Pop Art Abstract Prints

"Did I know Her?" Print 28 × 20 in. Edition 1/10 by Kate Garner Signed and numbered by the artist. Not framed. Ships in a tube. Kate Garner is an English photographer, fine artist, and singer. Garner has photographed a wide range of musicians and celebrities, including Dr. Dre, Leigh Bowery, JT LeRoy, Angelina Jolie, Cate Blanchett, Anne Hathaway, David Bowie, Cameron Diaz, PJ Harvey, John Galliano, Björk, and Kate Moss. Her work has appeared in the American and British versions of Vogue and Harper’s Bazaar as well as W magazine, Interview, GQ, Vanity Fair, Elle, and The Sunday Times. Kate Garner was expelled from high school at the age of 16 and became a runaway who joined The Children Of God. To escape the grasp of the cult she hitchhiked from London through Eastern Europe to India in 1970, where she lived for a year as a traveler before being located by her parents. She attended art school at Blackpool in the North of England and later moved to London, where she began to both photograph and model for up-and-coming magazines such as The Face and i-D. Kate Garner first came widely into the public eye as one-third of the 1980s avant-garde, new wave pop project Haysi Fantayzee, along with other members Jeremy Healy and Paul Caplin. Emanating from street art scenes such as the Blitz Kids that were cropping up in London in the early 1980s, Haysi’s music combined reggae, country, and electro with political and sociological lyrics couched as nursery rhymes. Catapulted to stardom by their visual sensibilities, Haysi Fantayzee combined their extreme clothes sense – described as combining white Rasta, tribal chieftain, and Dickensian styles – with a quirky musical sound comparable to other new wave musical pop acts of the era, such as Bow Wow Wow, Adam and the Ants and Bananarama. They appeared several times on the BBC Television program Top of the Pops. Despite being touted by Bowie producer Tony Visconti as the next big thing, the group quickly disbanded after releasing three hit singles “John Wayne Is Big Leggy”, “Shiny Shiny”, and “Holy Joe”, and an album, Battle Hymns for Children Singing, that went gold. Garner then returned to painting, photography, and video, launching a successful media arts career, starting with her collaboration with Sinéad O’Connor...

Robert Indiana Star of Hope, 1972 Enamel on Metal with Artists Stamped Name. Date and Copyright Artist stamped name and copyright on lower right front Frame Included: held in a white...

Robert Indiana ERR (Sheehan 29), 1963 Photoengraving and Etching on off-white Rives BFK paper Hand signed, dated and annotated on lower front with artist's blind stamp from Coenties ...

Handsigned edition of 250. Gittleman’s Lunar Transformation is a series of ten vividly colored serigraphs created from black and white photographs taken during the Apollo 15 mission ...

Larry Rivers Offset Lithograph Poster Offset Lithograph Poster on Wove Paper Plate signed (Printed Signature) 32 × 30 inches Unframed Rare vintage 1970s Larry Rivers offset lithogr...

Alexander Calder Braniff Airlines poster 1976: Medium: Offset lithograph. Dimensions: 23 x 33 inches. An original 1st printing in very good ...

Foxglove by Chris Keegan [2022] limited_edition Screen print Edition number 45 Image size: H:42 cm x W:30 cm Complete Size of Unframed Work: H:42 cm x W:30 cm x D:0.1cm Sold Unframe...

After Andy Warhol Chanel No. 5 (Suite of Four Individual (Separate) Prints on Linen Canvas), 1996 Suite of Four (4) Separate Individual Limited Edition Offset lithographs in colors o...

Screenprint on lenox museum board. Hand Signed, Numbered, And Dated in Pencil. Edition of 300. Printed By Brand X Editions. Verso Stamped Robert Indiana 1995 Heliotherapy Love. C...

Handsigned edition of 250. Gittleman’s Lunar Transformation is a series of ten vividly colored serigraphs created from black and white photographs taken during the Apollo 15 mission ...

Serigraph in colors on paper. Hand signed, numbered and dated by the artist. From the edition on 98. Artwork is in excellent condition. Certificate of Authenticity is included. A...

Raymond Pettibon 1982: Rare original punk flyer featuring artwork by Pettibon for a gig by Hari-Kari, Wasted Youth at Dancing Waters, in downtown San Pe...

Bob Stanley Lauren Bacall Lights Humphrey Bogart's Cigarette, 1966 Color Silkscreen on paper with full margins 22 1/2 × 17 inches Edition of 200 Hand signed and dated on the lower ri...

Psychedelic silkscreen work by Noche Crist (1909- 2004). Self printed by the artist. Wonderful work and one of only two remaining from her estate. Image is from her "In the Sun" ser...

A dynamic neon-yellow and black Mark Lancaster screen print combining calligraphic paint strokes, paint drips, and smooth, graphic yellow gradients characteristic of the artist's mos...

Artist: Max Epstein, Canadian (1932 - 2002) Title: Love Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: 295 Image Size: 29 x 18.5 inches Frame: 34 x 25 inches

Keith Haring Club DV8 San Francisco 1992: A rare, historic Keith Haring announcement card for Club DV8's pre-opening construction party, Friday December 4th, 1992; CLVB DV8, San Francisco. This party was dedicated to Keith Haring and even included a Keith Haring room. Offset printed announcement card. Dimensions 6 x 4 inches. Very good vintage condition. Unsigned from an edition of unknown; rare. Further Background: "Haring’s work has long been a part of San Francisco’s ocular culture. He created works for diverse venues in San Francisco during his lifetime, including murals for DV8, a club once located in the South of Market neighborhood, and a huge, multi-panel painting for the South of Market Child-care Center (also known as the Saint Patrick’s Daycare Center). Haring’s outdoor sculpture Untitled (Three Dancing Figures 1989), located at Third and Howard Streets, is a prominent feature of Moscone Convention Center, and his triptych altarpiece The Life of Christ (1990) is installed in the AIDS Chapel at Grace...

Handsigned edition of 250. Gittleman’s Lunar Transformation is a series of ten vividly colored serigraphs created from black and white photographs taken during the Apollo 15 mission ...

1990s Milton Glaser Poster Art: Juilliard: Vintage original Milton Glaser poster c.1990. Designed by Milton Glaser on the occasion of Juilliard School of Music at New York’s at the Lincoln Center. Beginning in 1987, the audio-tape manufacturer TDK underwrote a series of annual posters for Juilliard at New York’s Lincoln Center. Glaser has designed all the posters. Here, in the fourth, the lightning power of music brings a carefully-painted Dutch floral still life...

Study for Sculpture in the Form of an Inverted Q: Above and Below Ground, 1975 Lithograph, soft-ground etching, and aquatint in six colors on cream, thick, slightly textured Rive BFK paper 14 × 11 in. / 35.2 × 28 cm Signed and dated in pencil, lower right, numbered in pencil, lower left. Edition of 100 with 20 AP. Printed by Bill Law, Winston Roeth and Allan Uglow at Petersburg Press...

a, 2018 Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity. Edition of 25 (Unframed) His work has been s...

Gittleman’s Lunar Transformation is a series of ten vividly colored serigraphs created from black and white photographs taken during the Apollo 15 mission to the moon in 1971. Gittle...

Artist: Robert Indiana (American, 1928-2018) Title: "LOVE (Plate 4)" Portfolio: Book of Love *Signed and dated by Indiana in pencil lower right Year: 1996 Medium: Original Screenprint on A.N.W. Crestwood Museum Edition paper Limited edition: 75/200, (there were also 50 impressions in roman numerals) Printer: Freeman Burks of American Image Editions, New York, NY Publisher: Michael McKenzie of American Image Editions, New York, NY Framing: Framed in a contemporary silver moulding and silver filet with white cotton rag matting Framed size: 32.13" x 30.63" Sheet size: 24" x 20" Image size: 18.19" x 18" Condition: Minor cosmetic wear to frame. In excellent condition Notes: Provenance: private collection - Cincinnati, OH. Numbered by Indiana in pencil lower left. Comes from Indiana's 1996 "Book of Love" portfolio of twelve screenprints of the same image in various colors, originally issued in a black-lettered brown paper-covered folio with accompanying twelve poems. Besides the Arabic and Roman numeral editions, there were also 15 artist's proofs. Technical Director: Peter Engert; Plate Maker: James Harvey; Counsel: Gregory S. Smith, Esq.; Fabricator: Al Hirshson; and Die Maker: York Display. Printed in three colors: white, gray, and dark gray. The "Book of Love" project was conceived by the artist as a portfolio that would make a definitive statement on his masterpiece "LOVE", fulfilling his original vision as both a poet and a painter. The prints in the portfolio were created by Indiana as illustrations for his own love poems, written circa 1958-1973. The prints were produced in silkscreen using oil based paints on a newly created fine art paper that he found perfect for rendering "LOVE", which demands a precise line and radiant true color. The poems each have a highly raised embossment of "LOVE", trapped in colors, just below the title. Each print is hand pencil signed, and each poem hand pencil initialed by the artist. Biography: Robert Indiana was born on September 13, 1928 named Robert Clark in New Castle...

Skid Row-Self Portrait Color lithograph, 1973 Unsigned (as usual) From: XXe Siecle, Volume XXVV, December 1973 Published by G. di San Lazzaro for A. Maeght, P...

a, 2018 Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity. Edition of 25 (Unframed) His work has been s...

1980s Milton Glaser Poster Art: San Diego Jazz Festival: Vintage original Milton Glaser poster c.1983. Designed by Milton Glaser on the occasion of the San Diego Jazz Festival, a Pacific Coast event depicted with a suit-and-sandal clad bear at dusk. Several favorite Glaserisms show up here: the swirling contours, the loose cross-hatching and the saxophone. Offset lithograph poster in colors. 24x36 inches. Very good overall vintage condition with the exception of perhaps some minor signs of handling. A suit-and-sandal bear heralds this Pacific Coast event with a serenade with a beautiful sunset. Several favorite Glaserisms show up here: the swirling contours, the loose cross-hatching and the sax. Literature: Milton Glaser Posters Legendary graphic designer, illustrator, and art director Milton Glaser created some of the most recognizable iconography in America today —including the iconic I ♥ N Y logo —and countless posters and ad campaigns. Glaser changed the face of commercial art in the 1960s and ’70s, breaking with the conventions of modernism and drawing inspiration from a wide variety of art-historical and pop-cultural sources, from Art Nouveau to comic illustration...

Artist: Kenny Scharf Title: Furungle Green Medium: Archival pigment ink print with silkscreened high gloss varnish and diamond dust on Innova Etching Cotton Rag 315 gsm fine art pape...

Flowers 09, 2019 Edition of 25 Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity, (Unframed) His work h...

Keith Haring Champions 1984 (Hand signed by Keith Haring), 1988 Offset lithograph (Hand signed and dated 1988 by Keith Haring with his logo) Boldly signed and dated '88 by Keith Haring with his distinctive logo in black marker under his printed signature. Published by The Contemporary Art Center of Cleveland Original vintage metal frame included This is the ORIGINAL (not a later reprint) 1984 invitation to the famous 1984 Champions show at the The Contemporary Art Center of Cleveland, Ohio. The artist who participated in this show and are named on the print are: Keith Haring, James Brown, Ronnie Cutrone, Brett De Palma, Future 2000, Kenny Scharf, and Dan Friedman...

Voluptuosidad 11, 2019 Edition of 25 Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity, (Unframed) His ...

Miles James Rosenquist, American (1933–2017) Date: 1976 Screenprint with Air Brush, Signed and Numbered in Pencil Edition of 200 Size: 30 in. x 22 in. (76.2 cm x 55.88 cm) Printer: G...

Raymond Pettibon Black Flag 1980: Rare early Raymond Pettibon Black Flag punk flyer designed by Pettibon for a gig by Black Flag, Mommy Men, the Circle Jerks, Stains, and Descendents at the Hideaway; Sept. 19, 1980; striking, highly collectible early Raymond Pettibon punk art. Off-set lithograph. 8.5 x 11 inches Very good overall vintage condition. Unsigned from an edition of unknown. Rare. Further Background: Before Pettibon gained international recognition in the mid-80s for his skillful marriage of text and drawing, he was an important figure in the Los Angeles alternative scene. Working inside the punk movement, Pettibon’s art from this early period encapsulates the irreverence, intensity, and heightened self-awareness of youth, and chronicles the development of his characteristic violently shadowed and coarse aesthetic. (Source: MOCA, Tuscon). Raymond Pettibon popularized the American punk aesthetic with his designs that captured the riotous and chaotic character of punk such as this rare Black Flag flyer...

Roy Lichtenstein, 'Paper Plate', serigraph, 1969, edition unknown, Corlett III.45. Printed in dark blue ink verso, 'Roy Lichtenstein © On 1st Inc. 1969'. A fine impression, on white paperboard pressure formed into a 3-dimensional plate; age toning verso, otherwise in very good condition. Published by Bert Stern, New York. Image size 10 1/4 inch diameter, 1-inch depth. Archivally sleeved, unmounted, unframed. Carefully protected for shipping. Literature: John Russell. 'Art: Time for Old-Master Prints', New York Times (July 27, 1979), p. C16. Jan Howard. 'Reflections on 'The Prints of Roy Lichtenstein', Print Collector's Newsletter 26 (July–August 1995), p. 82. Mark M. Johnson. 'The Great American Pop Art Store: Multiples of the '60s', Art & Activities 123 (June–Summer 1998), ill. p. 37 (color). Mary Lee Corlett. 'The Prints of Roy Lichtenstein: A Catalogue Raisonné', New York, 2002, p. 286, no. III.45. Susan Dackerman, ed., 'Corita Kent and the Language of Pop', exhibition catalog, Harvard Art...

**ANNUAL SUPER SALE UNTIL MAY 15TH ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* **IMPORTANT** This is a limited edition print on premiu...

Voluptuosidad 12, 2019 Edition of 25 Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity, (Unframed) His ...

James Rosenquist (1933-2017) THE GLASS WISHES (Glenn 161) Color lithograph, 1978-1986, on wove paper, hand signed, dated, titled, dedicated for Jack Martin...

Christo Wrap In Wrap Out ("Wrapped Painting") for the Museum of Contemporary Art (MOCA) Chicago, the first North American building Christo ever wrapped, 1969 Offset lithograph printe...

Robert Indiana Great American Dream 1971 Limited Edition Print Edition 27/68

Artist: Larry Rivers (1923-2002) Title: Camel Year: 1980 Medium: Color lithograph on wove paper Edition: 75, plus proofs Size: 11.13 x 8.64 inches Condition: Excellent Inscription: Signed & inscribed A.P. in pencil, lower margin Notes: Larry Rivers is considered by many to be the father of the Pop Art movement. In Rivers's 1980 work "Camel," we see a slightly out of focus Camel Cigarette pack, an item from consumer culture Rivers has appropriated to create a critique of commoditization and consumer culture. Rivers would have certainly been aware of the work of Stuart Davis and his 1921 painting...

After Andy Warhol Mao, 1977 Offset lithograph exhibition poster on rag paper 37 × 24 inches Unframed This uncommon lithographic poster depicting one of Wa...

**ANNUAL SUPER SALE UNTIL MAY 15TH ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* **IMPORTANT: This is a Limited edition of 30 museum qua...

Agent X has created a bright and brilliant mash-up of iconic Pop Art aesthetics and digital collage techniques. Agent X intercuts Pop art imagery with panels of poppy pattern, colour...

Judy Rifka (American, b. 1945) 44/84 Lithograph on paper titled "Thou Shalt Not Bear False Witness against Thy Neighbor"; Depicting an abstract composition in blue, green, red and black tones with Hebrew script. Judaica interest. (I have seen this print described as a screenprint and as a lithograph) Hand signed in pencil and dated alongside an embossed pictorial blindstamp of a closed hand with one raised index finger. Solo Press. From The Ten Commandments Kenny Scharf; Joseph Nechvatal; Gretchen Bender; April Gornik; Robert Kushner; Nancy Spero; Vito Acconci; Jane Dickson; Judy Rifka; Richard Bosman and Lisa Liebmann. Judy Rifka (born 1945) is an American woman artist active since the 1970s as a painter and video artist. She works heavily in New York City's Tribeca and Lower East Side and has associated with movements coming out of the area in the 1970s and 1980s such as Colab and the East Village, Manhattan art scene. A video artist, book artist and abstract painter, Rifka is a multi-faceted artist who has worked in a variety of media in addition to her painting and printmaking. She was born in 1945 in New York City and studied art at Hunter College, the New York Studio School and the Skowhegan School of Painting and Sculpture in Maine. Rifka took part in the 1980 Times Square Show, (Organized by Collaborative Projects, Inc. in 1980 at what was once a massage parlor, with now-famous participants such as Jenny Holzer, Nan Goldin, Keith Haring, Kenny Scharf, Jean-Michel Basquiat, and Kiki Smith, the roster of the exhibition reads like a who’s who of the art world), two Whitney Museum Biennials (1975, 1983), Documenta 7, Just Another Asshole (1981), curated by Carlo McCormick and received the cover of Art in America in 1984 for her series, "Architecture," which employed the three-dimensional stretchers that she adopted in exhibitions dating to 1982; in a 1985 review in the New York Times, Vivien Raynor noted Rifka's shift to large paintings of the female nude, which also employed the three-dimensional stretchers. In a 1985 episode of Miami Vice, Bianca Jagger played a character attacked in front of Rifka's three-dimensional nude still-life, "Bacchanaal", which was on display at the Museum of Art Fort Lauderdale. Rene Ricard wrote about Rifka in his influential December 1987 Art Forum article about the iconic identity of artists from Van Gogh to Jean-Michel Basquiat and Keith Haring, The Radiant Child.The untitled acrylic painting on plywood, in the collection of the Honolulu Museum of Art, demonstrates the artist's use of plywood as a substrate for painting. Artist and writer Mark Bloch called her work "imaginative surfaces that support experimental laboratories for interferences in sensuous pigment." According to artist and curator Greg de la Haba, Judy Rifka's irregular polygons on plywood "are among the most important paintings of the decade". In 2013, Rifka's daily posts on Facebook garnered a large social media audience for her imaginative "selfies," erudite friendly comments, and widely attended solo and group exhibitions, Judy Rifka's pop art figuration is noted for its nervous line and frenetic pace. In the January 1998 issue of Art in America, Vincent Carducci echoed Masheck, “Rifka reworks the neo-classical and the pop, setting all sources in quotation for today’s art-world cognoscenti.” Rifka, along with artists like David Wojnarowicz, helped to take Pop sensibility into a milieu that incorporated politics and high art into Postmodernism; Robert Pincus-Witten stated in his 1988 essay, Corinthian Crackerjacks & Passing Go that "Rifka’s commitment to process and discovery, doctrine with Abstract Expressionist practice, is of paramount concern though there is nothing dogmatic or pious about Rifka’s use of method. Playful rapidity and delight in discovery is everywhere evident in her painting." In 2016, a large retrospective of Rifka's art was shown at the Jean-Paul Najar Foundation in Dubai. In 2017, Gregory de la Haba presented a Rifka retrospective at the Amstel Gallery in The Yard, a section of Manhattan described as "a labyrinth of small cubicles, conference rooms and small office spaces that are rented out to young entrepreneurs, professionals and hipsters". In 2019 her video Bubble Dancers New Space Ritual was selected for the International Istanbul Bienali. Alexandra Goldman Talks To Judy Rifka About Ionic Ironic: Mythos from the '80s at CORE:Club and the Inexistence of "Feminist Art" Whitehot Magazine of Contemporary Art. She was included in "50 Contemporary Women Artists", a book comprising a refined selection of current and impactful artists. The foreword is by Elizabeth Sackler of the Brooklyn Museum’s Sackler Center for Feminist Art. Additional names in the book include sculptor and carver Barbara Segal...

Original poster: a l'Arc Musee d'art Moderne; artist Robert Combas; lithograph, 1984, excellent condition. Ready to frame. Year: 1984. Size 24.87" x 32.12" Artist: Robert Combas This poster is also known as the Cat or "Le Chat". Vintage original poster...

PHOENIX BIRD is a rarely seen fine art lithograph portrait print by the renowned American Pop artist, Peter Max. PHOENIX BIRD was printed using color offset lithography techniques on...

Artist: Jean Sariano Title: Working Proof Year: 1979 Medium: Intaglio Etching with Aquatint, signed and numbered in pencil Edition: 300 Paper Size: 25 x...

This is a site specific artwork of Ettore Spalletti in Pop Art style of Andy Warhol and following Ed Ruscha , especially made for the exhibition at the Triennale of Milano (Italy) in 2013. This "post...

Larry Rivers "The Music Festival of the Hamptons / July 18-27 1997" poster, Not hand signed. [Dimensions: 24" H x 18" W] Larry Rivers (born Yitzroch Loiza Grossberg) (1923 – 2002) was an American artist, musician, filmmaker, and occasional actor. Considered by many scholars to be the "Godfather" and "Grandfather" of Pop art, he was one of the first artists to merge non-objective, non-narrative art with narrative and objective abstraction. Rivers took up painting in 1945 and studied at the Hans Hofmann School from 1947–48. He earned a BA in art education from New York University in 1951. His work was quickly acquired by the Museum of Modern Art. A 1953 painting Washington Crossing the Delaware was damaged in fire at the museum five years later. He was a pop artist of the New York School, reproducing everyday objects of American popular culture as art. He was one of eleven New York artists featured in the opening exhibition at the Terrain Gallery in 1955 along with Paul Mommer, Leonard Baskin, Peter Grippe During the early 1960s Rivers lived in the Hotel Chelsea, notable for its artistic residents such as Bob Dylan, Janis Joplin, Leonard Cohen, Arthur C. Clarke, Dylan Thomas, Sid Vicious and multiple people associated with Andy Warhol Factory and where he brought several of his French nouveau réalistes friends like Yves Klein who wrote there in April 1961 his Manifeste de l'hôtel Chelsea, Arman, Martial Raysse, Jean Tinguely, Niki de Saint-Phalle, Christo & Jean Claude, Daniel Spoerri or Alain Jacquet, several of whom, like Rivers, left some pieces of art in the lobby of the hotel for payment of their rooms. In 1965, Rivers had his first comprehensive retrospective in five important American museums. His final work for the exhibition was The History of the Russian Revolution, which was later on extended permanent display at the Hirshhorn Museum and Sculpture Garden in Washington, DC. He spent 1967 in London collaborating with the American painter Howard Kanovitz. In 1968, Rivers traveled to Africa for a second time with Pierre Dominique Gaisseau to finish their documentary Africa and I, which was a part of the groundbreaking NBC series Experiments in Television. During this trip they narrowly escaped execution as suspected mercenaries. During the 1970s, Rivers worked closely with Diana Molinari and Michel Auder on many video tape projects, including the infamous Tits, and also worked in neon. Rivers's legs appeared in John Lennon and Yoko Ono's 1971 film Up Your Legs Forever. From 1940–1945 he worked as a jazz saxophonist in New York City, changing his name to Larry Rivers in 1940 after being introduced as "Larry Rivers and the Mudcats" at a local pub. He studied at the Juilliard School of Music in 1945–46, along with Miles Davis, with whom he remained friends until Davis's death in 1991. Larry Rivers was born in the Bronx to Samuel and Sonya Grossberg, Jewish immigrants from Ukraine. In 1945, he married Augusta Berger, and they had one son, Steven. Rivers also adopted Berger's son from a previous relationship, Joseph, and reared both children after the couple divorced. In 1949 he had his first one-man exhibition at the Jane Street Gallery in New York. This same year, he met and became friends with John Ashbery, and Kenneth Koch. In 1950 he met Frank O’Hara. This same year he took his first trip to Europe spending eight months in Paris, France, reading and writing poetry. Beginning in 1950 and continuing until Frank’s death in July of 1966, Larry Rivers and Frank O’Hara cultivated a uniquely creative friendship that produced numerous collaborations, as well as inspired paintings and poems. In 1951 Rivers’ works were shown at the Tibor de Nagy Gallery where he continued to show annually (except 1955) for about 10 years. In 1954 he had his first exhibition of sculptures at the Stable Gallery, New York. In 1955 The Museum of Modern Art acquired Washington Crossing the Delaware. This same year he won 3rd prize in the Corcoran Gallery national painting competition for “Self-Figure.” Rivers’ also painted “Double Portrait of Berdie” in 1955, which was soon purchased by the Whitney Museum. In 1957 he and Frank O’Hara began work on “Stones,” a collaborative mix of images and poetry in a series of lithograph for Tatyana Grosman company ULAE. During this time he also appeared on the television game show “The $64,000.00 Question” where along with another contestant, they both won, each receiving $32,000.00. In 1958 he again spent time in Paris and played in various jazz bands. In 1959 he painted Cedar Bar Menu...

**ANNUAL SUPER SALE UNTIL APRIL 15TH ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* Celebrating the beloved QUEEN ELIZABETH II in a pop a...

Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity. Edition of 25 (Unframed) His work has been shown in R...

woodcut in colors on Fukui-Kozo paper, edited in 1992 Limited edition of 75 copies in Arabic numerals, 24 in Roman numerals, and 26 lettered impressions Signed in pencil by artist in...

Flowers VIII, 2019 Edition of 25 Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity, (Unframed) His work...

Black & Flowers, 2019 Edition of 25 Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity, (Unframed) His w...

Josef Albers Album Art circa late 1950s: A set of 4 vinyl record covers (containing their records) brilliantly designed by Josef Albers between 1959 and 1961. Looks fantastic framed ...

Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity. Edition of 25 (Unframed) His work has been shown in R...

Flowers VII, 2019 Edition of 25 Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity, (Unframed) His work ...

ST0050, 2020 Edition of 25 Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity, (Unframed) His work has ...

Tom Wesselmann Shiny Nude (Stealingworth, 33), 1977 Silkscreen on glossy cast-coated Kromekote paper 8 × 8 inches Edition 489/1000 Pencil numbered 489/1000 with artists printed name on the verso; Held in original stamped envelope Distributed by the Museum of Modern Art; printed by Unity Engraving Co. Unframed "Shiny Nude" - a dazzling limited edition, pencil numbered print features all of the hallmarks of the risque art arising from the sexual revolution of the 1960s and 1970s- saturated lips, full pubic hair...