Tree Photography

Alexandre Manuel Zhangjiajie 8, China, Lost in Abstraction, 2019 20x20 in (50x50cm) - Edition of 10 Archival Pigment Print Image size 20x20inches (50x50cm) Framed size: 28x28inches (...

Alexandre Manuel Zhangjiajie 8, China, Lost in Abstraction, 2019 20x20 in (50x50cm) - Edition of 10 Archival Pigment Print Image size 20x20inches (50x50cm) Framed size: 28x28inches (...

Alexandre Manuel Zhangjiajie 8, China, Lost in Abstraction, 2019 20x20 in (50x50cm) - Edition of 10 Archival Pigment Print Image size 20x20inches (50x50cm) Framed size: 28x28inches (...

Alexandre Manuel Zhangjiajie 8, China, Lost in Abstraction, 2019 20x20 in (50x50cm) - Edition of 10 Archival Pigment Print Image size 20x20inches (50x50cm) Framed size: 28x28inches (...

Alexandre Manuel Zhangjiajie 8, China, Lost in Abstraction, 2019 20x20 in (50x50cm) - Edition of 10 Archival Pigment Print Image size 20x20inches (50x50cm) Framed size: 28x28inches (...

Alexandre Manuel Zhangjiajie 8, China, Lost in Abstraction, 2019 20x20 in (50x50cm) - Edition of 10 Archival Pigment Print Image size 20x20inches (50x50cm) Framed size: 28x28inches (...

Alexandre Manuel Zhangjiajie 8, China, Lost in Abstraction, 2019 20x20 in (50x50cm) - Edition of 10 Archival Pigment Print Image size 20x20inches (50x50cm) Framed size: 28x28inches (...

Alexandre Manuel 20x20 in (50x50cm) - Edition of 10 Archival Pigment Print Image size 20x20inches (50x50cm) Framed size: 28x28inches (70x70cm) Mounted and framed with museum-quality...

Alexandre Manuel Zhangjiajie 8, China, Lost in Abstraction, 2019 20x20 in (50x50cm) - Edition of 10 Archival Pigment Print Image size 20x20inches (50x50cm) Framed size: 28x28inches (...

Alexandre Manuel 20x20 in (50x50cm) - Edition of 10 Archival Pigment Print Image size 20x20inches (50x50cm) Framed size: 28x28inches (70x70cm) Mounted and framed with museum-quality...

Signed and numbered on label, verso 11 x 17 inches // (Edition of 25 + 5 APs) 22 x 34 inches // (Edition of 20 + 4 APs)

Signed and numbered on label, verso 11 x 17 inches // (Edition of 25 + 5 APs) 22 x 34 inches // (Edition of 20 + 4 APs)

Alexandre Manuel Zhangjiajie 1, China, Lost in Abstraction, 2019 20x20 in (50x50cm) - Edition of 10 Archival Pigment Print Image size 20x20inches (50x50cm) Framed size: 28x28inches (...

vintage platinum print 9.5" x 7.5" print; 18" x 13.75" mount, mat 20" x 16"

"Water Oak #2, Stone Mountain, GA" is a nocturne photograph of an urban tree featuring hues of blue, green, yellow and black. This listing is for a framed p...

Edition of 10. Fujicolour / DMEL: professional photo paper (from Kodak).

Ed. of 7, includes signed signature label. Additional sizes available upon request. Nathan Coe is thrilled to introduce his widely anticipated Jackson Hole series, photographed ac...

Beautiful rangeland in Western Wyoming in stunning Black and White. Printed on Archival Exhibition Fiber Paper by artist. :: Photograph :: Black & White :: This piece comes with a...

black and white toy-camera image from the series 'sand people' 10 x 10 image size in edition of 50 (price increases as edition sells). printed on hahnemuhle bamboo sustainable pape...

Cades Cove has a multitude of roads from which to photograph the scenery in the Smoky Mountain National Park. This limited-edition photograph, measuring approximately 40"x60", is pr...

Signed, titled and dated in ink on accompanying photographer's label Archival pigment print Image: 16" x 20", Paper: 17" x 21", Matted: 24" x 30" Edition of 10

Photographic Fine Art Paper 325 g, ed. 1/7 Luca Battaglia is an Italian architect and photographer born in 1970 who lives and works in Paris, France. Luca met the Italian photograph...

Gathering is a limited edition photograph by Nancy C. Woodward. This is a limited edition photograph with a plexifacemount. It 24" x 20". It is filled with Blues and Green colors. It is $1,650. This is an edition of 30. It was originally photographed in 2012. Nancy C. Woodward is an award winning photographic and mixed media artist. Her shadow portraits, colorful trees and ethereal landscapes depict unique views of the natural world. Nancy photographs moments when the natural world appears changed. Through experimenting with different color palettes, papers, fibers, mediums and surfaces, she brings new realms into view. Ms. Woodward has a studio along with twenty other working artists, at Firing Circuits Artist Studios in Norwalk, Connecticut. She was an Artist in Residence at Silver Lake Conference Center in Sharon, Connecticut for ten years. She is a member of the Ridgefield Guild of Artists, The Katonah Museum Artists...

Alexandre Manuel’s work captures landscapes at the delicate intersection of absence and presence, where nature unfolds with quiet drama. Through refined long-exposure techniques, eac...

‘Rampart Creek, Banff’ by Mike Grandmaison Banff National Park, Alberta. Canada The drive along the Icefields Parkway through the Canadian Rocky Mountains offers some of the mos...

32 x 40 inch chromogenic print, from an edition of 10, each accompanied by a signature label with the title, date, edition number, and artist's signature. As one of Japan's most re...

40"x 60" framed Chromogenic large scale photograph by the New York artist, Stephen Mallon, edition #4 of 5 signed on reverse, This is the second to last available print in this edit...

Cades Cove has a multitude of roads from which to photograph the scenery in the Smoky Mountain National Park. This limited-edition photograph, measuring approximately 40"x60", is pr...

Signed in ink on recto. Signed, titled and dated in pencil on verso. Gelatin silver print 12 x 16 inches

My Literature - Signed limited edition archival pigment print, Edition of 3 Signed + numbered by artist with certificate of authenticity , unframed This is an Archival Pigment print...

Versailles Gardens and the French Cloister at the Ocean Club on Paradise Island, opposite Nassau on the Bahamas, May 1968. Slim Aarons Estate Edition, Certificate of Authenticity in...

Jackie Merrywood, Wide rap_143. Image size is 13.75" x 20" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each ...

Coco Chanel Strolls, 1957 -- Coco Chanel strolls at Louveciennes with an unidentified male companion. Mark Shaw's informal, grainy, black and white images of Coco Chanel were created...

Audrey Hepburn Under Tree, Turns, c20_10 -- Audrey Hepburn on the set of Sabrina. Out take from the photo essay shot for the December 7, 1953 issue of LIFE. Image size is 22" x 32" (...

Rebecca Skinner’s “Erosion #5” was photographed on the shoreline of Lake Champlain in Burlington, Vermont. The textural beauty is natures own art form. The 24 x 16 inch black and whi...

Jardin du Luxembourg (Premiere neige Luxembourg), 1955 Signed in ink on recto; signed, titled & dated in pencil on verso Gelatin silver print Image 10" x 15", Paper 12" x 16", Ma...

Kennedy nb_066_067 -- Jackie and Caroline Kennedy photographed for LIFE magazine are pictured bareback atop Sagebrush at Jackie's mother's Virginia estate, Merrywood in 1959. Jackie ...

This is a black and white photograph by Jay Zuckerkorn. Moanacua III 1999 Signed, titled, dated, and numbered in pencil, verso Gelatin silver print 8 x 10 inches (20.3 x 25.4 cm)

This is a photograph by Jay Zuckerkorn of a tree from below. Moanacua 1 1999 Signed, titled, dated, and numbered in pencil, verso Gelatin silver print 8 x 10 inches Contact gall...

A skeletal oak, starved of light by the surrounding fir trees still holds its twisted limbs up towards the light as if frozen in its death throes. "I want to bring a sense of unfamiliarity into the images; to present commonplace nature in a peculiar way. This is, in part, a reaction against our over sanitised and conditioned lives. The night forest is devoid of people. It is an undomesticated wilderness right on our doorstep." - Jasper Goodall...

Balloon Tree 2018 Signed and numbered, verso Archival pigment print 50 x 40 inches (Edition of 2) 40 x 30 inches (Edition of 3) including mounting/framing 24 x 20 inches (Editio...

Scott McMahon grew up in Connecticut and now resides in Columbia, Missouri where he is an Associate Professor of Art at Columbia College. He received his MFA from Massachusetts Colle...

Balloon Tree 2018 Signed and numbered, verso Archival pigment print This photograph by Adam Ekberg is offered by CLAMP in New York City. Adam Ekberg (b. 1975, Boston, MA) is an a...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Olivier ‘ An olive tree photographed ...

"Tulip Poplars #1, Lilburn, GA" is a nocturne photograph of an urban tree featuring hues of green, orange and purple. This listing is for a framed print. ...

This mid-1960s portrait photograph, captured by society photographer Slim Aarons, features Alice Topping and Minnie Cushing (left) relaxing with friends in Acapulco, Mexico. This is...

Print detail: Painting like photographic Fine Art Print, Printed on Museum Glass and Hand Gilded with Gold leaf in custom made frame. 41 x 57 cm (Framed) Glass Print from Edition of 1/5 Series: Blossom Blizzard (New Print on Glass edition 2022) About the work: "Despite T.S. Eliot's assertion that 'April is the cruellest month', I invariably feel a sudden surge of wellbeing and optimism when the first scent of spring hangs in the air. I know I'm far from alone in this - photographers and artists surely feel that sense of excitement as keenly as any gardener eagerly rifling though their seed packets. Mother Nature, it seems, is handing us our images on a plate. The light is soft and benign, the colours, gentle, and the countryside seems to suddenly be filled with boundless enthusiasm. Quotes such as 'Spring is nature's way of reminding us that every day is worthy of celebration' pop up on social media with unfailing regularity - long before the first cuckoo is heard. This image was taken at Stanmer Park, just outside of Brighton. A blustery day in early April, the air was filled with the sweet smell of April and the profligacy and exuberance of the new growth emerging was inspirational. Blossom-laden branches were everywhere but I concentrated on one small tree that stood apart from the rest. For reasons unclear, its tiny flowers seemed whiter, fluffier, altogether more generous than that of any of its neighbours. It was bitterly cold. The type of cold that can only be experienced when one has left home in overly optimistic clothing, only to realise that the wind chill factor hadn't been accounted for when getting dressed. I struggled on for about half an hour - reluctant to retreat to the warmth of the nearby cafe and the very enticing appeal of a cup of coffee. Fortunately, my inspiration came quickly - as the tiny petals blew around my head and I stood there shivering in all my reckless optimism, I realised it felt like nothing more than being encased in one of those half-domed snow globes. The fiercest blizzard was surely never this intense. I certainly couldn't imagine it ever being this cold. Photographic perfection is not my objective. Its obedient conformity initially attracts, but, for me, leaves little enticement to investigate further. So it was that the tangled complexity of branches and the disparate arrangement of blossom engaged, rather than frustrated my aspirations. By layering image upon image, frame upon frame, I was able to build up the layers of blossom and emphasise the movement of the branches. All photographic images represent a moment in time. The way I make my images combine several. I walked around the tree, back and forth trying to engage with the long-limbed gaucheness of its extended branches. The colour palette needed little intervention; I don't think anybody makes a paint called 'blustery blue' but perhaps they should. This contrasted beautifully with the jade and emerald grass, subsequently overlaid with soft white snowflakes and created, what for me, was a very pleasing and fresh arrangement of seasonal colours." - Valda Bailey

RISAKU SUZUKI (*1963, Japan) SAKURA 10,4-64 2002 Chromogenic print Sheet 120 x 150 cm (47 1/4 x 60 in.) Edition of 5; Ed. no. 1/5 Framed ‘Water Mirror’is a condensation of all that ...

Available upon request (A0, A1, A2, A3 and aluminum) Other Available Formats: Format: A3 Passe-partout (1/7) · Measure: · Aperture - 27 × 40,4 cm · External - 50,8 × 40,...

Available upon request (A0, A1, A2, A3 and aluminum) Other Available Formats: Format: A3 Passe-partout (1/7) · Measure: · Aperture - 27 × 40,4 cm · External - 50,8 × 40,...

Series: ETERNAL All available sizes and editions: 20" x 20" editions of 10 40" x 40" editions of 7 60" x 60" editions of 5 Archival Pigment Print on Fine Art Baryta paper Mounted a...

Available upon request (A0, A1, A2, A3 and aluminum) Other Available Formats: Format: A3 Passe-partout (1/7) · Measure: · Aperture - 27 × 40,4 cm · External - 50,8 × 40,...

This is a unique work. Dated 'Jun 04 1982' (on the reverse). Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The Andy Warhol Foundation for the Visual Arts inventory number written on verso and initialed Tim Hunt...

'Overtaken', by Marie Craig, is a 20 x 30 inch contemporary photograph of bittersweet vine growing through an abandoned drive-In movie screen. The ima...

Available upon request (A0, A1, A2, A3 and aluminum) Other Available Formats: Format: A3 (1/7) - Main format · Measure: · Aperture - 27 × 40,4 cm · External - 50,8 × 40,...

Available upon request (A0, A1, A2, A3 and aluminum) Other Available Formats: Format: A3 (1/7) - Main format · Measure: · Aperture - 27 × 40,4 cm · External - 50,8 × 40,...

Bare Tree & Adobe Wall, Taos, New Mexico, 1975/Printed 1976 Signed, titled & dated in pencil on recto; mounted to a 22 x 18" archival matte Vintage Gelatin Silver Print 11.5 ...

Signed and numbered on label, verso 11 x 17 inches // (Edition of 25 + 5 APs) 22 x 34 inches // (Edition of 20 + 4 APs) This work is offered by CLAMP in New York City.

The View from the new road at Pangi, #1478, 1866 Signed and numbered on recto Vintage albumen print Image 9"x10-3/4", Mount 10"x12"

Boys Play with Hoops by Steve McCurry depicts two children running along a dirt path in Madagascar, with Baobab trees towering in the distance. 24 x 20 in. Edition of 30 Printed on ...