Post-Modern Prints and Multiples

Robert Rauschenberg American (1925-2008) Untitled, for ROCI offset color lithograph, signed and dated lower right "Rauschenberg 84" 25 3/4 x 22 3/4 in. (sheet) Framed: 31 1/4 x 29 x...

Original screen print in colors by the well known American artist, Alex Katz. Condition is very good. 1965. Edition 63/150 in pencil lower left. Published by Paris Review, New York....

Original France travel by bicycle (and French bread) vintage serigraph poster, excellent condition, ready to frame. These images are of the exact rare poster you will receive. Ar...

Bernard Berthois-Rigal (French, b. 1927) La Nef de Lysimaque, c. 1970s/80s Aquatint Sight: 22 1/4 x 32 in. Framed: 32 x 41 1/4 x 1 3/8 in. Edition 36 of 95 Numbered lower left, signe...

Original black and white abstract lithograph on archival paper by the well known American modernist artist, James Brooks. Signed in pencil by the artist and dated 1961 lower right. ...

This unique monotype cyanotype, rendered in rich blue tones, draws inspiration from mid-century modern shapes to explore themes of balance and duality. Abstract forms echo harmony an...

Artist: Albert Hirschfeld Title: Kabuki Kyo Medium: Lithograph, signed and numbered in pencil Edition: 1116/275 Size: 30 x 21.75 in. (76.2 x 55.25 cm)

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Mid-Century Shapes XIII is a captivating cyanotype monotype that draws on the visual language of mid-century abstraction. Featuring fluid, interlocking forms rendered in rich Prussi...

Original Poster promoting Rolex' Submariner, reference 1680, created by Celestino Piatti, a very productive Swiss Graphic Designer (1922-2007) known for his charm and subtle humor, p...

Caricature etching by American artist Charles Bragg. A group of jurors stare aimlessly around a courtroom. The Jury Charles Bragg, American (1931–2017) Date: 1976 Lithograph Image S...

"Etch A Sketch Sampler" - 1989 Multimedia on Paper Lithograph titled "Etch A Sketch Sampler" by Lilya Vorobey. From a suite of prints from College of San Mateo class of 1989, instru...

Igor Mitoraj (1944-2014) - Angelo Fasciato Etching from 2004. Edition 30/99. Hand signed. Dimensions of work: 60 x 40.5 cm The work is in Excellent condition. Fast and secure s...

Original screen print from the Gemini series “Untitled” (Red), 1968 by Larry Zox. Condition is good. Mild toning of the white areas in the screen print. Other colors are still vibra...

Original lithographic print done as a gravure using black ink attributed to the hand of the well known French artist, Jean Dufy. Signed in the plate “Dufy” lower right. Circa 1960. Condition is very good. “Pierre Hautot...

This artwork titled "Famiglia di Acrobati" 1955, is an original color lithograph on Arches paper by noted Italian artist Marino Marini, 1901-1980. It is hand signed and numbered 7/50...

Howard Hodgkin In Tangier, 1991 Screenprint in 22 colours on huntsman velvet 300gsm paper Signed with initials HH, numbered (63/72) and dated ('91) in pencil 82 × 86 cm Edition of 7...

Original artist signed colored lithograph by the well known French actor, artist and mime, Marcel Marceau. Circa 1975. Condition is very good Edition:, 112/275; signed in pencil lowe...

Norman Rockwell, American (1894 - 1978) - Self Portrait, Medium: Lithograph on Japon paper, numbered in pencil and plate signed, Edition: AP, Size: 22 x 21 in. (55.88 x 53.34 cm), Fr...

This is an exclusive limited edition color Giclée print, printed on matte photographic paper. This exquisite still life photo, shows a classy bouquet beautifully lit with soft light...

Marilyn Manson is an icon, a figure synonymous with controversy within heavy metal music, embroiled in numerous contentious moments throughout his storied career. This signed poster, numbered 158/500, is likely part of the series promoting his 1994 concerts at the Houston International Ballroom. It embodies the vibrant creativity of its era, a time when independent artists infused their unique flair into promotional materials for punk rock and heavy metal gigs. With its captivating blend of colors, specific typography, and arrangement reminiscent of Russian Constructivism and horror movie posters...

Original “Student Winter in Poland with Almatur” horizontal Polish poster. Travel and tourism office of the Socialist Union of Polish Students”. Th...

Original aquatint etching by the well know French/Americwn artist, Etienne Ret. Signed by the artist in pencil lower right margin. Titled “Muse Chsmpetre” lower center margin in p...

This is an interesting multiple artwork signed by the author Vito Mastrorocco, an Italian talented young artist living in Italy in 1980. It was made in cast lost wax. This is a mult...

This sculpture is a multiple 1 piece of 50 realized in 1980 by the well known artist Bruno Chersicla. All the pieces are numbered and signed by the artist and completed by the Certif...

Lithograph after a drawing by Jean Cocteau Title: Europe Our Country Signed in the plate Dimensions: 33 x 46 cm Edition: 600 Luxury print edition from the portfolio of Sciaky 1961

A minimal geometric silkscreen of a traditional Japanese living room with cushions and a portable hand warmer by Yuiichiro Kato (Japanese, b- 1926). Displayed in a metal frame. Image...

Caricature etching by American artist Charles Bragg. A viking poses looking out into the distance. Viking Charles Bragg,American (1931–2017) Date: circa 1970 Etching, signed, number...

Lothar Gunther Buchheim (* 1918 † 2007) Title: In Coke we trust Color lithograph Year: 1968 Size: 24.0 × 16.8 inches Lothar-Günther Buchheim (February ...

Caricature etching by American artist Charles Bragg. Bragg depicts god creating new creatures The Fifth Day Charles Bragg, American (1931–2017) Date: circa 1970 Etching, signed, num...

Genre: Modern, Modernist Subject: Abstract Medium: Print, Aquatint Hand signed dated 1988, limited edition Surface: Paper Country: Italy Dimensions: 26" x 20" approximately Eugenio ...

Michael Knigin (American, b. 1942) Special Bird, 1971 Screenprint Sight: 27 1/4 x 17 1/2 in. Framed: 31 x 20 1/4 x 1 in. Signed, titled, numbered bottom Edition 28/100, Printed by Ch...

Original poster designed by Pierre Mendell (1929 – 2008) & Klaus Oberer (*1937) promoting an exhibition 1988 at Die Neue Sammlung in Munich on "Italian ...

The Woodstock Poster was originally commissioned by the Woodstock Book Shop and Woodstock Chamber of Commerce. It was subsequently purchased from the ...

"Personaje en un Cueva" (Personage in a Cave) Surrealist Lithograph by Rufino Tamayo (b. 1899 d. 1991.) Abstract figurative lithograph featuring a textured background and bold figur...

Al Hirschfeld’s Rock'n in the Free World Neil Young. This print is signed and numbered in pencil. Al Hirschfeld, American (1903–2003) Date: 2000 Lithograph, signed and numbered in p...

Salvador Dalí (Spanish, 1904-1989) Date: Circa 1970 Medium: Offset lithograph in color on paper Edition: Limited edition, typically 250 copies; this one is numbers 185 /225 Signa...

Alexander Calder Plate 5 (Derriere le Miroir # 212) Artist: Alexander Calder Medium: Original lithograph in colors Title: Plate 5 Portfolio: Derriere le M...

Untitled, 1981 (Stacked Signs Series) lithograph with Glosscote overprinting. Published by Holly Solomon Editions. (original gallery label photo is included for reference and not included in sale) Hand signed and numbered from limited edition of 40. This is a beautiful piece perfect for the Memphis Milano early 1980's Post Modern Era. It also bears influence from Pop Art (Particularly Allan D'Arcangelo) Gary Burnley...

"Maeght Editeur" is a color lithograph poster. This poster was for an exhibit on Alexander Calder's work in Paris, France. It depicts a black tree with red fruits on the left side an...

Alexander Calder Card Players (Derriere le Miroir # 212) Artist: Alexander Calder Medium: Original lithograph in colors Title: Card Players Portfolio: Derriere le Miroir #212 Year: 1...

Artist: Henri Matisse Title: La Voix Tintante Portfolio: Poesies Antillaises Medium: Lithograph Year: 1972 Edition: 250 Sheet Size: 14 7/8" x 11 1/8" Image Siz...

"Stabile with Red Sun Galerie Maught" is a color lithograph poster. The Stabile is a black topsy-turvy statue taking up most of the piece. A red sun sits to the right of the black st...

Jim Dine and Lee Friedlander From the Portfolio: Photographs and Etchings Lee Friedlander & Jim Dine, published by Petersberg Press 1969 Signed and numbered (Edition of 20/75). Paper...

"From the Series Cheval et Chevalier" is an original color lithograph signed in the lower right by the artist, Marino Marini. It depicts three red abstracted horses and their riders ...

Artist: Malcolm Morley, British (1931 - 2018) Title: Soldier Year: Circa 1980 Medium: Etching, signed and numbered in pencil Edition: 100 Image Size: 22 x 18 inches Size: 30 in. x 22...

Jean COCTEAU (1889-1963) Spain, Captivating Flamenco, 1971 Original Lithograph Signed in the plate Limited edition of 200 unnumbered copies INFORMATION: Original lithograph publis...

"Heart of the World II" (1988), lithograph numbered 11/30, dated and signed by John Anthony Miller, unfolds a tense, dense, and complex world where every centimeter holds a presence....

Wifredo Lam - Knight - Original Lithograph Published in the deluxe art review, XXe Siecle 1963 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Unsigned and unumbered as issued

"Texas Turtle Cup" 12,000.00 Ken Price 16 color screenprint Edition of 75 signed and numbered in pencil 1971 41 x 32.5'' Ken Price (1935 - 2012) received a BFA from the University...

Artist: Warrington Colescott Title Fracas at Calamity's Place Year: 1969 Medium: Lithograph Dimensions: 22.5” x 29.5” inches Edition: Signed, titled, and numbered 32/40 About the A...

MASSIMO LISTRI Trinity College Library, Dublin, Ireland, 2012 60 x 48 inches 150 x 120 cm Edition of 5 Chromogenic Print Signed, dated, and ...

MASSIMO LISTRI Castello di Friedstein a Gotha, Germany, 1999 48 x 60 inches 120 x 150 cm Edition of 5 Chromogenic Print Signed, dated, and numbered on verso label Unframed (Framin...

Artist: Warrington Colescott Title Out My Garden Window Year: 1969 Medium: Color drypoint, soft-ground etching, and aquatint, with roulette, vibrograver, à la poupée inking, found l...

Original screen print on archival paper by Theodorus Stamos. Untitled. Signed in pencil lower left. Edition. 73/75 in pencil lower right. Executed in 1965. Condition is excellent. ...

MASSIMO LISTRI Kunsthistoriches Museum III, Wien, Austria, 2014 60 x 48 inches 150 x 120 cm Edition of 5 Chromogenic Print Signed, dated, and numbered on verso label Unframed (Fra...

This unique monotype cyanotype, rendered in rich blue tones, draws inspiration from mid-century modern shapes to explore themes of balance and duality. Abstract forms echo harmony an...

Salvador Dalí (Spanish, 1904-1989) Date: Circa 1982 Medium: Offset lithograph in color on paper Edition: Limited edition, typically 100 copies; this one is numbered EA Signature:...

Shore Sentry, is an original color, limited edition lithograph on handmade German black etching paper; printed by Topaz Editions in 1977. Artist proofs 10. Edition size 100. Provenance:: A Sarasota, Florida collector Signed: Artist signed lower left with edition size Image size: 22 by 30 inches Sheet size: 30 by 38 inches Edition 38/100 Condition: Excellent Overall framed size: 30.25 by 38.25 inches Framed under plexiglass in chrome colored metal gallery frame SYD SOLOMON BIOGRAPHY Written by Dr. Lisa Peters/Berry Campbell Gallery “Here, in simple English, is what Syd Solomon does: He meditates. He connects his hand and paintbrush to the deeper, quieter, more mysterious parts of his mind- and he paints pictures of what he sees and feels down there.” --Kurt Vonnegut Jr. from Palm Sunday, 1981 Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow...

MASSIMO LISTRI Reggia di Caserta VII, Italy, 1993 60 x 48 inches 150 x 120 cm Edition of 5 Chromogenic Print Signed, dated, and numbered on verso label Unframed (Framing options a...