Pattern Photography

Pamela Ellis Hawkes's innovative photography revitalizes antique traditions of still life painting with a playful contemporary spirit and a keen eye for seductively mysterious beauty...

X-ray digital C-type mounted onto Dibond, with Plexi face We live in a world obsessed with image, what we look like, what our clothes, houses, and cars look like etc. Nick Veasey counters this obsession with superficiality by using x-rays to strip back layers and show what is under the surface. Often, integral beauty adds intrigue to the familiar and challenges our automatic reaction to physical appearance by highlighting the beauty inside. Society is being increasingly inhibited by security and surveillance. Take a flight or go into a high-profile courtroom and your belongings will be x-rayed. The post arriving in corporations and government departments is often x-rayed. Security cameras...

40"x60" color photograph, limited edition of 5, signed by the artist. This geometric abstract photograph by Australian photographer, Zoe Wetherall captures a rhythm of the lines of ...

40"x60" color photograph, limited edition of 5, signed by the artist. The geometric black and white checkered pattern in this photograph is captured from the design of the facade o...

Stéphane COUTURIER (*1957, France) Angers – Chant de l'Apocalypse #03, 2020 C-Print Sheet 120 x 90 cm (47 1/4 x 35 3/8 in.) Edition of 5 (#2/5) Framed print Born in 1957 in Neuilly...

A woman picks at herself in the mirror, searching for a wound and finding only a scar. She feels like a scar — like a numb, deafened stump. Not long ago, she had lost her father, and...

Yoshinori MIZUTANI (*1987, Japan) sakura 015, 2015 Archival pigment print on Hahnemuhle Fine Art Baryta paper 97 x 145.6 cm (38 1/4 x 57 3/8 in.) Edition of 3, plus 2 AP; Ed. no. 1/3...

Brigitte LUSTENBERGER (*1969, Switzerland) I watched her dancing by the window, 2021 From the series 'An Apparition Of Memory' C-print 100 x 53 cm (39 3/8 x 20...

Stephen GILL (*1971, Great Britain) Energy Field #053, 2013–2016 Archival pigment print, accompanied with original colour negative encapsulated in resin block 124,5 x 106,7 cm (49 x ...

Brigitte LUSTENBERGER (*1969, Switzerland) These Tears Had Never Flowed, 2019 From the series 'An Apparition Of Memory' C-print 100 x 100 cm (39 3/8 x 39 3/8 in.) Edition of 5, plus...

Patrick Beaulieu’s multi-disciplined practice creates finely tuned and subtle gestures that aim to re-focus our attention on the physical world that we see and experience. In convers...

Edition of 7, plus 3 AP Mounting and framing not included in price.

This piece is unframed.

This piece is unframed.

EMMA HACK is an Adelaide-based artist working in the unique medium of body paint installation and photography. Exhibiting extensively throughout Australia si...

Zack Seckler Bentonite Bands 2024 Signed and numbered, verso Archival pigment print 53.3 x 80 inches (Edition of 3) 40 x 60 inches (Edition of 5) 26.7 x 40 inches (Edition of 10)

Pia Paulina Guilmoth night sky #7 (bleached polaroid 4×5 negative) 2025 Accompanied by a certificate of authenticity signed by the artist Archival pigment print (Edition of 3 + 2 ...

Signed by the photographer

Archival UV print on aluminum Dibond Edition of 5 + 2 AP Alia Ali (Arabic: علي عاليه // Sabean: 𐩡𐩱𐩲𐩲𐩺𐩡𐩱𐩲) is a Yemeni-Bosnian-US multi-media artist. Her work explores cultur...

Peace and Tranquility by Catherine Yi-Yu Cho Woo Available sizes: 15" x 15" - Edition 22 of 100 About the Artwork: According to Chinese tradition, pink flowers enhance relationships, while water symbolizes wisdom and wealth, increasing the influx of people and prosperity into one’s life. Feng Shui - The Ancient Chinese Art of Placement Dr. Catherine Yi-yu Cho Woo was a master of Feng Shui, the 4,000-year-old Chinese art of designing one's environment to maximize the flow of positive energy (ch'i). Dr. Woo believed that there is no separation of art, life, and Feng Shui. Her works therefore embrace and reflect a balance of the five elements in Chinese philosophy — metal, water, wood, fire, and earth. Building on these principles, she had channeled an insight into beauty and peacefulness into her works that has won praise from those seeking enlightenment, mainstream American corporations, and many others. As a disciple of Mizong Feng Shui, Dr. Woo maintained that the positioning of paintings within a room can have different effects on those who view the paintings. Displays of her works that respect Feng Shui principles, whether in public or in private homes, have been found to bring a sense of peace and tranquility. Available sizes: 15" x 15" - Edition 22 of 100 Artist Bio: Dr. Catherine Yi-yu Cho Woo (1935 - 2021) Scholar, teacher, painter, poet, composer The Honorable Dr. Catherine Yi-yu Cho Woo was an accomplished poet, composer, painter, teacher, and writer. She was the first Asian American woman to serve on the National Council on the Arts, and was honored by the National Endowment for the Arts with an appointment as an Ambassador for the Arts. Dr. Woo's paintings have been shown in galleries and museums throughout Asia and the United States, including the United Nations, the Sackler Museum at Harvard University, and the National Gallery in Taipei, Taiwan. One reviewer said, "To stand in front of Dr. Woo's work is to experience the stirrings of the heart, mind, and soul of nature, as if the paintings are alive. Trees and mountains breathe out peace. Splashes of color vibrate with the energy of life and movement. Her visually poetic paintings create a close relationship between the beauty of nature and its beholder." Born in Beijing to a family of classically-educated scholars, all four of Yi-yu's great-grandfathers earned Jin Shi...

This is a hand-painted digital inkjet print by the artist Ross Bleckner. The piece presents the blurred image of a falling blue bird. "Falling Birds, 1,...

Born of an auditory-verbal impairment in Busan, South Korea, Young Sam Kim grew to become exceptionally perceptive to visual stimuli. Kim’s inclination for painstaking observation co...

Erik MADIGAN HECK (*1983, United States) Not Titled Yet, 2021 Chromogenic print Sheet 152.4 x 111 cm (60 x 43 3/4 in.) Edition of 9 plus 2 artist's proofs (#1/9) print only Original...

Series: ARGENTUM All available sizes and editions: 30" x 40" editions of 18 40" x 60" editions of 7 48" x 72" editions of 3 Archival Pigment Print on Fine Art Baryta paper Mounted ...

Signed by the photographer

Archival pigment print, mounted, UV laminated, frame upholstered by the artist Edition of 5 + 2 AP Alia Ali ( عاليه علي ) is a Yemeni-Bosnian-US multi-media artist. A child of migrant linguists, Ali has traveled to sixty-seven countries, lived in and between seven, and grown up among five languages. Her migrations have led her to process the world through interactive experiences and the belief that the damage of translation and interpretation of written language has dis-served particular communities, resulting in the threat of their exclusion, rather than a means of understanding. As an artist who exists on the borders of identifying as West Asian, Eastern European, a United States citizen, queer, culturally Muslim yet spiritually independent, her work explores cultural binaries, challenges culturally sanctioned oppression, and confronts conflicted notions of gender, politics, media, and citizenship. Working between photography, video, and installation, Ali’s work addresses the politicization of the body, histories of colonization, imperialism, sexism, and racism through projects that take pattern and textile as their primary motif. Textile, in particular, has been a constant in Ali’s practice. Her strong belief that textile is significant to all of us, reminds us that we are born into it, we sleep in it, we eat on it, we define ourselves by it, we shield ourselves with it, and eventually, we die in it. While it unites us, it also divides us physically and symbolically. Her work broadens into immersive installations utilizing light, pattern, and textile to move past language and offer an expansive, experiential understanding of self, culture, and nation. Alia Ali’s work has been featured in the Financial Times, Le Monde, Vogue Arabia...

Archival pigment print, mounted, UV laminated, frame upholstered by the artist Edition of 3 + 2 AP Alia Ali ( عاليه علي ) is a Yemeni-Bosnian-US multi-media artist. A child of migrant linguists, Ali has traveled to sixty-seven countries, lived in and between seven, and grown up among five languages. Her migrations have led her to process the world through interactive experiences and the belief that the damage of translation and interpretation of written language has dis-served particular communities, resulting in the threat of their exclusion, rather than a means of understanding. As an artist who exists on the borders of identifying as West Asian, Eastern European, a United States citizen, queer, culturally Muslim yet spiritually independent, her work explores cultural binaries, challenges culturally sanctioned oppression, and confronts conflicted notions of gender, politics, media, and citizenship. Working between photography, video, and installation, Ali’s work addresses the politicization of the body, histories of colonization, imperialism, sexism, and racism through projects that take pattern and textile as their primary motif. Textile, in particular, has been a constant in Ali’s practice. Her strong belief that textile is significant to all of us, reminds us that we are born into it, we sleep in it, we eat on it, we define ourselves by it, we shield ourselves with it, and eventually, we die in it. While it unites us, it also divides us physically and symbolically. Her work broadens into immersive installations utilizing light, pattern, and textile to move past language and offer an expansive, experiential understanding of self, culture, and nation. Alia Ali’s work has been featured in the Financial Times, Le Monde, Vogue Arabia...

Erik MADIGAN HECK (*1983, United States) Not Titled Yet, 2022 Chomogenic print Sheet 152.4 x 101.6 cm (60 x 40 in.) Edition of 9 plus 2 artist's proofs (#2/9) Print only Originally...

Archival UV print on aluminum Dibond, frame upholstered Edition of 5 + 2 AP Alia Ali ( عاليه علي ) is a Yemeni-Bosnian-US multi-media artist. A child of migrant linguists, Ali has t...

Signed, titled and dated in ink on photographer's label; Signed in ink on verso Archival pigment print Image 16" x 20", Paper 17" x 21", Matted 24" x 30" Edition of 10

This series includes flowers from Renowned Gardens around the world and fine vases/vessels from museums and distinguished collections

This series includes flowers from Renowned Gardens around the world and fine vases/vessels from museums and distinguished collections

This series includes flowers from Renowned Gardens around the world and fine vases/vessels from museums and distinguished collections

Archival UV print on aluminum Dibond Edition of 5 + 2 AP Alia Ali (Arabic: علي عاليه // Sabean: 𐩡𐩱𐩲𐩲𐩺𐩡𐩱𐩲) is a Yemeni-Bosnian-US multi-media artist. Her work explores cultur...

Archival UV print on aluminum Dibond Edition of 5 + 2 AP Alia Ali ( عاليه علي ) is a Yemeni-Bosnian-US multi-media artist. A child of migrant linguists, Ali has traveled to sixty-se...

Archival UV print on aluminum Dibond Edition of 5 + 2 AP Alia Ali ( عاليه علي ) is a Yemeni-Bosnian-US multi-media artist. A child of migrant linguists, Ali has traveled to sixty-se...

Limited edition Lambda Chromogenic Print mounted on Dibond (an aluminum substrate) with UV Acrylic. Available in three sizes: 24 x 36 inches Edition Size: 12 40 x 60 inches Edi...

Estate embossment on the front and estate stamped on the reverse

Estate embossment on the front and estate stamped on the reverse

Archival pigment print on cotton rag with UV laminant mounted on aluminum Dibond Edition of 5 + 2 AP Alia Ali ( عاليه علي ) is a Yemeni-Bosnian-US multi-media artist. A child of mig...

Erik MADIGAN HECK (*1983, United States) Without A Face (Red), 2013 Chromogenic print Sheet 228.6 x 152.4 cm (90 x 60 in.) Frame 232.7 x 156 x 5cm (91 5/8 x 61 3/8 x 2 in.) Edition o...

Photograph available in 15 x 15" (edition of 20), 22 x 22" (edition of 20) and 38 x 38" (edition of 10). Availability and pricing is subject to change without notice. Patty Carroll h...

Signed by the photographer

This photograph is signed by the photographer and is printed using the Fresson printing process. Size varies.

“Linda Evangelista with Polka Dot Hat” by Arthur Elgort is an iconic black-and-white fashion photograph that captures the effortless elegance and graphic sophistication of the superm...

Photo on crystal archive paper. Limited edition of 4 ex. Free shipment worldwide. Signed by the artist and accompanied with a numbered certificate of authenticity. Acquired directly ...

Snowflakes have become my passion. They avail themselves to me within the small window of time I have to photograph them and the short time that they exist. Their delicacy, strength ...

Artist: Hallencreutz, Clara Title: A Brushstroke of White Date: 2014 Medium: C-print face mounted to archival acrylic, backed with aluminum Unframed Dimensions: 39" x 56" S...

Sometimes there is a hazy, almost tropical light that falls over the Bay Area. The moisture in the air falls on the landscape and makes it appear as a s...

Artist: Hallencreutz, Clara Title: White Pixels Date: 2014 Medium: C-print face mounted to archival acrylic, backed with aluminum Unframed Dimensions: 48" x 48" Signature: ...

Sometimes there is a hazy, almost tropical light that falls over the Bay Area. The moisture in the air falls on the landscape and makes it appear as a series of two-dimensional plane...

THE THEATER OF INSECTS Insects depicted larger than life, approach a human scale. One can confront them face to face and wonder at their structure and designs. In these images, t...

Cibachrome Print

Unique

Unique

Artist stamp, monogrammed 'W.J.', titled in pencil and numbered in red crayon on mount verso.

Signed, dated, titled and numbered on print recto. Signed, titled with artist's copyright stamp on mount verso.