Lithograph Photography

This exquisite heliogravure after Sir Cecil Beaton (1904–1980), titled Pablo Picasso, from the folio Cecil Beaton, Electa Editrice Portfolios, 1981, originates from the 1981 edition ...

This exquisite heliogravure after Diane Arbus (1923–1971), titled A Family and Their Car in a Nudist Camp in P.A., originates from the 1979 folio Diane Arbus, Electa Editrice Portfol...

This exquisite heliogravure after Sir Cecil Beaton (1904–1980), titled Buster Keaton, from the folio Cecil Beaton, Electa Editrice Portfolios, 1981, originates from the 1981 edition ...

This exquisite heliogravure after Sir Cecil Beaton (1904–1980), titled Gary Cooper, from the folio Cecil Beaton, Electa Editrice Portfolios, 1981, originates from the 1981 edition pu...

Helmut Newton (1920-2004) was one of the greatest photographers of the 20th century, known for redefining the way women were portrayed in the fashion industry. Born in 1920 in Ber...

This exquisite heliogravure after Sir Cecil Beaton (1904–1980), titled John Weissmuller, from the folio Cecil Beaton, Electa Editrice Portfolios, 1981, originates from the 1981 editi...

This exquisite heliogravure after Diane Arbus (1923–1971), titled Untitled (7), originates from the 1979 folio Diane Arbus, Electa Editrice Portfolios. Published by the United Nation...

Hand signed. Artist's Proof. “Le Belle di sera” is the title that Massimo Campigli gave to this intense lithograph (1967). The protagonists of this composition are four women that ar...

This exquisite heliogravure after Man Ray (1890–1976), titled Rayograph, originates from the 1980 folio Man Ray, Electa Editrice Portfolios. Published by Gruppo Editoriale Electra, Milano, and printed by Gruppo Editoriale Electra, Milano, 1980. This image exemplifies Man Ray’s pioneering “rayograph” technique—a cameraless photographic process in which objects were placed directly onto photosensitive paper and exposed to light, creating luminous abstract compositions that fused chance, intuition, and surrealist invention. Through this groundbreaking process, Man Ray transformed photography into pure visual poetry, redefining its potential as a form of modern art. Executed as a heliogravure on velin paper, this work measures 15.75 x 11.75 inches. Unsigned and unnumbered as issued. The edition exemplifies the refined craftsmanship of Gruppo Editoriale Electra, Milano. Artwork Details: Artist: After Man Ray (1890–1976) Title: Rayograph Medium: Heliogravure on velin paper Dimensions: 15.75 x 11.75 inches (40.01 x 29.84 cm) Inscription: Unsigned and unnumbered as issued Date: 1980 Publisher: Gruppo Editoriale Electra, Milano Printer: Gruppo Editoriale Electra, Milano Condition: Well preserved, consistent with age and medium Provenance: From the folio Man Ray, Electa Editrice Portfolios, published and printed by Gruppo Editoriale Electra, Milano, 1980 Notes: Excerpted from the folio (translated from Italian), Limited edition of M examples, drawn in heliogravure on special paper, designed specifically for the Portfolios Electa. Gruppo Editoriale Electra/Milan. Printed in Italy. About the Publication: The Man Ray, Electa Editrice Portfolio (1980) was published by Gruppo Editoriale Electra in Milan as part of the distinguished Electa Portfolios series, which celebrated the masters of 20th-century photography through the artisanal process of heliogravure printing. This edition was dedicated to Man Ray’s seminal body of photographic work from 1920 to 1934—an era in which he redefined modern image-making through technical invention, surrealist experimentation, and intellectual daring. Produced in collaboration with leading photographic historians and Italian master printers, the portfolio was printed on specially manufactured velin paper designed exclusively for the Electa Portfolios, ensuring tonal precision and textural depth true to the artist’s originals. The publication represents one of the most refined posthumous tributes to Man Ray’s legacy, combining Italian craftsmanship with avant-garde vision to preserve the luminous complexity of his photographs. Created with the same devotion to innovation and elegance that characterized Man Ray’s own practice, this edition remains an important intersection of fine art publishing and modernist history. About the Artist: Man Ray (1890–1976) was an American-born painter, sculptor, photographer, filmmaker, and conceptual visionary whose radical imagination and technical innovation transformed modern art and established him as one of the leading figures of the 20th century. Born Emmanuel Radnitzky in Philadelphia, he became a central force in both the Dada and Surrealist movements, defying artistic boundaries and redefining the relationship between art, technology, and the unconscious. After early involvement in New York’s avant-garde with Francis Picabia and Marcel Duchamp, Man Ray moved to Paris in 1921, where he joined a revolutionary circle of artists including Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, and Marcel Duchamp. There, he pioneered the “rayograph,” or photogram—a cameraless photographic technique that used light and shadow to create ethereal abstract compositions—and produced some of the most iconic images in art history, including Le Violon d’Ingres (1924) and Noire et Blanche (1926). His photography, distinguished by its fusion of elegance, surrealism, and psychological depth, captured the essence of modernist Paris and immortalized creative icons such as Kiki de Montparnasse, Gertrude Stein, and James Joyce. At the same time, Man Ray’s experimental films, including Le Retour a la Raison (1923) and L’Etoile de mer (1928), and his sculptural works like The Gift (1921) and Object to Be Destroyed (1923), expanded the possibilities of art itself, transforming ordinary objects into symbols of mystery and desire. His conceptual approach—viewing art as an idea rather than an object—anticipated later movements such as Pop Art, Minimalism, and Conceptual Art, profoundly influencing artists like Andy Warhol, Robert Rauschenberg, Jasper Johns, and Joseph Beuys, as well as photographers Helmut Newton, Guy Bourdin, Cindy Sherman, and Richard Avedon. Even in exile during World War II, while working in Los Angeles, he continued to innovate, blending Surrealist fantasy with the luminosity of the California landscape before returning to Paris, where he spent his final decades refining his poetic, intellectual, and sensuous vision. Exhibited in major institutions such as the Museum of Modern Art, the Tate Modern, and the Centre Pompidou, Man Ray’s work remains foundational to modern art history—bridging painting, photography, film, and sculpture in a body of work that continues to shape the language of visual culture. Standing alongside Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, and Marcel Duchamp, Man Ray endures as one of the most original and influential artists of the modern era. His highest auction record was achieved by Noire et Blanche (1926), which sold for 3.13 million USD at Christie’s, Paris, on November 9, 2017, confirming his status as a timeless innovator whose genius continues to inspire artists, collectors, and dreamers worldwide. Man Ray Rayograph...

This exquisite heliogravure after Man Ray (1890–1976), titled Solarized Portrait of Georges Braque, originates from the 1980 folio Man Ray, Electa Editrice Portfolios. Published by G...

The Eugénie Les Bains – La Cure Impériale poster, created in 1988 by renowned French graphic artist Bernard Villemot, is a stunning example of his signature style—elegant, minimalist...

This exquisite heliogravure after Man Ray (1890–1976), titled Illustration for the Novel, Aurelien, by Louis Aragon, originates from the 1980 folio Man Ray, Electa Editrice Portfolio...

Postcard by Filiberto di Savoia is a vintage and historical postcard realized in 1904, with hand-written on the rear. Stamped on the rear. Good conditions.

This exquisite heliogravure after Man Ray (1890–1976), titled Joan Miro, originates from the 1980 folio Man Ray, Electa Editrice Portfolios. Published by Gruppo Editoriale Electra, M...

Allen Ruppersberg (American, 1944-) Lithograph, Mixed media From the Top Ten Historical Similarities (and Differences) Between Prints and Photographs. This sale is of one print not t...

This unique monotype cyanotype, rendered in rich blue tones, invites the viewer into a dreamlike rhythm of interwoven shapes. Created using the cyanotype process, this one-of-a-kind ...

This unique monotype cyanotype, rendered in rich blue tones, invites the viewer into a dreamlike rhythm of interwoven shapes. Created using the cyanotype process, this one-of-a-kind ...

This piece is a photolithograph from the original negative by Laszlo Willinger, originally taken in 1942 and printed at a later date. It depicts German actress, Marlene Dietrich...

Allen Ruppersberg (American, 1944-) Lithograph, Mixed media From the Top Ten Historical Similarities (and Differences) Between Prints and Photographs. This sale is of one print not t...

Allen Ruppersberg (American, 1944-) Lithograph, Mixed media From the Top Ten Historical Similarities (and Differences) Between Prints and Photographs. This sale is of one print not t...

Pink Wall is an original artwork realized by Sergio Picciaredda in the 2010s. Mixed colored print on Matte Photo Paper. Good conditions. Give a t...

Blue Door is an original artwork realized by Sergio Picciaredda in the 2010s. Mixed colored print on Matte Photo Paper. Good conditions. Give a t...

Allen Ruppersberg (American, 1944-) Lithograph, Mixed media From the Top Ten Historical Similarities (and Differences) Between Prints and Photographs. This sale is of one print not t...

Allen Ruppersberg (American, 1944-) Lithograph, Mixed media From the Top Ten Historical Similarities (and Differences) Between Prints and Photographs. This sale is of one print not t...

Ernst Scheidegger (1923-2016) Joan Miró at Montroig (2000) Four color lithograph Size: 26 x 21 in (66 x 53.3 cm) Frame size: 33.5 x 28.25 (85 x 71.7 cm) Edition of 51, this is 38/51...

Hand-signed Daido Moriyama Skateboard decks: set of 2 individual works: These works originated as a result of the collaboration between ...

This piece is a photolithograph from the original negative by Laszlo Willinger, original shot in 1938 and printed at a later date. It depicts American film actor and military officer, Clark Gable, who was often referred to as "The King of Hollywood". He is most well-known for his roles in the films "Mutiny on the Bounty...

This piece is a photolithograph from the original negative by Ted Allan, originally shot in 1935 and printed at a later date. It depicts Julius Henry Marx, known professionally as Groucho Marx, who was an American comedian, writer, stage, film, radio, and television star. He was known as a master of quick wit and is widely considered one of the best comedians of the modern era. Allan took this image of Marx on set of "A Day at the Races...

Robert Indiana ERR 1963: A rare, sought-after early Robert Indiana print defined by surreal, experimental cinematic-like energy. Hand-signed by Indiana on the lower right. Medium: Photoengraving and etching on Rives BFK. Dimensions: 4 1/2x6 inches (including margins). Very good overall vintage condition. Signed, dated and inscribed "Artist's Proof 'E'" and "CHI" in pencil, lower margin. Rare Trial proof, aside from the main edition of 60. Printed by the artist at the School of the Art Institute of Chicago. Further background: According to Susan Sheehan, Indiana printed only six progressive trial proofs at the School of the Art Institute of Chicago, where he learned printmaking from 1949 to 1952, under the supervision of Vera Berdich (inscribed "CHI"). Additionally 13 trial proofs were printed at the Pratt Graphic Art Center, New York (these inscribed "NYC"). The regular edition was printed by Atelier Georges Lablanc, Paris and published by Galleria Schwarz, Milan to be included in International Anthology of Contemporary Engraving: The International Avant-Garde: America Discovered, Volume 5. The plate used for this print was originally given to the School of the Art Institute of Chicago by the R.R. Donnelly Company, printers of Life magazine. Indiana discovered the plate while visiting Berdich at the school and decided to use it in his contribution to the Avant-garde portfolio. Sheehan 29. Robert Indiana 1991: "When I went back to the Art Institute of Chicago at that particular time - I think I was judging a show - I learned that Vera Berdich (Indiana's former teacher) was still there and the idea occurred to me, wouldn't it be fun to do a visiting artist etching, and she concurred. There on the floor was a box of copper plates and the images had been defaced on each one. These copper plates had been donated by the R.R. Donnelly Company, which put out Life magazine. I used to work for Donnelly. My only commercial art job was with them doing the little drawing that appear in the Yellow Pages, like lawnmowers and vacuum cleaners and things like that. Anyway, the idea being that the student was supposed to turn the plate over to use the back side and forget about the image on the front. But I found this image of this actress sitting on her bed with her ironing board and decided it was only very lightly defaced, so I asked if I could use it. And the word "Err" was actually added in New York; it was not in the first proofs in Chicago. Two weeks later, I was thumbing through LIFE magazine and there was this actress in the same page..." About the artist: Robert Indiana is best known for his iconic “LOVE” image, which has appeared across media including sculptures, prints, and paintings and epitomizes the artist’s graphic, predominantly text-based Pop art practice. Throughout his career, Indiana reimagined the aesthetics of American advertisements...

A collection of 30 Keith Haring announcement cards ranging mostly from 1987 to the mid 1990s. Highlights include Keith Haring’s 1990 memorial exhibition at Tony Shafrazi gallery; 198...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

This piece is a photolithograph from the original negative by Laszlo Willinger, original shot in 1938 and printed at a later date. It depicts actors, Clark Gable and Joan Crawford, who were known as the "The King and Queen of Hollywood". Upon meeting Gable for the first time, Crawford recalled, “it was like an electric current went through my body…my knees buckled...

Area Nightclub 1984: A RARE original 1984 street poster for the seminal & much legendary 1980s New York nightclub Area, uniquely featuring an alien-like Ronald Reagan; a poster that ...

Prince, George WILLIAM HOWARD TAFT AND JAMES S. SHERMAN CAMPAIGN POSTERS, 1908. The Taft with edge losses and a black line running from Taft's head to the right edge; the Sherman wit...

Prince, George WILLIAM MCKINLEY AND THEODORE ROOSEVELT CAMPAIGN POSTERS. Lithographs, 1900. With Prince's copyright, lower left, and Litho by Julius Bien NY, lower right. The McKinle...

This piece is an offset photolithograph, originally shot by Bert Stern in 1967, and printed at a later date. It was photographed for the New York City Ballet production by George Ballachine, "A Midsummer Night's Dream" starring Arthur Mitchell...

Area Nightclub Archive 1983-1987: A collection of 40+ items (including approx 30 club invitations) spanning the history of the seminal 1980s New York nightclub known as "Area". Area opened its doors in September 1983 and virtually overnight became the nexus of one of the most vibrant Downtown art and club scenes in New York. Every six weeks, they transformed the enormous space at 157 Hudson with a different art exhibit & performance theme. Area was the place where A-listers such as Andy Warhol, Francesco Clemente, Julian Schnabel, Madonna, JFK Jr. & many others went to see and be seen: A place where Basquiat DJ'd, while Keith Haring and Andy Warhol produced several installations. Area's wildly creative invitations became the hottest tickets in town and instantly collectible art in and of themselves. Further details: Comprised of 40+ items in total: approx 30 club invitations; 3 original darkroom photographs taken by & signed by Fernando Natalici - the art designer of each piece; 6 drink tickets; 2 original mailing envelopes; a Halloween handkerchief invite; plus an original advertisement proof for the 80s fashion publication Details Magazine (image 4). Invitation dimensions ranging from: 9.5 inches on the longest side to 3.5 inches on the shortest side + 1 invite folding out to 11x17 inches (image 8). 3 signed silver gelatin photographs measuring: 8x10 inches (2 works) & 5x7 inches (1 work); Ad proof (image 4): 11x15 inches. Most pieces generally in good overall vintage condition; with a couple or more invites in fair condition. Provenance: Obtained directly from the club's original graphic designer, Fernando Natalici. Rare and not to be passed upon. Literature/References: Area: 1983-1987 by Eric Goode Jennifer Goode (pub. by Abrams 2013). New York Magazine 2013: "It Was the Hottest Club in Town." New York Times November 2013: "Waking Area Nightclub From the Dead". Exhibitions: 'Area: The Exhibition': The Hole Gallery NYC November 2013. Area: Further History (New York Magazine 11/1/13): "Influenced equally by sixties-era happenings and the gonzo childhoods of its proprietors, Area opened its doors in 1983. The club, unlike any that came before it, underwent a painstaking transformation roughly every six weeks, with themes like Confinement, Suburbia, and Science Fiction that incorporated elaborate art installations with taxidermied bears...

Shipping time depends on method of shipping. ____________ This piece from Ron Hamad's second solo exhibit at Robin Rice Gallery depicts the Hindu God Ganesh...

Listing is for UNFRAMED print. Inquire within for framing. Price and size range (Custom mural sizes available). All the photographs are in a limited edition. Edition 2 of 15. Shippi...

Listing is for UNFRAMED print. Inquire within for framing. Price and size range (Custom mural sizes available). All the photographs are in a limited edition. Edition 1 of 15. Shipp...

Allen Ruppersberg (American, 1944-) Lithograph, Mixed media From the Top Ten Historical Similarities (and Differences) Between Prints and Photographs. This sale is of one print not t...

Produced by Jno T. Faber, a Milwaukee Publisher of postcards, this image shows the historic structure of the Waukesha Beach Resort on Pewaukee Lake. Before the hotel are yellow cars ...

The Roof of Bugeaud, Algeria is an original black and white vintage photograph realized by an Anonymous photographer. With the stamp of copyright "Associated Press Photo" on the rear...

Chiatown is an original artwork realized by Sergio Picciaredda in the 2010s. Mixed colored print on Matte Photo Paper. Limited edition of 10, numbe...

Landscape is an original lithograph on paper realized by an anonymous artist in 1970s. Hand-signed on the lower right (illegible). Artist's proof...

1980s Jean-Michel Basquiat Exhibition Poster: Basquiat at Vrej Baghoomian Gallery, New York: April - June 1988: Jean-Michel Basquiat’s exhib...

With the invention of the halftone print process, photographic postcards like this became inexpensive to produce and became widely distributed in the first decades of the 20th centur...

Poetic colour offset lithograph 2004, hand signed and numbered 10/15. After the room installation "Dolphins" (1999): A spacious video installation that invites the viewer to become p...

An original hard copy of Andy Warhol's Brillo book. 11.25" h x 8.75" w. Wear consistent with age and use. Some wear at corners, as in the images. Andy Warhol, an American artist,...

Untitled (Collaboration with Sebastiao Salgado) 2005 Signed and numbered in pencil, recto Lithograph (Edition of 100) 24.25 x 20 inches, framed This...

A beautiful capture of a Roman street scene. Image is flush to the paper. Edition 1/19 Outer dimension 23.5 x 33"

Suisse Chutes du Rhin Original lithographic poster (1925) 40x25"

Yayoi Kusama Dots Obsession poster 2007: An iconic, vibrantly colored pop art piece - this Kusama exhibit poster features the universal polka dot patterns for which the artist is bes...

Untitled 1997 Signed, dated, and numbered in pencil Double-sided lithograph (Edition of 40) 11 x 14 inches, sheet Contact gallery for price. This work is offered by CLAMP in New...

Miltoan Sea, Sounion, #352, 1990 - Hiroshi Sugimoto Blindstamp Offset print, printed 1990 14 x 18 1/4 inches From an edition of 500

Photo-lithograph Signed in pencil, l.r. Titled and dated in black ink, verso This artwork is offered by ClampArt, located in New York City.

Rare photolithograph by Colette.

Complete set of 4 available for $1000