portrait is painted on canvas mounted to panel and comes hou...

Title: "Theseus and the Minotaur II" Artist: Derek Overfield Revisiting a subject from 2016, this painting portrays the brutal encounter between the hero Theseus and the monstrou...

Signed center right N Diaz. All of our works are covered by our own guarantee of authenticity which covers the work for its lifetime of ownership with the purc...

Italy : Venetian school of the 17th century Saint Jerome wit a Lion, circa 1620 Oil on panel Unsigned On wood board 49 x 30 cm Good condition, accidents/wear (see photos)

Artist/ School: Rene Leroy (French b. 1932) Title: Figurative sketch of figure Medium: oil painting on canvas Size: painting: 7 x 5.5 inches Provenance: all the paintings we have...

Circle of Graciela Rodo Boulanger. Woman Walking Dog, ca. 1970. Oil on wood panel measuring 5 x 7 inches; 12.25 x 14.25 inches framed. Signed indistinctly upper right.

Portrait of a Lady French School, fauvist style indistinctly signed circa 1920's period oil on canvas, unframed canvas: 22 x 18 inches provenance: private collection condition: very ...

Snow White and the Seven Dwarfs in a landscape, Mid century oil on wood panel. This vibrant and charming painting vividly portrays a whimsical forest scene featuring Snow White and ...

Very finely painted early 1900s American impressionist portrait painting by Alexander Oscar Levy (1881 - 1947). Oil on canvas, lain to board. In excellent original condition. Hand...

Portrait of a woman with jewelry, early 18th-century Dutch school by painter Gérard Wigama (1673-1741). Monogram in the lower right corner on the base of the GW column. Fine Arts exp...

Ludovic Alleaume 1859-1941 French Leda and the Swan Oil on canvas Signed (lower left) This spectacular circular composition by Ludovic Alleaume presents one of mythology's most e...

Splendid Italian painting from the first half of the 17th century. Oil on panel artwork of remarkable pictorial quality depicting Christ carrying the cross. The subject found particu...

Carlos Gamez de Francisco’s "The House at the End of the Road" is a striking blend of hyperrealism, figurative surrealism, and imaginative narrative art. This 12-inch round acrylic p...

Pastel on silk by Elizabeth O'Neill Verner. Verner (December 21, 1883 – April 17, 1979) was an artist, author, lecturer, and preservationist who was one of the leaders of the Charle...

This artwork "Mother and Child" c 1940 is an oil painting on hardboard by noted American artist Victor Thall, 1902-1983. It is signed at the lower right corner by the artist. The board size is 23.5 x 15.5 inches, framed size is 37 x 28.5 inches. Framed in original gold wash frame, with fabric liner. The painting is in excellent condition, the frame has some minor restorations. About the artist: Victor Thall belongs to that unique American brand of rugged individualist. Working closely for a time with such painters as Gorky and de Kooning, Thall wasn't content to join the burgeoning American clique of Abstract Expressionism. Instead, on the eve of its international recognition, he abandoned New York, making a worldwide tour of indigenous cultures attempting to find a solution to the crisis of abstraction. Thall felt that painting needed to communicate in a way that Abstract Expressionism could not. Using parts of its vocabulary, Thall created work that was modern in spirit but based on fundamental traditions that he believed connected the whole history of art. In this way he resembled his contemporary Max Beckman, and it is fitting that Thall was chosen with Beckman by The New Yorker art critic Robert Coates as the best painter of the 1949 Whitney Annual. Fiercely uncompromising in his opinions, Thall sadly fell into obscurity in his later years. Yet it was a willful obscurity. But America does eventually honor her difficult individualists, even if sometimes years after their deaths. Victor Thall was born in New York in 1902. He studied at the Art Students League under Arthur B. Davies, George Bellows, George Luks, and John Sloan. Further studies were at the Pennsylvania Academy of Fine Arts. He left for Paris in 1924 continuing his studies at the Ecole des Beaux Arts and the Academie Julien. Returning to the United States in the early 1930's, he became friendly with Willem de Kooning and Arshile Gorky. He participated in the WPA New Deal Art Project of New York City between 1935 and 1939. He taught at the Art Students League in the late forties and was represented in the Whitney Annual of 1949 and 1950. His paintings are in numerous private collections in the United States and Europe. He died in 1983. Education: 1914 -1927 Art Student's League - Studied with:Arthur B. Davies, George Bellows, George Bridgman, George Luks, Von Schlegel, Robert Henri, John Sloan, Frank Vincent du Mond. Pennsylvania Academy of Fine Arts - Studied with:Arthur B. Carles, Henry McCarter Ecole des Beaux Arts - Paris; Grande Chaumiere - Paris; Academie Julien, Paris Teaching: 1947 -1949 Art Students League Selected Bibliography: Falk, Peter Hastings , ed. The Annual and Biennial Exhibition Record of the Whitney Museum of Art 1918-1989. (New York): Sound View Press, 1991. Levick, L.E., "A Guide to the Art Galleries," New York Journal American, May 23, 1964. Review of one-man show at Southampton Gallery. 1950 Annual Exhibition of Contemporary American Painting. New York: Whitney Museum of American Art, 1950. Coates, Robert M., "The Art Galleries: Paul Klee, The Whitney Annual, and John Marin, The New Yorker, December 31, 1949, pp. 42-43. 1949 Annual Exhibition of Contemporary American Painting. New York: Whitney Museum of American Art, 1949. Lansford, Alonzo, "Thall at Binet," The Art Digest, December 15, 1947, ill. Upton, Melville, "George Binet Gallery," Sun, December 13, 1947. Devree, Howard, "Victor Thall at the Binet Gallery," New York Times, December 10, 1947. "Victor Thall at Binet Gallery," Art News, December 1947, p. 59. Oil Paintings by Victor Thall, New York: George Binet Gallery, 1947. Burrows, Carlyle, "Art of the Week," Herald Tribune, 1946. Review of group show at the Chinese Gallery. Coates, Robert M., "The Art Galleries: Past and Present," The New Yorker, May 27, 1944, pp. 68-69 Victor Thall at Puma Gallery," Art News, November 1-14, 1943, p. 22. Devree, Howard, "Victor Thall," New York Times, October 24, 1943. Burrows, Carlyle, "Victor Thall at the Puma Gallery," Herald-Tribune, October 24, 1943 Upton, Melville, "Victor Thall at Puma Gallery," Sun, October 23, 1943. Lansford, Alonzo, "Varied Shows of the Week," The Art Digest, October 1943. Review of Puma Exhibition. Victor Thall Oil Paintings, New York: Puma Gallery, 1943. Art News, "Our Own Exhibition Gallery," June-july 1943, ill. MacLeod, Norman. Thanksgiving Before November. New York, 1936. Book ill. Selected Public and Private Collections: Brooklyn Museum Desmond Child, Los Angeles Robert Crewe, Los Angeles Sidney Lumet, New York Newark Museum Billy Steinberg, Los Angeles 1968 DePoliolo Gallery, Palm Springs 1965 Studio Gallery, Naples, Florida 1964 L’lnstitute Francais d’Haiti 1964 Summit Gallery, New York City 1964 Southampton Gallery, New York City 1963 Guildhall Gallery, Chicago 1961 Leicester Gallery, London 1950 Whitney Museum , New York City 1949 Whitney Museum, New York City 1947 Binet Gallery, New York City 1946 Chinese...

Carlos Enrique Alvarez Untitled, 2024 Oil on canvas 47 x 47 in Included a certificate of authenticity by the artist

Portrait sketch. Original drawing by Jean-Paul LE VERRIER (1922-1996) Studio stamped. Inscribed verso. Pencil drawing on paper, unframed. Double sided. Measures: 10.5 x 8.25 inches. ...