Square Photography

Leandro Franco Lips Trilogy #1, 2020 (Fashion Photography) 20 x 20 inches 50 x 50cm edition of 13 Archival Pigment Print Signature Label. Signed, titled, numbered and dated by th...

Three Girls X (The Last Picture Show) - 2006, 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Ar...

Childhood Memories (Stay), from Ryan Gosling's memory sequence - 2006 20x20cm, Edition of 10, Archival C-Print, matte surface, based on the Polaroid. Certificate and Signature la...

Wild Things (Till Death Do Us Part) - 2005, 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Invento...

Dining Al Fresco (1976) Limited Edition Estate Stamped (Photo by Slim Aarons) Victor Marson (left) and George Amos dine in the garden of Highclere ...

Photograph by Klaus Redenbacher, Munich, 1954 In this striking 1954 portrait, German model Gina poses in an improvised photo studio in Munich, showcasing a piece of postwar fashion e...

In this rich self portrait, Savannah Spirit takes the tradition of black and white female nude photography, and turns the gaze back on itself. In this series, the muse is the artist, and the gaze is her own. Spirit believes that an image of a woman's body should not be viewed through a purely sexual lens. Through her artwork and curation, Spirit takes on technology and social media censors who operate on the assumption that any unclothed body is pornography. Archival pigment print on Hahnemühle Photo Rag. Savannah Spirit Listening to Debussy Edition 2/3 Edition of 3 "We are unique beauty, we are strong, we are equal, we are body-positive, we are elegant, we are powerful, we are vulnerable. We are our own muses." Exhibition History: Woman March 31st – May 1st, 2018 Undercurrent Projects Also featuring works by: Lillian Bassman, Elinor Carucci, Louise Dahl-Wolfe, Nona Faustine...

14 x 14 inches, Edition of 20, $1150 20 x 20 inches, Edition of 20, Sold Out- Artist Print Available 30 x 30 inches, Edition of 10, Sold Out- Artist Print Available Tom Chambers is ...

large scale glass mounted photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes f...

Echinops Ritro Veitch's Blue by Giles Revell is a dynamic, abstract archival pigment print. Available in this size of 50cm x 50cm in an edition of 25. Larger prints are available, p...

David Burdeny Elephant Mother and Calf, Amboseli, 2020 Archival Pigment Print Signature Label Price for Print only. Ask us for framing options.

Ursula Andress 1955 - Slim Aarons Estate Stamped Swiss actress Ursula Andress poses in a hammock, in Rome, Italy, circa 1955. 12 x 12" inches / 30 x 30 cm paper size Estate Stam...

Abstract Dancers, Dark Blue 1, 2019 Archival Pigment Print in this size of 50cm x 50cm in an edition of 15 Please contact the gallery for further details on the oversize print of 1...

Didier Fournet is a contemporary "painter" thanks to photography: he chose pixels instead of brushes and reveals the beauty of the world by turning landscapes into vibrations. He wor...

Anonymous Women: Demise The subject is the conflation of woman and home. The woman is camouflaged among her domestic objects, activities, and obsessions. The still-life narratives co...

All Mine Jim Kimberly and his wife, with his white sports car and white boats moored on Lake Worth. A Palm Beach socialite, he acts as Honorary Consul of Jordan. 48x48" inches pap...

15 x 15 archival pigment print, edition 8. Signed, titled, dated and editioned on frame label provided. In this latest body of work, Simone Rosenbauer continues her series "Like Ice...

"Rothko Series 3:ND2-2-2" Is a beautiful original edited photography print, done on archival photo canvas. Daniel J. Kaufman (b. New York City, May 4th, 1949) Childhood in Great Nec...

Untitled (Beachshoot) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 21396. ...

Bohemian Barracks 1968 - Slim Aarons Estate Stamped Artistic denizens gather in the lobby of the Chelsea Hotel on W. 23rd Street, Manhattan, New York City, 1968. Clockwise from left...

Gravity (The Girl behind the White Picket Fence) - 2013 80x80cm, Edition 2/5. Analog C-Print printed on Fuji Archive Paper, hand-printed by the artist, based on the Polaroid. Mou...

The Letter (Till Death Do Us Part) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist Inventory No. 8846. Not mounted. MARGARITA (OFF) "I must go. I can feel his breath on the trail el Diablo...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: Pelican Finn...

RINKO KAWAUCHI (*1972, Japan) Untitled, from the series 'Utatane' 2001 C–type print Sheet 101,6 x 101,6 cm (40 x 40 in.) Edition of 6; Ed. no. 4/6 This photograph belongs to the se...

Untitled (Cathy and Shannon) - 2004 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist Inven...

Artillery 2005 Identified on two separate gallery labels, verso Lambda print (Edition of 5) 49 x 49 inches

David Pugh Untitled Archival Pigment Print on Hahnemühle Photo Rag Baryta, 100% Cotton Fibre, 315 gsm, Acid and Lignin free, ISO 9706 conform / museum quality for highest age resista...

The world is mine - 2021 20x20cm, Edition of 7 plus 2 Artist Proofs, Archival C-Print based on the Polaroid. Signed on the back and with certificate. Artist inventory PL2020-101...

15 x 15 archival pigment print, edition 8. Signed, titled, dated and editioned on frame label provided. In this latest body of work, Simone Rosenbauer continues her series "Like Ic...

Don James Supply Lines Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted an...

Exxon - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # Not mounted. Stefanie Schneider's scintillat...

Te veo… I see you. Matanzas 2005. Sparshatt's black-and-white portrait captures the essence of a weathered, elderly man, his face a tapestry of deep wrinkles that tell stories of a...

'The Fullers' May 1970: Alvin and Lilly Fuller outside their new home in Palm Beach, Florida, pose with their fashionable European sports car, the Mercedes 190SL. 30x30 inches / ...

Leandro Franco Sweet Lips, 2020 (Fashion Photography) 20 x 20 inches 50 x 50cm Archival Pigment Print Signature Label. Signed, titled, numbered, and dated by the artist Framed ...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

No Title (No 44) Ballet Photography 36x36 in Ed 4/28 by Yevgeniy Repiashenko Photography Year photo was taken: 2019 Unframed - ships in a tube This picture is a part of Spirit ...

The Games we played (Till Death do us Part) - 2005 50x50cm, Edition of 10, plus 2 artist proofs. Archival C-Print print, based on a Polaroid. Certificate and Signature label, art...

'Verbier Skiers' Fashionable Skiers at Verbier, 1964. 20x20" inches / 51 x 51 cm paper size Estate Stamped Collection Edition to 150 Photo by Slim Aarons Printed in 2025 L...

Pull I, 2017, Edition 1/7 plus 2 Artist Proofs Based on an original Polaroid, Digital C-print, not mounted. Signed on the back and with certificate. Artist inventory PL2017-486 Kirs...

Valley Vista (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 864. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

Archival pigment print. Water. Driftwood. Sand. Beach. Soft palate. Limited Edition. Framed with white wood with floating image set off the glass. No mat. Non-glare glass. Beautiful quality. About the Artist: Keith Ramsdell...

This archival pigment print titled "4 Eva" is an original artwork by Kelly Kozma. The piece measures 37.5”h by 37.5”w. Kelly Kozma is a mixed media and fiber artist who uses the med...

Eat you whole - 2021 - 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signature label and certificate. Artist inventory PL2021-1044. Not m...

A lady of pure joy… dancing in the Plaza de la Revolucion on May 1st. The Spirit of the Revolution series documents the generation of Cubans that saw the dramatic changes of 1959 as...

Edition No. 8/12 image size 28,5 x 35,6 cm signed and numbered Framed with mat and anti-reflex glass A beautiful portrait of a cheetah nursing her cub. Joachim Schmeisser is repres...

Available Sizes: 24" x 24" $3,000.00 Edition of 15 30" x 30" $4,000.00 Edition of 20 45" x 45" $8,500.00 Edition of 7 Printing is done on Exhibition Photo Baryta 310gsm paper. ...

Untitled (29 Palms, CA) - 1999 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and Certificate. Artist inventory N...

Black Bird (Chicks and Chicks and Sometimes Cocks) - 2019 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and signature label. ...

'Waiting II' (Sidewinder) - 2004 80x80cm, Edition of 5, analog C-Print, hand-printed by the artist, based on the Polaroid, Certificate and Signature label. artist Inventory # 303...

HOLIDAY SITUATIONS,1999, color c-prints on Fuji crystal archive paper, each initialed on verso and inscribed "BAT" sheets 11 ¾ x 11 ¾", printed & published by Muse X, Los Angeles. (f...

Shaking Through - 2016 20x20cm. Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory PL2016-784...

Lila and Sam (Stay) with Ewan McGregor and Naomi Watts - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory...

Daydream believer - 2021 - 20x20cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, Signed on the back and with certificate. Artist inventory PL2021-1029....

"Roads" Black & White Photography 39" x 39" inch Edition of 3 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube...

In this new series Mercado utilizes canvas in big format as a medium to intervene Jack Delano's photographs of Puerto Rican agriculture workers he documented for the FSA in the 1940...

In “American Motel Signs” Steve Fitch crisscrossed the United States documenting the colorful dynamic, advertisements inviting weary traveler to park their car and pack it in for the...

C Z And Friends 1955 - Slim Aarons Estate Stamped American socialite Mrs. Winston F. C. Guest (aka C. Z. Guest, 1920 – 2003) with her personalized Ford Model T tourer, in the compan...

Archival pigment print. Framing available at additional cost. Signed, titled, dated and editioned on label verso. In the latest series by Simone Rosenbauer, entitled Like Ice in the Sunshine...

This late 1960s landscape photograph, captured by society photographer Slim Aarons, features a family enjoying a picnic on the bank of the Whiting River near Campbell Falls, Massachu...

Selected from the Drew Carolan monograph MATINEE All Ages On The Bowery. Shot against a white seamless on the corner of Bleecker St. and Bowery in New York City in the early 1980's w...