Framed Figurative Photography

"Strutting Peacock No. 1" is a framed contemporary photograph on aluminum by Randal Ford depicting a male peacock with his feathers flared. The vibrant colors leap from the surface o...

This striking underwater fine art photograph captures a figure draped in flowing white fabric, suspended between worlds with vibrant red blossoms and yellow spherical elements. The r...

Passionate, sensitive and an eye for detail, light and color, this is the working method of Dutch photographer Ursula van de Bunte (1969). She is a perfectionist, enthusiastic and di...

Not one to shy away from human representation, Pia Clodi’s more portraiture-like works continually offer the sitter an air of anonymity, and as such the viewer has the opportunity to...

This stylish artwork, 'Black Handbag' taken at the glamorous retro event Goodwood Revival, perfectly captures feminine sophistication with a vintage vibe. This artwork featured in Ri...

Kenn Duncan (1928-1986). Male Model, ca. 1973. 11 x 14 inches; 12 x 15 inches framed. From the estate of William Como, Editor in Chief, After Dark Magazine. Kenneth Duncan was born September 22, 1928, in New Jersey. He began his career as a skater and then a dancer. After breaking his foot and taking a six-week course on photography at a YMCA, he became a photographer. Duncan worked as a principal photographer for After Dark and Dance Magazine. His photographs also regularly appeared in Vogue, Harper's Bazaar, Life, Time, and Newsweek. In addition, he photographed a score of Broadway shows, including Hair, Applause, The Elephant Man, and Sophisticated Ladies and many dance and Broadway stars including Chita...

Work comes with a Certificate of Provenance issued by Christie’s. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visual Arts. Foundation num...

Lord Fauntleroy Melanie Sherman 240522-23 Pigment Print Year: 2024 Visible Size: 13 x 13 inches Framed: 20.5 x 20.5 inches Signed: On Label Edition: 7 COA provided *White frame with...

"Emulsion 8" Portrait Photography 40'x40' inch Edition of 10 by Giuliano Bekor Printed on fujiflex mounted on aluminum laminated and framed with a costume floater frame. EMULSION ...

"EXAMINATION" is an original piece by Shawn Theodore made from found/family photos, polaroid lift, acrylic on wood panel. Theodore delves into the specific experiences of African American families, capturing a longing for lost photographs, missing heirlooms, and vanished archives. Using a blend of traditional portraiture, found photographs, paint, paper, pencils, and digital manipulation, Theodore creates archetypes representing hypothetical family members, spiritual guardians, and ancestors. These boldly crafted archetypes inhabit an imagined macro-family album, offering a unique perspective on portraiture, connection, and community. Theodore's work aims to deepen spiritual connections and encourage personal introspection. This pieces measures 16.75"h x 16.75"w framed and comes with a gallery-issued Certificate of Authenticity. Shawn Theodore (b. 1970) was born in Germany to American parents from Philadelphia, and currently lives and works in Philadelphia. Theodore was awarded the prestigious PDN’s 30 New & Emerging Photographers to Watch (2019), the Getty Images / ARRAY ‘Where We Stand’ grant, and a grant from the Knight Foundation for ‘A Dream Deferred’. Theodore was a two-time nominee for the Pew Center for Arts & Heritage Fellowship and a nominee for the Magnum Foundation Fund. He is an Associate Adjunct Professor at the University of the Arts, a trustee of The Print Center, a trustee of the Rush Philanthropic Arts Foundation, and a former trustee of the Philadelphia Photo Arts Center. Theodore was announced as a two-time nominee of The Pew Center for Arts & Heritage Fellowship and a nominee of the Magnum Foundation Fund in 2018. In the following years 2019 and 2020, he was awarded the PDN's 30 New & Emerging Photographers to Watch and AI-AP American Photography 35. He has had several solo exhibitions and is included in several group exhibitions. His work is held in the permanent collections of the Philadelphia Museum of Art, Philadelphia; the collection of the Philadelphia Library, Drexel University's Center for Black Culture, the Mennello Museum of American Art, Orlando; the Whitney Museum of American Art, New York; the Museum of Contemporary Art, Chicago; the Walker Center, Minneapolis; the National Museum of African American History and Culture, Washington D.C.; the Dallas Museum of Art, Dallas; and the Legacy Museum, Montgomery, among others. Artist photo...

"Paradigm" (FRAMED) Photography 24" x 36" in Edition of 5 by Viktorija Pashuta Comes in white frame as shown on photos. Latvian born Viktorija Pashuta is internationally published...

"Paradigm" (FRAMED) Photography 24" x 36" in Edition of 5 by Viktorija Pashuta Comes in black frame as shown on photos. Latvian born Viktorija Pashuta is internationally published...

Chris Smith (b.1937) Ali Versus The Beatles 1964 silver gelatin fibre based print 20 x 30 in. / 34.5 x 48 in. / 46 x 66 in. / 50 x 92 in. signed and numbered printed later This work...

Underwater black and white photograph of a naked young woman in a pool. Original print on aluminum plate with solid black backboard. The artwork needs no additional framing: it can...

Edition # 1/4 This is the framed, varnished giclee print on Museo wax price listed. The photograph is only available for purchase framed. Quiescence - 2009 A mixture of portraits ...

Laura Lloyd Yellow Abstract Archival Pigment Print Year: 2024 Visible Size: 11 x 17 inches Framed: 15.4 x 21.4 x 1.5 inches Signed: On Label COA provided *Black frame with standard ...

Angie Jennings Midway Archival Pigment Print Year: 2024 Visible Size: 10 x 15.125 inches Framed: 14 x 19.75 inches Signed: On Label COA provided *Black frame with standard plex Ang...

Lord Fauntleroy House Labels in Yellow 241206-02 High Gloss Metal Print with Float Mount Hanger Year: 2024 Size: 12 inches diameter Signed: On Label Edition: 7 COA provided Lord Fau...

This artwork titled "Red Sadhu, Rajasthan, India" 1998, is a photograph (Cibachrome) by American artist Lisa Kristine, b.1965. It is hand signed, titled and dated in pencil by the ar...

Doug Rickard (American b.1968) Limited Edition Archival Pigment Print. Features the work titled; A New American Picture - Detroit. Signed on verso and numbered 4/5. Work: 26 in. x 41 1/2 in. Frame: 26 1/2 in. x 42 in. Doug Rickard’s A New American Picture offers a startling and fresh perspective on American street photography. All of the images are appropriated from Google Street View; over a period of two years, Rickard took advantage of the technology platform’s comprehensive image archive to virtually drive the unseen and overlooked roads of America, bleak places that are forgotten, economically devastated, and abandoned. With an informed and deliberate eye, Rickard finds and decodes these previously photographed scenes of urban and rural decay. A New American Picture depicts American street scenes, located using the internet platform Google Street View. Over a four-year period, Rickard took advantage of Google’s massive image archive to virtually explore the roads of America looking for forgotten, economically devastated, and largely abandoned places. After locating and composing scenes of urban and rural decay, Rickard re-photographed the images on his computer screen with a tripod- mounted camera, freeing the image from its technological origins and re-presenting them on a new documentary plane. The low-resolution images that Rickard favors have a dissolved, painterly effect, and are occasionally populated with figures who acknowledge the camera, but whose faces are blurred, masking their identity. The photographs are thus imbued with an added surrealism and anonymity, which reinforces the isolation of the subjects and emphasizes the effects of an increasingly stratified American social structure. Rickard’s work evokes a connection to the tradition of American street photography, with knowing references to Walker Evans, Robert Frank and Stephen Shore. He both follows and advances that tradition, with a documentary strategy that acknowledges an increasingly technological world—a world in which a camera mounted on a moving car can generate evidence of the people and places it is leaving behind. Collectively, these images present a photographic portrait of the socially disenfranchised and economically powerless, those living an inversion of the American Dream.Doug Rickard (born 1968) is an American artist and photographer. He uses technologies such as Google Street View and YouTube to find images, which he then photographs on his computer monitor. His photography has been published in books, exhibited in galleries and held in the permanent collection of the San Francisco Museum of Modern Art. Rickard is best known for his book A New American Picture (2010). He is founder and publisher of the website on contemporary photography, American Suburb X, and the website These Americans which publishes some of his collection of found photographs. This work features a black, African American man in the foreground walking in a bleak neighborhood in Detroit, Michigan. Rickard was born in San Jose, California and brought up in Los Gatos in the San Francisco Bay Area. His father was a prominent pastor and many family members were preachers and missionaries, with a "very Reaganesque, patriotic view of America", a country "special and unique". Rickard studied United States history—slavery, civil rights—and sociology, at University of California, San Diego, and "lost his faith in this family vision. His adult view of America was a land not just of great achievement but also of massive injustice." At age 12 he witnessed his father having a secret extramarital affair, that years later in 1988 he confessed to his congregation. Rickard says this experience prompted him "to look for the fault lines in the American dream." He lives in Shingle Springs, near Sacramento, California. For his series A New American Picture, Rickard "wanted to look at the state of the country in these areas where opportunity is non-existent and where everything is broken down", where "the American dream was shattered or impossible to achieve". It is said that this work comments on United States politics, poverty, racial equality and the socioeconomic climate, class; the use of technology in art, privacy, surveillance, and the large quantity of images on the web. He cites as influences the photobooks American Photographs (1938) by Walker Evans, The Americans (1958) by Robert Frank, Uncommon Places (1982) by Stephen Shore and American Night (2003) by Paul Graham. The work was first exhibited as part of Anonymes: Unnamed American in Photography and Film, curated by David Campany and Diane Dufour at Le Bal, Paris, in 2010. To mark that occasion Rickard produced the first edition of the book, with the publisher White Press. Its first American museum show was at New York's Museum of Modern Art. Select Publications: Aperture Remix. New York: Aperture, 2012. A series of books made in homage to another Aperture publication, each in an edition of 5 copies. Rickard's was a response to Uncommon Places by Stephen Shore. The other publications were by Rinko Kawauchi, Vik Muniz, Alec Soth, Taiyo Onorato & Nico Krebs, Martin Parr, Viviane Sassen, Penelope Umbrico and James Welling. Produced in conjunction with the exhibition Aperture Remix. A New American Picture. Nazraeli Press Six by Six, set 4 v. 5. Portland, OR: Nazraeli, 2012. Edition of 100 copies. The other volumes are by Robert and Kerstin Adams, Edward Burtynsky, Kenro Izu, Catherine Opie and Issei Suda. Staking Claim: a California Invitational. San Francisco: Modernbook, 2013. Photographs by Rickard as well as Matthew Brandt, Susan Burnstine, Eric William Carroll, John Chiara, Chris Engman, Robbert Flick, Todd Hido, Siri Kaur, Mona Kuhn, Matt Lipps, David Maisel, Klea McKenna, Mark Ruwedel, Paul Schiek and Christina Seely. Catalogue of an exhibition held at the Museum of Photographic Arts, San Diego, CA. Select Exhibitions: Solo exhibition 2012: Yossi Milo Gallery, New York, October–November 2012. Group Exhibitions 2010: Anonymes: L’Amérique sans nom: Photographie et Cinéma (Anonymous: Unnamed America in Photography and Film), Le Bal, Paris, September–December 2010. A thematic exhibition with works by Rickard as well as Jeff Wall, Walker Evans, Chauncey Hare, Lewis Baltz, Standish Lawder, Sharon Lockhart...

Pictured is Edition #1/10 and is the framed price. This image is available also in the two other paper sizes unframed. British-born photographer Heal creates an image where her ...

Michael James O’Brien draws inspiration from his diverse roles as a photographer, poet, and activist. His work often intersects with themes of identity, social justice, and cultural ...

Underwater black and white photograph of a naked young woman in a pool. Original print on aluminum plate with solid black backboard. The artwork needs no additional framing: it can...

Series: The Western Collection Archival Pigment Print Unframed Sizes: 32" x 40" - $6,250.00 48" x 60" - $9,500.00 75" x 60" - $12,250.00 Framed Sizes: 39" x 47" - $7,750.00 55" x 6...

"Coming Back" captures a transformative moment in contemporary underwater fine art photography, where classical composition meets avant-garde expression. A figure in crimson emerges ...

Terry O'Neill (1938-2019) Raquel Welch on the Cross, Los Angeles 1970 lifetime edition Lambda C-Type print 48 x 48 in. (paper size) edition of 50 signed and numbered printed later Price: £25,200 GBP (inc. 20% UK VAT) Notes: A publicity shot for One Million Years B.C. From the start of the 1960s and continuing until the present day the name of Terry O'Neill has become inextricably connected with some of the most interesting takes on photographic portraits of celebrities. From the Beatles and Rolling Stones in the 1960s to the Royal Family and the Prime Minister's family in more recent times Terry O'Neill has proved adept at recording the significant subjects of the day in a visually stimulating and sometimes unexpected way and thus illuminated history of our age. Terry O'Neill was born on 30 July 1938 in the East End of London. His career as a photographer evolved by chance out of his first ambition to become a jazz drummer. Leaving school at fourteen and then doing his National Service his ambition was to go to America to study with the great drummers there. He thought that the best way to travel frequently and inexpensively to the USA would be to get a job as an air steward for BOAC. The airline at that time had no vacancies for stewards but suggested he took a vacancy in their technical photographic unit, which he combined with time at an art school and he then became interested in photojournalism. At first, O'Neill worked as freelance at London Airport, later was offered a stunt as a reportage photographer at Heathrow. This was followed by three years in Fleet Street, with O'Neill at 21, the youngest photographer in Fleet Street taking pop pictures for the up-tempo Daily Sketch. One thing lead to another and O'Neill quickly became a significant image-maker and one of the group of talented young photographers who helped create the photographic icons of the 1960s and create part of the buzz that became Swinging London. The peer group that emerged in this decade included David Bailey, Terence Donovan and Brian Duffy from the East End and Patrick Lichfield and Lewis Morley...

Michael James O’Brien draws inspiration from his diverse roles as a photographer, poet, and activist. His work often intersects with themes of identity, social justice, and cultural ...

9-1-1 by Frank Schott 28 x 39 inches / 74cm x 102cm framed signed edition of 25 archival fine art pigment print artist signed + numbered certificate of authenticity framed "Moder...

Black girl in origami dress with rooster II, by Efren Isaza Measures: 40 H × 68 W Frame size: 44 H × 72 W × 1 D in Archival pigment print on canvas intervened by the artist with pai...

Lord Fauntleroy Melanie Sherman 240522-149 Pigment Print Year: 2024 Visible Size: 13 x 13 inches Framed: 20.5 x 20.5 inches Signed: On Label Edition: 7 COA provided *White frame wit...

Underwater black and white photograph of a topless young female dancer in the pool. Original print on aluminum plate with solid black backboard. The artwork needs no additional fram...

Claus Goedicke (German) Kitchen Rag (Some Things Series) Archival Pigment Print on Hahnemühle Photo Rag Year: 2013 Size: 23.38 x 16.53 on 24.4 x 17.32 inches (59.4 x 42 on 62 x 44 cm...

Chris Smith (b.1937) Hard at the Gym 1971 silver gelatin fibre based print 20 x 30 in. / 34.5 x 48 in. / 46 x 66 in. signed and numbered printed later This work is available in the ...

Underwater photograph of a gorgeous girl with dark hair in red dress. Original print on aluminum plate with solid black backboard. The artwork needs no additional framing: it can be...

American Girl, part of Richard Heeps street photography collection, capturing city's raw history before they change in the face of development. The picture is classic of his style of...

Chris Smith (b.1937) Ali Skipping 1971 silver gelatin fibre based print 20 x 30 in. / 34.5 x 48 in. / 46 x 66 in. signed and numbered printed later This work is available in the fol...

"Harvest" is an original piece by Shawn Theodore made from found/family photos, polaroid lift, acrylic on wood panel. Theodore delves into the specific experiences of African American families, capturing a longing for lost photographs, missing heirlooms, and vanished archives. Using a blend of traditional portraiture, found photographs, paint, paper, pencils, and digital manipulation, Theodore creates archetypes representing hypothetical family members, spiritual guardians, and ancestors. These boldly crafted archetypes inhabit an imagined macro-family album, offering a unique perspective on portraiture, connection, and community. Theodore's work aims to deepen spiritual connections and encourage personal introspection. This pieces measures 13.25”h x 17.25”w and comes with a gallery-issued Certificate of Authenticity. Shawn Theodore (b. 1970) was born in Germany to American parents from Philadelphia, and currently lives and works in Philadelphia. Theodore was awarded the prestigious PDN’s 30 New & Emerging Photographers to Watch (2019), the Getty Images / ARRAY ‘Where We Stand’ grant, and a grant from the Knight Foundation for ‘A Dream Deferred’. Theodore was a two-time nominee for the Pew Center for Arts & Heritage Fellowship and a nominee for the Magnum Foundation Fund. He is an Associate Adjunct Professor at the University of the Arts, a trustee of The Print Center, a trustee of the Rush Philanthropic Arts Foundation, and a former trustee of the Philadelphia Photo Arts Center. Theodore was announced as a two-time nominee of The Pew Center for Arts & Heritage Fellowship and a nominee of the Magnum Foundation Fund in 2018. In the following years 2019 and 2020, he was awarded the PDN's 30 New & Emerging Photographers to Watch and AI-AP American Photography 35. He has had several solo exhibitions and is included in several group exhibitions. His work is held in the permanent collections of the Philadelphia Museum of Art, Philadelphia; the collection of the Philadelphia Library, Drexel University's Center for Black Culture, the Mennello Museum of American Art, Orlando; the Whitney Museum of American Art, New York; the Museum of Contemporary Art, Chicago; the Walker Center, Minneapolis; the National Museum of African American History and Culture, Washington D.C.; the Dallas Museum of Art, Dallas; and the Legacy Museum, Montgomery, among others. Artist photo...

**This artwork is on exhibition and if purchased will be available to ship after June 15, 2025 The incomparable Dolly Parton doing what she does best, performing. In this vintage si...

Bob Tabor is a well-established, New York based, photographer best known for his exquisite large scaled portraits of subjects ranging from horses to seascapes. It is his unique appro...

A strong portrait, and a piece of history. It was confidently sketched in 1923, during the heyday of the "Lost Generation" in Paris, at the Closerie des Lilas - Ernest Hemingway's favourite haunt and home-from-home in the City. This historical café is where Hemingway first read The Great Gatsby with his friend F. Scott Fitzgerald and where he wrote most of The Sun Also Rises...

By Gerhard Richter Hybrid raster dissolved offset/digital high quality art print on Rives 260 gsm paper 70 x 70 cm Edition of 500

Chris Smith (b.1937) Hard at the Gym 1971 silver gelatin fibre based print 20 x 30 in. / 34.5 x 48 in. / 46 x 66 in. signed and numbered printed later This work is available in the ...

Sports Photographer Klaas Jan van der Weij Marathon Amsterdam 2016 Edition of 10, Hand-signed and numbered by Klaas Jan van der Weij. Printed with Epson UltraChrome Pro ink on Hahne...

Lord Fauntleroy Melanie Sherman 240522-213 Pigment Print Year: 2024 Visible Size: 13 x 13 inches Framed: 20.5 x 20.5 inches Signed: On Label Edition: 7 COA provided *White frame wit...

Streams of light illuminate a dilapidated Cuban car in an old building in central Havana. This captivating photograph depicts an atmospheric scene of an aged garage, imbued with nost...

Laura Lloyd Five Lemons Archival Pigment Print Year: 2024 Visible Size: 11 x 17 inches Framed: 15.4 x 21.4 x 1.5 inches Signed: On Label COA provided *Black frame with standard plex...

A classic American icon, the roadside giant "Muffler Man", captured on Richard Heeps' road trip between Mecca and the Salton Sea. Part of a series of pictures by Richard Heeps featur...

Underwater black and white photograph of a young female dancer diving in pool. The naked dances is covering herself with tutu skirt. Original print on aluminum plate with solid blac...

This is the first print (#1) in a limited edition of 10 signed, titled, and numbered photographs titled "The Sight," by artist Tokie Rome-Taylor. The photograph itself measures 24" x...

Standing ballet by Efren Isaza Archival pigment print mounted on aluminum intervened by the artist Measures: 65 x 48 inches Signed, titled, dated ,and annotated on verso by the artis...

Candy Floss was taken by Richard Heeps when travelling in China. The street food vendor with pops of colour and the layers of detail draw you in. The Chinese Writing does not say 'ca...

Photograph on analog and photographic paper, signed and dated on back 1992. It depicts an antique stove, and the photo has been antiqued with a beautiful sepia effect,

Lee Friedlander (b.1934). Galveston, 1975. Gelatin silver print, 8 1/8 x 12 1/8 inches (image); 11 x 14 inches (sheet). Measures 16.5 x 20 inches framed. Excellent condition with no ...

Close your eyes, lean in, rest forehead to cheek and trust in your partner to take you on a journey… This image was taken in a tango club in Buenos Aires. James Sparshatt’s black a...

"Satiric Dancer" is a photograph by Andre Kertesz. The photograph is signed verso, "Paris 1926, A. Kertesz". The framed piece measures 18 1/4 x 15 1/4 x 3/4 in. Kertész's work was i...

The artist has always liked divas and femmes-fatales. "My grandmothers spoke often of these actresses and admired them openly as if they were real. They created a collective imaginat...

A photograph by Lawrence Schiller. “Paul Newman and Robert Redford, Butch Cassidy and the Sundance Kid” is a vintage silver gelatin photograph in black and white by American artist L...

Richard Klopfenstine Library Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minim...

Stunning black and white photograph of Arab couple by photographer Eva Korn (German, 20th c.), circa 1951. Eva Koran studio stamp on verso. Presented in black metal frame and mat. Im...

The term "hijra" applies to a very diverse group of people in India who identify as third gender. They can range from a natural born hermaphrodite to a male cross dresser. Dating bac...