Road Paintings

"“Play of Shadows” This painting captures the atmosphere of a cozy European town, where narrow streets, historic buildings, and bright sunlight create a harmonious interplay of ligh...

Both the natural world and architectural grit have a place in Lisa Breslow's work, highlighting the pull of New York City that is created by these opposing forces side-by-side. She s...

Josep Marfa Guarro (1928-2014) Barcelona Spain Oil Oil on canvas glued to cardboard. Oil measures 23x28 cm. Frameless. Josep Marfa Guarro (1928-2014) Josep Marfa Guarro was a Cata...

New York Sunshine Golden Glow Cityscape Painting by British Urban Landscape Artist Angela Wakefield. This original is part of the New York Series, a ...

Title: Historic Miniature Watercolor of 16th Century Hatchett Inn in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 3 ...

“Coolness” is a picturesque depiction of a mountain landscape where the lightness and transparency of the sky merge with the soft green waves of the mountains. The painting masterful...

An original oil painting attributed to Master Painter of the Paris Street Scene, Édouard Leon Cortés (French, 1882 - 1969, ). The painting features Cortés quintessential subject, th...

Title: Historic Miniature Watercolor of Street Scene on the Christmas Steps in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measur...

Lemon Trees in Montisi Signed by Minty Ramsey Medium: Watercolor on Paper Size: 22 x 15.25 inches Condition: Excellent, vivid colors, no damage "Lemon Trees in Montisi" is a vibrant...

Walter Emerson Baum Manayunk, 1953 Signed and dated lower right; titled and dated on the reverse Oil on board 12 x 14 inches Walter Baum was born December 14, 1884 in Sellersville,...

Artist: Louis del Bianco (French b.1925), signed Title: The Tranquil Canal, Venice Medium: oil painting on canvas, unframed Size: painting: 24 x ...

Possibly a rendering for the renovation of Marion Oliver McCaw Hall in Downtown Seattle. Original gouache on artist board. American, circa 1962, artist unknown.

French Landscape signed by Josine Vignon (French 1922-2022) ...

The Woodland Avenue of Trees by Henri Deglume (Belgian 1865-1940) signed oil on canvas, unframed Canvas: 23.5 x 29 inches Provenance: Private collection, Brussels, Belgium Condition:...

This surreal artwork captures a stark desert crossroads under a vivid blue sky, where a vintage white convertible takes center stage. Two figures add intrigue: one stands beside the ...

Boulevard de la Madeleine. Oil on canvas, 33,3x46 cm Street in Paris at evening

Title: Historic Miniature Watercolor of Corn Street and The Nails in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 3.5 inches (height) x 2.75 inches (width) Condition: Very good and highly presentable Provenance: From a large private collection of this artists work in Bristol, England. Description: This detailed watercolor by Jack Grunwell captures Corn Street, one of Bristol’s most historically significant streets, featuring the iconic "Bristol Nails." These four ornate bronze tables, seen prominently in the foreground, were once used for business transactions between merchants and traders, giving rise to the phrase "paying on the nail." The grand Corn Exchange, built in 1741, dominates the background with its elegant Palladian façade, while the clock tower of St. Nicholas Market stands...

Title: Mid-20th Century Watercolour of Rooftops and Stone Streets in Goudargues France by Anne Marie Migette Perard (French 1902-1977) Medium: Pastel on unframed paper Size: 20.5 inc...

This piece is an exceptional impressionistic cityscape scene by Paul Gagni of 'Boulevard des Italiens' in Paris. The boulevard des Italiens is one of the 'Grands Boulevards' in Paris...

Cityscape depicting nocturnal, crowded Paris in the mid-20th century by russian-french artist Serge Kislakoff.

Monaco Street Scene Tony Minartz (French, 1873 - 1994) watercolour on artist paper painting : 17 x 12.75 inches Provenance: private collection in the South of France, Condition: ...

Ernest Fiene China Town, 1925 Signed and dated to lower right ‘Ernest Fiene 1925’. Watercolor on paper 18 1/2 x 14 5/8 inches Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings from this trip were featured in an exhibition held at the First National Bank in Pittsburgh in October of 1937 by the Pittsburgh Commission for Industrial Expansion. Fiene said of these works that he formed rhythm, opportunity for space and color, and integrity in the Pennsylvania mill and furnace paintings. Fiene received the silver medal for one of the Pittsburgh paintings...

Title: Impressionist Watercolor of French Village Scene with Fountain and Boules Player by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions...

Josep Maria Vayreda Canadell (Gerona 1932-2001) - Portofino - Oil canvas Oil measurements 61x50 cm. Frame measurements 87x76 cm. Josep Maria Vayreda Canadel...

The artist: Henri Aime Duhem (1860-1941) French *see notes below, signed Title: The Old Chateau Medium: gouache on paper, loosely laid over card, unframed card: 9.75 x 12.75 i...

New York City Street Scene - an Original Painting by British Urban Landscape Artist Angela Wakefield. At measures 12 x 12 inches Frame measures 16 x 16 inches The character of New...

The Grand Canal, Venice Alvarez ( Mid 20th Century) signed oil on canvas, framed framed: 25 x 33 inches canvas: 20 x 28 inches provenance: private collection, France condition: very ...

The French City by Michel Kritz (French 1925-1994) oil on canvas, unframed canvas: 32 x 24 inches provenance: private collection, France condition: very good and sound condition

Jean Salabet’s Avenue de l’Opéra, Paris, France captures the charm and energy of mid-century Paris through his signature impressionistic style. The painting depicts the bustling aven...

Title: British Watercolor of a Sunlit Village Scene with Horse and Cart and Chickens By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 15.25 x 11 inches (Height x Width) Condition: Good, with some minor signs of aging. Provenance: From a large collection of this artists work, held in England. Description: This charming watercolor painting captures a quaint village street bathed in warm sunlight, with its ochre-toned buildings adorned with green shutters and flowering window boxes. The peaceful scene is animated by a horse-drawn cart heading down a narrow path towards the ocean, visible in the background, evoking a sense of timeless rural life. In the foreground, a few chickens peck along the dusty road, adding a touch of rustic authenticity. The artist beautifully renders the interplay of light and shadow on the buildings, creating depth and inviting the viewer to wander down this idyllic street. This piece would be a lovely addition for collectors drawn to pastoral and European village landscapes.

Armand Tatossian, Canadian, 1948-2012 Promenade Oil on canvas 20 x 16 in 50,8 x 40,6 cm Signed on the lower right: A. Tatossian Signed, titled verso framed

"The Canal" by Geneviève Zondervan (French 1922-2013) stamped verso oil painting on canvas canvas: 8.75 x 10.5 inches Original oil painting on canvas by the French artist, Genevièv...

⭐ La Défense ⭐ It's a cityscape, dominated by modern, high-rise buildings (Sky scrappers, office in Paris ) buried on snow.. The architecture suggests a contemporary urban environme...

Fine 22K gold gilt frame.

Structure: The Panthéon, a neoclassical monument, dominates the scene. Setting: A Parisian street with people and buildings creates a city atmosphere. The artwork is an oil paintin...

"Leaving Orange Pt. 1" (2020) by Francesca Reyes Oil painting on wood panel, urban skyscape, sunrise or sunset Figurative Art / Representations of Architecture / Cityscapes and City Scenes / Dark Colors Small scale vertical contemporary landscape, cityscape. Moody color tones of a Philadelphia...

Intersection 18x14, oil on panel City Scene Landscape The artist is a regional landscape painter working in oils and pastels whose subject matter varies from the mountains and desert of west Texas to the wetlands along the Texas coast, with a strong focus on Texas forests and trees. and to the Rocky Mountains The artist is in corporate and private collections around the world. Garrett Middaugh is a regional landscape painter working in oils and pastels whose subject matter varies from the mountains and desert of west Texas to the wetlands along the Texas coast, with a strong focus on Texas forests and trees. His palette is muted, stark, embracing the neutral colors of everyday experience. Avoiding the romantic, his landscapes are often painted at high noon or in the dead of winter. He paints in a fluid hyper realist style and feels most influenced by other landscape artists such as Neil Welliver and Rackstraw Downes. He sees landscape painting as a form of meditation, projecting outward, while solving equations and mapping the scene, realizing accuracy of objects and relationships, of light, color, textures, distances. "Landscape painting is for me a means of projecting outward, of meditating, examining the here and now of place. The process often feels similar to the satisfaction of solving math equations, intuitively realizing accuracy of objects and relationships, of light, color, textures, distances. For the most part I paint Texas. For several years I devoted a significant amount of time to painting its forests -- the complexity of forest alleviated my sense and the nearness and density of growth was comforting. I have also ventured into west Texas and Big Bend, and occasionally have attempted to capture the mesmerizing serenity of central Texas farm and ranchland." Garrett Middaugh Also shown is a new Texas tractor painting...

Title: French Gouache Street Scene of Sunlit Stone Steps and Tower by Fanche Lel Signed: Yes Size: 10.5 inches (height) x 8.5 inches (width) Gouache painting on card, unframed Condit...

Carel Victor Morlais Weight R.A. , CH , CBE , 1908 - 1997, was an English painter and art teacher. Carel Weight studied at Goldsmiths College and the Hammersmith School of Art , ther...

Village Street signed by Fanch Lel (French b. 1930) Size: 15 x 18 inches Oil painting on board, unframed Condition: The painting is in good condition, with minor signs of aging. Prov...

The Old French Street by Claude Marin (French 1914-2001) signed and dated oil on artist card stuck on board, unframed board: 9 x 10.75 inches Inscribed verso Provenance: private coll...

Title: British Impressionist Watercolor of Mediterranean Garden with Steps and Flowers By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions:...

Title: British Impressionist Watercolor of a Tree-Lined Boulevard with Figures By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Signed: Yes Dimens...

Village Cottages by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on artist paper, unframed measures: 12.75 high by 16 inches wide condi...

Title: British Watercolor of a Sunlit Mediterranean Courtyard with Figures and Fountain By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions...

Title: British Impressionist Watercolor of a Country Lane with Church and Geese By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Signed: Yes Dimens...

Oil painting of a Chestnut tree in Amagansett. Artist Bio Marc Dalessio was born in 1972 in Los Angeles, California. Even in his earliest years, it was evident that his passion was...

Jeremy Mann's "Composition #59" is an original, handmade oil painting that depicts a dark city setting filled with fog and passerby. About the artist: Je...

Clark Hulings (1922-2011) was an American realist painter. In his early life, he was exposed to different marketplaces, historic ruins, and landscapes of Europe which then influenced...

Signed lower right, "C. Stilling" for Carl Conrad Stilling (Danish, 1874-1938) and inscribed 'Hyères'; dated lower left, '1928' and titled in Danish, verso...

Charles-Théodore Frère (French, 1814-1888) "A Street Scene in Cairo" In a carved wood frame painted to mimic tortoiseshell with a pale green velour liner.  Circa 1888 Signed Oil...

Impressionist, oil on panel. The medieval alleyways of Constance with historic cathedral and bell tower visible in the background. Unsigned.

Antoine Blanchard (1910 - 1988) Boulevard Des Capucines, Place De La Madeleine. A wonderful and vibrant scene from the Grand Boulevards of Paris under the rain in fall. You can hear ...

Josine Vignon (French 1922-2022) ...

Deling with the work of Erich Waske today, one encounters first of all a number of reasons why this outstanding artist has fallen into such undeserved oblivion. In addition to the de...

'Chinatown San Francisco at Twilight', ink and gouache, diptych on card stock, French School (circa 1950s). This artwork was discovered in Paris, France. The unnamed artist skilfully captured that magical moment at dusk when light is at its most beautiful. The scene is Chinatown, San Francisco in the 1950s. The Far East Café, depicted in this artwork was established in 1920. It is the oldest banquet-style Chinese restaurant in the city. Of course, Chinese cuisine in large cities in America has since moved on from the chop suey...