Etching Photography

Signed, titled and numbered aquatint print. In the Fall and Winter cool damp fogs often descend upon the hills around Petaluma. This can be a magical time to wander through the nativ...

Signed, titled and numbered aquatint print. Summer light infuses the Live Oaks in a park near the town of Sonoma, CA. Wheat colored grasses rustle lightly in the brease. This is a g...

The 1998 Pirelli Calendar was photographed in Miami by Bruce Weber. Tanga Moreau was among the many iconic models photographed. 'Tanga Moreau is a Belgian model. She has appeared on...

Signed, titled and numbered aquatint print. This Monterey Cypress lined trail wends its way along the bluff above the rocky Pacific shore in San Simeon. I printed it using three ble...

Elena Greggio (Italian, b. 1973) Danza Per André Kertész (After Kertész), 2003 Etching 9 x 12 in. Mat: 14 x 20 in. Edition 1 of 15 Signed, dated and inscribed bottom: Danza Per André Kertész, After André Kertész, Elena Greggio, 2003 Signed and inscribed verso on mat: Elena Greggio 2003, Titolo: Danza Per André Kertész (After Kertész), Con [illegible], Naomi & Walter Rosenblum Elena Greggio was born in Padua, Italy. After studying Architecture at Liceo Artistico, she graduated with Hons in Painting at the Accademia di Belle Arti in Venice in 1995. Her final thesis was on G. Klimt and the Wiener Secession, under supervisor Luca Massimo Barbero. Today, she lives and works in Padua, where she dedicates herself to painting and priniting techniques, such as linocut and woodcut. She exhibits and has exhibited in: Italy, United Kingdom, California, Germany, Austria, Bosnia, Herzegovina, Chile, Portugal and Netherlands. Main Exhibitions 2023 - Illustrating the World: Woodcuts in the Age of Dürer. The Holburne Museum, Bath. UK 2023 - Group show: Pagine a colori. Vimercate 2022 - Finalist: International Prize Visioni Altre. Venice 2022 - Group show: Mirror Face to Face. Amstelkerk. Amsterdam, Netherlands 2022 - Group show: Mirror Face to Face. Kunstliefde. Utrecht, Netherlands 2022 - Group show: Mirror Face to Face. Villa Caldogno. Vicenza 2022 - Finalist: We Art...

Artist: Jim Dine, American (1935 - ) and Lee Friedlander, American (1934 - ) Title: Photographs and Etchings Year: 1969 Medium: Portfolio of 16 Diptychs of Gelatin Silver Prints and ...

Kamal Mitra - Thinker - 16 x 12 inches (unframed size) Etching & Cyanotype on paper Inclusive of shipment in a roll form. About Kamal Mitra’s Works : While pursuing his Bachelors (P...

Kamal Mitra - Folk Singer - 12 x 10 inches (unframed size) Etching & Cyanotype on paper Inclusive of shipment in a roll form. About Kamal Mitra’s Works : While pursuing his Bachelo...

"Moda" is one of Rosie Emerson's newest pieces from her fashion inspired photographic series. This is a photopolymer etching with embossing on paper, framed in a custom box black frame. This is an edition of 12, and each piece is slightly different because they are each hand-made. Moda, Ed 2/12 Photopolymer etching with embossing on paper, framed Artwork: 22" x 10" inches / 55 x 25 cm Rosie Emerson, born in 1981, is a contemporary artist working almost exclusively on representing the female form. Emerson’s figures draw reference from archetypes old and new, from Artemis to the modern day super model, each solitary figure, an allegory of her own fantasy. Interested in surface, the interplay between photography and painting. Emerson’s works are playful constructs; Photography is used, not as a device for capturing reality but for creating romanticised optical illusions. Inspired by her love of theatre, performance, shrines and rituals, she uses lighting, costume, set and prop making, alongside printmaking and painting to create other worldly one off pieces. Her photography is inspired by both the drama of the baroque, and ethereal qualities of Pre Raphaelite works. Other important influences include late medieval and renaissance paintings, Japanese prints, and magical realist literature. Emerson’s screen-prints use unusual materials including charcoal powder, ash and saw dust to shift the focus of printmaking from accuracy and replication to the creation of unique, hand-finished prints with subtle texture. She explains ‘By combining photography with painting it allows me to balance energy and precision, and create something, which despite hours of planning will still surprise me in its results.’ Her recent Cyanotype works enable her to montage objects with real size photographic negatives. Using UV light from the sun to expose objects and images directly on to the sensitized surface, the works are often hand painted or gilded with gold leaf. Emerson describes ‘the technique itself has an element of magic about it, it also a wonderful discovery to be able to combine painting, collage and photography in this way’’. Emerson’s work is widely collected and exhibited both in the UK as well as internationally, through galleries, art fairs and museums. She has also worked with brands and individuals including Harvey Nichols, The Ivy Club, Sony, Triumph Underwear, Redbull, P&O Cruises, and Annoushka jewelry...

Jim Dine and Lee Friedlander From the Portfolio: Photographs and Etchings Lee Friedlander & Jim Dine, published by Petersberg Press 1969 Signed and numbered (Edition of 20/75). Paper...