1770s Art

Le Hocco is an etching realized by F. Hubert in in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good conditions wi...

Le Hocco is an etching realized by Jacques Baron in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good conditions w...

Autre Belier is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good co...

La Marmose is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good cond...

Le Zibetis an etching realized by Jean Gullaume Moitte in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Artist...

Le Chincher is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good con...

Le Conepate is an etching realized by Madeleine Ruosselet in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good con...

L'Ocelot is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good condit...

The Organ is an etching realized by Defehrt in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good conditions.

La Marmose is an etching realized in 1771 by Louis Legrand (1723-1807). Titled and Signed on the plate. The artwork Belongs to the suite "Histoire naturelle, générale et particuliè...

The Organ is an etching realized by Juste Chevillet in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good conditions.

Le Cochon d'Inde is an etching realized by Pierre Charles Baquoy in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi...

Le bouc D'Angora (A goat) is an etching realized by Jean Gullaume Moitte in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabine...

Study of bones is an etching realized by Jean Gullaume Moitte in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi"....

Chien Turc Metis ( Dog breed) is an etching realized by Pierre Francois Tardieu in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description d...

L'Ours Brun is an etching realized by Pierre Charles Baquoy in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". ...

Le Cayopollin is an etching realized in 1771 by E.Tardieu. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Ca...

Skeleton is an etching realized by Carl Guttenberg in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Pa...

Skeleton is an etching realized in 1771 by Louis Legrand (1723-1807). Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la descri...

Le Pekan is an etching realized in 1771 by Louis Legrand (1723-1807). Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la descri...

Skeleton is an etching realized in 1771 by Pieter Franciscus Pitre-Martenise. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec l...

Le Putois is an etching realized by Pierre Charles Baquoy in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Pi...

Le Balbuzard is an etching realized in 1771 by G. Michel. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cab...

Le Grand Aigle is an etching realized in 1771 by C. Lucas. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Ca...

Skeletons is an etching realized in 1771 by Baron. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet d...

Le Ganga is an etching realized by an Carl Gutenberg in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". ...

L'Agouti is an etching realized in 1771 by Bernard Baron. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cab...

Institutiones Chirurgicae is an etching realized in 1771 by Juste Chevillet (1729–1802) Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulièr...

Animals' Brain is an etching realized in 1771 by Bernard Baron. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description ...

Interior of Animals is an etching realized in 1771 by Bernard Baron. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la descrip...

Animals' Respiratory System is an etching realized in 1771 by Louis Legrand. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la...

Animals' Heart is an etching realized in 1771 by Juste Chevillet (1729–1802) Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec l...

Interior of Animals is an etching realized in 1771 by Louis Legrand. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la descrip...

Interior of Animal is an etching realized in 1771 by Bernard Baron. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la descript...

Le Caracal is an etching realized by Pierre Charles Baquoy in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". ...

Animals' Digestive System is an etching realized in 1771 by Juste Chevillet (1729–1802) Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particul...

Le Fourmilier is an etching realized in 1771 by Bernard Baron. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description d...

Animal's Skeleton is an etching realized by Pierre Charles Baquoy in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Ro...

L'Effraie is an etching realized by Jean Charles Baquoy in 1771. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description...

Skeleton of a Monkey is an etching realized by Jean Charles Baquoy in 1771. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la ...

Le Chat-Huant is an etching realized by Carl Guttenberg in 1771. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description...

Raul Anguiano. Untitled. Mexico. Signed and dated 1974, Technique: Lithography. Size: 26 x 32 inches. Anguiano is a renowned Mexican painter who was born in Guadalajara on February 26th, 1915, and died in Mexico City on January 13th, 2006. In his works you can see subjects related to rural and indigenous Mexico, festivals, traditions, religion and landscapes. In 1922 he collaborated with Diego Rivera and joined the group of Mexican muralists...

Female Figure is an original modern artwork realized in the half of the XVIII Century by the Italian artist Domenico Cunego (Verona, 1724 or 1725 - Rome, 1803). Original B/W Etching on paper. Excellent conditions. Excellent Etching depicting a female standing figure, an allegory. The impression is very fresh and has been realized wih soft and delicate strokes. The work has been realized by the Italian artist Domenico Cunego (Verona, 1724 or 1725 - Rome, 1803). He was an Italian engraver; he began his artistic career as a painter, producing several works, which are either lost or otherwise unidentifiable. At 18 he started engraving, a technique on which he was probably self-taught. The engravings he made on Michelangelo's Sistine Chapel, published in the Schola Italica Picturae (1773) by Gavin Hamilton, were an important source for the artists of his time. Cunego is relevant not only for the reproductions of the paintings of his fellow countryman Guido Reni and other contemporary Italians such as Antonio Balestra...

This Map of Lymosin-Perigord-Quercy is an etching realized by Antonio Zatta in Venice in 1776. The state of preservation of the artwork is good except for the worn paper and the pap...

This Map of Nubia and Abissinia is an etching realized by Antonio Zatta in Venice in 1784. The state of preservation of the artwork is good expect for the worn paper with some littl...

English Title: "Antique Villa with a Scene of Joust " Beautiful Proof, showing the second complex apparatus for firework built in occasion of the Feast of S. Peter and Paolo (29th J...

English Title: "Capitol Festively Decorated" Beautiful Proof, showing the apparatus for firework built by the “Cav. e Arch.” Paolo Posi, drown by “Giuse. Palazzi”, engraved by “Cava. Giusep. Vasi”. This wonderful Etching represents the Capitol festively decorated in occasion of the Feast of S. Peter and Paolo (29th June 1775). Signed on plate lower margin. Original Title with a detailed capture under the picture. In Very Good condition. Ref: G. Sassoli, Apparati architettonici per fuochi d'artificio, 1994, p.155, n. 97. Master of Giovan Battista Piranesi...

Image dimensions: 51x38.4 cm. Beautiful Artist's Proof, representing the apparatus for firework built in occasion of the Feast of S. Peter and Paolo (29th June 1776) by Paolo Posi. ...

English Title: "Noble Pleasant Building" Beautiful Proof, showing the apparatus for firework designed and built in occasion of the Feast of S. Peter and Paolo (1776) by Giuseppe Pal...

"The Marriage of Saint Margaret and King Malcolm" is an etching by Scottish artist Alexander Runciman. There is an engraved signature with the artist's monogram followed by "pinxit et fecit," indicating that Runciman both designed the original drawing and likely executed the etching on the metal plate. On the left, a young woman with a halo in fine dress stoops slightly and gathers her skirts as she leans over to accept the ring that the man on the right is reaching to place upon her finger. He is also young, dressed finely, and wearing a crown. Between them, a church official with a pointed hat and a long flowing beard recites the appropriate prayers for the occasion, while onlookers crowd in the background. The tiled floor demonstrates the use of one-point perspective, and the church appears to be in the Gothic style. Art size: 8 3/4" x 7 1/4" Frame size: 26 1/2" x 22 3/8" Alexander Runciman (Edinburgh 15 August 1736 – 4 October 1785 Edinburgh) was a Scottish painter of historical and mythological subjects. He was the elder brother of John Runciman, also a painter. He was born in Edinburgh, and studied at the Foulis Academy, Glasgow, and from 1750 to 1762 he was apprenticed to the landscape painter Robert Norie, later becoming a partner in the Norie family firm. He also worked as a stage painter for the Theatre Royal in Edinburgh. In 1767, he went to Rome, where he spent five years. His brother John accompanied him, but died in Naples in the winter of 1768–69. During Runciman's stay in Italy he became acquainted with other artists such as Henry Fuseli and the sculptor Johan Tobias Sergel...

Moses Harris ( British 1731-1785 ) The Aurelian, A Natural History of English Moths and Butterflies Plate XLII 1778 edition hand colored edition 17.88 x 11.00 good condition Pla...

Moses Harris ( British 1731-1785 ) Plate XXXVIII ,The Aurelian, A Natural History of English Moths and Butterflies Hand colored engraving 1778 edition 17.88 x 11.00 Very good condi...

Moses Harris ( British 1731-1785 ) The Aurelian, A Natural History of English Moths and Butterflies Hand colored engraving – Plate XXVII 1778 edition Plate XXVII is from The A...

English engraving depicting "Vue du Pont de Westminster" Bridge circa 1775-1780 Provenance: The Old Print Shop Art Sz: 10"H x 16 3/4"W Frame Sz:...

Anthony FRIEDKIN (*1949, America) Old Surfboard, Topanga Beach, California, U.S.A., 1977 Silver Gelatin Print, later print 40.6 x 50.8 cm (16 x 20 in.) E...

"Cormar Attacking a Spirit on the Waters" is an etching by eighteenth-century Scottish artist Alexander Runciman, signed in plate on the lower edge of the etching, "ARunciman inv. & ...

Leonard Freed is considered one of the most prolific and timely photojournalists of his generation. Born in Brooklyn, he traveled to Europe for the first time in 1952, where he disc...