Post-Modern Prints and Multiples

MASSIMO LISTRI Trinity College Library, Dublin, Ireland, 2012 60 x 48 inches 150 x 120 cm Edition of 5 Chromogenic Print Signed, dated, and ...

"Dos Personajes Atacado Per Perros" by Rufino Tamayo is a Figurative Abstraction Mixographia on amate paper measuring 61x98 in. The piece is sandwiched between two pieces of plexigla...

"Texas Turtle Cup" 12,000.00 Ken Price 16 color screenprint Edition of 75 signed and numbered in pencil 1971 41 x 32.5'' Ken Price (1935 - 2012) received a BFA from the University...

MASSIMO LISTRI Massimo Listri - Palazzo Reale, Stockholm, Sweden, 2012 60 x 48 inches 150 x 120 cm Edition of 5 Chromogenic Print Signed, dated, and numbered on verso label Unrame...

Artist: Warrington Colescott Title Fracas at Calamity's Place Year: 1969 Medium: Lithograph Dimensions: 22.5” x 29.5” inches Edition: Signed, titled, and numbered 32/40 About the A...

Witness Charles Bragg, American (1931–2017) Date: 1976 Lithograph Image Size: 5.5 x 7 inches Size: 11.5 in. x 14.5 in. (29.21 cm x 36.83 cm)

Caricature etching by American artist Charles Bragg. A group of jurors stares aimlessly around a courtroom. The Jury 2 Charles Bragg, American (1931–2017) Date: circa 1970 Etching, ...

Michael Knigin (American, b. 1942) East Riverdance, 1978 Lithograph (?) Sight: 33 x 21 1/2 in. (image) Framed: 41 1/8 x 29 x 3/4 in. Signed, titled, dated, and numbered bottom Editio...

Original offset colored lithograph travel poster titled “Holland” by the Dutch artist, Paul Erkelens. Signed in the print lower right and dated 1945. Published by Dejong & Company,...

This unique monotype cyanotype, rendered in rich blue tones, draws inspiration from mid-century modern shapes to explore themes of balance and duality. Abstract forms echo harmony an...

Includes a Certificate of Authenticity

Original aquatint etching by the well know French/Americwn artist, Etienne Ret. Signed by the artist in pencil lower right margin. Titled “Muse Chsmpetre” lower center margin in p...

Tom Bartek (American/Nebraska, 1932). "Winter Still Life" -1973, screenprint. Pencil signed, titled, dated and numbered 111 of 112, Approx. 30.25" x 30.25" (frame), 25" x 25.5" (sigh...

Flowers Color lithograph Signed in pencil (see photo) Annotated in pencil "Eprueve HC" (see photo) A trial proof reserved for the artist Printed by Mourlot, Paris First edition was 1...

This artwork titled "Impressionabilita" 1969, is an original color screen print on wove by noted Italian artist Marino Marini, 1901-1980. It is hand signed and numbered 93/125 in pen...

In order to subvert common associations, Baldessari calls one’s attention to minute details, absurd juxtapositions, and obscured or fragmented portions of imagery.

Al Held (American, 1928-2005), Untitled (Cubes), Lithograph on Strathmore Paper, 1969, signed in pencil and numbered edition "67 / 100" to verso, Strathmore blindstamp lower right co...

MASSIMO LISTRI Massimo Listri - Hermitage Museum IV, St. Petersburg (Portrait of Interiors), 2018 48 x 60 inches 120 x 150 cm Edition of 5 Chromogen...

MASSIMO LISTRI Massimo Listri - Venaria Reale VIII, Torino, Italy (Portrait of Interiors), 2018 48 x 60 inches 120 x 150 cm Edition of 5 Chromogenic Print Signed, dated, and numbe...

This sculpture is a multiple 1 piece of 50 realized in 1980 by the well known artist Bruno Chersicla. All the pieces are numbered and signed by the artist and completed by the Certif...

Dimensions w/Frame: 18.5 X 14.5 Alek Rapoport (November 24, 1933, Kharkiv, Ukraine SSR – February 4, 1997, San Francisco) was a Russian Nonconformist artist, art theorist and teacher. Alek Rapoport spent his childhood in Kiev (Ukraine SSR). During Stalin's "purges" both his parents were arrested. His father was shot and his mother spent ten years in a Siberian labor camp. Rapoport lived with his aunt. At the beginning of World War II, he was evacuated to the city of Ufa (the Bashkir Autonomous Soviet Socialist Republic). A time of extreme loneliness, cold, hunger and deprivation, this period also marked the beginning of Rapoport's drawing studies. After the war, Rapoport lived in Chernovtsy (Western Ukraine), a city with a certain European flair. At the local House of Folk Arts, he found his first art teacher, E.Sagaidachny (1886–1961), a former member of the nonconformist artist groups Union of the Youth (Soyuz Molodyozhi) and Donkey's Tail, popular during the 1910s–1920s. His other art teacher was I. Beklemisheva (1903–1988). Impressed by Rapoport's talent, she later (1950) organized his move to Leningrad, where he entered the famous V.Serov School of Art (the former School of the Imperial Society for the Promotion of Arts, OPKh, later the Tavricheskaya Art School). His association with this school lasted eight years, first as a student, and then, from 1965 to 1968, as a teacher. With "Socialist realism" the only official style during this time, most of the art school's faculty had to conceal any prior involvement in non-conformist art movements. Ya.K.Shablovsky, V.M.Sudakov, A.A.Gromov introduced their students to Constructivism only through clandestine means. (1959–1963) Rapoport studied stage design at the Leningrad Institute of Theater, Music and Cinema under the supervision of the famous artist and stage director N.P.Akimov. Akimov taught a unique course based on theories of Russian Suprematism and Constructivism, while encouraging his graduate students to apply their knowledge to every field of art design. Despite differences in personal artistic taste with Akimov, who was drawn to Vermeer and Dalí, Rapoport was influenced by Akimov's personality and liberalism, as well as the logical style of his art. In 1963, Rapoport graduated from the institute. His highly acclaimed MFA work involved the stage and costume design for I.Babel's play Sunset. In preparation, he traveled to the southwest regions of the Soviet Union, where he accumulated many objects of Judaic iconography from former ghettos, disappearing synagogues and old cemeteries. He wandered Odessa in search of Babel's characters and the atmosphere of his books. He organized a new liberal course in technical aesthetics, introducing his students to Lotman's theory of semiotics, the Modulor of Le Corbusier, the Bauhaus school, Russian Constructivism, Russian icons and contemporary Western art. As a result of his "radicalism," Rapoport was fired for "ideological conspiracy." He sought to cultivate himself as Jewish artist. This became particularly noticeable after the Six-Day War, when the Israeli victory led intellectuals, including the Jewish intelligentsia, to feel a heightened interest in Jewish culture and its Biblical roots. Rapoport's works of this period include Three Figures, a series of images of Talmudic Scholars, and works dealing with anti-Semitism. In the 1970s Rapoport joined the non-conformist movement, which opposed the dogmas of "Socialist realism" in art, along with Soviet censorship. The movement sought to preserve the traditions of Russian iconography...

Original Italy bicycling travel poster. Archival linen backed in excellent condition, ready to frame. The images shown are of the exact poster you ...

Artist: Charles Bragg, American (1931 - 2017) Title: The Perfect Couple 2 Medium: Etching, signed, numbered, and titled in pencil Edition: 300 Image Size: 9 x 12 inches Paper Size: ...

Artist Name: Ernesto Amsterdam Title: Capturing the Essence of Amsterdam: Medium Type: Lithograph on Arches Archival Pape Size-Width Size-Height: 46½'' x 28¾'' inches Signed Edit...

Artist: Rafael Coronel (after), Mexican (1931 - ) Title: Galeria de Arte Misrachi Year: 1978 Medium: Portfolio of 20 Offset Lithographs, each signed in the plate Edition Size: 2000 P...

This sculpture is a multiple 1 piece of 50 realized in 1980 by the well known international artist Riccardo Dalisi. All the pieces are numbered and signed by the artist and complete...

"Accidente" - 1943 Linocut on Paper "Accidente" from the portfolio "25 Prints of Leopoldo Méndez", depicts a figure, upside down, appearing to fall downward from a ladder. Another f...

Shore Sentry, is an original color, limited edition lithograph on handmade German black etching paper; printed by Topaz Editions in 1977. Artist proofs 10. Edition size 100. Provenance:: A Sarasota, Florida collector Signed: Artist signed lower left with edition size Image size: 22 by 30 inches Sheet size: 30 by 38 inches Edition 38/100 Condition: Excellent Overall framed size: 30.25 by 38.25 inches Framed under plexiglass in chrome colored metal gallery frame SYD SOLOMON BIOGRAPHY Written by Dr. Lisa Peters/Berry Campbell Gallery “Here, in simple English, is what Syd Solomon does: He meditates. He connects his hand and paintbrush to the deeper, quieter, more mysterious parts of his mind- and he paints pictures of what he sees and feels down there.” --Kurt Vonnegut Jr. from Palm Sunday, 1981 Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Ugo Cara’ was born in Trieste, Italy in 1908. He took part to numerous Home and International Shows, among which: International Biennale in Venice, Quadrienni...

Abstract Color Field Lithograph in Pale Blue and Brown by American Beat artist Will Peterson (1928-1994.) This lithograph blends the linework and movement of abstract impressionism with a color field-esque composition. A long copper-brown rectangle shines through from the bottom layer of the colors. It is then crossed in multiple places by black linework and hatching. Around this shape a pale cornflower blue acts as a frame and crosses the brown shape in the center. The addition of the cool black and blue tones creates a sense of warmth in the underlying shape. Lithograph is printed on wove paper which is fixed to a larger piece of handmade paper containing the artists signature and a small embossing found on his other pieces from this time period. This paper is displayed on top of a linen covered board with sturdy wood edges and a plexiglass over over the entire piece. Will Peterson was born in Chicago in 1928 to German immigrant parents. He contracted Polio when he was in High School and thus spent much of his early years ill. During this time he started working as a cartoonist for his high school’s paper. He started his official art studies at Wilber Wright College in Chicago and later earned a BA and a MA at Michigan State University. Here he studied print making and lithography under John S. deMartelly. He began enjoying artistic success while still in graduate school, exhibiting at the Detroit Art Institute, the Terry Art Institute, the National Print Exhibition, and the Boston Printmakers. Peterson was drafted into the army in 1952 and thus spent time in Korea and Japan. His time as an educational specialist in Hokkaido was a formative experience for him and his interest in Japanese calligraphy and other arts influenced his later work. Upon returning to the United States, he moved to Oakland, California. He became involved with the beat movement and after founding the Bay Printmakers Society with fellow artist Mel Strawn...

Howard Hodgkin Alexander Street, 1978 Serigraph in multiple colours on Velin Arches 300 gsm mould-made paper with deckled edges Signed, dated and numbered to lower edge '42/90 Hodgki...

Artist: Enrico Baj, Italian (1924 - 2003) Title: Les Demoiselles Year: circa 1980 Medium: Silkscreen on Flocked Paper with glitter, signed and numbered in pencil Edition: 35/250 Imag...

This is an interesting multiple artwork signed by the author Vito Mastrorocco, an Italian talented young artist living in Italy in 1980. It was made in cast lost wax. This is a mult...

"Two Horses from Homage to Marino Marini" is an original color lithograph signed in stone by Marino Marini. It depicts a horse and rider in abstracted contour lines and black shapes ...

Germany by bicycle original 1972 serigraph travel poster. Archivally backed linen is in excellent condition and ready to frame. The images shown are of the exact poster you will receive. This European bicycle posters are rare and very difficult to find in any condition! Germany has a rich tradition of travel posters often featuring bicycles, reflecting the country's cycling culture and scenic landscapes. These posters showcase Germany's beautiful countryside, picturesque towns, and well-maintained cycling paths, encouraging tourism and outdoor activities. Cycling in Germany is popular due to its extensive network of bike paths and routes, including the famous Romantic Road and the scenic paths along the Rhine River. Travel posters from various periods may highlight popular cycling destinations such as the Bavarian Alps and the Black Forest and charming cities like Heidelberg and Rothenburg ob der Tauber. Bicycles Across Time Periods: The poster illustrates the evolution of bicycles over the years, showcasing various designs from different eras. This could range from the early penny-farthing models of the 19th century to modern road bikes and bicycles built for two...

Lothar Gunther Buchheim (* 1918 † 2007) Title: In Coke we trust Color lithograph Year: 1968 Size: 24.0 × 16.8 inches Lothar-Günther Buchheim (February ...

"One of Twelve VI" is an etching, 1995, 4 3/4 x 4 3/4, edition: 24, signed in pencil. The print has an embossed chop in the lower right corner, a capital P in a circle indicating th...

Europe on bicycles vintage serigraph poster. Professionally linen backed and ready to frame in mint condition. Images shown are of the exact poster you will receive. Bicycles Acr...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond. The group was both prolific and multi-disciplinary long before it became de rigueur. They use photography, sculpture, painting, mail art, video, installation, multiples, and performance. With their subversive approach and interest in parody and appropriation, General Idea addressed a broad range of social (and art-world) issues such as the cult of the artist, mass media, queer identity, and consumerism. Thematic continuity was a key element in General Idea's work. Early on they introduced talismans or logos that they would revisit and re-envision, including skulls, ziggurats, and poodles. This print comes from "Fear Management": a set of 8 prints...

Delicate Abstract Lithograph with Blue and Orange by American Beat artist Will Peterson (1928-1994.) This lithograph blends the linework and movement of abstract impressionism with a color field-esque composition. The vibrant orange rectangle in the center of the piece is bracketed by a contrasting cobalt border. The edges of these shapes are softened by delicate linework and areas of hazy lighter blues and whites. Overall, this creates an atmospheric and striking piece. Lithograph is printed on wove paper which is fixed to a larger piece of handmade paper containing the artists signature and a small embossing found on his other pieces from this time period. This paper is displayed on top of a linen covered board with sturdy wood edges and a plexiglass over over the entire piece. Will Peterson was born in Chicago in 1928 to German immigrant parents. He contracted Polio when he was in High School and thus spent much of his early years ill. During this time he started working as a cartoonist for his high school’s paper. He started his official art studies at Wilber Wright College in Chicago and later earned a BA and a MA at Michigan State University. Here he studied print making and lithography under John S. deMartelly. He began enjoying artistic success while still in graduate school, exhibiting at the Detroit Art Institute, the Terry Art Institute, the National Print Exhibition, and the Boston Printmakers. Peterson was drafted into the army in 1952 and thus spent time in Korea and Japan. His time as an educational specialist in Hokkaido was a formative experience for him and his interest in Japanese calligraphy and other arts influenced his later work. Upon returning to the United States, he moved to Oakland, California. He became involved with the beat movement and after founding the Bay Printmakers Society with fellow artist Mel Strawn...

Dimensions w/Frame: 25 3/4" x 20 3/4" Alek Rapoport (November 24, 1933, Kharkiv, Ukraine SSR – February 4, 1997, San Francisco) was a Russian Nonconformist artist, art theorist and teacher. Alek Rapoport spent his childhood in Kiev (Ukraine SSR). During Stalin's "purges" both his parents were arrested. His father was shot and his mother spent ten years in a Siberian labor camp. Rapoport lived with his aunt. At the beginning of World War II, he was evacuated to the city of Ufa (the Bashkir Autonomous Soviet Socialist Republic). A time of extreme loneliness, cold, hunger and deprivation, this period also marked the beginning of Rapoport's drawing studies. After the war, Rapoport lived in Chernovtsy (Western Ukraine), a city with a certain European flair. At the local House of Folk Arts, he found his first art teacher, E.Sagaidachny (1886–1961), a former member of the nonconformist artist groups Union of the Youth (Soyuz Molodyozhi) and Donkey's Tail, popular during the 1910s–1920s. His other art teacher was I. Beklemisheva (1903–1988). Impressed by Rapoport's talent, she later (1950) organized his move to Leningrad, where he entered the famous V.Serov School of Art (the former School of the Imperial Society for the Promotion of Arts, OPKh, later the Tavricheskaya Art School). His association with this school lasted eight years, first as a student, and then, from 1965 to 1968, as a teacher. With "Socialist realism" the only official style during this time, most of the art school's faculty had to conceal any prior involvement in non-conformist art movements. Ya.K.Shablovsky, V.M.Sudakov, A.A.Gromov introduced their students to Constructivism only through clandestine means. (1959–1963) Rapoport studied stage design at the Leningrad Institute of Theater, Music and Cinema under the supervision of the famous artist and stage director N.P.Akimov. Akimov taught a unique course based on theories of Russian Suprematism and Constructivism, while encouraging his graduate students to apply their knowledge to every field of art design. Despite differences in personal artistic taste with Akimov, who was drawn to Vermeer and Dalí, Rapoport was influenced by Akimov's personality and liberalism, as well as the logical style of his art. In 1963, Rapoport graduated from the institute. His highly acclaimed MFA work involved the stage and costume design for I.Babel's play Sunset. In preparation, he traveled to the southwest regions of the Soviet Union, where he accumulated many objects of Judaic iconography from former ghettos, disappearing synagogues and old cemeteries. He wandered Odessa in search of Babel's characters and the atmosphere of his books. He organized a new liberal course in technical aesthetics, introducing his students to Lotman's theory of semiotics, the Modulor of Le Corbusier, the Bauhaus school, Russian Constructivism, Russian icons and contemporary Western art. As a result of his "radicalism," Rapoport was fired for "ideological conspiracy." He sought to cultivate himself as Jewish artist. This became particularly noticeable after the Six-Day War, when the Israeli victory led intellectuals, including the Jewish intelligentsia, to feel a heightened interest in Jewish culture and its Biblical roots. Rapoport's works of this period include Three Figures, a series of images of Talmudic Scholars, and works dealing with anti-Semitism. In the 1970s Rapoport joined the non-conformist movement, which opposed the dogmas of "Socialist realism" in art, along with Soviet censorship. The movement sought to preserve the traditions of Russian iconography and the Constructivist/Suprematist style of the 1910s. Despite the authorities' persecutions of nonconformist artists (including arrests, forced evictions, terminations of employment, and various forms of routine hassling), they united in a group, "TEV – Fellowship of Experimental Exhibitions." TEV's exhibitions proved tremendously successful. In the same period, Rapoport became one of the initiators of another anti-establishment group, ALEF (Union of Leningrad's Jewish Artists). In the United States this group was known as "Twelve from the Soviet Underground." Rapoport's involvement with this group increased tension with the authorities and attracted KGB scrutiny, including "friendly conversations," surveillance, detentions and house arrests. It became increasingly dangerous for him to live and work in the USSR. In October 1976, Rapoport with his wife and son were forced to leave Russia. In Italy, Rapoport exhibited at the Venice Biennale, "La Nuova Arte Sovietica-Una prospettiva non-ufficiale" (1977), participated in television programs about nonconformist art in the Soviet Union, and created lithographic works continuing his theme of Jewish characters from Babel's play Sunset. In 1977, Rapoport's family was granted U.S. immigration status and settled in San Francisco. a significant event in Rapoport's life occurred in his meeting with San Francisco gallery owner Michael Dunev, who became his friend and representative, organizing all his exhibitions until the artist's death. Toward the end of the 1980s and beginning of the 1990s, Rapoport completed his most ambitious works on the theme of the Old Testament prophets: Samson Destroying the House of the Philistines (1989), Lamentation and Mourning and Woe (1990), the four paintings Angel and Prophets (1990–1991) and Three Deeds of Moses (1992). In 1992, the artist's friends in St. Petersburg organized the first exhibition of his works there since his departure into exile, with works patiently gathered from collectors and art museums. This exhibition, held in the City Museum of St. Petersburg and accompanied by headlines such as "A St. Petersburg artist returns to his town," was followed by much larger ones in 1993 (St. Petersburg and Moscow), organized in collaboration with Michael Dunev Gallery under the name California Branches – Russian Roots. He Exhibited in "Soviet Artists, Jewish Themes...

Delicate Abstract Lithograph in Pale Blues and Greys by American Beat artist Will Peterson (1928-1994.) This lithograph features a soft warm grey background overlayed with light blue shading and line work. In the bottom center of the piece is a spiky white shape. The colors and shapes are subtle and feel reminiscent of ice. Lithograph is printed on wove paper which is fixed to a larger piece of handmade paper containing the artists signature and a small embossing found on his other pieces from this time period. This paper is displayed on top of a linen covered board with sturdy wood edges and a plexiglass over over the entire piece. Will Peterson was born in Chicago in 1928 to German immigrant parents. He contracted Polio when he was in High School and thus spent much of his early years ill. During this time he started working as a cartoonist for his high school’s paper. He started his official art studies at Wilber Wright College in Chicago and later earned a BA and a MA at Michigan State University. Here he studied print making and lithography under John S. deMartelly. He began enjoying artistic success while still in graduate school, exhibiting at the Detroit Art Institute, the Terry Art Institute, the National Print Exhibition, and the Boston Printmakers. Peterson was drafted into the army in 1952 and thus spent time in Korea and Japan. His time as an educational specialist in Hokkaido was a formative experience for him and his interest in Japanese calligraphy and other arts influenced his later work. Upon returning to the United States, he moved to Oakland, California. He became involved with the beat movement and after founding the Bay Printmakers Society with fellow artist Mel Strawn...

"Sur les Ponts de Paris" (Bridges of Paris) is an original color lithograph by Francois Batet, signed on the lower right corner. Three women in stylish 20's fashion cruise by in the ...

Caricature etching by American artist Charles Bragg. A jury of different caricatures sits unamused before a smiling attorney. The Defense Rests Charles Bragg, American (1931–2017) ...

This artwork titled "l'Attesa" 1965, is an original color lithograph on BFK Rives paper by noted Italian artist Marino Marini, 1901-1980. It is hand signed and numbered 38/60 in penc...

This sculpture is a multiple 1 piece of 50 realized in 1980 by the well known artist Bruno Chersicla. All the pieces are numbered and signed by the artist and completed by the Certificate of the artist and the Editor who made the artworks. The white painted metal sculpture...

Howard Hodgkin Tropical Fruit, 1981 Colour screenprint on Velin Arches paper, signed with initials, dated and numbered 69/100 in pencil 78.5 x 93.8 cm - Sheet 91.4 x 106.3 cm - Frame...

This sculpture is a multiple 1 piece of 50 realized in 1980 by the wellknown International artist Riccardo Dalisi. All the pieces are numbered and signed by the artist and completed ...

This is an interesting multiple artwork signed by the author Vanni Viviani, a 1980’ Italian artist well known internationally. Title Piccolo Universo In ...

Vintage Poster for the exhibition Editions de se sur Marcel Duchamp. One of 400 copies with title and date of exhibition, of a total edition of 500. Unsigned. Schwarz, Ref: Catalogue Rainsonne 396 Marcel Duchamp was born July 28, 1887, in France. After the sensation caused by Nude Descending a...

This sculpture is a multiple 1 piece of 50 realized in 1980 by the well known international artist Riccardo Dalisi. All the pieces are numbered and signed by the artist and completed...

Aldo Luongo "Windy Beach II" Serigraph c.1990 Signed / Numbered Beautiful vintage serigraph by listed Argentinian / American artist Aldo Luongo (b. 1941) The scene is windy beach in the dunes, with reeds blowing in the wind. This is a large serigraph...

This sculpture is a multiple 1 piece of 50 realized in 1980 by the well known artist Bruno Chersicla. All the pieces are numbered and signed by the artist and completed by the Certif...

paper: 22 x 15 in. printed image: 4 3/4 x 6 in. english translation: Long Hand Crab Latin

Caricature etching by American artist Charles Bragg. Bragg depicts god creating new creatures The Fifth Day Charles Bragg, American (1931–2017) Date: circa 1970 Etching, signed, num...

Caricature etching by American artist Charles Bragg. A viking poses looking out into the distance. Viking Charles Bragg,American (1931–2017) Date: circa 1970 Etching, signed, number...

Tort Charles Bragg, American (1931–2017) Date: 1976 Lithograph Image Size: 5.5 x 8 inches Size: 11.5 in. x 14.5 in. (29.21 cm x 36.83 cm)

Will Rogers Al Hirschfeld, American (1903–2003) Date: 1991 Lithograph, signed in pencil Edition: Printer's Proof Size: 20.5 x 26 in. (52.07 x 66.04 cm)

"One of Twelve X" is an etching, 1995, 4 3/4 x 4 3/4, edition: 24, signed in pencil. The print has an embossed chop in the lower right corner, a capital P in a circle indicating tha...