Etching Photography

The 1998 Pirelli Calendar was photographed in Miami by Bruce Weber and titled "Women that men live for; Men that women live for." Eva Herzigivá was among the many iconic models photo...

This is an exclusive handprinted limited edition cyanotype. This cyanotype shows one of the mountains in beautiful Yosemite National park in California. Details: + Title: Yosemite Blue Mountain + Year: 2021 + Edition Size: 100 + Stamped and Certificate of Authenticity provided + Measurements : 70x100 cm (28x 40 in.), a standard frame size + All cyanotype prints are made on high-quality Italian watercolor paper * Frame is for illustrative purposes only. Artwork shipped carefully rolled and packaged in a tube. WHAT IS A CYANOTYPE? The cyanotype (a.k.a. sun-print) process is one of the oldest in the history of photography, dating back to the 1840's. Cyanotypes were then made famous by Anna Atkins, considered the first female photographer. Inspired by nature, we feel the need to look back at a craft that is handmade, analogue, and using an all-natural light source: the sun. Our cyanotypes are made by coating high-quality Italian watercolor paper with a light-sensitive emulsion. We then expose it in direct sunlight for several minutes using a photo negative to get the best image quality. Finally, the print is washed and fixed with water to stop the reaction and prevent fading. What you get is an amazing, royal blue image...

The 1998 Pirelli Calendar was photographed in Miami by Bruce Weber. Tanga Moreau was among the many iconic models photographed. 'Tanga Moreau is a Belgian model. She has appeared on...

John Baldessari Love and Work 1991: Baldessari’s Love & Work 1991, photogravure and color aquatint, features clasped hands clutching surrealistically amidst a black background. Classic, timeless Baldessari imagery that is sure to work well in any setting. Medium: Color photogravure and aquatint on wove paper. 1991. Dimensions: 26 x 11.5 inches. Well-preserved and in very good overall condition. Framed in acrylic plexiglass. One of the 15 numbered artist's proofs, aside from the general edition of 60. Signed, inscribed "A.P." and numbered 12/15 in pencil, lower margin. Published by Brooke Alexander, Inc., New York. Collections: MoMa New York John Baldessari: It is hard to characterize John Baldessari's varied practice—which includes photomontage, artist’s books, prints, paintings, film, performance, and installation—except through his approach of good-humored irreverence. Baldessari is commonly associated with Conceptual or Minimalist art, though he has called this characterization “a little bit boring.” His two-dimensional works often incorporate found images, composed in layers or presented as distinct pieces with an element of surprise, like a brightly colored geometric shape in the place of a face or a starkly printed sardonic caption. Baldessari has demonstrated a lasting interest in language and semantics, articulating these concerns through the use of puns or the juxtaposition of seemingly unrelated images and words, as in his 1978 work Blasted Allegories. His self-referencing photomontages and use of text have been sources of inspiration for countless artists, including Cindy Sherman, David Salle, and Barbara Kruger. Baldessari identifies his own artistic lineage, saying, "I would prefer to go to the source with Duchamp rather than credit Warhol as an influence." Related Categories: Surrealist. Ed Ruscha. Los Angeles. Conceptual art. Photography. Minimalist. John Baldessari prints.

© Katie Eleanor, VIII. "Omphalopagus monster, an orphan" Series: Saint Wanderer's Hospital, 2015 Archival Pigment Print of the hand Coloured Photograph on cotton fine art paper, This is unframed print. Custom frame as seen on the additional images is also available upon order - please enquiry 7 1/2 × 5 7/10 in 19 × 14.5 cm (unframed print) 35 x 30.5 cm (Framed : Museum mount-board, antireflective art glass in hardwood custom frame); frame price: £265 Edition of 15 Framed or Unframed option available - please enquire 'Saint Wanderer’s Hospital' series depicts a fictional tale birthed from the artist’s inherent need to find splendour in the idea of sickness. Rooted first from her own words, Katie used the idea of illustrating as a form of personal art therapy by immersing herself in the realm of the otherworldly characters. Every aspect of each scene was created by Katie alone, from building and designing the sets to printing and hand-colouring the final images. In this act, over the year long course of the projects creation, the artist managed to make certain turmoil in her personal life bearable. In the world of the hospital, the artist adapts the role of medical photographer – creating accurate portraits of each character’s condition as a record for the hospitals future use. The final series comprises of 8 ‘specimen...

Signed, titled and numbered aquatint print. Summer light infuses the Live Oaks in a park near the town of Sonoma, CA. Wheat colored grasses rustle lightly in the brease. This is a g...

Signed, titled and numbered aquatint print. In the Fall and Winter cool damp fogs often descend upon the hills around Petaluma. This can be a magical time to wander through the nativ...

Fritz Aigner (1930 - 2005) was an Austrian artist who has been a solitary figure in the Austrian art scene of the 20th century throughout his life, defying any categorisation of art ...

Elena Greggio (Italian, b. 1973) Danza Per André Kertész (After Kertész), 2003 Etching 9 x 12 in. Mat: 14 x 20 in. Edition 1 of 15 Signed, dated and inscribed bottom: Danza Per André Kertész, After André Kertész, Elena Greggio, 2003 Signed and inscribed verso on mat: Elena Greggio 2003, Titolo: Danza Per André Kertész (After Kertész), Con [illegible], Naomi & Walter Rosenblum Elena Greggio was born in Padua, Italy. After studying Architecture at Liceo Artistico, she graduated with Hons in Painting at the Accademia di Belle Arti in Venice in 1995. Her final thesis was on G. Klimt and the Wiener Secession, under supervisor Luca Massimo Barbero. Today, she lives and works in Padua, where she dedicates herself to painting and priniting techniques, such as linocut and woodcut. She exhibits and has exhibited in: Italy, United Kingdom, California, Germany, Austria, Bosnia, Herzegovina, Chile, Portugal and Netherlands. Main Exhibitions 2023 - Illustrating the World: Woodcuts in the Age of Dürer. The Holburne Museum, Bath. UK 2023 - Group show: Pagine a colori. Vimercate 2022 - Finalist: International Prize Visioni Altre. Venice 2022 - Group show: Mirror Face to Face. Amstelkerk. Amsterdam, Netherlands 2022 - Group show: Mirror Face to Face. Kunstliefde. Utrecht, Netherlands 2022 - Group show: Mirror Face to Face. Villa Caldogno. Vicenza 2022 - Finalist: We Art...

Artist: Jim Dine, American (1935 - ) and Lee Friedlander, American (1934 - ) Title: Photographs and Etchings Year: 1969 Medium: Portfolio of 16 Diptychs of Gelatin Silver Prints and ...

Signed, titled and numbered aquatint print. This Monterey Cypress lined trail wends its way along the bluff above the rocky Pacific shore in San Simeon. I printed it using three ble...

Robert Indiana ERR 1963: A rare, sought-after early Robert Indiana print defined by surreal, experimental cinematic-like energy. Hand-signed by Indiana on the lower right. Medium: Photoengraving and etching on Rives BFK. Dimensions: 4 1/2x6 inches (including margins). Very good overall vintage condition. Signed, dated and inscribed "Artist's Proof 'E'" and "CHI" in pencil, lower margin. Rare Trial proof, aside from the main edition of 60. Printed by the artist at the School of the Art Institute of Chicago. Further background: According to Susan Sheehan, Indiana printed only six progressive trial proofs at the School of the Art Institute of Chicago, where he learned printmaking from 1949 to 1952, under the supervision of Vera Berdich (inscribed "CHI"). Additionally 13 trial proofs were printed at the Pratt Graphic Art Center, New York (these inscribed "NYC"). The regular edition was printed by Atelier Georges Lablanc, Paris and published by Galleria Schwarz, Milan to be included in International Anthology of Contemporary Engraving: The International Avant-Garde: America Discovered, Volume 5. The plate used for this print was originally given to the School of the Art Institute of Chicago by the R.R. Donnelly Company, printers of Life magazine. Indiana discovered the plate while visiting Berdich at the school and decided to use it in his contribution to the Avant-garde portfolio. Sheehan 29. Robert Indiana 1991: "When I went back to the Art Institute of Chicago at that particular time - I think I was judging a show - I learned that Vera Berdich (Indiana's former teacher) was still there and the idea occurred to me, wouldn't it be fun to do a visiting artist etching, and she concurred. There on the floor was a box of copper plates and the images had been defaced on each one. These copper plates had been donated by the R.R. Donnelly Company, which put out Life magazine. I used to work for Donnelly. My only commercial art job was with them doing the little drawing that appear in the Yellow Pages, like lawnmowers and vacuum cleaners and things like that. Anyway, the idea being that the student was supposed to turn the plate over to use the back side and forget about the image on the front. But I found this image of this actress sitting on her bed with her ironing board and decided it was only very lightly defaced, so I asked if I could use it. And the word "Err" was actually added in New York; it was not in the first proofs in Chicago. Two weeks later, I was thumbing through LIFE magazine and there was this actress in the same page..." About the artist: Robert Indiana is best known for his iconic “LOVE” image, which has appeared across media including sculptures, prints, and paintings and epitomizes the artist’s graphic, predominantly text-based Pop art practice. Throughout his career, Indiana reimagined the aesthetics of American advertisements...

"Moda" is one of Rosie Emerson's newest pieces from her fashion inspired photographic series. This is a photopolymer etching with embossing on paper, framed in a custom box black frame. This is an edition of 12, and each piece is slightly different because they are each hand-made. Moda, Ed 2/12 Photopolymer etching with embossing on paper, framed Artwork: 22" x 10" inches / 55 x 25 cm Rosie Emerson, born in 1981, is a contemporary artist working almost exclusively on representing the female form. Emerson’s figures draw reference from archetypes old and new, from Artemis to the modern day super model, each solitary figure, an allegory of her own fantasy. Interested in surface, the interplay between photography and painting. Emerson’s works are playful constructs; Photography is used, not as a device for capturing reality but for creating romanticised optical illusions. Inspired by her love of theatre, performance, shrines and rituals, she uses lighting, costume, set and prop making, alongside printmaking and painting to create other worldly one off pieces. Her photography is inspired by both the drama of the baroque, and ethereal qualities of Pre Raphaelite works. Other important influences include late medieval and renaissance paintings, Japanese prints, and magical realist literature. Emerson’s screen-prints use unusual materials including charcoal powder, ash and saw dust to shift the focus of printmaking from accuracy and replication to the creation of unique, hand-finished prints with subtle texture. She explains ‘By combining photography with painting it allows me to balance energy and precision, and create something, which despite hours of planning will still surprise me in its results.’ Her recent Cyanotype works enable her to montage objects with real size photographic negatives. Using UV light from the sun to expose objects and images directly on to the sensitized surface, the works are often hand painted or gilded with gold leaf. Emerson describes ‘the technique itself has an element of magic about it, it also a wonderful discovery to be able to combine painting, collage and photography in this way’’. Emerson’s work is widely collected and exhibited both in the UK as well as internationally, through galleries, art fairs and museums. She has also worked with brands and individuals including Harvey Nichols, The Ivy Club, Sony, Triumph Underwear, Redbull, P&O Cruises, and Annoushka jewelry...

Kamal Mitra - Thinker - 16 x 12 inches (unframed size) Etching & Cyanotype on paper Inclusive of shipment in a roll form. About Kamal Mitra’s Works : While pursuing his Bachelors (P...

Jim Dine and Lee Friedlander From the Portfolio: Photographs and Etchings Lee Friedlander & Jim Dine, published by Petersberg Press 1969 Signed and numbered (Edition of 20/75). Paper...

Ex Libris  -  Ada Balbi  -  Libertà, Supremo Bene! is an Artwork realized by Alberto Helios Gagliardo in Mid 20th Century. Etching. Good conditions.

Ancient Ornaments  Etching, early 20th century.

Untitled (Portrait in Window) features a gelatin silver print by Lee Friedlander and a diptych of etchings by Jim Dine. The photograph depicts a framed portrait of a young black girl...

Jim Dine and Lee Friedlander From the Portfolio: Photographs and Etchings Lee Friedlander & Jim Dine, published by Petersberg Press 1969 Signed and numbered (Edition of 20/75). Paper...

Jim Dine and Lee Friedlander From the Portfolio: Photographs and Etchings Lee Friedlander & Jim Dine, published by Petersberg Press 1969 Signed and numbered (Edition of 20/75). Paper...

Jim Dine and Lee Friedlander From the Portfolio: Photographs and Etchings Lee Friedlander & Jim Dine, published by Petersberg Press 1969 Signed and numbered (Edition of 20/75). Paper...

Kamal Mitra - Folk Singer - 12 x 10 inches (unframed size) Etching & Cyanotype on paper Inclusive of shipment in a roll form. About Kamal Mitra’s Works : While pursuing his Bachelo...