American Impressionist Prints and Multiples
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Style: American Impressionist
Windmill And Well At Dusk - Original Vintage Lithograph
By Peter Hurd
Located in Soquel, CA
Windmill And Well At Dusk - Original Vintage Lithograph
Original vintage black and white lithograph of a windmill and well at dusk by Peter Hurd (American, 1904-1984).
The viewer looks out into the New Mexico desert, as a windmill stands in back of a full water tank. The setting dusky sun lights the horizon as the crescent moon comes into view. Simple, beautiful New Mexico desert scene.
Signed in print575 "Peter Hurd" lower right.
Presented in a silver frame with an inner white mat.
Frame: 15.25"H x 19.25"W
Mat: 14.5"H x 18.5"W
Image: 8.75"H x 10.25"W
Peter Hurd (American, 1904-1984) was an American painter whose work is strongly associated with the people and landscapes of San Patricio, New Mexico, where he lived in the 1930s. He is equally acclaimed for his portraits and his western landscapes.
Early in his life, Hurd studied in Chadds Ford, Pennsylvania under the noted illustrator N. C. Wyeth, along with two of his grown children. Hurd later married the painter's eldest daughter, Henriette Wyeth, who also is known as an accomplished painter. During World War II, Hurd worked for Life magazine as a war correspondent attached to the US Air Force. He created hundreds of "War Sketches".
Hurd came to national attention in the 1930's for both painting and book illustration. Among the books are Last of the Mohicans (1926), Great Stories of the Sea and Ships (1933), and Habit of Empire (1938). Nevertheless, he was most associated with the New Mexico subjects which occupied most of his career. He worked primarily in egg tempera on gesso, a medium he introduced to his younger brother-in-law, Andrew Wyeth. Hurd's realist palette and brush technique of fine, linear marks and hatches beautifully conveyed the scrubby high-desert landscape. He loved to explore the visual effect of constantly changing weather and sunlight on the land. Hurd also was known for his honest yet sympathetic portrayals of local ranch and farm families going about the work and pleasures of their daily lives.
Sponsored by New Deal art programs, Heard painted murals for the Big Springs, Texas Post Office in 1938 and the Terminal Annex Building in Dallas in 1940. In that latter year he also completed three fresco murals at the Alamogordo, New Mexico Post Office. From 1942 to 1945 Hurd worked as a war correspondent for Life magazine and then resumed full-time painting. During 1953 and 1954 Peter, Henriette, and two students, Manuel Acosta...
Category
1930s American Impressionist Prints and Multiples
Materials
Paper, Ink, Lithograph
TRIPLE SELF-PORTRAIT
Located in Aventura, FL
Collotype in colors on paper. Unsigned. Published in 1972. Copyright info in typeset lower margin.
Artwork is in excellent condition. All reasonable offers will be considered.
Category
1970s American Impressionist Prints and Multiples
Materials
Paper, Lithograph
"Afternoon Glow" Colorful Serigraph of Lahaina Harbor
By John Cosby
Located in Laguna Beach, CA
This 90 color hand pulled serigraph exhibits all of the subtle brushwork, light, and color that the artist is known for. "Afternoon Glow" is signed by the artist in an edition of 240...
Category
2010s American Impressionist Prints and Multiples
Materials
Screen
"Afternoon Glow" Colorful Serigraph of Lahaina Harbor
By John Cosby
Located in Laguna Beach, CA
This 90 color hand pulled serigraph exhibits all of the subtle brushwork, light, and color that the artist is known for. "Afternoon Glow" is signed by the artist in an edition of 240...
Category
2010s American Impressionist Prints and Multiples
Materials
Screen
Arch Beach, California
Located in San Francisco, CA
This artwork titled "Arch Beach, California" c.1910 is an original etching on Wove paper by American artist Harley DeWitt Nichols, 1859-1939. It is hand signed and titled in pencil by the artist. The plate mark (image) size is 6.5 x 9.5 inches, framed size is 13 x 17 inches. it is custom framed in a wooden silver frame, with off white matting. It is in excellent condition, especially considering the age.
About the artist:
Born in the small rural Wisconsin town of Barton, Harley lived a peripatetic life. As a young child, he accompanied his family to Lincoln, Nebraska where he found great excitement in the roaming herds of buffalo and Native Americans. It was in these years that a talent for drawing was discovered. In 1870, after several years of hardship, his father moved the family back to Wisconsin.
At the age of 11 he became a water boy...
Category
Early 20th Century American Impressionist Prints and Multiples
Materials
Etching
Broadbills
Located in Fairlawn, OH
Broadbills
Drypoint, 1922
Signed in pencil, lower left (see photo)
Initialed and dated in the plate (see photo)
Edition: 150 (unnumbered)
Condition: Excellent, professionally cleaned...
Category
1920s American Impressionist Prints and Multiples
Materials
Drypoint
19th Century Engraving by American Impressionist Herman Hyneman
Located in Larchmont, NY
Herman Hyneman (American, 1849-1907)
Untitled, c. 1880
Engraving
Sight: 13 x 8 1/2 in.
Framed: 26 1/2 x 20 1/2 x 3/4 in.
Signed bottom
The following is from Peter Jung who credits "a friend named Jeff Gold on Long Island."
Herman N. Hyneman (1849 - 1907) was born in 1849 to one of the most prominent Jewish families in Philadelphia. Unlike most Jewish families of the time, his embraced and encouraged his artistic talent. In 1874, Hyneman followed his first cousin Moses Ezekiel, National Academy member, to Europe to study. They first went to Germany and then to France where Hyneman began eight years of study with Leon Bonnat, the French Master.
In Paris, the twenty-five year old Hyneman resided in a studio building at 75 Boulevard Clichy, with expatriates Frederic Arthur Bridgeman, Charles Sprague Pearce, Milne Ramsey, and Edwin Blashfield. Hyneman was clearly exposed to the works of these more experienced artists, as well as that of Walter Gay.
In 1879, one of Hyneman's genre paintings, entitled "Desdemona", was accepted into the Paris Salon. That painting received favorable reviews both in Europe, and later in Philadlephia where it was exhibited alongside the works of other Philadelphia Artists exhibiting at the Salon that included Thomas Eakins, Pearce, Edward May...
Category
1880s American Impressionist Prints and Multiples
Materials
Engraving
Presidential Portrait of John Tyler by William Henry Brown
Located in Larchmont, NY
William Henry Brown (American, 1803-1883)
Silhouette Portrait of John Tyler, 1844
Lithograph
Sight: 14 1/2 x 10 3/8 in. (image)
Framed: 20 1/8 x 14...
Category
1840s American Impressionist Prints and Multiples
Materials
Lithograph
The Draped Figure, Seated
Located in Fairlawn, OH
The Draped Figure, Seated
Lithograph on fine japanese paper, 1893
Signed in pencil with the butterfly (see photo)
Signed in the stone with the butterfly on the sofa (see photo)
Numbe...
Category
1890s American Impressionist Prints and Multiples
Materials
Lithograph
Provence, France Fine Art Aquatint Etching - “Legendary Provence"
Located in Soquel, CA
Fine Art Aquatint Etching of Gordes, in Provence, France - "Legendary Provence" by Ronald Stephen Riddick
Beautiful aquatint etching of a sunset over iconic Provence French town, Go...
Category
1970s American Impressionist Prints and Multiples
Materials
Paper, Aquatint
"Eternal Problem" - 1924 Etching on Paper
Located in Soquel, CA
"Eternal Problem" - 1924 Etching on Paper
Etching on paper titled "Eternal Problem" by Elias M. Grossman (American, 1898-1947). A bearded rabbi is portrayed thinking with his hand p...
Category
1920s American Impressionist Prints and Multiples
Materials
Paper, Ink, Etching
The Worker Woodblock Print c.1930's WPA Woodcut Print Hand Signed
Located in Surfside, FL
Some of his prints were published by the WPA some were done in Soviet moscow in Russia.. it is a wood engraving signed in pencil. From a small edition.
Albert Abramovitz (1879-1963...
Category
1930s American Impressionist Prints and Multiples
Materials
Woodcut
Coming Home Woodblock Print c.1930's WPA Woodcut Print Hand Signed
Located in Surfside, FL
Some of his prints were published by the WPA some were done in Soviet Moscow in Russia.. it is a wood engraving signed in pencil. From a small edition.
Albert Abramovitz (1879-1963...
Category
1930s American Impressionist Prints and Multiples
Materials
Woodcut
Near Amalfi
Located in Clinton Township, MI
This giclee on canvas called "Near Amalfi" by Howard Behrens is embellished and signed by the artist. It is numbered 11/25.
Framing options are available.
Category
Mid-20th Century American Impressionist Prints and Multiples
Materials
Giclée
Overlooking Amalfi
Located in Clinton Township, MI
"Overlooking Amalfi" is a lithograph on paper signed by the artist Howard Behrens. It is a limited edition and numbered 20/25. There is some evidence of wear, but only on the borde...
Category
20th Century American Impressionist Prints and Multiples
Materials
Lithograph
Tapestries II
Located in Clinton Township, MI
Floral design extraordinaire! This is a lithograph of an original watercolor signed by Palo Verdes, California artist Dian Clapp Bartz.
Category
Late 20th Century American Impressionist Prints and Multiples
Materials
Lithograph
Single engine monoplane in flight
Located in Wilton Manors, FL
Don Swann (1899-1954). Monoplane in flight. Etching, plate measures6 x 7.25 inches. Edition of 300. Signed and numbered in pencil lower margins.
Don Swann was an important American...
Category
1930s American Impressionist Prints and Multiples
Materials
Etching
UP TO THE WOOLWORTH
Located in Santa Monica, CA
JOSEPH PENNELL (1857- 1926)
UP TO THE WOOLWORTH 1915 (Wuerth 673)
Etching, signed in pencil. Early state before additional work, especially before extensive darkening in the sky. I...
Category
1910s American Impressionist Prints and Multiples
Materials
Etching
Navajo Weaver
By Conrad Buff
Located in San Francisco, CA
This artwork titled "Navajo Weaver" 1937, is an original color lithograph on paper by noted Swiss/American artist Conrad Buff, 1886-1975. It is hand signed in pencil by the artist, t...
Category
Mid-20th Century American Impressionist Prints and Multiples
Materials
Lithograph
Jewish Wedding Judaica Woodblock Print c.1930s WPA Woodcut Print Hand Signed
Located in Surfside, FL
Some of his prints were published by the WPA. it is a wood engraving signed in pencil. From a small edition.
Albert Abramovitz (1879-1963), bor...
Category
1930s American Impressionist Prints and Multiples
Materials
Woodcut
"Study 6" - 1975 Figurative Lithograph on Paper
By Jim Smyth
Located in Soquel, CA
"Study 6" - 1975 Figurative Lithograph on Paper
Abstract figurative lithograph by Jim Smyth (American, b. 1938). The nude figure is seen with one hand above her head, holding a clot...
Category
1970s American Impressionist Prints and Multiples
Materials
Paper, Ink, Etching, Lithograph
Male Figurative Study - Original Lithograph on Paper
By Jim Smyth
Located in Soquel, CA
Male Figurative Study - Original Lithograph on Paper
Original lithograph on paper depicting a male nude in pose. The male figure is depicted sitting, his arm across his leg as he ga...
Category
1960s American Impressionist Prints and Multiples
Materials
Paper, Ink, Lithograph
Beethovens Residence at Mödling Colored Etching by Henry Goering
Located in Soquel, CA
Beethovens Residence at Mödling - Vintage Colored Etching by Henry Goering WWII
Hand colored etching of the Christof House (the Yard of Christ) by Henry...
Category
1920s American Impressionist Prints and Multiples
Materials
Paper, Ink, Etching
New York Bouquet
Located in Fairlawn, OH
New York Bouquet
Lithograph, 1917
Edition: 93
Signed with the artist's cipher in pencil lower right (see photo)
This lithograph is inspired by Hassam's oil painting of the same title...
Category
1910s American Impressionist Prints and Multiples
Materials
Lithograph
Vintage Etching Inspired by Movie "Twilight’s Last Gleaming"
Located in Soquel, CA
"Twilights Last Gleaming" - Vintage 1980's Etching
Vintage etching depicting the characters from the 1977 movie "Twilights Last Gleaming" by Claudette M. McElroy (American, b. 1943...
Category
1980s American Impressionist Prints and Multiples
Materials
Paper, Ink, Etching
Lost Shadow, Impressionistic Portrait by Chase Chen Chenoff
By Chase Chen
Located in Long Island City, NY
Lost Shadow by Chase Chen Chenoff, Chinese/American (1964)
Date: circa 1990
Screenprint, signed and numbered in pencil
Edition of EA 55
Size: 37.5 in. x 45 in. (95.25 cm x 114.3 cm)
Category
1990s American Impressionist Prints and Multiples
Materials
Screen
A Break in the Clouds, Impressionistic Landscape by Chase Chen Chenoff
By Chase Chen
Located in Long Island City, NY
A Break in the Clouds by Chase Chen Chenoff, Chinese/American (1964)
Date: circa 1980
Screenprint, signed and numbered in pencil
Edition of HC 9/25
Size: 25 in. x 33 in. (63.5 cm x 8...
Category
1990s American Impressionist Prints and Multiples
Materials
Screen
Golden Tree, Impressionistic Landscape by Chase Chen Chenoff
By Chase Chen
Located in Long Island City, NY
Golden Tree by Chase Chen Chenoff, Chinese/American (1964)
Date: circa 1980
Screenprint, signed and numbered in pencil
Edition of HC 2/25
Size: 25 in. x 33 in. (63.5 cm x 83.82 cm)
Category
1990s American Impressionist Prints and Multiples
Materials
Screen
William Sharp Court Room Scene Lithograph, Signed & Framed , a Pair
Located in Plainview, NY
A pair of William Alexander Sharp ( American, 1900 - 1961) lithographs , created circa 1940's , portraying a court scene. One lithograph showing lawyers " Side bench " in front of th...
Category
20th Century American Impressionist Prints and Multiples
Materials
Lithograph
1978 Howard Kanovitz 'Ground Above Us' Contemporary
Located in Brooklyn, NY
Paper Size: 33 x 24 inches ( 83.82 x 60.96 cm )
Image Size: 29 x 21 inches ( 73.66 x 53.34 cm )
Framed: No
Condition: A-: Near Mint, very light signs of handling
Additional Det...
Category
1970s American Impressionist Prints and Multiples
Materials
Lithograph
"Afternoon Glow" Colorful Serigraph of Lahaina Harbor
By John Cosby
Located in Laguna Beach, CA
This 90 color hand pulled serigraph exhibits all of the subtle brushwork, light, and color that the artist is known for. "Afternoon Glow" is signed by the artist in an edition of 240...
Category
2010s American Impressionist Prints and Multiples
Materials
Screen
Ranchos Winter Robert Daughters serigraph
Located in Paonia, CO
Ranchos Winter by American impressionist Robert Daughter shows two women approaching the pueblo with the sun reflecting off the sides of the buildin...
Category
20th Century American Impressionist Prints and Multiples
Materials
Screen
"The Greek Theater After A Rally" - 1921 UC Berkeley Yearbook Color Lithograph
Located in Soquel, CA
"The Greek Theater After A Rally" - 1921 UC Berkeley Yearbook Color Lithograph
"The Greek Theater After A Rally" 1921 University of California Berkeley Color Lithograph by Pedro Lemos...
Category
1920s American Impressionist Prints and Multiples
Materials
Ink, Paper
Original "American Export Lines" mid-century vintage cruise line poster
Located in Spokane, WA
Original American Export Lines vintage travel poster. Artist Aldo Sassi, printed in Italy by Pesce, Genova. Professional acid-free archival linen ...
Category
1950s American Impressionist Prints and Multiples
Materials
Offset
"1921 Blue And Gold" - UC Berkeley Yearbook Color Lithograph
Located in Soquel, CA
"1921 Blue And Gold" - UC Berkeley Yearbook Color Lithograph
"1921 Blue And Gold" 1921 University of California Berkeley Color Lithograph by Pedro Lemos (American, 1882-1952). A Greek woman sits, holding a long blank script on her lap while a Greek man leans over her shoulder, as he dips a feather in ink, as to write on the script. The man is wearing a gold laurel crown...
Category
1920s American Impressionist Prints and Multiples
Materials
Ink, Lithograph, Paper
"The Greater University" - 1921 UC Berkeley Yearbook Color Lithograph
Located in Soquel, CA
"The Greater University" - 1921 UC Berkeley Yearbook Color Lithograph
"The Greater University" 1921 University of California Berkeley Color Lithograph by Pedro Lemos...
Category
1920s American Impressionist Prints and Multiples
Materials
Ink, Paper
"The Football Statue Through The Trees" - 1921 UC Berkeley Yearbook Lithograph
Located in Soquel, CA
"The Football Statue Through The Trees" - 1921 UC Berkeley Yearbook Lithograph
"The Football Statue Through The Trees" 1921 University of California B...
Category
1920s American Impressionist Prints and Multiples
Materials
Ink, Paper
THE CRITIC
Located in Aventura, FL
Collotype in colors on paper. Unsigned. Title and copyright info in typeset lower margin.
Artwork is in excellent condition. All reasonable offers will be considered.
Category
1970s American Impressionist Prints and Multiples
Materials
Paper
"Senior Womens Hall In The Moonlight" 1921 UC Berkeley Yearbook Color Lithograph
Located in Soquel, CA
"Senior Womens Hall In The Moonlight" 1921 UC Berkeley Yearbook Color Lithograph
"Senior Womens Hall In The Moonlight" 1921 University of California Berkeley Color Lithograph by Pedro Lemos...
Category
1920s American Impressionist Prints and Multiples
Materials
Paper, Ink
"Strawberry Creek At The Class Of 1910 Bridge" - 1921 UC Berkeley Lithograph
Located in Soquel, CA
"Strawberry Creek At The Class Of 1910 Bridge" - 1921 UC Berkeley Lithograph
"Strawberry Creek At The Class Of 1910 Bridge" 1921 University of California Berkeley Color Lithograph by Pedro Lemos...
Category
1920s American Impressionist Prints and Multiples
Materials
Ink, Lithograph, Paper
"Moms Pitcher" - Giclee Print on Canvas
Located in Soquel, CA
"Moms Pitcher" - Giclee Print on Canvas
Giclee still life titled "Moms Pitcher," depicting a blue and white pitcher next to a bundle of freshly cut sunflowers by Coraly Hanson (American, b. 1950). A white and blue table cloth lays under the freshly cut flowers, with red handled snips next to them. A deep purple encapsulates the background.
Signed "Coraly '05 1/6" lower right.
Presented in a giltwood frame.
Frame: 16"H x 18"W
Image: 7.5"H x 9.5"W
Coraly Hanson (American, b. 1950) loved drawing from early childhood, and began painting in the 1970s, moving on to oil in 2000. Hanson was invited to paint in New Zealand with Kevin MacPherson for his documentary “Passports and Palettes” on PBS. Hanson also studies with Scott Christiansen, Matt Smith, Laurie Kersey, Brian Blood, C. W. Mundy, Ronaldo Macedo, John Cosby, Ray Roberts, Calvin Liang, Randall Sexton, Bill Cramer, John Burton, Jesse Powell...
Category
Early 2000s American Impressionist Prints and Multiples
Materials
Giclée, Panel, Canvas
"The Library From The Botanical Gardens" - 1921 UC Berkeley Yearbook Lithograph
Located in Soquel, CA
"The Library From The Botanical Gardens" - 1921 UC Berkeley Yearbook Lithograph
"The Library From The Botanical Gardens" 1921 University of California Berkeley Color Lithograph by Pedro Lemos...
Category
1920s American Impressionist Prints and Multiples
Materials
Paper, Ink
"The Mining Building From The Road" - 1921 UC Berkeley Yearbook Color Lithograph
Located in Soquel, CA
"The Mining Building From The Road" - 1921 UC Berkeley Yearbook Color Lithograph
"The Mining Building From The Road" 1921 University of California Berkeley Color Lithograph by Pedro Lemos...
Category
1920s American Impressionist Prints and Multiples
Materials
Paper, Ink
Elegant original French Line vintage cruise line travel poster
Located in Spokane, WA
Original vintage poster: FRENCH LINE cruise line.
Archival linen-backed original travel by cruise line vintage poster.
"Greet Europe Relaxed & Refreshed by France- Afloat." Frenc...
Category
1950s American Impressionist Prints and Multiples
Materials
Offset
Original "Stocks Americains" vintage French poster horizontal format
Located in Spokane, WA
Original “Stocks Americans” vintage poster. Linen backed in very good condition, ready to frame. No paper loss, no fold marks, clean and bright. Distress on one letter “S” in A...
Category
Mid-20th Century American Impressionist Prints and Multiples
Materials
Lithograph
Dust Time, large lithograph
By John Maxon
Located in San Francisco, CA
Artist: John Maxon (American, born 1947)
Title: Dust Time
Year: 1993
Medium: Color lithograph
Edition: Numbered 146/210
Paper: Arches
Image size: 26.5 x 39.75 inches
Paper size: 31.5 x 44 inches
Signature: Hand signed in pencil by the artist
Condition: Excellent, has never been framed
About the artist.
Coming from a very western tradition in Wyoming, John Maxon developed an expansive view of nature . Moving eventually to the San Francisco Bay area, John's delight in the effects of light and color led him to the decision to become an artist at the young age of 15. His natural ability was encouraged, and at 16 he began figurative art classes with Howard Brodie, the artist well known for his WWII correspondence, drawings and the Watergate trial drawings.
Education
San Francisco Art Institute
B.A., Painting, San Jose State University
M.F.A., Painting, University of California, Davis
Stanford University, Palo Alto, California
Cabrillo College, Aptos, California
Selected Solo Exhibitions
2018
Gallery Panza Verde – Antigua Guatemala, Guatemala
2015
Desert Art Collection - Palm Desert California
2015
Galeria Antigua – Antigua, Guatemala
2014
Galeria Panza Verde – Antigua, Guatemala
2008
Linda Durnell Gallery – Los Gatos, California
2006
Linda Durnell Gallery – Los Gatos, California
2005
Robert Allen Fine Art Gallery – Sausalito, California
2004
Ellis West Gallery – Durango, Colorado
2002
Ellis West Gallery – Durango, Colorado
2001
Robert Allen Fine Art Gallery – Sausalito, California
1997
Stanford University Faculty Club – Stanford, California
Selected Group Exhibitions
2018
Chemers Art Gallery – Los Angeles, California
2009, 2010, 2016, 2017 & 2018
Robert Allen Fine Art – Sausalito, California
2017 Christopher Hill Gallery - St Helena, California
2013 / 19
Gallery North - Carmel, California
2015
Desert Art Collection - Palm Desert, California
2014
Paul Scott Gallery - Bend, Oregon
2014
Christopher Hill Gallery Healdsberg, California
2013
Firehouse Art Center - Pleasanton, Ca. 2013
2011 - 2013
Robert Allen Fine Art – Sausalito, California
2010 - 2012
Susan Street Gallery – Solano Beach, California
2010 (Awarded 1st place) and 2012
“Contemporary Landscape Painters of California” – Awarded 1st Place
2011 - 2012
Salisbury Fine Art – Avila Beach, California
2010
Bryant Street Gallery – Palo Alto, California
2009
Museum Art and History – Santa Cruz, California
2008
Cabrillo College – Aptos, California
2006
Christopher Hill Gallery – St. Helena, California
2005
Fort Lewis College – Durango, Colorado
2001
St. Supery Winery & Fine Art Gallery, Napa California
2001
Napa Valley Wine Auction – St. Helena, California
1997
West Coast Painting and Sculpture – Ocean Side, California
1997
Wolk Gallery – St. Helena, California
Selected Museum Collections
Interior Museum, Department of the Interior, Washington D. C.
Santa Cruz County Art Museum – Santa Cruz, California
University of California – Berkeley, California
University of California – Davis, California
Napa Valley Art...
Category
Late 20th Century American Impressionist Prints and Multiples
Materials
Lithograph
Santa Fe The Chief Way original American railroad poster
Located in Spokane, WA
Original Santa Fe The Chief Way vintage railroad travel poster. Archival linen backed in very fine condition, ready to frame. Most of the Santa Fe Railway posters feature American Indians, but this poster features the big boss, The Chief! The poster has about a 1" white border around the entire image, the linen backing is not counted in the poster's measurement.
Several of the trains were named "Chief" which includes the San Francisco Chief, Texan Chief, Kansas City Chief...
Category
1940s American Impressionist Prints and Multiples
Materials
Offset
Original Carthusia Capri perfume vintage poster
Located in Spokane, WA
Original vintage poster Carthusia Capri (Italy) perfume vintage poster. Artist: Mario Laboccetta. "CARTHUSIA I PROFUMI DI CAPRI" Size 26.5" x ...
Category
1960s American Impressionist Prints and Multiples
Materials
Offset
Wheeler Hall 1921 University of California at Berkeley Color Lithograph
Located in Soquel, CA
Wheeler Hall 1921 University of California at Berkeley Color Lithograph by Pedro Lemos (American, 1882-1952).
Lithograph from a 1921 UC Berkely yearbook de...
Category
1920s American Impressionist Prints and Multiples
Materials
Lithograph, Paper
Leaves, Monceau
Located in San Francisco, CA
Artist: Harold Altman (American, 1924-2003)
Title: Four Walking Figures
Year: c.1980
Medium: Original color lithograph
Edition: Inscribed Artist Proof in pencil
Paper: Arches
Im...
Category
Late 20th Century American Impressionist Prints and Multiples
Materials
Lithograph
Afternoon
Located in San Francisco, CA
Artist: Harold Altman (American, 1924-2003)
Title: Afternoon
Year: c.1980
Medium: Original color lithograph
Edition: Numbered 62/225 in pencil
Paper: Arches
Image size: 10.75 x...
Category
Late 20th Century American Impressionist Prints and Multiples
Materials
Lithograph
Four Walking Figures
Located in San Francisco, CA
Artist: Harold Altman (American, 1924-2003)
Title: Four Walking Figures
Year: c.1980
Medium: Original color lithograph
Edition: Inscribed "Artist Proof" in pencil
Paper: Arches
...
Category
Late 20th Century American Impressionist Prints and Multiples
Materials
Lithograph
Untitled
Located in Provincetown, MA
Yasuo Kuniyoshi was a unique and dynamically talented Japanese-American painter, photographer, and printmaker. His works ranged from bold portraits and scenes whose singular style ev...
Category
Early 20th Century American Impressionist Prints and Multiples
Materials
Lithograph
SATURDAY PEOPLE
Located in Aventura, FL
Collotype in colors on paper. Unsigned. Title and copyright info in typeset lower margin.
Artwork is in excellent condition. All reasonable offers will be considered.
Category
1970s American Impressionist Prints and Multiples
Materials
Paper
'Skaters' — 1930s Woodstock, New York
By Emil Ganso
Located in Myrtle Beach, SC
Emil Ganso, 'Skaters', pochoir (color stencil) with hand painting, edition c. 50, 1938, Smith S-6. Signed in the image, lower right. A rich, painterly impression, with fresh colors, on buff wove paper; the full sheet with margins (7/8 to 1 7/8 inches), in excellent condition. Matted to museum standards, unframed.
Image size 11 3/4 x 15 1/4 inches; sheet size 18 3/4 x 13 3/4 inches.
An impression of this work is in the permanent collection of the Philadelphia Museum of Art.
ABOUT THE ARTIST
Born in Germany, Emil Ganso (1895-1941) came to the United States with his family in 1912. After settling in New York City, he found night work in a bakery and concentrated on his art in the daytime—mostly self-taught at this time, he studied only briefly at the National Academy of Design.
In 1924, Ganso showed his drawings to Carl Zigrosser, who organized the artist’s first solo exhibition, at the Weyhe Gallery. Soon afterward, Ganso enrolled in Eugene Fitsch’s printmaking class at the Art Students League.
Although he considered himself primarily a painter, Ganso made prints in all media, including relief and stencil prints and complex intaglios, and even experimented with color lithography in the late 1920s. He also developed, with an engineer, the design and fabrication of an innovative etching press.
In 1926, Ganso attended the Art Students League summer session in Woodstock, New York. There, he met Jules Pascin, and the two artists began a close friendship, briefly sharing a studio. Ganso followed Pascin to Europe in 1928.
In 1929, Ganso returned to New York and showed his work regularly in group exhibitions. He continued working in Woodstock in the summer months, often printing lithographs for other artists. The Cleveland Print Club...
Category
1930s American Impressionist Prints and Multiples
Materials
Gouache, Stencil
Seal & Penguin
By Mervin Jules
Located in Provincetown, MA
Mervyn Jules studied at Baltimore City College and the Maryland Institute College of Art before moving to New York City and continuing his art education at the Art Students League of New York under the tutelage of, among others, Thomas Hart Benton. Jules was a Works Progress Administration artist in the 1930s, as a silk screen artist...
Category
Early 20th Century American Impressionist Prints and Multiples
Materials
Lithograph
"Fisherman's Wharf - San Francisco" Multi Layer Screen Print on Paper - Signed
By Gordon Cope
Located in Soquel, CA
"Fisherman's Wharf - San Francisco" Multi Layer Screen Print on Paper - Signed
Rare and bold Screen Print (Silk Screen) of Fisherman's Wharf 1957 by Gordon Cope (American, 1906-1999). Several boats are docked at Fisherman's Wharf, with buildings directly behind them. In the distance, the hills of San Francisco can be seen meeting a pale blue sky. Of particular note is the skillful representation of the reflections of the boats in the water, and the clever use of grey paper as negative space.
Numbered and titled in pencil in the lower left corner "22/100 Fisherman's Wharf - San Francisco"
Hand signed and dated in pencil in the lower right corner "Gordon Cope 1957"
Titled, signed, and dated "in plate"
Presented in a silver colored frame with a double mat.
Frame size: 22.5"H x 27"W
Image size: 15"H x 20"W
Gordon N. Cope (American, 1906-1999) was an educator and painter. Trained in Utah and France, he exhibited his landscape paintings and portraits in the United States and Europe, and he believed music was related to painting.
Cope was born on May 14, 1906, in Salt Lake City. He was trained by Utahn artists LeConte Stewart and Lawrence Squires, and at the Académie Julian in Paris, France in 1928. He also studied singing at the Opéra-Comique.
Cope taught art at Latter-day Saints University, and he served as the chair of its Department of Art in 1930–1931. He taught at the Mountain School of Art from 1932 to 1938, and he was the director of the Art Barn School in Salt Lake City in 1939–1941. Cope painted Utahn landscapes as well as a portrait of Henry H. Blood, who served as the seventh governor of Utah from 1933 to 1941. Cope exhibited his work in the United States and Europe. According to the Deseret News, Cope "felt that music and painting are closely interrelated, and that the study of one form may be used to complement the appreciation and understanding of the other."
Cope died on June 10, 1999, in San Francisco, California.
Gordon Nicholson Cope studied with well-known Utah artists A.B. Wright and LeConte Stewart, and became recognized as a major Utah artist of the Great Depression. Cope was born in Salt Lake City in 1906 and spent much of his life in Utah.
Cope gained much of his artistic training from diverse environments and influences. Following his training with the previously mentioned artists, Cope spent the next year, 1924, working with Lawrence Squires in Arizona. To expand his knowledge and training, Cope traveled to Europe, where he studied the "old masters" such as Da Vinci, Michelangelo, and Raphael. From 1924 to 1928, Cope studied in England, France, Italy, Switzerland, Belgium, Holland, and worked for a year at the Acadamie Julian, where many early Utah artists...
Category
1950s American Impressionist Prints and Multiples
Materials
Screen, Paper, Ink
Hopi by Lon Megargee, Original Signed Block Print ca. 1920s
Located in Phoenix, AZ
Title: Hopi ca. 1920s
Artist: Lon Megargee
Medium: Block Print
Size: 11 x 11 inches (Sight Measurement)
Creator of Stetson's hat logo "Last Drop from his Hat"
Image of Lon Megargee not included in purchase.
Lon Megargee
1883 - 1960
At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy.
Lon moved to the cow country of Wickenburg, Arizona where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar R. . . and after a few years, was offered a job by Billy Cook of the T.T. Ranch near New River. By 1906, Megargee had learned his trade well enough to be made foreman of Cook’s outfit.
Never shy about taking risks, Lon soon left Cook to try his own hand at ranching. He partnered with a cowpuncher buddy, Tom Cavness, to start the El Rancho Cinco Uno at New River. Unfortunately, the young partners could not foresee a three-year drought that would parch Arizona, costing them their stock and then their hard-earned ranch.
Breaking with his romantic vision of cowboy life, Megargee finally turned to art full time. He again enrolled at the Pennsylvania Academy of Art and then the Los Angeles School of Art and Design during 1909 – 1910. The now well-trained student took his first trip to paint “en plein air” (outdoors) to the land of Hopi and Navajo peoples in northern Arizona. After entering paintings from this trip in the annual Territorial Fair at Phoenix, in 1911, he surprisingly sold his first oil painting to a major enterprise – the Santa Fe Railroad . . . Lon received $50 for “Navajos Watching the Santa Fe Train.” He soon sold the SFRR ten paintings over the next two years. For forty years the railroad was his most important client, purchasing its last painting from him in 1953.
In a major stroke of good fortune during his early plein-air period, Megargee had the opportunity to paint with premier artist, William R. Leigh (1866 – 1955). Leigh furnished needed tutoring and counseling, and his bright, impressionistic palette served to enhance the junior artist’s sense of color and paint application. In a remarkable display of unabashed confidence and personable salesmanship, Lon Megargee, at age 30, forever linked his name with Arizona art history. Despite the possibility of competition from better known and more senior artists, he persuaded Governor George Hunt and the Legislature in 1913 to approve 15 large, historic and iconic murals for the State Capitol Building in Phoenix. After completing the murals in 1914, he was paid the then princely sum of roughly $4000. His Arizona statehood commission would launch Lon to considerable prominence at a very early point in his art career.
Following a few years of art schooling in Los Angeles, and several stints as an art director with movie studios, including Paramount, Megargee turned in part to cover illustrations for popular Western story magazines in the 1920s.
In the 1920s, as well, Lon began making black and white prints of Western types and of genre scenes from woodblocks. These prints he generally signed and sold singly. In 1933, he published a limited edition, signed and hard-cover book (about 250 copies and today rare)containing a group of 28 woodblock images. Titled “The Cowboy Builds a Loop,” the prints are noteworthy for strong design, excellent draftsmanship, humanistic and narrative content, and quality. Subjects include Southwest Indians and cowboys, Hispanic men and women, cattle, horses, burros, pioneers, trappers, sheepherders, horse traders, squaw men and ranch polo players. Megargee had a very advanced design sense for simplicity and boldness which he demonstrated in how he used line and form. His strengths included outstanding gestural (action) art and strong figurative work. He was superb in design, originality and drawing, as a study of his prints in the Hays collection reveals.
In 1944, he published a second group of Western prints under the same title as the first. Reduced to 16 images from the original 28 subjects, and slightly smaller, Lon produced these prints in brown ink on a heavy, cream-colored stock. He designed a sturdy cardboard folio to hold each set. For the remainder of his life, Lon had success selling these portfolios to museum stores, art fairs and shows, and to the few galleries then selling Western art.
Drawing on real working and life experiences, Lon Megargee had a comprehensive knowledge, understanding and sensitivity for Southwestern subject matter. Noted American modernist, Lew Davis...
Category
1920s American Impressionist Prints and Multiples
Materials
Woodcut
American Impressionist prints and multiples for sale on 1stDibs.
Find a wide variety of authentic American Impressionist prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 20th Century, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, orange, pink and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including and Ronald Julius Christensen. Frequently made by artists working with and Lithograph and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large American Impressionist prints and multiples, so small editions measuring 1 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $95 and tops out at $75,000, while the average work sells for $1,100.
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