1990s Art

ROBERT O’RORKE (Born 1945) Orpheus Signed and dated l.r.: Rbt O’Rorke ’93; signed, dated 1993 and inscribed The Dance No.3 on a label attached to the backboard Watercolour on grey ...

A set of three monumental etchings by Italian contemporary artist, Mimmo Paladino. Each nicely framed in black. Artist: Mimmo Paladino Title: Si...

Folk Outsider Naive Art Metal NYC Cityscape Sculpture Wall Hanging Contemporary "NYC Cityscape" 39 1/2 x 29 1/2 x 2 inches Unsigned Offered is an extraordinary hand crafted wall s...

Tropics Motor Motel I (Memories of Green) - 1999 58x56cm, Edition 1/10, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on a Polaroid, Artist inven...

Saul "Happy Face" 1998 Woodcut on paper edition 2/2 12"x9" white wood frame floating between glass 15.25"x12" Signed, dated lower right

"Three Friends" is an oil painting on canvas mounted on a wooden frame created by the artist Salvatore Travascio in 1993. This painting is part of a series of works in which the huma...

"Polk" Large Scale Textural Photograph Detailed macro photo by Bill Clark (American, 20th Century). Clark has taken a photograph of heavily painted concrete. The paint is bold yello...

Michael Coleman Born 1946 Utah Artist Image Size: 15.5 x 10 Frame Size: 22 x 16 Medium: Oil on Masonite Dated 1990 "Female Sparrow Hawk" Michael Coleman Born 1946 Born and continuing...

Contemporary figurative oil on canvas painting by Polish artist Waldemar Marszalek. Artwork shows four women and two couples. Women are wearing dresses and men are wearing suits. One...

Stunning vertical landscape of dramatic rock formations towering over the desert below by Ken Lucas (American, 20th Century). Location and date are written o...

'N' From 'Hockney's Alphabet' By David Hockney David Hockney is a renowned British artist known for his vibrant paintings and innovative use of technology in art. His work often e...

Original vintage travel poster for the city of Rimini by the poster artist Rene Gruau. Size: 27.25" x 39". Excellent condition. Paper. An original poster was created for the cit...

An Intriguing 1991 Surrealist painting of downtown Chicago by artist James Mesplé. Artwork size: 22 1/2" x 18 1/2". Framed size: 25 1/2" x 21 1/2". Mesplé studied painting at th...

Artist: Erte Title: Top Hats Size: 16 x 12 Inches (26 x 22 Inches Framed) Medium: 3D Bronze Wall Relief Sculpture Edition: of 375 Year...

TERRY EVANS (American b. 1944) "Terraced Plowing," September 4, 1990, Color photograph (chromogenic print, C Print) on photo paper, dated and hand signed...

(After) Francis Bacon Study for a corrida Poster, 1995 Printed and published by Maeght Size 86 x 50 cm (c. 33,8 x 19,7 in) Mint condition

Katsumi Hayakawa (Japanese, b. 1970) Spherical Moss, 1999 Oil, galkyd and modeling paste on canvas 64 x 84 x 1 3/4 in. Signed verso and stamped with artist insignia Silverstein Gallery label verso In his paintings and cut-paper sculptures, Katsumi Hayakawa evokes the city and urban planning. He builds meticulously constructed objects with cubes and squares, suggesting skyscrapers and city grids, while the interaction of line and color coalesce with the cubes to create complex and vibrant rhythms. Hayakawa expands modernist explorations into the grid, in particular evoking Piet Mondrian’s Broadway Boogie Woogie...

This powerful and vividly colored diptych by Malcolm Maloney Jagamarra (born 1955), a renowned Warlpiri artist, is an extraordinary example of contemporary Aboriginal art, drawing deeply from cultural knowledge, ancestral memory, and ecological stewardship. Depicting the sacred narrative of the creation of the Lander River system, the painting is both a visual masterpiece and a spiritual map, tracing a journey through geography, kinship, and Dreaming (Jukurrpa). At first glance, the canvas pulsates with energy. Vortices of concentric circles in rich ochres, reds, yellows, and blues dominate the composition, pulling the viewer into the spiraling flow of the Dreaming. These forms are not merely decorative; they carry deep cultural meaning. The blue line that winds through the center of both canvases is a stylized yet surprisingly geographical depiction of the Lander River, representing its twisting path through central Australia, from the artist’s home country of Willowra to Purtulu (Mount Theo), his mother’s land. Purtulu, meaning “backbone” in Warlpiri, forms not only a physical destination but a metaphorical axis that holds the painting together. This backbone is both personal and cosmic—representing the spine of the land, the structure of ancestral lore, and Jagamarra’s own familial inheritance. The work is grounded in the artist’s kinship obligations and responsibilities to country, with specific references to the roles of kirda (owners of the Dreaming) and kurdungulu (caretakers). In Warlpiri culture, this relational dynamic is foundational—it is the system by which land is cared for, stories are maintained, and ancestral laws are fulfilled. The Dreaming Goannas, positioned at each end of the canvases, are key ancestral figures. Their presence not only signals the sacred nature of this journey but also reflects the traditional Warlpiri iconography—note the “U” shapes, which are used to denote seated ancestors. The goanna is a totemic being, and its hunting patterns and ecological relationships are mirrored in human behavior. To maintain the health of the land and support the goanna population, it is necessary to burn the country regularly. Jagamarra references this practice with depictions of spinifex grass and hunting grounds, connecting mythological beings with tangible ecological practices, and blurring the line between story and science, belief and land management. The left canvas contains the Owl Dreaming, where an abstracted face of the owl can be discerned—haunting and watchful. The owl, a silent observer of the night, brings wisdom and a sense of foreboding. It is a powerful spirit presence in many Aboriginal traditions. Meanwhile, the right canvas turns to the Warna, or Snake Dreaming. The snake, winding and water-bound, is both creator and destroyer, and its movement echoes that of the river. The snake’s body, woven into a hypnotic spiral, is a symbolic representation of the waterways that give life and form to the central desert. This artwork is more than a painting—it is a teaching. It encodes knowledge about ecology, fire management, kinship roles, and sacred geography. It is both autobiographical and communal, a map of memory and belonging. Created within the living traditions of Warlpiri law, it speaks to the inseparable relationship between people and land in Aboriginal worldviews. Malcolm Maloney Jagamarra’s work is a powerful expression of this connection—his hand guided not only by brush but by heritage, ceremony, and Dreaming. Its journey from the Aboriginal Art Galleries of Australia in Melbourne to the Kelton Foundation in Santa Monica, and its exhibition at venues such as the Australian Consulate in Los Angeles and the Indigenous Wisdom and Healing Conference in Virginia Beach...

James Williamson-Bell was a respected wildlife artist based in Newcastle and won several medals at the Paris Salon for his bird paintings. He was stro...

Mood. 1999., paper, watercolor, 28x40 cm Oskars Berzins (1940)

Andy Warhol Gagosian Gallery 1992: Rare highly decorative & classic vintage Andy Warhol exhibition poster published on the occasion of: "LATE PAINTINGS AND RELATED WORKS, 1984-1986:...

This is a photograph by Bill Costa offered by CLAMP in New York City.

Compelling figurative abstract of the silhouette of a figure in white, in a minimalist monochromatic background by Jean Wallin (American). Signed “Wallin” in bottom right corner. Pre...

A beautiful and soft feminine gouache painting by French artist Jean Pierre Guiot. With a soft dark color palette of dark green, yellow, red, and blue, this piece exudes an emotional...

Motorcycling Lord Lord Hesketh, Minister of State at the Department of Trade and Industry, by the lake in the grounds of his family estate Easton Neston House, Northamptonshire with...

sepia toned silver gelatin print, edition 8 of 25 8 x 8 inches unframed, $1000 including frame sepia photography, still life, furniture still lif...

Brian Cobble’s landscapes tend to particularly focus on the interplay of man and his surroundings, whether natural or built. A signature attention to the liminal aspects of a scene, ...

Artist: After Pablo Picasso (1881-1973) Title: Minotaure aveugle guidé par une Petite Fille aux Fleurs (after Bloch 222) Year: 1992 Medium: Reproduced from the original edition using...

Arum Lilies - Signed limited edition archival pigment print, 1993 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then printed on Hahnemühle Photo Rag® Baryta 315 gsm (Acid- and lignin-free paper, Museum quality for highest age resistance and a popular alternative to analogue baryta paper) using pigment inks which are known for their longevity. Please note. There are three sizes of this archival pigment print ; each is an edition of five (5) making the total that can be printed as fifteen (15). This will include any custom sizes requested Signed + numbered by artist with certificate of authenticity, packaged with care. Edition : 1/5 , unframed Archival pigment print available sizes ( Image size , the white margin is not counted) : 50 x 45 cm / 19,68 x 17,72 in - Edition of 5 75 x 66 cm / 29,53 x 25,99 in - Edition of 5 100 x 89 cm / 39,37 x 35,04 in - Edition of 5 Ian Sanderson (born 1951 Scotland, died 2020 Spain) was a Scottish photographer. Ian produced images over a 35 year career. For most he worked as both a Commercial and Fine Art photographer; during his last years concentrated on his personal archive. Ian and his widow Nathalie have worked for many years with alternative printing techniques in their workshop, ISP, creating Platinum Palladium, Silver Gelatin, Lith or Gum Bichromate. This culminated in a large retrospective exhibition in Barcelona which was sponsored by the Nando and Elsa Peretti Foundation. Platinum Palladium printing is a traditional photographic technique which precedes silver gelatin technique. Many photographers have worked with it in the past as Irvin Penn, Manuel Alvarez Bravo, Robert Mapplethorpe, Sebastiao Salgado o Ormond Gigli with its Platinum with gold leaf print 'Girls in the Windows'. ISP Workshop continues with the work of Ian's widow to create archival pigment prints like this one but also rare and personalized photographs. The original Platinum Palladium technique she uses is more advanced by adding another precious metal (silver or gold leaf depending on the desired rendering) that only a handful of artists in the world have the expertise to practice it today. Silver or Gold bring longevity and rarity to the print but also a tonal range and depth unmatched by digital printers which are valued by collectors. Please note that prices increase as editions sell. categories : Black and white photography, 20th. century, Archival pigment print, Monochromatic Art...

David Hockney's 'Christmas Card' is a color laser print created in 1990. Decorated with beautiful colours, framed and in great condition. Please let u...

Untitled #63 (Abstract Photography) C-print — Unframed. Edition: 2/5 + 2 A/P This early work from Caldicott's acclaimed Tupperware series exemplifies his ability to breathe life in...

Mayenne - Signed limited edition archival pigment print, 1992 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then p...

A pair of original wire mesh figurative sculptures by American contemporary artist Randy Cooper.

Maurice ESTÈVE (1904-2001) Découpage VI Original screen print (silkscreen) Plate signed On LanaPrime 250g/m² vellum 20 x 25 cm (c. 8 x 10 in) Limited to 500 copies, numbered on the ...

Marine. Original tapestry RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of Fine Arts in Barcelona. Raventós expanded...

Autumn foliage. 1990. Cardboard, oil, 95x70 The composition showcases the vibrant beauty of nature during the fall season. The dominant feature of the painting is the foliage itsel...

Who am I to be your secret lover? Figurative large format Landscape with figures in fairy-tale setting. Acrylic on canvas. Author: Igor Fomin. Measurements in centimeters: 195 x 195 cm. / In inches: 76.77 x 76.77" In this painting, Igor Fomin not only tells us the story of a couple who keep their love secret, he also tells us about that beautiful old place, a witness to their love affairs, and those neighbors, who should not find out and who make their lives. An entire city, with a splendid aqueduct in the background, through whose arches the view is lost. The set is endowed with a magnificent color and a complex structure, full of planes to stop at all those characters that fill the author's pictorial and literary imaginary. From the tow...

Gorgeous cask and copper pot still life by Susan Lyons (American, 20th Century). Presented in a wooden frame. Signed "Lyons" and dated "95" lower righ...

Using simple methods and ephemeral forms, Felix Gonzalez-Torres explored the complex social and political issues surrounding community, identity, loss, ...

"Paddling Woman" is a minimalist watercolor that captures the essence of the human experience. Through the delicate strokes of a brush dipped in watercolor, the artist has conveyed the inner turmoil of the main subject, which may be remembering or dreaming of past or previous journeys. Her long, curly hair cascading down her shoulders symbolizes the wildness within us all. The simple black ink lines that create the birds and ships in the background add a touch of innocence and childlike wonder, evoking a sense of nostalgia for a simpler time. The signature is in the right corner, and it is dated (September 1995). It sits in a simple black wood frame. Christopher Paul Cobb is an American artist born in the 20th Century. He is the grandson of baseball great player Ty Cobb.

Francisco Fernández, Claudia Fernández, Diego Toledo, Hector Quinones Corpse Drawing #47, The Return of the Cadavre Exquis, 1993 Ink, graphite, acrylic, and watercolor, with collage ...

When Johnny left school, there were many interests which ran alongside his career at the time in the City of London as an Aviation Insurance Broker at Lloyds – writing music, playing with a band, tinkering with Vintage cars, marketing various inventions and making painting trips when possible – it wasn’t long before the Arts beckoned and at twenty six he won a place at the Fine Arts Academy in Florence where he moved in 1972. A year later, moving near Lake Trasimeno, he continued his studies at the Fine Arts Academy in Perugia. Again on the move, he travelled to Pietrasanta near Carrara with some sculptors and stayed on this coast for nearly a year before moving eventually to Grimaldi, just inside Italy – a small medieval village about three hundred yards from the Italian /French frontier close to Monte Carlo. Here he began a series of backstage paintings – at the Opera and Orchestra rehearsals, fashion shows, at the Circus, Jazz and Cabaret – exhibiting regularly along the coast in Monaco, Nice, Cannes and Antibes. In 1984, circumstances changed and it was necessary to return to England – where a chance invitation to the races triggered a whole new series ‘At the Races’ which in time produced a wider series entitled ‘The British Sporting Year’ of Polo, The Henley Regatta, Derby Day, Wimbledon, Bowls, Cricket, Golf – even Jousting at Hever Castle...

Children And Balloons Artist signed lower right. Bernardino Toppi was born in 1936 in Rome is a French painter of Italian origin. Sharing his time bet...

No edition Silver gelatin print Paper size: 20 x 16 in. Image size: 19 x 15 in. Signed, and titled in pencil on verso by Earlie Hudnall Earlie Hudnall, who is one of the most notable African American photographers living today, has extensively documented the African American neighborhoods in Houston, Texas. After serving as a Marine in Vietnam, he enrolled at Texas Southern University, where he studied art under the direction of John Biggers, who became a great friend and mentor. During his time at TSU, he was hired to be a photographer for the Model Cities Program, part of Lyndon Johnson...

Tulips. 1996. Oil on canvas, 81х100 cm Jurgis Skulme (1928-2015) – painter, art scientist. 1954 – The graduating State Art Academy of Latvia, the monumental department (diploma wor...

Cecile DE BRUIJN Sphinx and Bird Original screen print Handsigned in pencil Numbered / 60 ex On vellum 56 x 38 cm (c. 22 x 15 inch) Excellent condition

Mesurage, 1994 Toned gelatin silver print 18 x 12 in. Signed, titled, and dated in pencil on print verso. From the series "El cocinero, el ladron, su mujer, y su amante" (The cook, t...

This high-quality reproduction of Joan Miró's "Femme Hantée par le Passage de l'Oiseau" was published in 1996 by Allan Ashley in Yonkers, NY. Printed using the collograph technique, ...

“Anne Weary, who grew up as a Texas cowgirl, is at home in the outdoors and knows its ways and its language. There is a sort of very quiet but very powerful mysticism in her work, a sense of presence that goes quite beyond words,” writes poet and University of Texas at Dallas professor Frederick Turner in the American Arts Quarterly. Dallas born Weary studied under Olin Travis, Octavio Medellin and Chapman Kelley...

Horse Drawn Plough with Two Horses, Ploughman and his Dog. Signed, Oil on Canvas, housed in a gilt frame, by British Landscape Artist, James Wright. Art ...

Julian Schnabel, American (1951 - ) - Tibet House, Year: 1995, Medium: Screenprint, signed and numbered in pencil, Edition: 26/200, Size: 57.85 x 42 in. (146.94 x 106.68 cm), Fra...

Gelatin silver print Stamped and numbered, verso 11 x 14 inches, sheet 5 x 7 inches, image (Edition of 15) 16 x 20 inches, sheet 11.5 x 16 inches, image (Edition of 15) From the se...

This is a photogravure by John Dugdale offered by CLAMP in New York City. 1999 Signed, titled, and numbered in pencil, verso Photogravure (Edition of 50) 15 x 13.5 inches (38.1 x...

Betsy Podlach (American, born 1964.) Still life with Tin Cup, 1996 17.5 X 16.5 inches. Framed it measures 18.25 X 17.25 Betsy Podlach graduated from Harvard, cum laude, (she studied at Harvard with Alfred Decreido and William Reimann as well as Carlos Fuentes continuing her studies at the New York Studio School of Drawing, Painting, and Sculpture, Ms. Podlach was awarded an art fellowship and residency at The International School of Art in Umbria, Italy. Betsy Podlach is an American painter who considers the Italian Venetians and the american abstract expressionist painters her mentors. The two painters she is most inspired by are Titian and Jackson Pollock, Both use the picture plane and abstraction and space, light, movement and form to communicate a physicality built entirely on the principals of painting, in the “classical” sense of a flat plane and lines, color, shape, space and light applied to that flat surface to create magic – light, space, form, emotion, force, movement, the physical and the spiritual. She describes her work as a figurative version of abstract expressionism. She was influenced by many of the abstract expressionists from the NY school...

Ting Shao Kuang (b. 1939) "Peace & Friendship" 1999 color screen print, signed on the lower right side and numbered AP41/50A on the left...

White Paint Splatters - Large Scale Textural Photograph Detailed macro photo by Bill Clark (American, 20th Century). Clark has taken a photograph of heavily painted concrete, with w...

To see our other original vintage travel posters, many of which feature ski resorts, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send...

This work is offered by CLAMP in New York City. 1999 Signed and numbered in pencil, recto; Also blindstamped, l.r. Toned gelatin silver print 29 x 29 inches