Tree Photography

From the series Chasing Good Fortune

Signed and numbered on label, verso 11 x 17 inches // (Edition of 25 + 5 APs) 22 x 34 inches // (Edition of 20 + 4 APs)

Signed and numbered on label, verso 11 x 17 inches // (Edition of 25 + 5 APs) 22 x 34 inches // (Edition of 20 + 4 APs)

Alexandre Manuel Zhangjiajie 1, China, Lost in Abstraction, 2019 20x20 in (50x50cm) - Edition of 10 Archival Pigment Print Image size 20x20inches (50x50cm) Framed size: 28x28inches (...

vintage platinum print 9.5" x 7.5" print; 18" x 13.75" mount, mat 20" x 16"

Beautiful rangeland in Western Wyoming in stunning Black and White. Printed on Archival Exhibition Fiber Paper by artist. :: Photograph :: Black & White :: This piece comes with a...

Photographic Fine Art Paper 325 g, ed. 1/7 Luca Battaglia is an Italian architect and photographer born in 1970 who lives and works in Paris, France. Luca met the Italian photograph...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Olivier ‘ An olive tree photographed ...

Ed. of 7, includes signed signature label. Additional sizes available upon request. Nathan Coe is thrilled to introduce his widely anticipated Jackson Hole series, photographed ac...

Signed, titled and dated in ink on accompanying photographer's label Archival pigment print Image: 16" x 20", Paper: 17" x 21", Matted: 24" x 30" Edition of 10

Cades Cove has a multitude of roads from which to photograph the scenery in the Smoky Mountain National Park. This limited-edition photograph, measuring approximately 40"x60", is pr...

Alexandre Manuel 20x20 in (50x50cm) - Edition of 10 Archival Pigment Print Image size 20x20inches (50x50cm) Framed size: 28x28inches (70x70cm) Mounted and framed with museum-quality...

Alexandre Manuel 20x20 in (50x50cm) - Edition of 10 Archival Pigment Print Image size 20x20inches (50x50cm) Framed size: 28x28inches (70x70cm) Mounted and framed with museum-quality...

Alexandre Manuel 20x20 in (50x50cm) - Edition of 10 Archival Pigment Print Image size 20x20inches (50x50cm) Framed size: 28x28inches (70x70cm) Mounted and framed with museum-quality...

Alexandre Manuel Zhangjiajie 8, China, Lost in Abstraction, 2019 20x20 in (50x50cm) - Edition of 10 Archival Pigment Print Image size 20x20inches (50x50cm) Framed size: 28x28inches (...

Alexandre Manuel Zhangjiajie 8, China, Lost in Abstraction, 2019 20x20 in (50x50cm) - Edition of 10 Archival Pigment Print Image size 20x20inches (50x50cm) Framed size: 28x28inches (...

Alexandre Manuel Zhangjiajie 8, China, Lost in Abstraction, 2019 20x20 in (50x50cm) - Edition of 10 Archival Pigment Print Image size 20x20inches (50x50cm) Framed size: 28x28inches (...

Alexandre Manuel Zhangjiajie 8, China, Lost in Abstraction, 2019 20x20 in (50x50cm) - Edition of 10 Archival Pigment Print Image size 20x20inches (50x50cm) Framed size: 28x28inches (...

Alexandre Manuel Zhangjiajie 8, China, Lost in Abstraction, 2019 20x20 in (50x50cm) - Edition of 10 Archival Pigment Print Image size 20x20inches (50x50cm) Framed size: 28x28inches (...

This is a unique work. Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The Andy Warhol Foundation for the Visual A...

Alexandre Manuel Zhangjiajie 8, China, Lost in Abstraction, 2019 20x20 in (50x50cm) - Edition of 10 Archival Pigment Print Image size 20x20inches (50x50cm) Framed size: 28x28inches (...

Alexandre Manuel Zhangjiajie 8, China, Lost in Abstraction, 2019 20x20 in (50x50cm) - Edition of 10 Archival Pigment Print Image size 20x20inches (50x50cm) Framed size: 28x28inches (...

Alexandre Manuel Zhangjiajie 8, China, Lost in Abstraction, 2019 20x20 in (50x50cm) - Edition of 10 Archival Pigment Print Image size 20x20inches (50x50cm) Framed size: 28x28inches (...

Alexandre Manuel 20x20 in (50x50cm) - Edition of 10 Archival Pigment Print Image size 20x20inches (50x50cm) Framed size: 28x28inches (70x70cm) Mounted and framed with museum-quality...

Alexandre Manuel Zhangjiajie 8, China, Lost in Abstraction, 2019 20x20 in (50x50cm) - Edition of 10 Archival Pigment Print Image size 20x20inches (50x50cm) Framed size: 28x28inches (...

Alexandre Manuel 20x20 in (50x50cm) - Edition of 10 Archival Pigment Print Image size 20x20inches (50x50cm) Framed size: 28x28inches (70x70cm) Mounted and framed with museum-quality...

Gathering is a limited edition photograph by Nancy C. Woodward. This is a limited edition photograph with a plexifacemount. It 24" x 20". It is filled with Blues and Green colors. It is $1,650. This is an edition of 30. It was originally photographed in 2012. Nancy C. Woodward is an award winning photographic and mixed media artist. Her shadow portraits, colorful trees and ethereal landscapes depict unique views of the natural world. Nancy photographs moments when the natural world appears changed. Through experimenting with different color palettes, papers, fibers, mediums and surfaces, she brings new realms into view. Ms. Woodward has a studio along with twenty other working artists, at Firing Circuits Artist Studios in Norwalk, Connecticut. She was an Artist in Residence at Silver Lake Conference Center in Sharon, Connecticut for ten years. She is a member of the Ridgefield Guild of Artists, The Katonah Museum Artists...

Edition of 3 Signature Label, numbered and dated, mounted and framed.

‘Rampart Creek, Banff’ by Mike Grandmaison Banff National Park, Alberta. Canada The drive along the Icefields Parkway through the Canadian Rocky Mountains offers some of the mos...

"Water Oak #2, Stone Mountain, GA" is a nocturne photograph of an urban tree featuring hues of blue, green, yellow and black. This listing is for a framed p...

Cades Cove has a multitude of roads from which to photograph the scenery in the Smoky Mountain National Park. This limited-edition photograph, measuring approximately 40"x60", is pr...

Rebecca Skinner’s “Erosion #5” was photographed on the shoreline of Lake Champlain in Burlington, Vermont. The textural beauty is natures own art form. The 24 x 16 inch black and whi...

Signed in ink on recto. Signed, titled and dated in pencil on verso. Gelatin silver print 12 x 16 inches

Versailles Gardens and the French Cloister at the Ocean Club on Paradise Island, opposite Nassau on the Bahamas, May 1968. Slim Aarons Estate Edition, Certificate of Authenticity in...

Jackie Merrywood, Wide rap_143. Image size is 13.75" x 20" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each ...

32 x 40 inch chromogenic print, from an edition of 10, each accompanied by a signature label with the title, date, edition number, and artist's signature. As one of Japan's most re...

Coco Chanel Strolls, 1957 -- Coco Chanel strolls at Louveciennes with an unidentified male companion. Mark Shaw's informal, grainy, black and white images of Coco Chanel were created...

Alexandre Manuel’s work captures landscapes at the delicate intersection of absence and presence, where nature unfolds with quiet drama. Through refined long-exposure techniques, eac...

Audrey Hepburn Under Tree, Turns, c20_10 -- Audrey Hepburn on the set of Sabrina. Out take from the photo essay shot for the December 7, 1953 issue of LIFE. Image size is 22" x 32" (...

Kennedy nb_066_067 -- Jackie and Caroline Kennedy photographed for LIFE magazine are pictured bareback atop Sagebrush at Jackie's mother's Virginia estate, Merrywood in 1959. Jackie ...

Artist Commentary: This image reminds of Walden Pond, and the peaceful views seen by Henry Thoreau. Words that describe this piece: pond, reflections, au...

This is a black and white photograph by Jay Zuckerkorn. Moanacua III 1999 Signed, titled, dated, and numbered in pencil, verso Gelatin silver print 8 x 10 inches (20.3 x 25.4 cm)

This is a photograph by Jay Zuckerkorn of a tree from below. Moanacua 1 1999 Signed, titled, dated, and numbered in pencil, verso Gelatin silver print 8 x 10 inches Contact gall...

Balloon Tree 2018 Signed and numbered, verso Archival pigment print 50 x 40 inches (Edition of 2) 40 x 30 inches (Edition of 3) including mounting/framing 24 x 20 inches (Editio...

Balloon Tree 2018 Signed and numbered, verso Archival pigment print This photograph by Adam Ekberg is offered by CLAMP in New York City. Adam Ekberg (b. 1975, Boston, MA) is an a...

This mid-1960s portrait photograph, captured by society photographer Slim Aarons, features Alice Topping and Minnie Cushing (left) relaxing with friends in Acapulco, Mexico. This is...

Scott McMahon grew up in Connecticut and now resides in Columbia, Missouri where he is an Associate Professor of Art at Columbia College. He received his MFA from Massachusetts Colle...

Wood - Signed limited edition archival pigment print - Edition of 8 Photography and Bichromate print : 2012 Pigment print : 2018 Several negatives was used to create a handma...

Print detail: Painting like photographic Fine Art Print, Printed on Museum Glass and Hand Gilded with Gold leaf in custom made frame. 41 x 57 cm (Framed) Glass Print from Edition of 1/5 Series: Blossom Blizzard (New Print on Glass edition 2022) About the work: "Despite T.S. Eliot's assertion that 'April is the cruellest month', I invariably feel a sudden surge of wellbeing and optimism when the first scent of spring hangs in the air. I know I'm far from alone in this - photographers and artists surely feel that sense of excitement as keenly as any gardener eagerly rifling though their seed packets. Mother Nature, it seems, is handing us our images on a plate. The light is soft and benign, the colours, gentle, and the countryside seems to suddenly be filled with boundless enthusiasm. Quotes such as 'Spring is nature's way of reminding us that every day is worthy of celebration' pop up on social media with unfailing regularity - long before the first cuckoo is heard. This image was taken at Stanmer Park, just outside of Brighton. A blustery day in early April, the air was filled with the sweet smell of April and the profligacy and exuberance of the new growth emerging was inspirational. Blossom-laden branches were everywhere but I concentrated on one small tree that stood apart from the rest. For reasons unclear, its tiny flowers seemed whiter, fluffier, altogether more generous than that of any of its neighbours. It was bitterly cold. The type of cold that can only be experienced when one has left home in overly optimistic clothing, only to realise that the wind chill factor hadn't been accounted for when getting dressed. I struggled on for about half an hour - reluctant to retreat to the warmth of the nearby cafe and the very enticing appeal of a cup of coffee. Fortunately, my inspiration came quickly - as the tiny petals blew around my head and I stood there shivering in all my reckless optimism, I realised it felt like nothing more than being encased in one of those half-domed snow globes. The fiercest blizzard was surely never this intense. I certainly couldn't imagine it ever being this cold. Photographic perfection is not my objective. Its obedient conformity initially attracts, but, for me, leaves little enticement to investigate further. So it was that the tangled complexity of branches and the disparate arrangement of blossom engaged, rather than frustrated my aspirations. By layering image upon image, frame upon frame, I was able to build up the layers of blossom and emphasise the movement of the branches. All photographic images represent a moment in time. The way I make my images combine several. I walked around the tree, back and forth trying to engage with the long-limbed gaucheness of its extended branches. The colour palette needed little intervention; I don't think anybody makes a paint called 'blustery blue' but perhaps they should. This contrasted beautifully with the jade and emerald grass, subsequently overlaid with soft white snowflakes and created, what for me, was a very pleasing and fresh arrangement of seasonal colours." - Valda Bailey

'Overtaken', by Marie Craig, is a 20 x 30 inch contemporary photograph of bittersweet vine growing through an abandoned drive-In movie screen. The ima...

Throughout her career, Geesaman photographed public parks and formal gardens in the United States and Europe, focusing on the intersection of nature and artifice in the cultivated la...

Available upon request (A0, A1, A2, A3 and aluminum) Other Available Formats: Format: A3 Passe-partout (1/7) · Measure: · Aperture - 27 × 40,4 cm · External - 50,8 × 40,...

"Tulip Poplars #1, Lilburn, GA" is a nocturne photograph of an urban tree featuring hues of green, orange and purple. This listing is for a framed print. ...

Bare Tree & Adobe Wall, Taos, New Mexico, 1975/Printed 1976 Signed, titled & dated in pencil on recto; mounted to a 22 x 18" archival matte Vintage Gelatin Silver Print 11.5 ...

Available upon request (A0, A1, A2, A3 and aluminum) Other Available Formats: Format: A3 Passe-partout (1/7) · Measure: · Aperture - 27 × 40,4 cm · External - 50,8 × 40,...

Available upon request (A0, A1, A2, A3 and aluminum) Other Available Formats: Format: A3 Passe-partout (1/7) · Measure: · Aperture - 27 × 40,4 cm · External - 50,8 × 40,...

Series: ETERNAL All available sizes and editions: 20" x 20" editions of 10 40" x 40" editions of 7 60" x 60" editions of 5 Archival Pigment Print on Fine Art Baryta paper Mounted a...

The View from the new road at Pangi, #1478, 1866 Signed and numbered on recto Vintage albumen print Image 9"x10-3/4", Mount 10"x12"

Signed and numbered on label, verso 11 x 17 inches // (Edition of 25 + 5 APs) 22 x 34 inches // (Edition of 20 + 4 APs) This work is offered by CLAMP in New York City.

Boys Play with Hoops by Steve McCurry depicts two children running along a dirt path in Madagascar, with Baobab trees towering in the distance. 24 x 20 in. Edition of 30 Printed on ...