Text Photography

Signed Keith Haring poster 1985: A highly collectible hand-signed 1985 Keith Haring exhibition poster published on the occasion of: Keith Haring Painting...

The Palmist is a Black and White photographic print on Hahnemuhle paper, in this size of 24" x 34" in an edition of 10. States of America is the photographic legacy of one of the UK’s leading photographic talents whose untimely death in 1991 ended prematurely the highly promising career of a distinctive and powerful photographic voice. Michael Ormerod was born in Cheshire in 1947. He lived in Newcastle, but spent many years travelling America. Fascinated by the American image, and following in the footsteps of Robert Frank, Ormerod took to the American West to find a washed out dream of capitalism. His images capture a strange juxtaposition of an American beauty tainted by a hidden sense of menace and corruption. The photographs are understated, but show an unseen America, where the industrial heartland is decaying, highways stand empty and towns are deserted. The subjects of Ormerod’s work are the disenfranchised. A teenager cycles through her neighbourhood wearing a Halloween-style hockey mask, a Native American man stands in a graveyard, their expressions are unreadable. The work subverts traditional American icons. A white picket fence is staved in, a huge billboard for Miss Teen Dakota USA stands next to an empty highway. Inverting the famous Hollywood sign, Ormerod photographs a Texaco sign...

Lord Fauntleroy House Labels in Yellow 241206-02 High Gloss Metal Print with Float Mount Hanger Year: 2024 Size: 12 inches diameter Signed: On Label Edition: 7 COA provided Lord Fau...

Willie Nelson, Coliseum State Fairgrounds, Indianapolis, IN 1976 Signed limited edition photographic print by Blaise Hayward from his series “Tickets Please” These editioned digita...

Counting Sheep, limited edition photograph, archival photograph, signed Holding Arabesque is an inward reflection that investigates our relationship with food and nostalgia and how...

Keith Haring at the Stedelijk Museum, Amsterdam, Netherlands, March 15th – 12th May, 1986: Signed Keith Haring Stedelijk Museum exhibitio...

FAITH (neon artwork) by BATIK BATIK is an increasingly collectable pop artist currently living and working in London. The artist is purposely elusive with their true identity, se...

Fotografia analogica in bianco e nero su carta fotografica, autore ignoto

Each Cabinet Card is unique, and the image above details the front and back of the card. A handmade display stand made by the artist is also available for $100 – please inquire if in...

Artist Statement My artwork is always in progress. There is not a goal. There is not a category for my work. It is all about enjoying the process of every moment. On a blank...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. Johnson Hs. & Guest Hs. is an exact replica of an art history slide made in the 1950s picturing Philip Johnson’s Glass House. The slide has been replicated digitally on a much larger scale (23” x 23”) and like the original is made of a cardboard mount that contains a color transparency. The original slide is faded from years of use and most of the color, other than red, has been bleached out. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

Ed Ruscha Some Los Angeles Apartments, 1970 Softback monograph with stiff wraps Second Edition Limited Edition of 3000 (the first edition in 1968 was 700) 7 × 5 1/2 inches Accompanie...

Autographed photograph of the POP singer Lena Biolcati. Excellent condition.

Tupac Shakur in Harlem. New York flashing his “Thug Life tatyoo, 1994. Photo by Globe Archives Paper size 40 x 40" / 101 x 101cm Unframed Archival Pigment Print Certificate of auth...

Fine art 20x24" print of David Bowie in his room at the Kempinski Hotel, Berlin, 1983 by acclaimed photographer, Denis O'Regan, where he was the official tour photographer for David ...

Oasis XI (Sidewinder) - 2005 38x37cm, Edition of 10, plus 2 Artist Proofs, Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist Inventory #301...

Putsch in Algeria - 1961 is a black and white vintage photo, realized in the 1960s. It belongs to historical album including photo reportages of historical moment and political event...

Gino Paoli - Vintage Autographed Photograph is a vintage photo, realized in the 1960s. Signature and dedication by the singer Gino Paoli: "Ai lettori di "Letizia" da un amico Gino P...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. American Glassware (2010-present) which is presented in a small, wall-mounted vitrine. American Glassware is composed of three glass objects: a “souvenir” Walden Pond ashtray made by me as a multiple; a real souvenir ashtray from the 1964-65 New York World’s Fair; and an authentic “Happy Face” drinking glass from the same era. They are all nestled in crumpled, vintage newspaper from 1967, and are presented together in a dilapidated cardboard box, as if they have been found in someone’s attic or basement. Once again, in a similar manner to the Glass House Ashtray, versions of his Walden Pond ashtray (Walden Pond Souvenir) have been injected into the collectable stream of tag sales and flea markets, creating a souvenir that never existed. The ashtray is screenprinted with an image of Thoreau’s cabin on Walden Pond as pictured on the title page of his book Walden, or Life in the Woods (1854). (The original illustration was created by Thoreau’s sister, Sophia.) Walden Pond Souvenir was originally produced for the 2010 exhibition Renovating Walden at the Tufts University Art Gallery in Medford, MA. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

The Church S. Restituita, Naples, Vintage photo  is a photo realized in the 1886 ca., by F.lli Alinari. The photo depicts the Church S. Restituita in Naples, the marble bas-relief w...

Ravello Cathedral, Rome-  Vintage Photo is a black and white photograph realized in the early 20th century. Good conditions, aged with foxing.

Authorization for the Fiera of S. Giustino in Chieti realized in 1789. Written in the Italian language. Good conditions.

Bathers by a pool on the shore of Lake Tahoe, California, 1959. Fashionable bathers relax underneath parasols and on sun loungers beside the swimming pool, overlooking Lake Tahoe o...

11 x 14" vintage silver gelatin photograph of British-American Artist Malcolm Morley in his Manhattan studio with his paintings, 1971. Comes directly from the Jack Mitchell Archives ...

The protest - Historical photograph about the feminist movement is an original black and white photograph realized by an anonymous photographer ...

An exceptional opportunity to own an edition of one of the most celebrated photographs in Hollywood history. Captured by legendary British photographer Terry O’Neill on the morning o...

Historical Vintage Photo is a black and white vintage photograph realized in 1961. It belongs to historical albumen including photo reportages of historical events and political issu...

Referendum in Algeria is a vintage black and white photograph realized in the 1962. Good conditions.

The artist's photographs capture the transformation of everyday life into another reality. Images that explore what the future will be like. Industrial, eccentric and progressive, Ca...

Rebecca Skinner’s “Past” is a 18 x 12 inch metal print and is part of her “Transient” series. The color photograph is of a vintage can opener at an ...

This is a Autographed Postcard by Angelika Hauff. Reproducing the gorgeous Austrian actress, this postcard, in excellent comditon, reports the blac...

Views of Punta Arenas are Silver salt photographs on paper, two images applied on paper one on the front with the description on the lower of each. Realized in the Early 20th Centur...

English Soldiers in Tientsin is a b/w photographic print on polished paper, taken on July 31, 1939 by World Photos (England). Stamp and stereotype in ...

Las Vegas Cappella is a photograph realized in the 1960s. Good conditions. The artwork is realized in a well-balanced composition.

Demonstration of Physics - American Vintage Photograph is an original black and white photograph realized in the U.S in the Mid-20th Century in a series on American life in the 20th ...

Autograph Portrait of Rudolf Fernau is a b/w reproduction of the photographic portrait of the German actor by Heinz Hartwig. With the additional value of the autograph, this postcard...

Manifestation of CNEN 1971 is an original photograph realized in Italy 1971 by an Anonymous photographer. With the description script in Italian, dated, with the stamp of copyright ...

U.St. Columbia River - Echofalls and Pallisades - 18 September 1893 - is an original vintage photo realized as part of a journey to Asia performed by pr...

The Duke of Windsor in London is an original photograph realized in 1940-1941 by an Anonymous photographer. With the description typing script on ...

Talcahuano is a group of two silver salt prints made by unknown photographer of the end of 19th Century. They both show the bay of Talcahuano, Chile. Prints in very condition, appl...

Rebecca Skinner’s “Linger” is a 18 x 12 inch metal print and is part of her “Transient” series. The peeling paint, texture and soft pink and beige color exudes strength in this color...

Autographed Portrait of Sabine Bethmann is a b/w postcard reproducing the photographic portrait of the German cinema actress, Sabine Bethmann (born in 1931). Around the 1950s. Photo...

By American photographer Burt Glinn a black-and-white 14" x 11" photograph on fiber paper (gelatin silver print) of Editor-in-chief Hugh Hefner who wrote for the magazine he founded,...

"Narwhal Nation" Nunavut, Canada - 2006 Edition of 20: 24” x 36” (61 x 91.4 cm) $3,500 Edition of 15: 31” x 46.5” (78.7 x 118.1 cm) $7,500 Edition of 10: 40” x 60” (101.6 x 152.4 cm...

Group of original vintage color and black and white photographs related to Grandma Moses. Dimensions: Largest is 6 X 8 with mat. the rest are smaller. There are a total of photos. most with hand inscriptions and dated verso. They are not signed. Provenance: the collection of the Beers family and is from the estate. Anna Mary Robertson Moses (1860 – 1961), or Grandma Moses, was an American folk artist. She began painting in earnest at the age of 78 and is a prominent example of a newly successful art career at an advanced age. Moses gained popularity during the 1950s, having been featured on a cover of Time Magazine in 1953. She was a subject of numerous television programs and of a 1950 Oscar-nominated biographical documentary. Her autobiography, titled My Life's History, was published in 1952. She was also awarded two honorary doctoral degrees. She embroidered pictures with yarn, until disabled by arthritis. In her 1961 obituary, The New York Times said: "The simple realism, nostalgic atmosphere and luminous color with which Grandma Moses portrayed simple farm life and rural countryside won her a wide following. She was able to capture the excitement of winter's first snow, Thanksgiving preparations and the new, young green of oncoming spring ... In person, Grandma Moses charmed wherever she went. A tiny, lively woman with mischievous gray eyes and a quick wit, she could be sharp-tongued with a sycophant and stern with an errant grandchild." Moses's work has been a subject of numerous museum exhibitions worldwide and has been extensively merchandised, such as on greeting cards. In 2006, her 1943 painting titled Sugaring Off was sold at Christie's New York for US$1.36 million, setting an auction record for the artist. Her work is fundamental for any Naive art or Americana collection. She was known as either "Mother Moses" or "Grandma Moses", and although she first exhibited as "Mrs. Moses", the press dubbed her "Grandma Moses", and the nickname stuck. As a young wife and mother, Moses was creative in her home; for example, in 1918 she used house paint to decorate a fireboard. Beginning in 1932, Moses used yarn to embroider pictures for friends and family. She created quilt objects, a form of "hobby art". Lucy R. Lippard stated in "The Word in Their Hands" that she found "hobby art" to be "an activity so 'low' on the art lists that it still ranks way below 'folk art'". She found that hobby art often involves reuse of otherwise discarded objects. Moses painted scenes of rural life from earlier days, which she called "old-timey" New England landscapes. Moses said that she would "get an inspiration and start painting; then I'll forget everything, everything except how things used to be and how to paint it so people will know how we used to live." From her works of art, she omitted features of modern life, such as tractors and telephone poles. Her early style is less individual and more realistic or primitive, with a lack of knowledge of, or perhaps rejection of, basic perspective. Initially she created simple compositions or copied existing images. As her career advanced, she created complicated, panoramic compositions of rural life. During a visit to Hoosick Falls in 1938, Louis J. Caldor, an art collector who worked as an engineer in the state of New York, saw paintings made by Moses in the window of a drug store. He bought their supply and ten more from her Eagle Bridge house for $3 or $5 each. The next year, three Grandma Moses paintings...

Plaisir de France II Edition of 25 signed and numbered by the artist Plaisir de France was a French magazine owned by the Groupe L'Illustration, owned by the Baschet family, with it...

Plaisir de France II Edition of 25 signed and numbered by the artist Plaisir de France was a French magazine owned by the Groupe L'Illustration, owned by the Baschet family, with it...

Plaisir de France II Edition of 25 signed and numbered by the artist Plaisir de France was a French magazine owned by the Groupe L'Illustration, owned by the Baschet family, with it...

'Eldorado Auto Skooter, Coney Island New York' is a black and white archival inkjet print by Morgan Silk. It is available in this size of 18" x 18" in a limited edition of 10. The...

No words needed - Eiffel Tower Edition of 25 signed and numbered by the artist The view of the Eiffel Tower through a glass pane, on which texts are written in various languages. J...

ICES - Four Framed Artworks, Photographs by Richard Heeps. Featured here Sherbet Yellow, Coral Pink , Viridian Green, Baby Blue. Get in touch to request other sizes or color combin...

A black and white photograph from the 1950s capturing the famed cinema director Otto Preminger reading the publication Variety. Otto Preminger, 1959 by Burt Glinn is a gelatin silv...

Archival pigment print Signed, dated, and inscribed in pencil, verso 22 x 17 inches, sheet 16.75 x 11 inches, image This photograph is offered by ClampArt, located in New York City.

Men, photograph by Richard Heeps, from his Jersey Shore series. Taken in Wildwood, the historic Doo-Wop Town of New Jersey, this kitsch signage is perfect Pop Art and is typical of R...

SOS (Bombay Beach, CA) - 2022 20x20cm. Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist Inv. #PL2022-...

Mels (Stranger than Paradise) - 1999 44x59cm, Edition 2/10. Analog C-Print, hand-printed by the artist, based on the Polaroid. Certificate and Signature label. Artist Inventor...

'Bitchin', bold monochrome typographic photograph from Richard Heeps 'Man's Ruin' series, taken at the Hemsby Rock 'n' Roll Weekender. This artwork is a limited edition of 25 gloss ...

Archival pigment print Signed and numbered, verso 8 x 10.5 inches, image (Edition of 15 + 2 APs) 15 x 19.7 inches, image (Edition of 15 + 2 APs) 26 x 34 inches, image (Edition of ...

Digital C-print (Edition of 11) Signed, dated, and numbered, verso This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sel...

'Kaufmann Desert House' 1970 Slim Aarons Limited Estate Edition January 1970: The Kaufmann Desert House in Palm Springs, California, designed by Richard Neutra in 1946 for businessm...