Vertical Photography

The angel is a being that religion has bequeathed us as a sign of purity, innocence, and goodness, from the same source, we have been sold to the devil as the form that represents ev...

This captivating black-and-white photograph, titled Mainbocher Corset by Horst P. Horst, masterfully blends elegance and geometry. The composition features a woman seen from behind, ...

This ethereal monochromatic underwater nude photograph captures a young woman wrapped in flowing translucent fabric. The sepia-toned composition emphasizes texture and movement, wher...

This color photograph by Slava Mogutin entitled "Anton (Helmet), Moscow)" is offered by CLAMP in New York City. Signed, titled, dated, and numbered, ver...

GEORGE BARRIS I4 FROM "THE LAST PHOTOS" ORIGINAL PHOTO FROM ORIGINAL NEGATIVE 16 X 20 INCHES HAND SIGNED BY ARTIST This piece is an original photograph of Marilyn Monroe from the o...

Nick Vedros Ducati Girl Archival Pigment Print on Epson Legacy Platine 100% Cotton Fibre, 314 gsm, Acid and Lignin free Year: 2012 Size: 16x10in Edition: 15 Signed, dated and number...

A portrait of Helen Frankenthaler (1925-2011) in her studio in New York. Glinn captures the celebrated artist, Frankenthaler, in the process of making art - surrounded by paint, mate...

Duffy - Pirelli Ice Cream Girl - banned - signed limited edition BANNED OUTTAKE - ICE CREAM ON BREASTS - PIRELLI 1973 Image size 18x12" signed Archival Pigment print limited edition size of 12 only On the 27th of October 1972 for the first time in Pirelli Calendar history, this image was banned. It was deemed too risqué even for a publication such as this. Derek Forsyth and Allen Jones were summoned to Pirelli’s head office in Chester square to explain themselves. The chairman of the company deemed the image too perverse and it was never published. Duffy was one of the few photographers who was commissioned for three Pirelli calendars. His first two calendars were in 1965 and 1973 and his last shoot for Pirelli was also in 1973 for the Cinturato truck tyre calendar. Duffy worked with the pop artist Allen Jones and the airbrush artist Philip Castle. The airbrushing techniques used producing this calendar were incorporated on the David Bowie Aladdin Sane album cover in 1973. More About Duffy : AT DUFFY’S MEMORIAL SERVICE LORD DAVID PUTTNAM ADDRESSED THE FAMILY AND FRIENDS OF DUFFY AND SAID ‘THE WORLD NEEDS MORE DUFFY’S.’ HE THEN WENT ON TO CALL HIM A MAVERICK, SOMEBODY WHO WAS PREPARED TO TAKE RISKS WITH HIS ART FORM AND DESCRIBED DUFFY AS A ‘SUPREMELY TALENTED AND ESOTERIC MAN.’ ‘A man who thrived on risks and challenges, who lived to create.’ In 2013 Duffy was voted as one of the top most 100 influential photographer’s of all time and he richly deserves that title. When Duffy felt he had pushed the boundaries as far as he could and was no longer satisfied with stills photography he abruptly shut his studio, attempted to burn all of his negatives and moved into commercials. Despite repeated requests to return to still photography, give interviews or discuss his career, he became reclusive and his remaining negatives would have stayed in boxes under the stairs had it not been for the persistence of his eldest son, Chris. Chris realised that Duffy’s name was slowly slipping into obscurity and regularly tried to persuade him to do something with his remaining archive. It wasn’t until 2006 when Duffy was diagnosed with the degenerative lung disease Pulmonary Fibrosis that he finally gave Chris the green light to start putting the archive together. The process was a labour of love for the first few years. Organising, scanning and databasing his negatives took many hours whilst Chris was running his own photographic studio. In 2009 the opportunity to exhibit at Chris Beetles Gallery in Mayfair London (now Beetles & Huxley) gave Duffy the platform for his first ever exhibition which was hailed with great critical acclaim. The exhibition ignited an incredible interest in his work and there were regular queues to see the show. During the process of putting the exhibition together, the BBC commissioned a documentary on Duffy’s life and work which aired in 2010. Chris then started on the first monograph but sadly Duffy was never to see this and passed away on 31st May 2010. Since 2010 Duffy’s work has been exhibited in numerous museums and galleries around the world. In 2012 the Victoria and Albert Museum requested use of the original Aladdin Sane record cover ‘dye transfer’ print for their British Design 1948-2012 cultural exhibition. In 2013 the V&A approached the archive for use of the newly released ‘Eyes Open’ version as the lead image for the ‘David Bowie is’ exhibition. This exhibition has achieved record breaking numbers in several venues and has been seen by over 1.5 million visitors. Duffy’s name has now become recognised by an international audience and is now firmly back on the map. In 2014 Duffy’s second book was released – Duffy Bowie: Five Sessions which covers his work with David Bowie. Written by Chris Duffy and Kevin Cann the book explores the chemistry and creation of these five iconic sets of images illustrated with interviews from people who were directly involved. The book is also available in French and Italian. The archive is made up of negatives and contact sheets that have been retrieved from numerous UK and international publications; Vogue, French Elle, Glamour, The Sunday Times, The Telegraph to name but a few in addition to work held by independent archives. The process of exhibiting Duffy’s work continues and the future holds several more book projects illuminating Duffy’s eclectic and influential work. ice cream pirelli calendar girls sex sexy erotic erotica nudes boobs...

Bruce of L. A. - Set of 2 Vintage 1950s gelatin silver photographs by celebrated 20th Century photographer Bruce Bellas also known as Bruce of Los Angeles, of physique model Perry Peters in the early 1950s. These are original photographs from the "posing strap" era when nude photography was illegal. 'Bruce Los Angeles...

Christian - Signed limited edition archival pigment print, 1984 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then pr...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ FlowerHead ‘ who was captured on film ...

Muhammad Ali as Saint Sebastian, 1967 48 x 84.5 in. (121 x 214 cm) Chromogenic Print Edition of 3 Exclusive to TASCHEN The photographer Carl Fischer (b. 1924), photographer an...

"The artist was enchanted by some images he had a relationship with since childhood, working them into iconographies, such as the image of the fisherman carrying on his back a cod al...

Loving You (Till Death do us Part) - 2005 48x46cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artis...

Sophie - Signed limited edition archival pigment print - Edition of 10 A classical approach, sensual not sexual Grainy photograph. This image was captured on film in 1995. The ne...

Muscle Boy is an iconic image by Leonard Freed who was a pioneer in documentary photography. In this photo a boy flexes his muscles for the camera perhaps making a statement about...

Fashion Show, Brooklyn, New York, USA 1963 by Leonard Freed is a 19" x 13" signed archival pigment print in an edition of 10. Signed on back of the photograph by the Freed estate Brigitte Freed. Available: 3/10. Provenance: Freed Estate *** Artist’s Bio: Leonard Freed (1929-2006) was an American photographer from Brooklyn, New York. His "Black in White America" series made him known as a documentarian, a social documentary photographer. Freed worked as a freelance photographer from 1961 onwards and as a Magnum photographer Freed traveled widely abroad and, in the US, photographing African Americans (1964-65), events in Israel (1967-68, 1973), and the New York City police department...

'Lily No.3' Lily was photographed using a large format 4x5 black and white film. From Limited edition of 10. Printed on archival Hahnemühle Photo Rag Baryta paper. Signed both fr...

A single bloom, stripped of sentiment, stands quiet in a field of darkness. Splatters break the surface, suggesting memory, erosion, or quiet rupture. This is not a floral study, it ...

Hand printed Platinum Photograph. Tom Millea was well known for his printing. He loved Death Valley and even made a portfolio of it. This is a loose print.

Channeling the energy of “water-signs” in astrology, he captures these mysterious men thru a romantic lens. The embrace of the shadows and the light mixed with the gaze of their bodi...

Edition 25 Also available in 101 x 127 cm / 40 x 50 inch, Edition 10 Black and white portrait of the actress Raquel Welch. From personality portraits and advertising campaigns to ...

Sophie - Signed limited edition archival pigment print, 1995 - Edition of 10 This image was captured on film. The negative was scanned creating a digital file which was then prin...

16" x 20", signed limited edition print of David Bowie by Masayoshi Sukita. Taken at RCA Studios, New York, 1973. As featured in the new movie, Moonage Daydream. This print is also ...

American model Jean Patchett photographed in Paris wearing a Jean Dessès evening gown. American Vogue magazine April 1, 1950. Paris Drama, 1950 C print Estate stamped and numbered e...

Limited Edition of 5 Two young elephants playing together and hug each other with their trunks. Joachim Schmeisser is represented by leading Galler...

Sardinian Holiday Selvaggia Borromeo enjoys a yachting holiday on the Costa Smeralda in Sardinia, 1967. Gorgeous print measuring 40 x 30 inches / ca 101 x 76 cm's. Estate Stamp...

Gelatin silver print Signed, verso This artwork is offered by ClampArt, located in New York City.

“Floral Muse” is a vibrant and emotive large painting (70 x 100 cm / 27.5 x 39.5 in) that blends figurative and abstract styles from Natalya Mougenot’s ongoing series dedicated to Wo...

168.04.12 is a limited-edition photograph by contemporary artist Klaus Kampert. It belongs to the series "Wrapped". This photograph is sold unframed as a print only. It is availabl...

Listing includes framing with UV Plexi ($900 value), free shipping, and a 14-day return policy. Seydou Keïta Untitled Portrait, 1952 - 1955 (02158) 23...

Liberace II by Christian Stoll an epic scale photograph of mesmerizing texture details ( 60 x 48" / 152.25 x 122cm ) edition of 7 signed 40 x 32 inches / 122cm x 81.25cm edition o...

Tiziana Audino 1984 (printed later) Chromogenic Lambda Print Estate edition of 150 A topless Tiziana Audino enjoys a shower at the Hotel San Pietro in Positano, 1984. Estate stamp...

GOLDEN by Frank Schott from a series of photographic observances - environmental still life capturing found objects in urban cityscapes 40 x 32 inches (102 x 81cm) signed edition ...

Fisher Ross. Untitled, ca. 1975-80. Gelatin Silver print, sheet measures 8 x 10 inches; 17 x 21 inches framed. Artist studio stamp on verso. Excellent cond...

The Pirelli Calendar, known and trade-marked as "The Cal", is an annual trade calendar which has been published by the UK subsidiary of the Italian tyre manufacturing company Pirelli...

In the series 'She Disappeared into Complete Silence' (2014) Mona Kuhn takes a new direction into abstraction. She turns to a highly austere and restrained reductionist geometry and distilled formal purity, connecting the interior to the exterior, the visible to the hidden. These reflections cause one to linger, as they merge to create a dynamic equilibrium of tension, spaces and rythms. AD14558 (She Disappeared into Complete Silence) 60" x 45" / 152cm x 114cm edition of 8 + 2AP 40" x 30" / 102cm x 76cm edition of 8 + 2AP limited edition photograph is printed under artist supervision and accompanied by signed artist certificate: artist signature labels are 8x10 in size signed, editioned, dated and titled by the artist, and stamped for authenticity label __________________ About the artist Acclaimed for her contemporary depictions, Kuhn is considered a leading artist in the world of figurative discourse. Throughout a career spanning more than twenty years, the underlying theme of her work is her reflection on humanity’s longing for spiritual connection and solidarity. As she solidified her photographic style, Kuhn created a notable approach to the nude by developing friendships with her subjects, and employing a range of playful visual strategies that use natural light and minimalist settings to evoke a sublime sense of comfort between the human figure and its environment. Her work is natural, restful, and a reinterpretation of the nude in the canon of contemporary art. For the past two decades, the Los-Angeles based artist's works have been shown steadily, revealing an astonishing consistency in technique, of subject and of purpose. In 2001, Kuhn’s photographs were first seen by an influential audience during the exhibition at Charles Cowles Gallery in Chelsea, New York. Kuhn’s distinct aesthetic has propelled her as one of the most collectible contemporary art photographers—her work is in private and public collections worldwide and she is represented by galleries across the United States, Europe and Asia. Kuhn was born in São Paulo, Brazil, in 1969, of German descent. In 1989, Kuhn moved to the US and earned her BA from The Ohio State University, before furthering her studies at the San Francisco Art Institute. She is currently an independent scholar at The Getty Research Institute in Los Angeles. Occasionally, Mona teaches at UCLA and the Art Center College of Design in Pasadena. Mona Kuhn’s first monograph, Photographs, was debuted by Steidl in 2004; followed by Evidence (2007), Native (2010), Bordeaux Series (2011), Private (2014), and She Disappeared into Complete Silence (2018/19). In addition, Kuhn's monograph titled Bushes and Succulents has been published by Stanley/Barker Editions, with a debut at Jeu de Paume in Paris, In 2021, Thames & Hudson published a career retrospective titled Works. Kuhn's most recent publication Kings Road with Steidl accompanies a multi-dimensional museum traveling exhibition shown in Europe and the US. Mona Kuhn’s work is in private and public collections worldwide, including The J. Paul Getty Museum, Los Angeles County Museum of Art, The Hammer Museum, Perez Art Museum Miami, Museum of Fine Arts, Houston, and the Kiyosato Museum in Japan. Kuhn's work has been exhibited at The Louvre Museum and Le Bal in Paris; The Whitechapel Gallery and Royal Academy of Arts in London; Musée de l’Elysée in Switzerland; Leopold Museum in Vienna Austria, The Polygon Gallery in Vancouver Canada, Taipei Fine Arts Museum in Taiwan and Australian Centre for Photography. Mona Kuhn lives and works in Los Angeles. __________________ Solo Exhibitions 2025 Mona Kuhn: Works, Museum of Contemporary Art, Malaga, Spain 2024 Mona Kuhn: The Schindler House, A Love Affair, Galerie XII, Los Angeles Mona Kuhn: Between Modernism and Surrealism, Houk Gallery, New York, NY 2023 Mona Kuhn: Kings Road, Galerie XII, Paris, France Mona Kuhn: Kings Road, Kunsthaus-Göttingen, Germany Mona Kuhn: Kings Road, Jackson Fine Art, Atlanta 2022 Mona Kuhn: 835 Kings Road, Art, Design & Architecture Museum, Santa Barbara 2021 Mona Kuhn: Works, Galerie XII, Paris Mona Kuhn: Works, Edwynn Houk Gallery, New York Mona Kuhn: Works, Flowers Gallery, London Mona Kuhn: Works, Galerie XII, Los Angeles + Paris + Shanghai Mona Kuhn: 835 Kings Road, Art, Design and Architecture Museum, Santa Barbara 2020 Still Light, Jardin du Bra'haus, Montée du Château, Clervaux, Luxembourg Mona Kuhn: Early Depictions, Flowers Gallery, London Mona Kuhn: Intimate, UP Gallery, Taipei, Taiwan 2019 Bushes and Succulents, Euqinom Gallery, San Francisco Mona Kuhn: She Disappeared, Jackson Fine Art, Atlanta Mona Kuhn: Experimental, Fruit Factory, Durham Triangle, North Carolina 2018 Mona Kuhn: New Works, Part II, Galerie Catherine Hug, Paris, France 2017 Mona Kuhn: The First Chapter, Euqinom Projects, San Francisco, California 2016 Mona Kuhn: New Works, Galerie Catherine Hug, Paris, France Acido Dorado, Galeria Pilar Serra, Madrid, Spain Mona Kuhn: New Works, Euqinom Gallery, San Francisco, California 2015 Private, Ravestijn Gallery, Amsterdam, The Netherlands Private, Galerie Ernst Hilger, Vienna, Austria 2014 Acido Dorado, Edwynn Houk Gallery, New York Acido Dorado, Flowers Gallery, London, UK Private, Jackson Fine Art, Atlanta, Georgia 2012 Bordeaux Series, Galerie Particuliere, Paris, France Native, Galeria Pilar Serra, Madrid, Spain Bordeaux Series, Jackson Fine Art, Atlanta, Georgia Bordeaux, Flowers Gallery, New York Native, Brancolini Grimaldi, Florence, Italy 2011 Bordeaux, Flowers Gallery, London, UK 2010 Native, Flowers Gallery, London, UK Native, Flowers Gallery, New York 2009 Native, M+B Gallery, Los Angeles, California Native, Jackson Fine Art, Atlanta, Georgia 2008 Evidence, Jarach Gallery, Venice, Italy 2007 Evidence, Scott Nichols Gallery, San Francisco, California Evidence, Charles Cowles Gallery, New York Mona Kuhn, Estiarte Gallery, Madrid, Spain Evidence, Jackson Fine Art, Atlanta, Georgia Less Than Innocent, M+B Gallery, Los Angeles, California 2005 Mona Kuhn – Recent Color Work, Charles Cowles Gallery, New York Mona Kuhn-Close, Jackson Fine Art, Atlanta, Georgia Unbounded Youth, Fahey/Klein Gallery, Los Angeles, California 2004 Mona Kuhn-Color, Camerawork, Berlin, Germany New Work, G. Gibson Gallery, Seattle, Washington Corporeal Space, Galerie F5.6, Munique, Germany Mona Kuhn - Color Photographs, Scott Nichols Gallery, San Francisco, California Still Memory, PhotoEye...

Archivally framed with Museum Glass which filters out 99% of UV rays and reflective glare. Titled and dated in pen lower left corner. Signed in pen lower right corner.

Artist: Bert Stern, American (1929 - 2013) Title: Marilyn Monroe: The Last Sitting Year: 1962 Medium: Chromogenic C-Print Photograph, signed and numbered in marker Edition: 209/250 ...

Chris Levine Lightness of Being [Freedom Edition], 2021 Diasec-mounted giclée print mounted on aluminium composite panel Artist's digital signature, lower right on recto 90 x 70 cm E...

Andres Serrano portraits of The History of Sex, taken in 1996 in the Netherlands, the camera looks directly at the models, who respond in kind. Eyes first seems to be the guiding pri...

The bitter end - 2020 60x48cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2020-963. Not mo...

This exquisite heliogravure after Erwin Blumenfeld (1897–1969), titled The Devil's Cross, originates from the 1981 folio Erwin Blumenfeld, Electa Editrice Portfolios. Published by Gr...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Caroline ‘ Signed by Ian Sanderson lo...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. Photographer Ludwig Favre's affinity for shooting California is deeply tied to nostalgi...

Times Square by Night (1953) - Oversized (Photo by H. Armstrong Roberts/Alamy) 1930, Golfer teeing off circa Additional Information: Unframed Paper Size: 40x60'' Printed Later NOTE OTHER SIZES OF THIS IMAGE AVAILABLE 10 x 12'' 12 x 16'' 16 x 20'' 20 x 24'' 20 x 30'' 30 x 40'' 40 x 60'' FRAMING AVAILABLE ON REQUEST About the Artist: H. Armstrong ROBERTS (1883-1947) is an artist born in 1883 The oldest auction result ever registered on the website for an artwork by this artist is a photography sold in 2012. ACTORS ON SET, Bette Davis, Ladies Fashion...

The dining room of the iconic Parry Lodge in Kanab, Utah, which once hosted movie stars of the Western films made in the area, their faces, cutouts from Life Magazine, adorn the wood...

This exquisite heliogravure after Man Ray (1890–1976), titled Untitled, originates from the 1980 folio Man Ray, Electa Editrice Portfolios. Published by Gruppo Editoriale Electra, Mi...

"Kate Moss Curlers" Photography 20 x 16 in Edition of 50 by Kate Garner Hahnemuhle fine art archival paper Signed & numbered by the artist Comes with COA issued by the artist Kate ...

16 x 20" vintage silver gelatin photograph, multiple exposure male nude. Titled, numbered, dated, and signed by Jack Mitchell on the recto. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. Jack Mitchell's artist’s statement on this project: For five decades in New York City I photographed established and emerging creative and performing artists for major publications. The Numbered Nudes photographs are a development, and expansion, of my dance photography...

This silver gelatin print is initialed "AA" in felt-tip ink either by the artist or an unknown hand on the front of the mount. This print comes from the collection of the artist's da...

"Avant" Black & White Art Print 47" x 32" in Ed. of 15 by Yevgeniy Repiashenko Year photo was taken: 2020 Art Print Limited Edition of 15 Picture size: Height: 47" inch Width: 32"...

Edition 10 Also available in 40 x 50 cm / 16 x 20 inch, Edition 25 Portrait of nude actress Brigitte Nielsen in front of a wall. From personality p...

At what appears to be a costume party, this beautiful woman, draped in a sheer tunic, must have been the center of attention. Dressed as Aphrodite, she clearly commands those around her. With his camera as his constant companion, Shay was able to capture moments of everyday life and make them extraordinary. This artwork is currently unframed. Contact gallery for framing options. Art Shay Woman in Sheer Dress silver gelatin print 20h x 16w in 50.80h x 40.64w cm 7ED.1.20.12005 ASY12005 “Art Shay’s photography shakes you up, sets you down gently, pats you on the head and then kicks you in the ass.” Roger Ebert “[Shay’s work] ranks with some of the greats of the 20th century.” Ellen & Richard Sandor, Renowned photo collectors “I’ve admired Art Shay’s work for almost forty years, and he keeps getting better. He can do anything with a camera, but what he mostly does is capture real moments and transform them into visual poetry. His work continues to be an inspiration to me.” William Friedkin, Director of French Connection “Art Shay is one of our finest photographers. His work over the past fifty years has artfully captured the beauty, humor, and pathos of America.” Studs Terkel “Art Shay is one of the best photojournalists I know. I’ve been a fan of his work since the early 1950s - before the launch of playboy magazine.” Hugh Hefner “Algren, Terkel, Royko, they gave us a voice. Art Shay gave us a face.” Tony Fitzpatrick, Chicago Artist “Art Shay is America’s Cartier-Bresson.” Thomas Dyja, author of The Third Coast “Chicago’s Art Shay in many ways is to American photography what Nelson Algren was to American writing: that rare and absolutely necessary citizen who’s blessed with a cold eye, a clear head, and a warm heart. What is it about Chicago that keeps giving us men like this?” Russell Banks, Novelist “The best images of Simone de Beauvoir and her times have been passed down to us by Henri Cartier-Bresson, Gisele Freund, Robert Doisneau, Georges Brassai, and in America, the Chicago-based Art Shay, all world-class photographers.” Christophe Loviny, Art Editor, Paris “Art Shay is the best photo-journalist Chicago ever produced.” Arthur Siegel, photographer; IIT Institute of Design President “I have one of Art Shay’s pictures over my desk. It reminds me every morning of my Chicago roots. Arts photos, like me, have the Chicago accent, which may be to say he’s telling you the truth. I think it takes a realist to see the humor in things. I know it takes a realist to see the depths of tragedy. Art’s work is so real it feels like a Madison Street guy tapping me on the forearm.” David Mamet

Weight of the World - 2017 30x24cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate Artist inventory PL2017-...

The 1998 Pirelli Calendar was photographed in Miami by Bruce Weber. Shalom Harlow was among the many iconic models photographed. “Bruce Weber is a photographer and filmmaker best kn...

Nude Female Study 1968 by Lucien Clergue A nude models breast protrudes from bubbly water as she poses. Unframed Matted Overall size : 12 x 16" inches / 30 x 41 cm Image Size: 8.5"...

Exist - 2021 50x40cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signature label with certificate. Artist inventory PL2021-1090. Not mounted. ...

Play among the Stars (Till Death Do Us Part) - 2005 50x49cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature labe...

This work is offered by CLAMP in New York City. Edwardo 1992 Signed, titled, and dated in ink, recto Gelatin silver print 8.5 x 6 inches (21.6 x 15.2 cm), image 10 x 8 inches (25...