Light Photography

Bad Sign (The Last Picture Show) - 2005, 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist...

Last Chance (The Last Picture Show) - 2005, 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Art...

Miguel Winograd's work explores the relationship between people and their environment, narratives of social conflict, and the dense interconnections of the Colombian landscape. His w...

Neon drenched sex clubs in the Times Square area. The work is signed, dated, and numbered 4/15 in the lower right recto corner, with other sizes available. It is unframed and printe...

Hidden (The last Picture Show) - 1999 50x49cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist In...

Four Corners (The Last Picture Show) - 2005 Edition 1/5, 58x57cm. Analog C-Print, hand-printed by the artist on Archive Fuji Chrystal Paper, based on the original Polaroid. Artis...

This mid-1980s photograph, taken by society photographer Slim Aarons, features people having breakfast on the verandah of the Chateau Saint-Martin, a luxury hotel in Vence on the Cot...

Magic Hour (Stranger than Paradise) - 1999 44x59cm, Edition 3/10. Analog C-Print, hand-printed by the artist, based on the Polaroid. Certificate and Signature label. Artist In...

Mels (Stranger than Paradise) - 1999 44x59cm, Edition 2/10. Analog C-Print, hand-printed by the artist, based on the Polaroid. Certificate and Signature label. Artist Inventor...

Bapst Library Boston 50 x 62.4 inches ed. of 10 $6,000 60 x 74.9 inches ed. of 7 $9,000 70 x 87.4 inches ed. of 5 $11,000 signed and numbered on label, verso Paper is trimmed to...

Archival pigment print Signed and numbered, verso 11 x 14 inches (Edition of 15) 20 x 24 inches (Edition of 10) This photograph is offered by ClampArt, located in New York City. Pl...

Archival Pigment Print - Unframed - Ask us for custom framing options. Signed by the artist 44 x 55 inches – edition of 10 Extinction Nocturne newest series by David Burdeny. This...

Archival pigment print Signed, titled, numbered, and dated, verso 22 x 17 inches, sheet (Edition of 15) 44 x 32 inches, sheet (Edition of 9) This photograph is offered by ClampArt...

This series of portraits that at first glance appear to us as extraterrestrial beings, once we understand the images they become more familiar than they appear, “humans too human” perhaps more human than they appear. And for Adorno's negative dialectic, the problem was given as a human being in a world hostile to humans, the characters of Etem seem so natural to us to the extent that their presence is outside the pose of the portraits of the kings of the past, rather resemble the workers, peasants, common people in general, portrayed by Gustave Courbet or the realists of the mid-19th century, these new realists are captured by the camera in the usual development of their daily lives, in the hostile world of the desert or the swamp or the storm…” In recent years -through the use, production, and appropriation of content hosted on the net- The artist has been developing a body of work that aims to resignify narratives from the files. The series "All the faults of the world", 2021/23 are digital prints printed on Hahnemuhle smooth canvas. The Images are taken by Google Street View (GSV) users that cover a 360º viewing angle and are captured to show everything that is around the subject taking the photograph. These images, uploaded to the application (GSV) are geolocated at the precise point where they were taken so that other users can access them. Due to involuntary human errors in the capture, a small percentage of these images present anomalies because some fragment does not have a record, and a void is produced in the image and an opaque figure without representation. The entry of these anomalies into the system interferes with any attempt to full representation of the world. Motivated by this, the artist in the game "travels the world" from the app, looking to build my collection of failures from around the world. Rodrigo Etem...

Red Sea Edition of 25 signed and numbered by the artist The blood-red sun sinks into the sea. JJK is a pseudonym for one of the world's most successful photo artists. In his series...

This series of portraits that at first glance appear to us as extraterrestrial beings, once we understand the images they become more familiar than they appear, “humans too human” perhaps more human than they appear. And for Adorno's negative dialectic, the problem was given as a human being in a world hostile to humans, the characters of Etem seem so natural to us to the extent that their presence is outside the pose of the portraits of the kings of the past, rather resemble the workers, peasants, common people in general, portrayed by Gustave Courbet or the realists of the mid-19th century, these new realists are captured by the camera in the usual development of their daily lives, in the hostile world of the desert or the swamp or the storm…” In recent years -through the use, production, and appropriation of content hosted on the net- The artist has been developing a body of work that aims to resignify narratives from the files. The series "All the faults of the world", 2021/23 are digital prints printed on Hahnemuhle smooth canvas. The Images are taken by Google Street View (GSV) users that cover a 360º viewing angle and are captured to show everything that is around the subject taking the photograph. These images, uploaded to the application (GSV) are geolocated at the precise point where they were taken so that other users can access them. Due to involuntary human errors in the capture, a small percentage of these images present anomalies because some fragment does not have a record, and a void is produced in the image and an opaque figure without representation. The entry of these anomalies into the system interferes with any attempt to full representation of the world. Motivated by this, the artist in the game "travels the world" from the app, looking to build my collection of failures from around the world. Rodrigo Etem...

Light me up Edition of 25 signed and numbered by the artist The statue looks like it holds the lamp in the hand. This photo was made in the Pergamon museum in Berlin. JJK is a pseu...

This series of portraits that at first glance appear to us as extraterrestrial beings, once we understand the images they become more familiar than they appear, “humans too human” perhaps more human than they appear. And for Adorno's negative dialectic, the problem was given as a human being in a world hostile to humans, the characters of Etem seem so natural to us to the extent that their presence is outside the pose of the portraits of the kings of the past, rather resemble the workers, peasants, common people in general, portrayed by Gustave Courbet or the realists of the mid-19th century, these new realists are captured by the camera in the usual development of their daily lives, in the hostile world of the desert or the swamp or the storm…” In recent years -through the use, production, and appropriation of content hosted on the net- The artist has been developing a body of work that aims to resignify narratives from the files. The series "All the faults of the world", 2021/23 are digital prints printed on Hahnemuhle smooth canvas. The Images are taken by Google Street View (GSV) users that cover a 360º viewing angle and are captured to show everything that is around the subject taking the photograph. These images, uploaded to the application (GSV) are geolocated at the precise point where they were taken so that other users can access them. Due to involuntary human errors in the capture, a small percentage of these images present anomalies because some fragment does not have a record, and a void is produced in the image and an opaque figure without representation. The entry of these anomalies into the system interferes with any attempt to full representation of the world. Motivated by this, the artist in the game "travels the world" from the app, looking to build my collection of failures from around the world. Rodrigo Etem...

Sepia-toned gelatin silver print, mounted to archival board Signed, dated, and numbered, verso 9 x 9 inches (Edition of 50) 15 x 15 inches (Edition of 30) This artwork is offered ...

This series of portraits that at first glance appear to us as extraterrestrial beings, once we understand the images they become more familiar than they appear, “humans too human” pe...

Untitled (City of Industry) - 2004 38x36cm, Edition of 5 plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist, based on the original Polaroid. Certificate and Signatur...

'Stars in the Dance', 2009 30x30cm. Edition 1/10. Archival C Print based on a multiple exposure Polaroid, mounted under Plexi. Signed on back. 'We are all in the gutter, but some of us are looking at the stars' - Oscar Wilde This piece will be exhibited at the Bombay Beach Biennale in the newly founded Polaroid Museum in it's permanent collection. The Museum opens its doors in March 23rd, 2019. AND in the "Instant Dreams" Polaroid curation by Stefanie Schneider at Saatchi's The Other Art Fair in Los Angeles 28/03/19 - 31/03/19. Urizen Freaza was born in Tenerife in 1982 and is based in Berlin since 2010. He's a self-taught photographer and film-maker. Self-taught meaning that this is a path he's still walking, while hoping there is always more path to walk. He's a member of the Film Shooters Collective and part of the team behind the analogueNOW! festival in Berlin. Vita: Group exhibitions: 2018 'Feel', Brooklyn Film Camera, New York, USA 2017 'The decisive light', Projekteria, Barcelona, Spain 2017 'The face', Darkroom Gallery, Vermont, USA 2017 'A surreal vision', Galería LoosenArt, Roma...

Type-C print Signed, titled, dated, and numbered, verso 20 x 24 inches (Edition of 10) 30 x 36 inches (Edition of 5) 40 x 48 inches (Edition of 5) This artwork is offered by Clam...

Riggs Library Washington DC 57 x 50 inches ed. of 10 $6,000 68 x 60 inches ed. of 7 $9,000 79.8 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso Paper is trimmed...

Set of four framed artworks. Foyers, from Richard Heeps series A Short History of Milan which began as a special project for the 2018 Affordable Art Fair Milan. It was well received ...

“It takes the passage of time before an image of a commonplace subject can be assessed. The great difficulty of what I attempt is seeing beyond the moment; the everydayness of life gets in the way of the eternal.” --George Tice GEORGE TICE was born in 1938 in Newark, NJ, the state in which his ancestors had lived for generations earlier. He joined a camera club when he was fourteen, and is largely a self taught photographer. Two years later, when his picture of an alleyway was commended by a pro photographer critiquing club members' work, Tice was off and running with what would become his life’s work.. Tice studied commercial photography for a short time at Newark Vocational and Technical High School then decided to join the Navy. After, he worked as a traveling portrait photographer for almost 10 years. In 1959, Edward Steichen, then director of photography at MOMA acquired Tice's photo of an explosion aboard the USS Wasp for the museum. Later he aided Lee Witkin in establishing the seminal Witkin Gallery in NYC. His work was included in the opening group show in 1969 and the first of many solo shows there began the following April. George’s change to larger format cameras in the 60’s furthered his ability to craft carefully toned and detailed prints. He portrayed traditional Amish and Shaker communities, as well as the hard lives of fishermen in Maine. In the 1970s, Tice began explore his native NJ and began to document the vestiges of American culture on the verge of extinction, the work he is best known for. Whether it is the rural people who reside in small communities or suburban buildings and neighborhoods in decline, his great talent is finding deep meaning and emotional content in the most mundane subjects. In 1972, Tice was the subject of a one-man show at the Metropolitan Museum of Art. A fellow of the Guggenheim Foundation and the National Endowment for the Arts, George Tice’s work is included in more than 80 major museum collections including the Museum of Modern Art (MoMA) in New York and the J. Paul Getty Museum in Los Angeles, as well as countless private collections. Some of his iconic New Jersey images form the scenic backdrop...

This image is printed in an edition of 7, but comes in larger and smaller sizes. Each image is printed on archival paper, signed and numbered. Statement: This image of What I Remember is from Sarah Hadley's series Story Lines, which explores the female interior landscape. The series was inspired by the French New Wave films of the 60’s, which were shot in black and white on the street and which often portrayed the subconscious thoughts and feelings of ordinary women. These photo collages pay homage to the surrealists who first employed the technique of conjoining unrelated images to create startling and thought-provoking connections. Using backdrops...

This image is printed in an edition of 7, but comes in larger and smaller sizes. Each photograph is hand printed on Canson Baryta Paper and is signed and editioned by the artist. The image has been shown in galleries in Paris and Los Angeles and several copies are owned by collectors worldwide. Statement This image of Crossing Paris is from Sarah Hadley's series Story Lines, which explores the female interior landscape. The series was inspired by the French New Wave films of the 60’s, which were shot in black and white on the street and which often portrayed the subconscious thoughts and feelings of ordinary women. These photo collages pay homage to the surrealists who first employed the technique of conjoining unrelated images to create startling and thought-provoking connections. Using backdrops...

Chair, from Richard Heeps 'Ordinary Places', a series capturing Britain on the brink of change. It was Richard's first colour series and it achieved much success with an exhibition ...

Mesmerizing abstract color play of muted tones and surreal shapes, from a series of still life works created entirely in camera Caleidoscope l by Christian Stoll 40 x 28 inches (10...

Mesmerizing abstract color play of muted tones and surreal shapes, from a series of still life works created entirely in camera Caleidoscope II by Christian Stoll 40 x 28 inches (1...

A Cadillac with Florida plates parked outside the Carlton Hotel, Cannes, France, circa 1955. The Carlton Hotel Black and White Photography Slim Aarons E...

'Welcome', classic Las Vegas sign photography from Richard Heeps Dream in Color series. Primarily known as a color photographer Richard Heeps was commis...

Laurent Chéhere, a French photographer born in 1972 in Paris, makes images of flying houses and other dwellings that are informed by his wanderings in the hidden neighborhoods of Par...

This early 1960s landscape photograph, captured by society photographer Slim Aarons, features the glass-fronted triangular Skaal House, lit up at night, in...

Small Boy Walking In Shaft Sunlight With Starburst Effect. The work is signed, dated, and numbered 3/15 in the lower right recto corner, with other sizes available. It is unframed a...

The Lamp (Sidewinder) - 2006 Polaroid - Unique Piece 1/1, 8.8 x 7.5 cm (image area) 10.6 x 8.6 cm ( including white Polaroid frame) Artist Inv. #23637. Signed on verso. Not mount...

This mid-1980s photograph, taken by society photographer Slim Aarons, features people having breakfast on the verandah of the Chateau Saint-Martin, a luxury hotel in Vence on the Cot...

A chair sits in an otherwise derelict factory in a blue painted room, the depth perspective creates a colour blocking effect. from Richard Heeps 'Ordinary Places', a series capturin...

Additional sizes are available. Please inquire for more information on larger sizes. We offer fully archival professional framing for all prints for an additional cost. Framing is av...

Irrigation, part of Richard Heeps Salton Sea Collection, this sun-drenched multi-layered landscape photograph from Garst Road came about from his interest in photographing areas belo...

Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising collection. A celebration of the vinyl record and analo...

Beam me up (Californication) - 2019 78x77cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory Numbe...

Jimmy Page performing on stage. Indianapolis, IN, 1975 Photograph by Neal Preston. Signed by photographer

Ray of light - 2017 Edition of 7 plus 2 Artist Proofs. Based on the Polaroid, Archival C-Print, not mounted. Signed on the back and with certificate. Ar...

Together Wonderful is a Brooklyn based artist collaboration using togetherness as a catapult towards creativity. Each work is constructed by mergi...

The artists computer-generated paintings merge craftsmanship and technology, creating an eclectic and unique style. Through her art, she aims to illuminate the world. Tcherassi's wo...

Digital gelatin silver print Signed, titled, dated, and numbered in pencil, verso 11 x 14 inches (Edition of 25 + 3 APs) 16 x 20 inches (Edition of 18 + 3 APs) This artwork is off...

Ghost Story - 2021 20x25cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid on Hahnemuhle photo rag paper. Signed on bac...

Tropics Motor Hotel (Stranger than Paradise) 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory...

Light is captured streaming into the ancient souk of Baghdad in 1952. The souk, a marketplace bustling with stalls selling handmade copperwork and local artisan crafts, has persisted...

Together Wonderful is a Brooklyn based artist collaboration using togetherness as a catapult towards creativity. Each work is constructed by merging imagery from our day to day lives...

Laurent Chéhere, a French photographer born in 1972 in Paris, makes images of flying houses and other dwellings that are informed by his wanderings in the hidden neighborhoods of Par...

Archival pigment print Signed, titled, numbered, and dated, verso 22 x 17 inches, sheet (Edition of 15) 44 x 32 inches, sheet (Edition of 9) This photograph is offered by ClampArt...

Archival pigment print Signed and numbered, verso 11 x 14 inches (Edition of 15) 20 x 24 inches (Edition of 10) This photograph is offered by ClampArt, located in New York City.

Isola is a photograph by French contemporary artist Xavier Dumoulin. This photograph is sold unframed as a print only. It is available in 2 dimensions: *60 cm × 90 cm (23.6" × 35.4...

Archival pigment print Signed, titled, numbered, and dated, verso 17 x 11 inches, sheet (Edition of 15) 22 x 17 inches, sheet (Edition of 15) This photograph is offered by ClampAr...

A love song (The Girl behind the White Picket Fence) (The Girl behind the White Picket Fence) - 2013 20x20cm, (ask about a larger sized edition) Edition of 10, Archival C-Print, ba...

'Santa Monica', 2017, Edition 2/7 plus 2 Artist Proof Based on a Polaroid, digital C-print, not mounted. Signed on the back and with certificate. Artist inventory PL2017-197 Kirsten...

Stairway (Suburbia) 2004, 50x50cm, Edition of 1/10, digital C-Print based on a Polaroid, not mounted. Signature label and Certificate. Artist Inventory No. 20964.01. This projec...