1990s Art

Pierre Alechinsky Travel : Boat on the Sea, 1998 Original etching with aquatint Unsigned On BFK Rives vellum 63 x 92 cm (c. 25 x 37 in) Authenticated with the blind stamp of chalcog...

Lithograph, 1997 Handsigned by the artist in pencil and numbered XXXI/L Corneille, a Belgian-born artist who belonged to the CoBrA group, presents a panorama of his imagination in th...

Gail Winegar Untitled Abstract Expressionist painting, ca. 1998 Oil on canvas painting Hand-signed by artist on the back This is a unique work Frame included in a strip frame Measure...

Jasper Johns The Drawings of Jasper Johns (hand signed and inscribed by Jasper Johns), 1991 Amazing provenance: Offset lithograph poster (hand signed and inscribed to Frank Martin, former conservator of the Whitney Museum) Hand signed and inscribed by Jasper Johns on the front Frame Included: matted in cream colored matting and held in original vintage frame Jasper Johns signed and inscribed this poster to Jack Martin, former Head Preparator at the Whitney Museum. This print was published by the Whitney Museum of American Art for the exhibition, " The Drawings of Jasper Johns Whitney...

Stormy Bay in California Impressionist Oil Painting Artist signed lower left. Belinda Vidor Holliday (American, 1930-2023). An ...

Samella Sanders Lewis, 'The House of Shango', lithograph, 1992, edition 60. Signed, dated, titled, and numbered '31/60' in pencil. A superb, richly-inked impression, on Arches cream wove paper; the full sheet with margins (1 1/4 to 3 1/2 inches), in excellent condition. Image size 24 x 18 inches (610 x 457 mm); sheet size 30 inches x 22 1/4 inches (762 x 565 mm). Archivally matted to museum standards, unframed. ABOUT THIS WORK “The title of this piece is an unmistakable harkening to African roots. Shango is a religious practice with origins in Yoruba (Nigerian) belief, deifying a god of thunder by the same name. Shango has been adopted in the Caribbean, most notably in Trinidad and Tobago, a fact that underscores the importance of transnationalism to Samella Lewis’s piece. Her work often grapples with issues of race in the U.S., and The House of Shango is no exception. Through a reliance on the gradual transformation of Shango—one that took place across continents and time—Lewis’s piece forms a powerful link between black Americans and their African and Caribbean counterparts. The figure depicted in the piece appears to emerge, quite literally, from the house of Shango. Given the roots and transformative process of the religion, The House of Shango can draw attention to the historical intersections to which black American culture is indebted.” —Laura Woods, Scripps College, Ruth Chander Williamson Gallery, Collection Highlights, 2018 ABOUT THE ARTIST Samella Lewis’ lifelong career as an artist, art historian, critic, curator, collector, and advocate of African American art has helped empower generations of artists in the United States and worldwide, earning her the designation “the Godmother of African American art.” Born and raised in Jim Crow era New Orleans, Lewis began her art education at Dillard University in 1941, transferring to Hampton University in Virginia, where she earned her B. A. and master's degrees. She completed her master's and a doctorate in art history and cultural anthropology at Ohio State University in 1951, becoming the first female African American to earn a doctorate in fine art and art history. Lewis taught art at Morgan State University while completing her doctorate. She became the first Chair of the Fine Arts Department at Florida A&M University in 1953. That same year Lewis also became the first African American to convene the National Conference of African American artists held at Florida A&M University. She was a professor at the State University of New York, California State University, Long Beach, and at Scripps College in Claremont, California. Lewis co-founded, with Bernie Casey, the Contemporary Crafts Gallery in Los Angeles in 1970. In 1973, she served on the selection committee for the exhibition BLACKS: USA: 1973 held at the New York Cultural Center. Samella Lewis's 1969 catalog 'Black Artists on Art', featured accomplished black artists typically overlooked in mainstream art galleries. She said of the book, "I wanted to make a chronology of African American artists, and artists of African descent, to document our history. The historians weren't doing it. It was really about the movement." From the 1960s through the 1970s, her work, which included lithographs, linocuts, and serigraphs, reflected her concerns with the values of human dignity, democracy, and freedom of expression. Between 1969 and 70, Lewis and E.J. Montgomery were consultants for a groundbreaking exhibition at the Oakland Public L designed to create greater awareness of African American history and art. Lewis was the founder of the International Review of African American Art in 1975. In 1976, she founded the Museum of African-American Art with a group of artistic, academic, business, and community leaders in Los Angeles, California. Lewis, the museum’s senior curator, organized exhibitions and developed new ways of educating the public about African American art. She celebrated African American art as an 'art of experience’ inspired by the artists’ lives. And she espoused the concept of African American art as an 'art of tradition', urging museums to explore the African roots of African American art. In 1984, Lewis produced an extensive monograph on Elizabeth Catlett, her beloved mentor at Dillard University. Lewis has been collecting art since 1942, focusing primarily on the WPA era and work created during the Harlem Renaissance. Pieces from her collection were acquired by the Hampton University Museum in Virginia, the world’s earliest collection of African American fine art...

Jordi Curós Ventura (1930-2007) - Delft Netherlands - Oil on canvas Oil measures 60x73 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Catalan painter. He tra...

Up for sale this charming Still life oil painting on canvas depicting a warm, intimate scene featuring a violin resting on a rich red cloth, illuminated by the soft glow of a single ...

This original poster by Robert Rauschenberg was created for the Lincoln Center New York Philharmonic's 150th Anniversary on December 7, 1992. Printed by ULAE, it is part of an editio...

Oil Painting of a Trout Run in a Woodland River in the English Countryside by 20th Century Artist, John Caesar Smith (British, Born 1930) Art measures 20 x 16 inches Frame measure...

Otono Floral, 1995 Hand-painted, 15-color screenprint with poured resin 40 x 30 inches (102 x 76 cm) Edition of 80 signed in pencil and stamped on verso "Sexual Spring-like Win...

Title: Fish Market in Cadaqués Artist: Shigeyoshi Koyama (1940, Osaka, Japan) Technique: Oil on canvas Style: Figurative Expressionism with Mediterranean influences Dimensions (unfra...

'Kirsten doing her Nails' (29 Palms, CA) - 1999 50x49cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and certificate. Artist in...

The Betrayal - The Getaway (The Last Picture Show) - 1999 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist Inventory #723. ...

"Schnitzel Please!" This timeless, charming photo of a town favorite Dresden Dog, was captured by New York based photographer Fernando Natalici in Germany...

After Keith Haring Fully authorized by the Estate of Keith Haring. Estate seal on lower right

Original Museum of Modern Art, New York poster. “Information Art” Diagramming Microchips. This exhibition was made possible by the Intel Corporati...

Paper Size: 23.75 x 31.5 inches ( 60.325 x 80.01 cm ) Image Size: 22 x 31.5 inches ( 55.88 x 80.01 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additi...

Lundberg Studios Art Glass Vase. Every piece of glass that bears the Lundberg Studios signature represents the finest in contemporary art glass. Crafted by master glass blowers, trad...

Discover "EVE," a vivid and expressive screenprint by Helen Frankenthaler, exemplifying her abstract expressionist style. Created in 1995, this artist's proof (9/16) is beautifully r...

Gilbert Lewis (b.1945). Portrait of a Young Man, ca. 1990s. Gouache on illustration board, 18 x 24 inches. Signed upper right. Excellent condition. Measures 24 x 30 inches in custom frame. Provenance: estate of the artist. Artist statement: Figurative art is a vital active process. The image has its own meaning; not storytelling, not just a picture of a face or a flower. Neither is it simply an exercise in the arrangement of shapes or colors. I want to translate my immediate impression into paint to present the image of an outstretched branch of flowers or a face – direct and simple. My art reflects human concerns expressed symbolically, through fantasy and in a more concrete manner in the process of making the representation itself. Art is my response to the image, the end result of an active process of exploration of the limits of the paint on paper within the confines of representation. The painting of a face is not just a face. My feelings are expressed through these images. My paintings speak to anyone in touch with their own humanity; to anyone else my art may be dismissed as “to personal”. Biography: Gilbert Braddy Lewis born September 25, 1945 in Hampton, Va. Son of David Blake Lewis (born in Atlanta, Ga.) and Gladys Louise Braddy [Lewis] (of Sanford, Fl.); brother of David Blake Lewis (Jr.) and Linda Lewis [Hunter]. The family resides at 3 South Linden Street, Hampton, Va. 1953 until 1962 “I studied from the age of seven, in Virginia, with two well-known Tidewater artists, Jean Craig and the late Allan Jones. The teaching methods of carefully observed studies from nature in charcoal or tempra paint, derived, of course, from the original French academic model, conveyed its impact on my early development; however, my eye and consciousness were mostly activated by the reproductions on the studio wall of works by Botticelli, Da Vinci, and Michelangelo.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1963-68 Studies at Pennsylvania Academy of the Fine Arts with Franklin Watkins, Hobson Pittman, Morris Blackburn, and Walter Stuempfig. While a student at PAFA he shares apartment [261 South 21st Street] with PAFA students, Jody Pinto and Barbara Sosson. In 1967 he receives PAFA’s: Bergman Prize in Painting; M. Herbert Syme Prize; and Samuel Cresson Memorial Travelling Scholarship. The latter award enables Lewis to travel to Europe during the summer of 1967 where he visits museums. “In 1967, after having seen the Italian master’s work while on scholarship from the Pennsylvania Academy, I was to realize my great influences and to discover the earlier Sienese masters whose clarity and energy still move me.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1968 Horizontal painting [of an interior with a seated woman and cat by a large window] reproduced in black and white in school catalog for Pennsylvania Academy of the Fine Arts 1968-1969, p. 24. Other students whose works are reproduced include Clayton Anderson, Barkley Hendricks...

Lithograph in colors on vélin Exhibition Fine Art Cartridge paper. Paper Size: 12.75 x 9.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Hockney's ...

Colorful Samurai, Large-Scale Modern Figural Geometric Abstract Colorful modern figural abstract of a samurai figure fractured into fields of color and pattern by S. Baker (Susan Baker...

Landscape, 1990 Original aquatint and aquatint signed by hand by the artist.. (mm. 450x540). Perfect specimen, imprinted on Hahnemühle paper in a total of 100 copies Perfect preserv...

BAGNI di RIMINI, an original Italian travel vintage poster created by artist Rene Gruau. This is a 150th-anniversary poster for the beach city of Rimini, Italy, and is the last poster that this master artist created. Rene Gruau was famous enough to sign his art with just the letter “G” with an asterisk. All certified art dealers will know it is his work. He also signed his last name as well The mermaid in this Italian poster holds an umbrella with the dates and the name of Bagni di Rimini across the top. The beautiful fashion-conscious mermaid has water splashing off her lower body and tail. Rene Gruau was a famous artist dealing with fashion. You can see the incredible design he used in creating this beautiful mermaid. Original Italian travel poster...

Silkscreen on vélin paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Poems of Léopold Sédar Senghor, 1996. Published by The Limited Editions Club, New York; printed by Studio Heinrici, Ltd., New York, under the direction of Alexander Heinrici, New York, 1996. Excerpted from the album, CCC examples of this album have been printed by Daniel Keleher at Wild Carrot Letterpress. This edition was designed and set in Bodoni types by Dan Cart and Julia Ferrari at Golgonooza Letter Foundry. The silkscreen prints were made by Alexander Heinrici at Studio Heinrici. LOIS MAILOU JONES (1905-1998) was an African American artist and educator, often associated with the Harlem Renaissance. Jones was raised in Boston by working-class parents who emphasized the importance of education and hard work. After graduating from Boston’s School of the Museum of Fine Arts, Jones began designing textiles for several New York firms. She left in 1928 to take a teaching position at Palmer Memorial Institute in North Carolina. At Palmer, Jones founded the art department, coached basketball, taught folk dancing, and played the piano for Sunday services. Two years later, she was recruited by Howard University in Washington, D.C., to join its art department. From 1930–77, Jones trained several generations of African American artists, including David Driskell, Elizabeth Catlett, and Sylvia Snowden...

This exquisite poster features a beautifully reproduced version of Ansel Adams’ iconic photograph “Mountain Stream, 1965.” Published in 1990 by Little, Brown and Co., this poster cap...

Zamy Steynovitz (Polish/Israeli, 1951 - 2000). Title: "Triology Future" Year: 1976 Ref: Book # 1, 1980. Oil on Canvas, Original. Signed and dated 1976 lower right. Image: 40x30 inches Framed: 54 1/2" x 44" Condition: Excellent provenance: The estate of Zamy Steynovitz, Fine Art Wholesaler, private collector Zamy Steynovitz was born in Liegnitz, Poland in 1951and at a very early age he aspired to be a painter. He won first prize in an art competition for children before immigrating to Israel in 1957. Formally educated at the Art School in Tel-Aviv and the Royal Academy in London, he completed his studies and began artistic pursuits in earnest. Zamy established his place in the art world after displaying his work in one-man exhibitions and art fairs around the world. Zamy’s art displays chromatic and thematic richness and his choice of subjects has been strongly influenced by Jewish tradition and folklore. Additionally, his work presents general themes such as Paris cafes, still lives, flowers, circuses and landscapes. In the early stages of his work, he used rich pastels and light brush strokes. When he visited South America in the early 1980’s, his work reflected his new surroundings and were further enhanced by local brightness and colorfulness. His art gained chromatic power; the palette became richer in tones, the textures thicker, and the background darker and more colorful. Together with these changes, the thematic persistence in his creation was maintained, allowing him to develop into a sensitive and mature artist. Zamy’s paintings are a reflection of his Eastern-European Jewish heritage...

Rare Limited Edition Serigraph of John Lennon's handwritten lyrics for the song "Day Tripper" first released as a single by the Beatles in December, 1965...

Artist: Peter Max (1937) Title: Sailboat Series III Year: 1998 Edition: 62/300, plus proofs Medium: Lithograph on Coventry Smooth paper Size: 4.75 x 5.75 inches Condition: Excellent ...

The 1999 Roland Garros poster by Antonio Seguí is a vibrant and whimsical work that captures the lively spirit of the French Open through a playful and satirical lens. Seguí’s use of...

Artist: Paul Bloodgood, American (1960 - ) Title: Little W Year: 1994 Medium: Oil on Canvas mounted to wood, signed, titled and dated verso Size: 14 x 11 in. (35.56 x 27.94 cm) Frame...

Enclosures, contemporary abstract drawing on canvas, red yellow, white, green unique will be shipped with display frame

Original poster: Parc de Bagatelle et Louis Vuitton 1999 Hand-signed by the artist Razzia in black marker on the left side. In plate right side. Linen backed, ready to frame. Excellent condition. Linen-backed Parc de Bagatelle. Concours Automobiles et Louis Vuitton. September 1999. Hand-signed by the artist in black marker in the lower left. The signature on the plate is in the lower right. This original poster is also archivally linen-backed and ready to frame. This was the merger of Mercedes Benz and Chrysler with an automobile from each company represented. The Louis Vuitton house...

"Cars, Buildings People" Contemporary Outsider Folk Art African American Urban The painting measures 65 x 48 inches. We love that in the middle of ...

Banks of the Seine, Vernon (near Giverny, Normandy) French School, signed and dated 1991 oil on canvas, framed framed: 24.5 x 27.5 inches canvas : 18 x 21 inches Provenance: private ...

This is a framed reproduction of "Woman's Portrait", published in 1999 by LEM with the approval of the Succession Matisse. The piece, part of the permanent collection at the Hermitag...

This original exhibition poster from 1993 showcases the works of Pierre Soulages, one of the most renowned French painters of the 20th century, at the prestigious Galerie de France. ...

Still Life with Ox Skull was painted by Pablo Picasso in 1942 during his World War II or War Period. This period was marked by somber and darker themes, reflecting the impact of the ...

Edition 25 Also available in 101 x 127 cm / 40 x 50 inch, Edition 10 Black and white portrait of a nude male model in front of a wall. From personality portraits and advertising c...

This is a rare print, #46 in an edition of 96 that Gwendolyn (Gwen) Knight created while visiting Philadelphia's Brandywine Workshop with her late husband, the artist Jacob Lawrence. It is signed, titled, and dated along the lower edge. The print itself measures 22" x 30" and is professionally framed in a contemporary dark wood frame with muted green and gold double mats under UV protective glass. Framed measurements are 29.5" x 38". This print can also be found in the permanent collections of: - Washington State Arts Commission - Telfair Museums - David Driskell Center, University of Maryland - Seattle Art Museum and many private collectors. Gwendolyn Knight was born in Barbados in 1913. When she was seven, her widowed mother entrusted her to close friends who brought her with them to the United States. In 1926, Knight moved with her foster family from their first home in St. Louis to Harlem, where her developing interest in the arts flowered in the creative atmosphere of the Harlem Renaissance. In Harlem, Knight became a daily participant in the workshop of sculptor Augusta Savage, in whom Knight found a mentor, and Savage's studio became a second home. Through Savage, Knight first came into contact with Claude McKay...

John Baldessari JBCRIAL1VY-98 (Unique Variant, Hand Signed), 1998 Ink jet print on paper. - Unique Variant Hand signed by John Baldessari on the front 1 of 96 similar works completed...

Mario Schifano (Khoms, Libya, 1934 – Rome, Italy, 1998) Title: Untitled (perhaps “The House”) Medium: Enamel and acrylic on canvas Year: 1990 Dimensions: 100 x 100 x 4 cm Signed “Sch...

Sammy Davis Jr Legendary Actor Singer Dancer African American 20th Century Litho Al Hirschfeld (1903-2003) "Sammy Davis" Hand-Signed, Limited-Edition Lithograph, A.P. XV/XV Sight s...

Signed, titled and numbered by the artist from an edition of 100. Male nude etching by Trevor Southey. Trevor Southey was born in Rhodesia, Africa (now Zimbabwe) in 1940. His Afri...

Artist: Robert Indiana Title: Parrot Portfolio: 1997 The American Dream Medium: Original serigraph Year: 1997 Edition: 76/395 Frame Size...

Lucio Muñoz Martinez (Spain, 1929-1998) 'S/T', 1994 engraving on paper 19.7 x 27.6 in. (50 x 70 cm.) Edition of 75 ID: MUÑ1114-004-075 Hand-signed...

I Am the Spirit That Hovers Above the Shapeless Mass of Dreams 1991 Signed, titled, dated, and numbered in ink, recto Gelatin silver print (Edition of 5) 12.5 x 8.5 inches (31.8 x...

Elizabeth Catlett - THERE IS A WOMAN IN EVERY COLOR Rare vintage fine art lithograph poster reproduced after Catlett's original 1975 woodcut print entitled THERE IS A WOMAN IN EVERY...

This is an original drawing by Virgil Ross featuring Bugs Bunny, Rocky, and Mugsy, likely from the classic looney tunes cartoons. Graphite, colored pencil on animation paper. Untrimm...

Paper Size: 36 x 26 inches ( 91.44 x 66.04 cm ) Image Size: 33 x 26 inches ( 83.82 x 66.04 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Det...

Sophie - Signed limited edition archival pigment print - Edition of 10 A classical approach, sensual not sexual This image was captured on film in 1995. The negative was scanned ...

Title of the work: Costa Brava Artist: Rafael Durán Benet Technique: Oil on canvas mounted on board Dimensions: 15 x 18 inches Support: Board Condition: Unframed Period: 1990s ...

Abstract mixed media painting blending bold and rich colors by American artist Kismine Varner, 1990. Signed and dated lower right. Original artwork on paper displayed on a white mat...

Reggatas day (tribute to Seurat), by Fabio Hurtado, is an oil painting on canvas which was created in 1995 and which obtained the Honorary Medal at the C...

Artist: Christo Title: Ponte Neuf Empaquette-Small Medium: Photograph Size: 26 x 27 inches Year: 1985 Publisher: Nouvelles Image Reference #: Schellmann 86 Hand signed by the artist ...

This is a revolving colorful kiddush cup with a signed and numbered Agam op art print in it. this includes the base tray. There is no cup insert so it is more of a sculptural piece ...

The author admires the beauty of the female body. Her movement - smooth, graceful and beautiful. The moment of awakening is very sensual. The girl stretches, revealing the beauty of her young body. Realistic manner shows her original beauty. Sculpture shapes create a play of light and shadow, curves, polished and brushed metal. The work is made of bronze- polish and patina. This sculpture was created in the early period of Alex Radionov...