Pop Art Abstract Prints

ORIGINAL MIXED MEDIA ON ARTBOARD 40 x 40 inches - Original mixed media signed by the artist. Craig Alan is a Pop Surrealist, internationally recognized for his ingenious portraits o...

Artist: Brian Rice (1936) Title: Flasher Year: 1967 Edition: 67/175, plus proofs Medium: Lithograph on wove paper Size: 28.5 x 25 inches Condition: Excellent Inscription: Signed and ...

Psychedelic silkscreen work by Noche Crist (1909- 2004). Self printed by the artist. Wonderful work and one of only two remaining from her estate. Image is from her "In the Sun" ser...

SAILBOATS is an original hand drawn lithograph by the renowned American Pop artist, Peter Max, printed in 1980 in an edition of 165, using traditional hand lithography techniques on ...

Keith Haring Pop Shop Tokyo 1988: Rare vintage original Keith Haring Tokyo Pop Shop advertisements designed by Haring to advertise the opening of his 1980s Tokyo Pop Shop store and c...

Alexander Calder ( 1898 - 1976 ) - Spirale millepiedi - hand-signed lithography, 1972 Additional information: Material: color lithography on paper Edited in 1972 Limited edition in ...

19 x 15.5 with backing 12 x 12 image Ushio Shinohara (born 1932, Tokyo), nicknamed “Gyu-chan”, is a Japanese Neo-Dadaist artist. His bright, large work has been exhibited internationally at institutions including the Hara Museum of Contemporary Art, Centre Georges Pompidou, the Guggenheim Museum SoHo, National Museum of Modern Art, Tokyo, Leo Castelli Gallery, New York, Museum of Contemporary Art, Los Angeles and The Metropolitan Museum of Art, Seoul and others. Shinohara and his wife, Noriko, are the subjects of a documentary film by Zachary Heinzerling called Cutie and the Boxer (2013). Shinohara's parents instilled in him a love for painters such as Paul Cézanne, Vincent Van Gogh and Paul Gauguin. His father was a tanka poet who was taught by Wakayama Bokusui. Shinohara’s mother was a painter who went to the Woman’s Art University (Joshibijutsu Daigaku) in Tokyo. In 1952 Shinohara entered the Tokyo Art University (later renamed to Tokyo University of the Arts), majoring in oil painting, however he left before graduation in 1957. In 1960 Shinohara participated in a group called "Neo-Dada Organizers". (Masunobu Yoshimura, Genpei Akasegawa, Shusaku Arakawa, Ushio Shinohara, Sho Kazakura, Tomio Miki, Tetsumi Kudo...

Vintage gallery exhibition poster. The Galerie Maeght is a gallery of modern art in Paris, France, and Barcelona, Catalonia, Spain. The gallery was founded in 1936 in Cannes. The Paris gallery was started in 1946 by Aimé Maeght. The artists exhibited are mainly from France and Spain. Since 1945, the gallery has presented the greatest modern artists such as Matisse, Bonnard, Braque, Miró, and Calder. In 1956, Adrien Maeght opened a new parisian venue. The second generation of “Maeght” artists was born: Bazaine, Andre Derain, Giacometti, Kelly, Raoul Ubac, then Riopelle, Antoni Tapies, Pol Bury and Adami, among others. Jean-Paul Riopelle, CC GOQ (7 October 1923 – 12 March 2002) was a painter and sculptor from Quebec, Canada. He became the first Canadian painter (since James Wilson Morrice) to attain widespread international recognition. Born in Montreal, Riopelle began drawing lessons in 1933 and continued through 1938. He studied engineering, architecture and photography at the école polytechnique in 1941. In 1942 he enrolled at the École des beaux-arts de Montréal but shifted his studies to the less academic école du Meuble, graduating in 1945. He studied under Paul-Émile Borduas in the 1940s and was a member of Les Automatistes movement. Breaking with traditional conventions in 1945 after reading André Breton's Le Surréalisme et la Peinture, he began experimenting with non-objective (or non-representational) painting. He was one of the signers of the Refus global manifesto. In 1947 Riopelle moved to Paris and continued his career as an artist, where, after a brief association with the surrealists (he was the only Canadian to exhibit with them) he capitalized on his image as a "wild Canadian". His first solo exhibition took place in 1949 at the Surrealist meeting place, Galerie La Dragonne in Paris. Riopelle married Françoise Lespérance in 1946; the couple had two daughters but separated in 1953. In 1959 he began a relationship with the American painter Joan Mitchell, Living together throughout the 1960s, they kept separate homes and studios near Giverny, where Monet had lived. They influenced one another greatly, as much intellectually as artistically, but their relationship was a stormy one, fueled by alcohol. The relationship ended in 1979. His 1992 painting Hommage à Rosa Luxemburg is Riopelle's tribute to Mitchell, who died that year, and is regarded as a high point of his later work. Riopelle's style in the 1940s changed quickly from Surrealism to Lyrical Abstraction (related to abstract expressionism), in which he used myriad tumultuous cubes and triangles of multicolored elements, facetted with a palette knife, spatula, or trowel, on often large canvases to create powerful atmospheres. The presence of long filaments of paint in his painting from 1948 through the early 1950s[8] has often been seen as resulting from a dripping technique like that of Jackson Pollock. Rather, the creation of such effects came from the act of throwing, with a palette knife or brush, large quantities of paint onto the stretched canvas. Riopelle's voluminous impasto became just as important as color. His oil painting technique allowed him to paint thick layers, producing peaks and troughs as copious amounts of paint were applied to the surface of the canvas. Riopelle, though, claimed that the heavy impasto was unintentional: "When I begin a painting," he said, "I always hope to complete it in a few strokes, starting with the first colours I daub down anywhere and anyhow. But it never works, so I add more, without realizing it. I have never wanted to paint thickly, paint tubes are much too expensive. But one way or another, the painting has to be done. When I learn how to paint better, I will paint less thickly." When Riopelle started painting, he would attempt to finish the work in one session, preparing all the color he needed before hand: "I would even go as far to say—obviously I don't use a palette, but the idea of a palette or a selection of colors that is not mine makes me uncomfortable, because when I work, I can't waste my time searching for them. It has to work right away." A third element, range of gloss, in addition to color and volume, plays a crucial role in Riopelle's oil paintings. Paints are juxtaposed so that light is reflected off the surface not just in different directions but with varying intensity, depending on the naturally occurring gloss finish (he did not varnish his paintings). These three elements; color, volume, and range of gloss, would form the basis of his oil painting technique throughout his long and prolific career. Riopelle received an Honorable Mention at the 1952 São Paulo Art Biennial. In 1953 he showed at the Younger European Painters exhibition at the Solomon R. Guggenheim Museum in New York City. The following year Riopelle began exhibiting at the Pierre Matisse Gallery in New York. In 1954, works by Riopelle, along with those of B. C. Binning and Paul-Émile Borduas represented Canada at the Venice Biennale. He was the sole artist representing Canada at the 1962 Venice Biennale in an exhibit curated by Charles Comfort...

Takashi Murakami Superflat Exhibition Poster 1999: Rare 1990s exhibit poster designed by Murakami and published by Marianne Boesky Gallery New York...

Keith Haring Cover Art 1986: A rare highly collectible 1986 art publication featuring standout cover art by Keith Haring. Offset printed cover art and interior illustrations; softco...

General Idea was founded in 1967 in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant contr...

Rare vintage Keith Haring exhibition poster published on the occasion of: ‘Paradise Garage: Keith Haring and Music, December 14, 2000-February 10, 2001, Deitch Projects, 18 Wooster ...

Ushio Shinohara (born 1932, Tokyo), nicknamed “Gyu-chan”, is a Japanese Neo-Dadaist artist. His bright, large work has been exhibited internationally at institutions including the Hara Museum of Contemporary Art, Centre Georges Pompidou, the Guggenheim Museum SoHo, National Museum of Modern Art, Tokyo, Leo Castelli Gallery, New York, Museum of Contemporary Art, Los Angeles and The Metropolitan Museum of Art, Seoul and others. Shinohara and his wife, Noriko, are the subjects of a documentary film by Zachary Heinzerling called Cutie and the Boxer (2013). Shinohara's parents instilled in him a love for painters such as Paul Cézanne, Vincent Van Gogh and Paul Gauguin. His father was a tanka poet who was taught by Wakayama Bokusui. Shinohara’s mother was a painter who went to the Woman’s Art University (Joshibijutsu Daigaku) in Tokyo. In 1952 Shinohara entered the Tokyo Art University (later renamed to Tokyo University of the Arts), majoring in oil painting, however he left before graduation in 1957. In 1960 Shinohara participated in a group called "Neo-Dada Organizers". (Masunobu Yoshimura, Genpei Akasegawa, Shusaku Arakawa, Ushio Shinohara, Sho Kazakura, Tomio Miki, Tetsumi Kudo...

John Waters Visit Marfa, the Jonestown of Minimalism (Donald Judd, Carl Andre, John Chamberlain), 2003 Offset lithograph Pencil signed and numbered 9/100 on the back; there is a die-...

Michael Bierut, American (1957 - ) - The Letter N, Portfolio: The Alphabet Portfolio, Year: 1994, Medium: Screenprint, Image Size: 34 x 22 inches, Size: 35 x 23 in. (88.9 x 58.4...

John Baldessari, Sonnabend Gallery. New York, NY, September 17 - October 15, 1994: A beautifully composed rare original John Baldessari exhibition poster on elegant transparent paper...

Artist: after Ed Ruscha Title: America: Her Best Product (Made in USA) from the Kent Bicentennial Portfolio Year: 1975 Medium: Offset Lithograph (unsigned as issued) Image: 13 x 9 in...

This exquisite lithograph by Pol Bury (1922–2005), titled Hommage a Mondrian (Tribute to Mondrian), originates from the historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aim...

James Rosenquist Art Gallery, from the Estate of Nina Castelli and the Collection of Ileana Sonnabend (Glenn, 41), 1971 Color lithograph on Rives BFK paper 30 × 22 1/2 inches Edition...

Jasper Johns Jasper Johns at Ileana Sonnabend, 1962 Offset Lithograph exhibition poster/invitation Plate signed on the front 31 3/4 × 21 inches Unframed This rare, collectible vintag...

Peter Saul Politics, 1985 Color lithograph on wove paper Hand signed, numbered X/X (apart from the regular edition of 25), and dated on the front Frame Included: matted and framed in...

Nobody in the world has anything like this unique work. NOBODY. There will never be another like it! Makes a unique and memorable gift - a truly one of a kind piece of Pop Art histor...

After Andy Warhol The Souper Dress, ca. 1969 Screenprint on Cellulose Dress. Stamped; with the Souper Dress label at the neck 38 × 22 inches Bears original label on the inside This w...

Artist: Allan D'Arcangelo Title: Yield from Homage to Picasso Year: 1973 Medium: Screenprint, Signed and Numbered in Pencil Edition: 4/90 Size: 30 x 22 inches

Andy Warhol illustrated advertising poster New York, 1979: 1970s Andy Warhol illustrated "Lighthouse Footwear Reptile Shoes," poster (New York, 1979). An elegant & well-sized vintage...

Artist/Designer; Manufacturer: Mel Bochner (American, 1940-2025) Marking(s); notes: signed; ed. 12/30; 2022 Materials: silkscreen on Lanaquarelle paper with diamond dust Dimensions (...

Roy Lichtenstein (1923-1997) was one of the most successful and influential artists of the 20th century, helping pioneer and define Pop Art in the 1960s. Lichtenstein's signature st...

Christo and Jeanne-Claude The Wrapped (MCA), 1969 (Hand Signed), 2019 Four-color offset lithograph on 110 lb. Crane Lettra Cover stock, with an elegant gold foil stamp. Hand Signed ...

Yayoi Kusama With All My Flowering Heart (Triptych), 2014 Set of Three (3) Separate Limited Edition numbered skate decks on 7-ply Canadian maple wood 31 × 8 × 2/5 inches (each) Hand ...

Andy Warhol, Robert Whitman, Robert Rauschenberg, Red Grooms, Marisol, Tom Gormley. ART CASH (signed by all six artists), 1971 Double sided offset lithograph on wove paper with full...

On BFK Rives French art paper. This is a Photograph silkscreen print of the Kotel, Western Wall in Jerusalem overlaid with Kadishman drawing. Menashe Kadishman was born in Tel-Aviv ...

Raymond Pettibon 1982: Rare original punk flyer featuring artwork by Pettibon for a gig by Hari-Kari, Wasted Youth at Dancing Waters, in downtown San Pe...

Eduardo Paolozzi, British (1924 - 2005) - Studies in Human Salvage, Portfolio: General Dynamic F.U.N. Portfolio, Year: 1970, Medium: Photolithograph, stamp signed verso, Edition: 350...

Billy Al Bengston Turkey Dracula, 1973 Color lithograph with hand coloring and watercolor (unique variant) on Lanaquaralle paper with deckled edges Hand signed and numbered A.P. #6, ...

Woodcut, collagraph and photo-engraving in colors, on Rives Lightweight Cream paper, with full margins. Hand signed, dated and numbered lower front by Jim Dine. From the edition of...

**FALL SUPER SALE UNTIL OCTOBER 13TH** A handful of artist 'masters' colorful dots but all or most are done by machines/printers. Oliveira dots were done and painted one by one and are the only ones 3D: 100s of rubber dots painted with dozens of color pallets. (For the original). For this limited edition print on canvas, the work will look like the PRIMARY PICTURE and the first 6 pictures...

Artist: Roy Ahlgren (1926-2011) Title: Starry, Starry Night Year: 1982 Edition: 7/150, plus proofs Medium: Silkscreen on Arches paper Size: 22 x 30 inches Condition: Good Inscription...

Gittleman’s Lunar Transformation is a series of ten vividly colored serigraphs created from black and white photographs taken during the Apollo 15 mission to the moon in 1971. Gittleman uses bright color to transform the craters and crevices of the lunar surface into vibrant abstractions which recall Abstract Expressionist painting. The strong graphic prints reflect the awe-inspiring nature of their source material. photographer, film maker, video producer, graphic designer, multimedia developer, clock maker and teacher. Guggenheim fellowship (graphics), Cannes Film festival, Academy Award Nomination. Work in permanent collections: MFA Boston, MOMA NY, Smithsonian Institution and Fogg Museum, Harvard. He exhibited with Gyorgi Kepes Solo shows: Lunar Transformations: 10 Serigraphs by Len Gittleman - Institute of Contemporary Arts, London Group shows: Integrated Vision: Science, Nature, and Abstraction in the Art of Len Gittleman and György Kepes - DeCordova Sculpture Park and Museum, Lincoln, MA Abstract Photography in the Permanent Collection - DeCordova Sculpture Park and Museum, Lincoln, MA Photography in Boston - 1955-1985 - DeCordova Sculpture Park and Museum, Lincoln, MA Some Photographic Use of Color: Fred Berman...

Artist/Designer; Manufacturer: Keith Haring (American, 1958-1990) Marking(s); notes: signed; ed. 280/1000; 1988 Materials: lithograph Dimensions (H, W, D): 11.25"h, 8.5"w; 21.5"h, 17...

Yayoi Kusama Wave Crest (1999). Edition 15/60 Screenprint [3 screens, 2 colors, 3 runs] 59.7 x 47.8 cm (image) 76x 56.5cm (sheet) Edition of 60 + 6 Artist Proofs + 5 Printer Proof...

**STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** ***EVERYTHING MUST GO BY DECEMBER 31ST!*** The artist is moving to a new full time venture in 2026. _...

Rare Keith Haring “Life is Fresh! Crack Is Wack!” 1987 sealed/unopened in its original shrink wrapping: A highly sought-after 1980s record album featurin...

Ed Ruscha 200 Years Old, 1980 Lithograph with offset lettering Hand signed and numbered 132/425 by Ed Ruscha in graphite pencil on the front 30 1/2 × 25 inches Unframed Bibliography...

Artist: Karel Appel (1921-2006) Title: Pink Cat Year: 1980 Medium: Silkscreen on Arches paper Edition: Bon à Tirer; 125, plus proofs Size: 24.75 x 32.25 inches Condition: Excellent I...

Jim Dine Galerie Maeght exhibition print, 1983 Lithograph and offset lithograph Signed in plate 31 1/4 × 21 inches Limited Edition of 500 Unframed This colorful print was made for th...

Keith Haring Club DV8 San Francisco 1991: A rare 1991 Club DV8's poster featuring Keith Haring balloon dog artwork originally created by the artist for DV...

This brand new 2025 print is limited to only 15 impressions. It features a stylized image of a WW2 FM-2 Wildcat plane in front of 9 versions of Ceravolo's original Aviatrix image. Printed on 100% rag paper with archival inks. Framed print measures approximately 21"x29". Unframed 16"x24" With private collectors like, Elton John, Rod Stewart, Pete Davidson...

Handsigned edition of 250. Gittleman’s Lunar Transformation is a series of ten vividly colored serigraphs created from black and white photographs taken during the Apollo 15 mission to the moon in 1971. Gittleman uses bright color to transform the craters and crevices of the lunar surface into vibrant abstractions which recall Abstract Expressionist painting. The strong graphic prints reflect the awe-inspiring nature of their source material. photographer, film maker, video producer, graphic designer, multimedia developer, clock maker and teacher. Guggenheim fellowship (graphics), Cannes Film festival, Academy Award Nomination. Work in permanent collections: MFA Boston, MOMA NY, Smithsonian Institution and Fogg Museum, Harvard. He exhibited with Gyorgi Kepes Solo shows: Lunar Transformations: 10 Serigraphs by Len Gittleman - Institute of Contemporary Arts, London Group shows: Integrated Vision: Science, Nature, and Abstraction in the Art of Len Gittleman and György Kepes - DeCordova Sculpture Park and Museum, Lincoln, MA Abstract Photography in the Permanent Collection - DeCordova Sculpture Park and Museum, Lincoln, MA Photography in Boston - 1955-1985 - DeCordova Sculpture Park and Museum, Lincoln, MA Some Photographic Use of Color: Fred Berman...

Vintage 1984 Kenny Scharf Exhibition Poster: Original Kenny Scharf illustrated exhibition poster published by Tony Shafrazi Gallery in conjunction with the Fun Gallery, New York, NY 1984. Fun, cool, vibrant original 1980s pop art without breaking the bank. Medium: Offset Lithograph, 1984. Dimensions: 23 x 24.75 inches (folded open). Condition: Fold-lines as issued; good overall vintage condition. Muralist, painter, sculptor, and installation artist Kenny Scharf (American, b. 1958) is best known for his fantastical, large-scale paintings of anthropomorphic animals...

Silkscreen screenprint. Hand signed and numbered. A pyramid or ziggurat in vibrant colors of blue, red, yellow, orange and green on heavy paper Joseph Charles Tilson RA (born 24 Au...

Takashi Murakami (Japanese, b. 1962) Flowers of Gratitude, 2022 Medium: Offset print, cold stamp and high gloss varnishing Dimensions: 71 cm diameter (28 in) Edition of 300: Hand-sig...

Sister Mary Corita Kent You are God/and You are Not, 1974 Offset lithograph poster Extremely rare offset lithograph poster, published with printed copyright Immaculate Heart Communit...

Vintage Saul Steinberg Lithograph c. 1970 from Derrière le miroir: Medium & Dimensions: Lithograph in colors. 15 x 22 inches. Condition: Fold-li...

Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures. The Athens National Museum of Contemporary Art, which was founded in 2000 and owns Chryssa's Cycladic Books, is in the process of converting the Fix Brewery into its permanent premises. Greek Exhibits, European Cultural Center of Delphi (Council of Europe). "Apollo's Heritage"(July 4, 2003 – July 30, 2003). Works by sixteen artists: Giorgio de Chirico, Salvador Dalí, Nikos Hadjikyriakos-Ghikas, Nikos Engonopoulos, Yannis Tsarouchis, Giorgos Sikeliotis, Takis, Arman, Fernando Botero, Chryssa, Dimitris Mytaras...

Set of 3 color offset lithographs. The last panel is signed in pencil. Printed by Drukkerij Luii & Co., Amsterdam. Published by the Stedelijk Museum, Amsterdam. This is a reproductio...

Donald Baechler, Szechuan Garden, 2003: Medium: Aquatint and soft-ground etching. Sheet size: 27 x 34 inches. Edition of 35 (30 + 5 artists proofs). Hand-signed, dated and numbered on bottom of sheet. Printed on Hanhnemuhle paper. Unframed. Acquired directly from publisher. Artist Biography: Donald Baechler, a member of the East Village art scene in 1980s New York, is known for his painting-collage-drawing works depicting of childhood imagery and nostalgic ephemera like grammar school primers, old maps, and children’s drawings...

John Baldessari (American, 1931-2020) Give me a B, give me an A …, 2009 Medium: 10-part leporello, digital pigment print, on photo rag paper Dimensions: 32 × 250 cm (12½ x 98½ in) Ed...

This artwork titled "Snapdragon" 2011 is a original color linocut on Strathmore paper by artist Maxime Maurice Grossman, b. 1989. It is hand signed and numbered 6/40 in pencil by the artist. The image (plate mark) size is 17.85 x 11.85 inches, framed size is 31 x 24 inches. Published by Joseph Grossman Fine Art...

This artwork titled "Galactika III Variant" 2012 is a original color linocut on Strathmore paper by artist Maxime Maurice Grossman, b. 1989. It is hand signed and numbered 8/40 in pencil by the artist. The image (plate mark) size is 17.85 x 11.85 inches, framed size is 31 x 23.75 inches. Published by Joseph Grossman Fine Art...

This artwork titled "Galactika I" 2012 is a original color linocut on Strathmore paper by artist Maxime Maurice Grossman, b.1989. It is hand signed and numbered 8/40 in pencil by the artist. The image (plate mark) size is 18 x 11.85 inches, framed size is 34.75 x 27 inches. Published by Joseph Grossman Fine Art...