Framed Figurative Photography

Set of Castelloland series, by Paloma Castello From The Castelloland Series Overall frame size: 80 H x 23.7 W x 1 D in Individual size: 'James Bond' Castelloland Digital photographs...

Lorenzo Agius (b.1962) Jude and Ewan in Bed 2003 digital C-Type print 48 x 60 in. / 30 x 40 in. / 20 x 24 in. signed and numbered printed later This work is available in the following sizes (paper size): 20 x 24 in., edition of 25 + 2 AP, £3,960 (inc. 20% UK VAT) 30 x 40 in., edition of 25 + 2 AP, £5,880 (inc. 20% UK VAT) 48 x 60 in., edition of 15 + 2 AP, £8,640 (inc. 20% UK VAT) Provenance: Direct from the artist's studio Notes: All photographs are signed and numbered and accompanied by a certificate of authenticity signed by the photographer. Photographed in London, 2003, celebrating the Bafta awards and UK talent. Celebrity photographer, Lorenzo Agius, is renowned for his unique, intimate and often comical portraits of the 'stars'. The photographer shot to great prominence following his seminal images from the 1996 groundbreaking British film, Trainspotting. Agius has had a colourful affair with 'celebrity' over the past two decades. Expertly capturing the character and individuality of each of his sitters, Agius' images flaunt stylistic brilliance and bubble with personality. From Madonna to Margot Robbie, Agius' body of work portrays the varying and often polar characters of major icons. He tunes into the creativity of his subjects and successfully reflects the mood of the moment; the results are natural, accessible and in each case reflect the artist's eye for light, composition and a strong imagination for narrative. Whether it be celebrating British culture or capturing the sleek, Hollywood look, Agius' personality is intrinsic to his photographs; the mood is always light and refreshing and humour is ever present. Six of Agius' iconic works are part of the permanent collection at the National Portrait Gallery, London. The artist has been an Ambassador for Canon Cameras since 2008 and has exhibited at The Getty Gallery, London alongside other notable exhibitions in Moscow, Paris, Cannes and the UAE. Categories: Lorenzo Agius, Jude and Ewan in Bed, jude law...

Lord Fauntleroy Ahmedabad 151209-14 Pigment Print Year: 2015 Visible Size: 9.25 x 9.25 inches Framed: 10.6 x 10.6 inches Signed: On Label Edition: 8 COA provided *White frame with s...

A photograph by Andy Warhol. "Carolina Herrera" is a Polaroid, Polacolor by American pop artist Andy Warhol. The artwork is numbered FA04.07026 and AWL064. The work is embosed in the...

Loading the Gun (Wastelands) - 2003 57x56cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid, mounted on Aluminum wit...

This artwork titled "La Bonna Violetta, Venice" 1983, Is a photographic print on paper by noted photographer Lydia Clarke Heston, 1923-2018. It is hand signed, titled, dated and insc...

Keun Young Park depicts the body in a state of transformation. Her works on paper show floating figures, faces, draped arms and cupped hands, which appear to be disintegrating and re...

Untitled XIII. (s-15-S4-0012) and Untitled XVI. (nc-15-S4-0011) Diptych From the Series Chiromorphose Archival Pigment Print on Hahnemuhle fine art paper Overall size: Image size: 3...

This striking underwater fine art photograph captures a figure draped in flowing white fabric, suspended between worlds with vibrant red blossoms and yellow spherical elements. The r...

Keun Young Park depicts the body in a state of transformation. Her works on paper show floating figures, faces, draped arms and cupped hands, which appear to be disintegrating and re...

A photograph by Lawrence Schiller. “Barbra Streisand (fur hat)” is a figurative photograph, vintage silver gelatin photograph in black and white by American artist Lawrence Schiller. The artwork is signed on the verso. Lawrence Schiller only remembers the 60s in this way: Fast. As in: Blur. Which is, for those who lived through it, as accurate a description as one is likely to find about the decade that began with optimism and ended in chaos. It was ten years of turmoil and exploration. And through this turbulent and tumultuous decade, it often seemed that whenever a headline-making news event occurred, Lawrence Schiller was there. Schiller was not just lucky to be in the right place at the right time; he was prescient. He was there to cover the event, to add to it, to help us see it, to aid its meaning and its depth. "It was a time in which things happened awfully fast," Schiller says of the decade. "It was a wild, wild period; an uncontrolled period. I don’t think you had any sense of perspective in the 60s. You had to wait and look back at it, because it was a period in which things were happening that had no rhyme or reason to it. But by the end of the ‘60s I had covered so many stories, had so many magazine covers, I had somehow become part of that decade’s history. And I already had my eye on the future." When Lawrence Schiller got the assignment from the French magazine, Paris Match to photograph Marilyn Monroe on the 20th Century Fox set of Something’s Got to Give, he thought nothing of it. It wasn’t to be a private, studio shoot. He wasn’t going to set up lights, create backgrounds, or use a tripod. Just another assignment, he figured. Monroe by then was firmly established as a figment in the imagination of most young men. The orphan Norma Jean had recreated herself as the blonde bombshell Marilyn Monroe. She’d appeared in twenty-nine films by the time Schiller photographed her in black and white and color in May, 1962. The world was unprepared for the moment when Marilyn jumped in the swimming pool in a flesh-colored bikini and came up out of the water au natural. She was all smiles and in her element: the sex goddess...

Underwater photograph of ballerina tying up her pointe shoes. "Four years ago I wrecked my sailboat and was selfmedicating with vodka at a Russian restaurant when I suddenly noticed...

Car Wash (Stranger than Paradise) - 1999 64.6x59.5cm including the white 'Polaroid' frame. Edition 2/10. Analog C-Print, hand-printed by the artist, mounted on Aluminum with mat...

This artwork titled "Namaste" 2001, is a photograph (Cibachrome) by American artist Lisa Kristine, b.1965. It is hand signed, titled and dated in pencil by the artist. The photograph...

A classic American icon, the roadside giant "Muffler Man", captured on Richard Heeps' road trip between Mecca and the Salton Sea. Part of a series of pictures by Richard Heeps featur...

Jeff Robb Aria vi, 2018 Lenticular Photograph 26" x 20" Edition 1/15 $6,500 *Available in additional sizes Provenance: From the artist's studio Additional Information: Available i...

Underwater photograph of ballerina tying up her pointe shoes. "Four years ago I wrecked my sailboat and was selfmedicating with vodka at a Russian restaurant when I suddenly noticed...

Stunning black and white photograph of Arab couple by photographer Eva Korn (German, 20th c.), circa 1951. Eva Koran studio stamp on verso. Presented in black metal frame and mat. Im...

This figurative painting titled "Baby" is an original artwork by André Schulze made of oil paint on a vintage found photograph. The piece measures 8"h x ...

Limited edition framed figurative photograph titled "Shirin Neshat" by Laurina Paperina - Edition 3/3 Laurina Paperina, the artistic alter ego of Laura Scottini, pokes fun at art a...

"Stevie Nicks" framed photograph by Neal Preston. Image size: 33 1/4 x 53 1/4. "Stevie Nicks" hand written in front lower left corner. "Photo by Neal Preston" hand written in front l...

Teresa with a black origami skirt by Efren Isaza Archival pigment print mounted on aluminum, intervened with paint, ink and intentionally scratched by t...

American Girl, part of Richard Heeps street photography collection, capturing city's raw history before they change in the face of development. The picture is classic of his style of...

Claus Goedicke (German) Kitchen Rag (Some Things Series) Archival Pigment Print on Hahnemühle Photo Rag Year: 2013 Size: 23.38 x 16.53 on 24.4 x 17.32 inches (59.4 x 42 on 62 x 44 cm...

Underwater photograph of a gorgeous girl with dark hair in red dress. Original print on aluminum plate with solid black backboard. The artwork needs no additional framing: it can be...

Original photogravure of a young woman in the garden. Original painting was done by Jean Louis Harmon in 1857. Condition is very good. Le Crepuscule is the French word for twilig...

This piece titled "An Out of Body Experience" is original artwork made from hand-woven archival pigment print by Jason Chen. This piece measures 41"h x .31"w.

An original silver gelatin black and white photograph by Press Agency Keystone View Company. New York City skyscrapers, July 7th, 1931. Features: Original Silver Gelatin Print Photog...

Kouros Pale, 2000 - 2002 by Michael James O’Brien Color fiber paper Image size: 22.5 H x 17.5 W inches. Paper size: 24 H x 20 W inches. Frame size: 33.5 H x 24.5 W x 1 D inches. Ed ...

Moving in Together (Till Death do us Part) - Installation - 2008 Edition of 5. 16 analog C-Prints , hand-printed by the artist on Fuji Crystal Archive Paper, based on 13 Polaroids, ...

This piece titled "PEACE SPACE" is an original artwork by Hyland Mather featuring a papercut slogan over found papers, collage, and screen printing This piece measures 16.5"h x 13"w ...

Water Lilies, 2023 by Ricky Cohete From the series Water Lilies Color Archival Pigment print Image size: 20 H x 30 W in. Frame size: 29.5 H x 36.5 W x 1...

Underwater photograph of a naked young woman with long golden hair - on black background. This photograph belongs to the series Porcelain. The series includes my favorite photographs...

Silver print, titled (verso) by Paul Cadmus, 11cm x 13cm, (33cm x 38cm framed). the work is framed behind museum quality non-reflective UV glass. In 1937, the painters, Paul Cadmus...

Wapping Group of Artists by the Thames - Mid 20th Century Oil by Donald Blake Frederick Donald Blake Born in Greenock, Scotland in 1908 and died in 1997. Blake's family moved to Lon...

The term "hijra" applies to a very diverse group of people in India who identify as third gender. They can range from a natural born hermaphrodite to a male cross dresser. Dating bac...

Vintage black and white photograph, photography by Josef Ehm. "Resting Model II", circa 1960s, gelatin silver print. Framed size 10.5" x 13.5" . Image measures 8.5" x 6.5" Josef Ehm: Czech, 1909-1989. Born in Habartov. Apprenticed in professional photography studios until 1928. Taught at the State...

Bryan Atkinson Marolf’s Archival Pigment Print Year: 2024 Visible Size: 7.5 x 9.5 inches Framed: 13 x 17 inches Signed: On Label COA provided *White frame with standard plex Bryan ...

Edition of 3 1/3 The photograph comes with a certificate of authenticity and a letter of appraisal. Karim - 'Camel & Pyramids' Photography on paper. framed. Karim is a very unique...

David Douglas Duncan: 1916-2018. Well listed photographer who had rare access to Picasso. He took numerous photos of the master at work, and at pl...

Kouros Torso Pink, by Michael James O’Brien Color fiber paper Image size: 22.5 H x 17.5 W inches. Paper size: 24 H x 20 W inches. Frame size: 33.5 H x 24.5 W x 1 D inches. Ed 3/5 + 2...

Doug Rickard (American b.1968) Limited Edition Archival Pigment Print. Features the work titled; A New American Picture - Detroit. Signed on verso and numbered 4/5. Work: 26 in. x 41 1/2 in. Frame: 26 1/2 in. x 42 in. Doug Rickard’s A New American Picture offers a startling and fresh perspective on American street photography. All of the images are appropriated from Google Street View; over a period of two years, Rickard took advantage of the technology platform’s comprehensive image archive to virtually drive the unseen and overlooked roads of America, bleak places that are forgotten, economically devastated, and abandoned. With an informed and deliberate eye, Rickard finds and decodes these previously photographed scenes of urban and rural decay. A New American Picture depicts American street scenes, located using the internet platform Google Street View. Over a four-year period, Rickard took advantage of Google’s massive image archive to virtually explore the roads of America looking for forgotten, economically devastated, and largely abandoned places. After locating and composing scenes of urban and rural decay, Rickard re-photographed the images on his computer screen with a tripod- mounted camera, freeing the image from its technological origins and re-presenting them on a new documentary plane. The low-resolution images that Rickard favors have a dissolved, painterly effect, and are occasionally populated with figures who acknowledge the camera, but whose faces are blurred, masking their identity. The photographs are thus imbued with an added surrealism and anonymity, which reinforces the isolation of the subjects and emphasizes the effects of an increasingly stratified American social structure. Rickard’s work evokes a connection to the tradition of American street photography, with knowing references to Walker Evans, Robert Frank and Stephen Shore. He both follows and advances that tradition, with a documentary strategy that acknowledges an increasingly technological world—a world in which a camera mounted on a moving car can generate evidence of the people and places it is leaving behind. Collectively, these images present a photographic portrait of the socially disenfranchised and economically powerless, those living an inversion of the American Dream.Doug Rickard (born 1968) is an American artist and photographer. He uses technologies such as Google Street View and YouTube to find images, which he then photographs on his computer monitor. His photography has been published in books, exhibited in galleries and held in the permanent collection of the San Francisco Museum of Modern Art. Rickard is best known for his book A New American Picture (2010). He is founder and publisher of the website on contemporary photography, American Suburb X, and the website These Americans which publishes some of his collection of found photographs. This work features a black, African American man in the foreground walking in a bleak neighborhood in Detroit, Michigan. Rickard was born in San Jose, California and brought up in Los Gatos in the San Francisco Bay Area. His father was a prominent pastor and many family members were preachers and missionaries, with a "very Reaganesque, patriotic view of America", a country "special and unique". Rickard studied United States history—slavery, civil rights—and sociology, at University of California, San Diego, and "lost his faith in this family vision. His adult view of America was a land not just of great achievement but also of massive injustice." At age 12 he witnessed his father having a secret extramarital affair, that years later in 1988 he confessed to his congregation. Rickard says this experience prompted him "to look for the fault lines in the American dream." He lives in Shingle Springs, near Sacramento, California. For his series A New American Picture, Rickard "wanted to look at the state of the country in these areas where opportunity is non-existent and where everything is broken down", where "the American dream was shattered or impossible to achieve". It is said that this work comments on United States politics, poverty, racial equality and the socioeconomic climate, class; the use of technology in art, privacy, surveillance, and the large quantity of images on the web. He cites as influences the photobooks American Photographs (1938) by Walker Evans, The Americans (1958) by Robert Frank, Uncommon Places (1982) by Stephen Shore and American Night (2003) by Paul Graham. The work was first exhibited as part of Anonymes: Unnamed American in Photography and Film, curated by David Campany and Diane Dufour at Le Bal, Paris, in 2010. To mark that occasion Rickard produced the first edition of the book, with the publisher White Press. Its first American museum show was at New York's Museum of Modern Art. Select Publications: Aperture Remix. New York: Aperture, 2012. A series of books made in homage to another Aperture publication, each in an edition of 5 copies. Rickard's was a response to Uncommon Places by Stephen Shore. The other publications were by Rinko Kawauchi, Vik Muniz, Alec Soth, Taiyo Onorato & Nico Krebs, Martin Parr, Viviane Sassen, Penelope Umbrico and James Welling. Produced in conjunction with the exhibition Aperture Remix. A New American Picture. Nazraeli Press Six by Six, set 4 v. 5. Portland, OR: Nazraeli, 2012. Edition of 100 copies. The other volumes are by Robert and Kerstin Adams, Edward Burtynsky, Kenro Izu, Catherine Opie and Issei Suda. Staking Claim: a California Invitational. San Francisco: Modernbook, 2013. Photographs by Rickard as well as Matthew Brandt, Susan Burnstine, Eric William Carroll, John Chiara, Chris Engman, Robbert Flick, Todd Hido, Siri Kaur, Mona Kuhn, Matt Lipps, David Maisel, Klea McKenna, Mark Ruwedel, Paul Schiek and Christina Seely. Catalogue of an exhibition held at the Museum of Photographic Arts, San Diego, CA. Select Exhibitions: Solo exhibition 2012: Yossi Milo Gallery, New York, October–November 2012. Group Exhibitions 2010: Anonymes: L’Amérique sans nom: Photographie et Cinéma (Anonymous: Unnamed America in Photography and Film), Le Bal, Paris, September–December 2010. A thematic exhibition with works by Rickard as well as Jeff Wall, Walker Evans, Chauncey Hare, Lewis Baltz, Standish Lawder, Sharon Lockhart...

The Prince II (The Princess and her Lover) - 2009 - 98x96cm, Edition 1/5. Analog C-Print based, hand-printed by the artist, based on the Polaroid. Mounted on Aluminum with matte ...

The term "hijra" applies to a very diverse group of people in India who identify as third gender. They can range from a natural born hermaphrodite to a male cross dresser. Dating bac...

Marco Pittori creates vibrant artworks that pay homage to the mesmerizing images of Brad Elterman and the mythic culture of 1970’s Hollywood. By using licensed images of Brad Elterman’s photographs, he provides viewers with a window into a fascinating and exclusive time on Los Angeles’ Sunset Strip. This 28-inch tall by 36-inch wide original artwork is based on Brad Elterman’s iconic images “Behind the Beverly Hills Hotel...

The most recent photo from the Porcelain series. The series Porcelain includes my favorite photographs of nude models in the porcelain color scheme on the black background. The serie...

Kouros Back, by Michael James O’Brien Color fiber paper Image size: 22.5 H x 17.5 W inches. Paper size: 24 H x 20 W inches. Frame size: 33.5 H x 24.5 W x 1 D inches. Ed 3/5 + 2AP Me...

Red Shoes (Stage of Consciousness) - 2007 40x50cm, Edition of 10 plus 2 Artist Proofs. Archival C-print, based on the Polaroid. Mounted on Dibond with matte UV-Protection. Signed...

Alphabet Soup (Till Death do us Part) - 2005, 128x127cm, Edition 2/5, analog C-Print, hand-printed by the artist. based on the Polaroid. Artist Inventory No. 9283.02. Mounted o...

Moving in Together (Till Death do us Part) - 2008 125x154cm, Edition 1/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Certifi...

Read till you need no more…Words - from the series Schoffie - 2008 30x30cm, Edition of 7. Archival Print based on a Polaroid, mounted on Dibond - gloss. Hand-signed & numbered b...

Diamond Dust - Worldwide Exclusive Special. Unique pieces available at PREISS FINE ARTS. High-end framing and artsafe shipping worldwide included. Manufactured and signed by Guido A...

White Trash Beautiful I (29 Palms, CA) - 1999 128x125cm, Edition 3/5, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on a Polaroid. Mounted on A...

"Gilbert Baker's Global Rainbow" is a framed photograph on aluminum by Xan Padron, depicting a compilation of walking figures set against vibrant backgrounds. Padron's signature tech...

This piece titled "Interdimensional Abberation" is an original artwork made from hand-woven archival pigment print by Jason Chen. This piece measures 41"h x 31"w.

This piece titled "High Fidelity" is original artwork made from hand-woven archival pigment print by Jason Chen. This piece measures 41"h x 31"w.

Greek Mosaics- Diptych figurative photography framed by Paul Meleschnig Image size :10" x 20" Frame size: 22 x 32 inches Archival pigment print 1995 Fram...

Angie Jennings Cold Drinks Archival Pigment Print Year: 2024 Visible Size: 10 x 15.125 inches Framed: 14 x 19.75 inches Signed: On Label COA provided *Black frame with standard ple...