1770s Art

Animals' Digestive System is an etching realized in 1771 by M.C. Rousselet. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la ...

La Mangouste is an etching realized by Pierre Charles Baquoy in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". ...

Skeleton is an etching realized in 1771 by M.Aubert. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet ...

La Gelinote is an etching realized in 1771 by Louis Legrand (1723-1807). Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la des...

Le Phoque is an etching realized by Pierre Charles Baquoy in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". ...

Le Ganga is an etching realized by an Carl Gutenberg in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". ...

Skeletons is an etching realized in 1771 by Baron. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet d...

L'Agouti is an etching realized in 1771 by Bernard Baron. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cab...

Institutiones Chirurgicae is an etching realized in 1771 by Juste Chevillet (1729–1802) Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulièr...

Interior of Animals is an etching realized in 1771 by Louis Legrand. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la descrip...

Animals' Brain is an etching realized in 1771 by Bernard Baron. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description ...

Interior of Animals is an etching realized in 1771 by Bernard Baron. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la descrip...

Animals' Heart is an etching realized in 1771 by Juste Chevillet (1729–1802) Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec l...

Le Pigeon - Polonois is an etching realized by Carl Guttenberg in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec...

Animals' Respiratory System is an etching realized in 1771 by Louis Legrand. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la...

Interior of Animal is an etching realized in 1771 by Bernard Baron. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la descript...

Animals' Digestive System is an etching realized in 1771 by Juste Chevillet (1729–1802) Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particul...

Skeleton is an etching realized in 1771 by Louis Legrand (1723-1807). Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la descri...

Skeleton is an etching realized by P.Tardieu in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Artist's signatu...

Skeleton is an etching realized in 1771 by Louis Legrand (1723-1807). Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la descri...

Le Tamanoir is an etching realized by Pierre Charles Baquoy in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". ...

Le Fourmilier is an etching realized in 1771 by Bernard Baron. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description d...

Le Chat-Huant is an etching realized by Carl Guttenberg in 1771. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description...

Le Jocko is an etching realized by Juste Chevillet (1729–1802) in 1771. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la desc...

Skeleton of a Monkey is an etching realized by Jean Charles Baquoy in 1771. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la ...

Roman Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Ferdinando Campana in 1772s. Signed on the plate. Good conditions. T...

Still Life With Bottles from "Antiquities of Herculaneum" is an etching on paper realized by Nicola Vanni in 1770s. Signed on the plate. Good conditions, included a cream colored c...

This Map of Lymosin-Perigord-Quercy is an etching realized by Antonio Zatta in Venice in 1776. The state of preservation of the artwork is good except for the worn paper and the pap...

This Map of Nubia and Abissinia is an etching realized by Antonio Zatta in Venice in 1784. The state of preservation of the artwork is good expect for the worn paper with some littl...

Li Governi di Borgogna is an original black and white etching on paper, printed by Antonio Zatta in Venice, 1777. Original Title: Li Governi di Borgogna della Franca Contea e del Ly...

English Title: "Antique Villa with a Scene of Joust " Beautiful Proof, showing the second complex apparatus for firework built in occasion of the Feast of S. Peter and Paolo (29th J...

English Title: "The Famous Ercole’s undertaking in “Esperidi” Beautiful Artist's Proof, representing the first complex apparatus for firework built in occasion of the Feast of S. Pe...

English Title: "Noble Pleasant Building" Beautiful Proof, showing the apparatus for firework designed and built in occasion of the Feast of S. Peter and Paolo (1776) by Giuseppe Pal...

Image dimensions: 51x38.4 cm. Beautiful Artist's Proof, representing the apparatus for firework built in occasion of the Feast of S. Peter and Paolo (29th June 1776) by Paolo Posi. ...

The Passenger is an original artwork realized by Antoine de Marcenay de Ghuy in 1775. Original etching on paper. Titled on the lower margin at the center. The artwork is glued on ca...

Eglise de San Domenico is a wonderful etching and aquatint realized in 1772 by the Abbot of Saint-Non, after Jean-Honoré Fragonard. Titled, dated and sign...

Artist's proof, printed on antique laid paper, large margins, representing an antique marble vase, whose details are described in the ending note....

"Cormar Attacking a Spirit on the Waters" is an etching by eighteenth-century Scottish artist Alexander Runciman, signed in plate on the lower edge of the etching, "ARunciman inv. & ...

Raul Anguiano. Untitled. Mexico. Signed and dated 1974, Technique: Lithography. Size: 26 x 32 inches. Anguiano is a renowned Mexican painter who was born in Guadalajara on February 26th, 1915, and died in Mexico City on January 13th, 2006. In his works you can see subjects related to rural and indigenous Mexico, festivals, traditions, religion and landscapes. In 1922 he collaborated with Diego Rivera and joined the group of Mexican muralists...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

To see our other views and maps of England - including London, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send...

"The Marriage of Saint Margaret and King Malcolm" is an etching by Scottish artist Alexander Runciman. There is an engraved signature with the artist's monogram followed by "pinxit et fecit," indicating that Runciman both designed the original drawing and likely executed the etching on the metal plate. On the left, a young woman with a halo in fine dress stoops slightly and gathers her skirts as she leans over to accept the ring that the man on the right is reaching to place upon her finger. He is also young, dressed finely, and wearing a crown. Between them, a church official with a pointed hat and a long flowing beard recites the appropriate prayers for the occasion, while onlookers crowd in the background. The tiled floor demonstrates the use of one-point perspective, and the church appears to be in the Gothic style. Art size: 8 3/4" x 7 1/4" Frame size: 26 1/2" x 22 3/8" Alexander Runciman (Edinburgh 15 August 1736 – 4 October 1785 Edinburgh) was a Scottish painter of historical and mythological subjects. He was the elder brother of John Runciman, also a painter. He was born in Edinburgh, and studied at the Foulis Academy, Glasgow, and from 1750 to 1762 he was apprenticed to the landscape painter Robert Norie, later becoming a partner in the Norie family firm. He also worked as a stage painter for the Theatre Royal in Edinburgh. In 1767, he went to Rome, where he spent five years. His brother John accompanied him, but died in Naples in the winter of 1768–69. During Runciman's stay in Italy he became acquainted with other artists such as Henry Fuseli and the sculptor Johan Tobias Sergel...

Anthony FRIEDKIN (*1949, America) Old Surfboard, Topanga Beach, California, U.S.A., 1977 Silver Gelatin Print, later print 40.6 x 50.8 cm (16 x 20 in.) E...

Leonard Freed is considered one of the most prolific and timely photojournalists of his generation. Born in Brooklyn, he traveled to Europe for the first time in 1952, where he disc...