Etching Photography

Beneath the Setting Sun - Limited edition pigment print on Hahnemühle Photo Rag® Baryta 315 gsm, 2008 - Limited Editions of 15 Shower after a swim in the ocean, in the light of th...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Caroline 2 ‘ A naked woman at her be...

Gorgeous photographic work of the Chanel fashion show featuring the model and French aristocrat Inès de la Fressange, taken by French photographer Guy Marineau. Limited edition of de...

Toned silver gelatin print (printed 2003), signed, dated and numbered (verso), edition '20/25', 33cm x 26cm (image size), (49cm x 41cm framed). (N.B. although this is an edition of 2...

Horses - Limited edition archival pigment print , Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then printed on Hahne...

Céline - Signed limited edition archival pigment print - Edition of 5 Woman in black evening dress with bare back in a wild creek with rocks, grainy photograph. This image was cap...

Toned silver gelatin print (printed 2003), , signed, dated and numbered (verso), edition '8/25', 33cm x 22cm (image size), (49cm x 37cm framed). (N.B. although this is an edition of ...

"Moda" is one of Rosie Emerson's newest pieces from her fashion inspired photographic series. This is a photopolymer etching with embossing on paper, framed in a custom box black frame. This is an edition of 12, and each piece is slightly different because they are each hand-made. Moda, Ed 2/12 Photopolymer etching with embossing on paper, framed Artwork: 22" x 10" inches / 55 x 25 cm Rosie Emerson, born in 1981, is a contemporary artist working almost exclusively on representing the female form. Emerson’s figures draw reference from archetypes old and new, from Artemis to the modern day super model, each solitary figure, an allegory of her own fantasy. Interested in surface, the interplay between photography and painting. Emerson’s works are playful constructs; Photography is used, not as a device for capturing reality but for creating romanticised optical illusions. Inspired by her love of theatre, performance, shrines and rituals, she uses lighting, costume, set and prop making, alongside printmaking and painting to create other worldly one off pieces. Her photography is inspired by both the drama of the baroque, and ethereal qualities of Pre Raphaelite works. Other important influences include late medieval and renaissance paintings, Japanese prints, and magical realist literature. Emerson’s screen-prints use unusual materials including charcoal powder, ash and saw dust to shift the focus of printmaking from accuracy and replication to the creation of unique, hand-finished prints with subtle texture. She explains ‘By combining photography with painting it allows me to balance energy and precision, and create something, which despite hours of planning will still surprise me in its results.’ Her recent Cyanotype works enable her to montage objects with real size photographic negatives. Using UV light from the sun to expose objects and images directly on to the sensitized surface, the works are often hand painted or gilded with gold leaf. Emerson describes ‘the technique itself has an element of magic about it, it also a wonderful discovery to be able to combine painting, collage and photography in this way’’. Emerson’s work is widely collected and exhibited both in the UK as well as internationally, through galleries, art fairs and museums. She has also worked with brands and individuals including Harvey Nichols, The Ivy Club, Sony, Triumph Underwear, Redbull, P&O Cruises, and Annoushka jewelry...

David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover what is not apparent on the surface. My photographs are as much about me as what I am seeing: In Southern California, 2010 is a perfect example of this process of seeing. When I first noticed this scene, it was a simple mural of a whale on a wall. After looking at it for a while I realized that by eliminating the sky and foreground from the image the whale now had an undulating rhythm and movement. In another image Restaurant Hostess, Palm Beach, FL 2012, I would go to this restaurant every week and sit in the bar behind the reception area. One day, I turned around and saw the back of a woman. Through this process of deductive framing, the image became one of dark shadows rhythmically trickling down her back interwoven with the tattoo of the lizard. David Saxe was born in Montreal, Québec, Canada in 1943 and studied fine art at l’ecole des Beaux Arts in Montreal. He started taking pictures in 1970, after being influenced by the work of Robert Frank, and Henri Cartier Bresson. About 10 years ago, he decided to take a workshop with Constantine Manos...

Elena Greggio (Italian, b. 1973) Danza Per André Kertész (After Kertész), 2003 Etching 9 x 12 in. Mat: 14 x 20 in. Edition 1 of 15 Signed, dated and inscribed bottom: Danza Per André Kertész, After André Kertész, Elena Greggio, 2003 Signed and inscribed verso on mat: Elena Greggio 2003, Titolo: Danza Per André Kertész (After Kertész), Con [illegible], Naomi & Walter Rosenblum Elena Greggio was born in Padua, Italy. After studying Architecture at Liceo Artistico, she graduated with Hons in Painting at the Accademia di Belle Arti in Venice in 1995. Her final thesis was on G. Klimt and the Wiener Secession, under supervisor Luca Massimo Barbero. Today, she lives and works in Padua, where she dedicates herself to painting and priniting techniques, such as linocut and woodcut. She exhibits and has exhibited in: Italy, United Kingdom, California, Germany, Austria, Bosnia, Herzegovina, Chile, Portugal and Netherlands. Main Exhibitions 2023 - Illustrating the World: Woodcuts in the Age of Dürer. The Holburne Museum, Bath. UK 2023 - Group show: Pagine a colori. Vimercate 2022 - Finalist: International Prize Visioni Altre. Venice 2022 - Group show: Mirror Face to Face. Amstelkerk. Amsterdam, Netherlands 2022 - Group show: Mirror Face to Face. Kunstliefde. Utrecht, Netherlands 2022 - Group show: Mirror Face to Face. Villa Caldogno. Vicenza 2022 - Finalist: We Art...

Through light and shadow, a gaze, a mindset, Bill Phelps fourth solo show at the Robin Rice Gallery VISITOR inspires the imagination. About life, about being, eye and heart his great...

Silver gelatin print (printed 2003), signed, dated and numbered (verso), edition '13/25', 23cm x 34cm (image size), (39cm x 49cm framed). (N.B. although this is an edition of 25, onl...