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Art Subject: Entertainment
Untitled IX and VIII, Diptych. From The Balance Series
Untitled IX and VIII, Diptych. From The Balance Series

Untitled IX and VIII, Diptych. From The Balance Series

By Salvatore Arnone

Located in Miami Beach, FL

With Balance the artist starts exploring more deeply the boundaries of the photographic media by mixing it with different techniques on a very traditional subject (classic sculptures...

Category

2010s Contemporary Figurative Photography

Materials

Acrylic, Archival Pigment, Paper, Ink, Mixed Media

Single and Ready to Slide
Single and Ready to Slide

Single and Ready to Slide

By Kristen Brown

Located in New York, NY

It doesn’t matter if it’s Bermuda, Hawaii or Costa Rica, if there are palm trees and crystal clear water you’re daydreaming of hopping on the next flight out. However, your daily lif...

Category

2010s Black and White Photography

Materials

Archival Pigment

Till the bottle runs dry - Contemporary, Portrait, Women, Polaroid, Nude

Till the bottle runs dry - Contemporary, Portrait, Women, Polaroid, Nude

By Kirsten Thys van den Audenaerde

Located in Morongo Valley, CA

'Till the bottle runs dry', 2020 20x20cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inve...

Category

2010s Contemporary Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Hillside Fence, Study 6, Teshikaga, Hokkaido, Japan, 2007  - Michael Kenna

Hillside Fence, Study 6, Teshikaga, Hokkaido, Japan, 2007 - Michael Kenna

By Michael Kenna

Located in London, GB

Hillside Fence, Study 6, Teshikaga, Hokkaido, Japan, 2007 - Michael Kenna Signed, dated and numbered 22/45 on mount Signed, dated, inscribed with title and stamped with photographe...

Category

21st Century and Contemporary Black and White Photography

Materials

Silver Gelatin

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New York City, USA, 1954, Limited Edition Baryta Print, Signed Photograph Ed 1/5
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"Sista Annie Mae" Hand crafted paper collage of abstracted female figure
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"Sista Annie Mae" is an original piece by Shawn Theodore made from hand-crafted paper collage and acrylic and archival ink on Epson Hot Press Natural paper on wood panel. Theodore delves into the specific experiences of African American families, capturing a longing for lost photographs, missing heirlooms, and vanished archives. Using a blend of traditional portraiture, found photographs, paint, paper, pencils, and digital manipulation, Theodore creates archetypes representing hypothetical family members, spiritual guardians, and ancestors. These boldly crafted archetypes inhabit an imagined macro-family album, offering a unique perspective on portraiture, connection, and community. Theodore's work aims to deepen spiritual connections and encourage personal introspection. This piece measures 36”h x 48”w and comes with a gallery-issues Certificate of Authenticity. Shawn Theodore (b. 1970) was born in Germany to American parents from Philadelphia, and currently lives and works in Philadelphia. Theodore was awarded the prestigious PDN’s 30 New & Emerging Photographers to Watch (2019), the Getty Images / ARRAY ‘Where We Stand’ grant, and a grant from the Knight Foundation for ‘A Dream Deferred’. Theodore was a two-time nominee for the Pew Center for Arts & Heritage Fellowship and a nominee for the Magnum Foundation Fund. He is an Associate Adjunct Professor at the University of the Arts, a trustee of The Print Center, a trustee of the Rush Philanthropic Arts Foundation, and a former trustee of the Philadelphia Photo Arts Center. Theodore was announced as a two-time nominee of The Pew Center for Arts & Heritage Fellowship and a nominee of the Magnum Foundation Fund in 2018. In the following years 2019 and 2020, he was awarded the PDN's 30 New & Emerging Photographers to Watch and AI-AP American Photography 35. He has had several solo exhibitions and is included in several group exhibitions. His work is held in the permanent collections of the Philadelphia Museum of Art, Philadelphia; the collection of the Philadelphia Library, Drexel University's Center for Black Culture, the Mennello Museum of American Art, Orlando; the Whitney Museum of American Art, New York; the Museum of Contemporary Art, Chicago; the Walker Center, Minneapolis; the National Museum of African American History and Culture, Washington D.C.; the Dallas Museum of Art, Dallas; and the Legacy Museum, Montgomery, among others. Artist photo...

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Greetings, 1992 Photograph 10.25 h × 7.5 w in (26 × 19 cm), Frame 11 x 8 inches Photo mounted to foamcore and framed behind acrylic Hand signed and dated 'Rimma and Valeriy 1992'; Rimma Gerlovina and Valeriy Gerlovin were founding members of the underground conceptual movement Samizdat in the Soviet Union, described in their book Russian Samizdat Art. Based on a play of paradoxes, their work is rich with philosophic and mythological implications, reflected in their writing as well. Their book Concepts was published in Russia in 2012. The work by Rimma Gerlovina and Valeriy Gerlovin is emphatically contemporary. The artist couple were part of the Moscow Conceptualists, their performance Costumes, from 1977, deepened their ongoing work with linguistic semiotic systems and their own bodies. Considering the context in which Gerlovina and Gerlovin made their work—that of political restrictions on public life, of unfreedom, and censorship—their collaborative togetherness must also be read as a space of possibility for political community and resistance. Rimma Gerlovina’s hair is featured prominently in the art of the Gerlovins as a constructing element of the body. Used for the linear drawings her braids transmit transpersonal waves reminiscent of an aura of live filaments. Long loose hairs function as threads of life; streaming in abundance, they allude to Aphrodisiac vitality and Samsonian strength. On the other hand, they are the haircloth worn during mourning and penitence. In New York they continued to make sculptural objects, and their photographic projects grew into an extended series called Photoglyphs. In their photographs, they use their own faces to explore the nature of thought and what lies beyond it. Since coming to the United States in 1980, they had many exhibitions in galleries and museums including the Art Institute of Chicago. The New Orleans Museum of Art launched a retrospective of their photography, which traveled to fifteen cities. Group exhibitions include the Venice Biennale, the Guggenheim Museum, New York, Smithsonian National Museum of American Art, Washington D.C., Bonn Kunsthalle, Germany, Tokyo Metropolitan Museum of Photography, State Tretyakov Gallery, Moscow, and others. Samizdat or “self-published” began in the Soviet Union, and Samizdat art consists mainly of books and magazines published and distributed by the artists who made them. Samizdat art has sources in the innovative books and magazines turned out by the early 20th century Russian avant-garde—artists and writers like Olga Rozanova, Vladimir Mayakovsky, El Lissitzky, and Alexander Rodchenko. Artists as varied as Alexander Archipenko, Leon Bakst, Marc Chagall, Naum Gabo, Alexandra Exter...

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