1990s Art

My own private Travel Diary - Bishop, CA - Winter - 2001, 20x25cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid Slide. Signature label and Certifi...

Childhood 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print based on a Medium format Negative. Signed on back with Certificate. Not mounted.

Surreal abstract expressionist painting of a group of clowns in the style of Belgian painter James Ensor. Combining the macabre with the playful, the work features distorted clowns a...

Woman Sitting in an Armchair by Pablo Picasso is a high-quality reproduction that captures the essence of the original masterpiece. Printed on 250g paper with deckled edges, this pie...

Carborundum on Whatman paper Edition of 38 84.1 x 78.7 cms (33 1/8 x 31 ins)

Artist: Peter Max, German/American (1937 - ) Title: Lady and Sailboat version II #1 Year: circa 1995 Medium: Ink and Watercolor, signed u.l. Size: 15 in. x 18 in. (38.1 cm x 45.72 c...

Original painting on canvas. Hand signed and dated on front; signed, titled and dated on verso by Britto. There is also a signed and dated dedication on verso by Britto. Canvas siz...

acrylic on canvas Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended the, ...

This striking mixed-media artwork, titled Walpi #9 (Hopi Village on First Mesa, Arizona), is a masterful combination of watercolor, ink, and charcoal on paper by Bert Van Bork...

Barcelona watercolor original paper expressionist painting. framed MUNDO Ignasi Ignasi Mundó trained at the School of La Lonja, with Joaquín Mir, Mariano Pidelaserra and Manolo Hugu...

"Orchard View-Small Version (Dr. Johnson's Rims Edge Orchard)" is an original pastel drawing signed by the artist Peggy Leonard. It depicts an orchard in various bright cool tones. 9" x 12" art 14 3/4" x 17 3/4" frame Peggy Leonard received her BFA in painting and drawing and an associate’s degree in nursing from Miami University in Oxford, Ohio. She is both a registered nurse, and accomplished artist, residing in Milwaukee, WI. From the artist: “These paintings are my prayers,” muses Leonard, reflecting on her driving need to express herself through her art. “We are made of the stuff that requires us to respond with our hearts and hands. Often, it requires terrible sacrifice and suffering, something not everyone can understand. But it is done with reverence of life, not irreverence.” Leonard’s pastels and oil paintings capture her reverence of life and reflect her own life’s journey, including earlier forays into the wilderness. Her venture into art began in early childhood, as childless neighbors nurtured her natural ability to draw; concurrently, Leonard’s parents instilled a respect for academic excellence and the higher order of nurturing others. As a young nurse, Leonard “heard and saw poignant messages to travel while one was young and free…while one had one’s health.” Consequently, she took to the open road and public lands, camping across America for months at a time. During these years, her “celebration of the natural splendor of this country” helped shape her sense of artistic expression. She was moved by such sights as the sunset on St. Mary’s Lake...

Acrylic and lithograph on vélin d’Arches paper. Paper size: 14 x 12 inches. Inscription: Hand signed, as issued. Notes: Published, printed by Via Max, New York; painted by Peter Max,...

Yasuhisa Kohyama shapes his asymmetrical forms using piano wire, creating distinctive rough surfaces. The clay with its feldspar nuggets creates a tac...

Mindscreen 8 - 1999 58x56cm, Edition of 10. Analog C-Print, hand-printed by the artist, based on the Polaroid. Not mounted. Signed on back with Certificate. Artist Inventory No. 2...

Wonderful autumnal still life with pumpkin, apples and violets by an unknown artist (American, 20th Century). Signed illegibly ("Barbara ...") and dated "Spring 1990" lower edge. Pre...

Passol blue original abstract acrylic canvas painting. framed Artwork by Spanish artist ISIDRO CAHUE. Acrylic on canvas Perfect state The personality of the artist is reflected i...

Museo Correr II, Venice, Italy, 2016 Chromogenic print 120 x 150 cm Edition of 5 Italian, b. 1954, Florence, Italy, based in Florence, Italy Massimo Listri travels his native Italy ...

A travers.Portfolio with 14 silkscreens. Publisher GKM. Unframed. Edition of 200 ex. Signed, dated and numbered. Free shipment worldwide. “I paint because painting is a private Utopia,” Erró writes of his art. The landscapes in Erró’s work are a constantly changing kaleidoscope of images, multivalent and mysterious, not infrequently controversial, bursting with life – and titillating, too! There is room in his pictures for both paradise and visions of fear. Erró is the alias of Gudmundur Gudmundsson, born on 19 July 1932 in Olafsvik, in north-western Iceland. Since Gudmundur first became enthralled by pictures of works of art in a catalogue from the Museum of Modern Art in New York at the tender age of ten, painting has been his passion and his mission in life. He was accepted into art school in Reykjavik as a 19-year old, subsequently complementing what he had learned there with further studies in Oslo. Erró travelled extensively in Spain, Italy, France and Germany in the 1950s, studying at the Florence Academy of Art in 1954 and at the School of Byzantine Mosaic Art in Ravenna in 1955. It was around this time that he began to exhibit his works, first and foremost in Paris, where he chose to make his home in 1958. During the 1960s he established contact with the Swedish museum director Pontus Hultén, who encouraged him and took him under his wing. Over the years Erró has taken part in hundreds of exhibitions and today his works are on show in museums all over the world, including the Centre Pompidou in Paris. Erró’s pictorial world is peopled by comic-strip characters and autocratic despots alike. Donald Duck with his Daisy, Chip & Dale, and other Walt Disney creations are unselfconsciously juxtaposed with Greek gods and madonnas. Elsewhere the German dictator Adolf Hitler stands shoulder to shoulder with his Iraqi counterpart Saddam Hussein...

the tower original impressionist acrylic painting. SOLÁ PUIG paints in a natural way, which reflects the Old Masters, soaking up the colour, air, smell and the pure scent of his en...

Ray Richardson is a contemporary British artist known for his cinematic paintings. The artist employs icons of working-class London, including bull terriers, soccer pitches, and grit...

CITY TOUR Size: 64.5 x 56 cm (including frame) Oil on Canvas A lively and energetic city street scene composition, executed in oil onto canvas and dated 1998 by Swedish artist Uno V...

"Twelve Miles To Go" is an original oil pastel drawing on a grocery bag by Reginald K. Gee. The artist signed the piece lower right. This piece features a lone figure walking through...

Serigraph in colors on paper. Hand signed lower right by Peter Max. Hand numbered 55/150 lower left. Published by Tsumura Art Association., Tokyo, Japan and printed by Arabesque S...

From his series SHADOW CARTOONS. Color iris print, hand initialed in pencil, This is not numbered. It is on Somerset watermarked archival paper Paper size is 30 X 22.25, images 22.7...

Publisher GKM. Unframed. Edition of 120 ex. Signed and numbered. Free shipment worldwide. Arman explores reality. He strives to transform and sublimate artefacts into works of art. ...

"Cow and Ballerina" is an original painted wood sculpture by Schomer Lichtner. It features a high-kicking ballerina standing on the back of a cow. The artist signed the piece. 36" x 61" x 26" art Milwaukee artist, Schomer Lichtner passed away on May 9, 2006 at the age of 101. He continued to amaze and create with his whimsical paintings of ballerinas and cows. He and his late wife Ruth Grotenrath, both well-known Wisconsin artists, began their prolific careers as muralists for WPA projects, primarily post offices. Schomer Lichtner was well known for his whimsical cows and ballerinas, such as his "Ballerina Dancing on Cow" sculpture below. The late James Auer, art critic for the Milwaukee Journal Sentinel referred to Lichtner as the artist laureate of Milwaukee, Wisconsin. He was the official artist of the Milwaukee Ballet. Lichtner also painted murals for industry and private clients. Schomer was a printmaker and produced block prints, lithographs, and serigraph prints. His casein (paint made from dairy products) and acrylic paintings are of the rural Wisconsin landscape and farm animals. He became interested in cows when he and Ruth spent summers near Holy Hill in Washington County. According to David Gordon, director of the Milwaukee Art Museum, Schomer Lichtner had a tremendous joie de vivre, " joy of life," and expressed it in his art. Schomer Lichtner was nationally known for his whimsical paintings and sculptures of black- and white-patterned Holstein cows...

"Woman Milking a Cow" is an original ink painting/drawing on handmade amate paper by Miguel Castro Leñero. The artist wrote his initials lower right. The piece depicts a seated figur...

Dimitri Hadzi Uxmal, 1991 Cast bronze on custom made granite base 17 × 30 1/2 × 14 inches The title UXMAL, refers to the ancient Mayan city of Uxmal, which is known for its "Pyramid of the Magician" Provenance: Acquired by the original owner from the prestigious Gremillion Gallery in Houston, Texas (accompanied by a copy of the original receipt) Measurements: Base: 26.5 by 11 by 1.75 inches Work longest 30.5 inches Widest 14 inches Highest. 17 inches More about Dimitri Hadzi" Derived from the figure and mythic narratives, Hadzi’s sculpture references antiquity and classical artifacts – abstracted anatomical forms, columnar and other architectural elements, helmets, weaponry and body armor function as visual metaphors for ancient cultures. “I was interested in mythology, and I was interested in movement,” Hadzi remarked on his years in Rome, “I was attempting through formal methods to exaggerate sexual tension or apprehension. Suddenly I was myself in an atmosphere of freedom.” [1] Powerfully rendered in bronze his sculptures convey raw emotion, brute strength and mass, tempered with a delicate rush of whimsy, vivacity and sensuality. Born in New York City on March 21, 1921, Hadzi graduated from Cooper Union in 1950 and received a Fulbright Fellowship in the same year. After studying sculpture in Greece, he moved to Rome under the GI Bill where he lived for twenty-five years. Hadzi returned to the U.S. where he taught at Harvard University for fourteen years. He continued to create sculpture until his death in 2006. Hadzi is included in the permanent collections of the Museum of Modern Art; the Whitney Museum of American Art; the Museum of Fine Arts, Boston; the Hirshhorn Museum and Sculpture Garden; The Phillips Collection and the Guggenheim Museum. Receiving over twenty sculpture commissions, Hadzi’s work appears in public squares, concert halls, federal and private plazas, and universities throughout the world. --------------- [1] Elsen, Albert. “On Artistic Freedom: An Interview,” Dimitri Hadzi, (New York: Hudson Hills Press, 1996), 30. Additional Biography: Dimitri Hadzi (1921 – 2006) is among the most distinguished modernist sculptors, creator of works in bronze and stone that are powerfully abstract and expressionist in character. His contribution to the international language of sculpture continues to influence and inspire through permanent installations and collections, and exhibitions worldwide. Born to Greek-American immigrant parents in New York City, he had a talent for drawing at an early age and won a prize for his young ability. But, it wasn't until after serving in the Air-force in the South Pacific during WWII that he turned his sights fully to painting and sculpture, going on to study both at Cooper Union. Eventually, he would become a mainstay of the Cambridge, MA art community. He was a Guggenheim Fellow (1957), the winner of the Venice Biennale Award (1962), and the Rome Prize (1974). His most notable sculptures are: Copley Place Waterfall (Boston, MA), Owen Glass Co. (Toledo, OH), as well as Thermopolis, adjacent to Boston’s City Hall Plaza, and the former Omphalos in Harvard Square (Cambridge, MA). Hadzi is included in the permanent collections of the Museum of Modern Art; National Gallery of Art; Whitney Museum of American Art; Museum of Fine Art, Boston; Hirshhorn Museum and Sculpture Garden; The Phillips Collection and the Guggenheim Museum. Additionally, Hadzi was also a prolific painter, and printmaker. He also taught at Harvard University for over a decade. Famously, David Hockney attended one of Hadzi’s classes at the Carpenter Center at Harvard, where Hadzi served as director. The two of them spent time together painting and discussing techniques. Hockney gifted Hadzi one of his paintings. He worked alongside his good friend, Nobel Prize winning Irish poet...

Rafael Duran Benet (1931-2015) - View of a Spanish town - Oil on panel Oil measurements 53x64 cm. Frameless. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan paint...

Ruth Schloss (1922 Nuremberg - 2013 Kfar Shmaryahu), Two old people, around 1990. Mixed media on watercolor paper, 33 cm x 38.5 cm, signed “Schloss” lower left and signed again in He...

Ruth Schloss (1922 Nuremberg - 2013 Kfar Shmaryahu), Old Woman at the Table, around 1990. Mixed media on watercolor paper, 32 cm x 24 cm, signed “Schloss” lower left and signed again...

Ruth Schloss (1922 Nuremberg - 2013 Kfar Shmaryahu), Man in a wheelchair, around. 1990. Mixed media on watercolor paper, 38.5 cm x 33 cm, signed “Schloss” lower left and again in Heb...

Ruth Schloss (1922 Nuremberg - 2013 Kfar Shmaryahu), Contemplating old man, around 1990. Mixed media on watercolor paper, 33 cm x 40 cm, signed “Schloss” lower left and again in Hebr...

Ruth Schloss (1922 Nuremberg - 2013 Kfar Shmaryahu), Woman eating, around 1990. Mixed media on watercolor paper, 22.2 cm x 26.5 cm, signed “Schloss” lower left and signed again in He...

Ruth Schloss (1922 Nuremberg - 2013 Kfar Shmaryahu), Two sitting old people, around 1990. Mixed media on watercolor paper, 24 cm x 32 cm, signed “Schloss” lower left and again in Heb...

"The still life with yellow apples". Acrylic on canvas by Elena Narkevich Dimension art: 35 H x 27 W cm x 2 cm D Dimension framed: 57 H x 49 W x 4 D cm Elena Narkevich work is well ...

JOHN CHAMBERLAIN Paris Rue 1991 Ektacolor Professional print taken with Wide Lux camera Unsigned AP 1/1 apart from an edition of 9 24” x 20” Chamberlain began to explore photogr...

Michel YAKOVLEV, known as YAKO was born in New York in 1963, he grew up in Geneva where he made his first graffiti and his first exhibitions in the 80 ', at a time when this culture ...

Robert Mangold 'Untitled,' 1995 Color aquatint 27 x 28 inches Edition 21 of 60 Signed recto

Lois Dodd’s "Poland’s House in Fog" encapsulates the quiet poetry of the everyday, a hallmark of her celebrated approach to landscape painting. This 1990 piece invites viewers into a...

"Yellow Still-life". Raquel Fariñas. Folk Art, Acrylic on wood panel painting. Dimensions: (H) 103 x (W) 122 x (D) 4 cm. The color in the foto is a little blue. The border and the a...

- Artwork comes with a certificate of authenticity and also a certificate of appraisal - Artwork is hand signed by Alexandra Nechita - Limited Edition Lithograph, Edition 75/199

Silkscreen on vélin d’Arches paper. Paper Size: 14 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Bookmarks in the Pages of Life, 1998. Published by The Limited Editions Club, New York; printed by Drexel Press, Inc. Long Island City, 1998. Excerpted from the folio, CCC examples, designed, hand-set in Monotype Perpetua, printed, and hand-bound by Michael and Winifred Bixler, Skaneateles, New York. Paper made in France at Arches. Silkscreens printed by the Drexel Press, Inc. Long Island City, New York. PHOEBE BEASLEY...

Working in the Art Nouveau period style of Austrian Symbolist painter Gustav Klimt, artist Irina V. Karkabi has given form in this painting to the unimaginable, the moments whereby B...

Etching in colors on vélin de Lana Royal paper. Paper Size: 11.93 x 9.81 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Heart of Darkness, 1992. Publ...

Ed. of 10, includes textured wood frame with white mat. Robert Farber’s style has influenced generations of photographers. His painterly, impressionistic style captures the essence ...

Albert WATSON (*1942, Scotland) Kate Moss Contact Sheet (horizontal), Marrakech, 1993 Chromogenic print Sheet 218,4 x 152,4 cm (86 x 60 in.) Edition of 5; plus 1 AP; AP1 print only ...

Georges R. Quinio (1927 - 1999) After studying at Ecole Nationale des Beaux-Arts in Paris, Georges R. Quinio lived in his native Island of Corsica & devoted his time to the painting...

Milton, Peter (American, born 1930). INTERIORS VII: THE TRAIN FROM MUNICH. Milton 113. Resist-ground etching and engraving on copper, 1991. Edition of 175. Signed and dated in pencil. Printed on BFK Rives paper. 20 x 36...

"Progress Regress" is an original oil painting on canvas by Renee McGinnis. The artist signed the piece in the lower right. This piece depicts a boy scrunching up his face, revealing that his teeth say "Progress Regress", the title of the painting. This boy is laying on a pillow in front of a stormy sky. 36" x 48" art 42" x 54" frame Renee McGinnis grew up on a farm in central Illinois and attended Illinois Wesleyan University, earning a BFA in 1984. She continued with graduate work in sociology and anthropology at the University of Chicago. Her work has been exhibited widely in Chicago and has also been shown in Germany, Australia, New York City, Washington D.C. and Baltimore, Md. Her curatorial debut occurred when she launched “The Chicago Solution Show 2003" with the late Ed Paschke as juror, then again in 2005 with Art Institute of Chicago Curator of contemporary Collections- James Rondeau. Awards include: * Honorable Mention, Artists of The Millennium, Rockford Art Museum, juror: James Yood 2000 * Best of Show, juror Ed Paschke, Animal Images 2002 *Best of Show, 13th Annual Women’s Works, Woodstock, IL 2000 *1st Place, International Platform Assoc. Wash. D.C. 1999 *Honorable Mention, jurors: Tom Blackman, Gelsy Verna, Jay Dandy. Hyde Park Art Center...

"Double Opinion" is an original oil pastel drawing on a grocery bag by Reginald K. Gee. The artist signed the piece lower left. It depicts a confused and wide-eyed face with two mout...

This exact work was exhibited at the Art Students League in an important show. (details below) Elizabeth Catlett Homage to the Panthers, 1993 Color Lithograph on wove paper with deck...

Mother Holding Baby, large terra-cotta and clay sculpture. From the Totonaca culture (state of Veracruz). Modern Pre Columbian style large sculpt...

Purvis Young (1943 - 2010) Drawing from the 1990's #364 Acrylic paint on paper 11 x 8.50 in

Purvis Young (1943 - 2010) Drawing from the 1990's #468 mixed media on paper 10.50 x 8 in

Albert WATSON (*1942, Scotland) Kate Moss (Back), Marrakech, 1993 Chromogenic print 243 x 183 cm (95 2/3 x 72 in.) Edition of 5, plus 2 AP; AP1 (from a completely sold out edition) P...

Open and Limited Edition Silver Gelatin Prints Hand Signed by Richard Beland 8" x 10" Unframed Open Edition 11" x 14" Unframed Open Edition 16" x 20" Unframed Open Edition 20" x ...

Lithograph in colors on vélin Exhibition Fine Art Cartridge paper. Paper Size: 12.75 x 9.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Hockney's ...