Post-Modern Prints and Multiples

This sculpture is a multiple 1 piece of 50 realized in 1980 by the well known international artist Riccardo Dalisi. All the pieces are numbered and signed by the artist and completed by the Certificate of the artist and the Editor who made the artworks. The white painted metal sculpture...

Statue of Liberty Three versions shown. Please contact to order correct one. All are on approximately 11x15 inch various hot and cold type Hahnemule, Arches and Rives papers. Image s...

Caricature etching by American artist Charles Bragg. A happy group of people is presented with drinks and smiles, presumably the people who hang out or work at the Klondike Bar & Gri...

Caricature etching by American artist Charles Bragg. A group of jurors stare aimlessly around a courtroom. The Jury Charles Bragg, American (1931–2017) Date: 1976 Lithograph Image S...

This sculpture is a multiple 1 piece of 50 realized in 1980 by the well known artist Bruno Chersicla. All the pieces are numbered and signed by the artist and completed by the Certif...

This sculpture is a multiple 1 piece of 50 realized in 1980 by the well known international artist Riccardo Dalisi. All the pieces are numbered and signed by the artist and completed...

paper: 22 x 15 in. printed image: 4 3/4 x 6 in. english translation: Long Hand Crab Latin

Caricature etching by American artist Charles Bragg. The Oath Charles Bragg, American (1931–2017) Date: 1976 Lithograph Image Size: 6 x 9 inches Size: 11.5 in. x 14.5 in. (29.21 cm ...

"One of Twelve XI" is an etching, 1995, 4 3/4 x 4 3/4, edition: 24, signed in pencil. The print has an embossed chop in the lower right corner, a capital P in a circle indicating th...

"Windfalls" is a framed original color lithograph by Helen Rundell, signed in the lower right corner and numbered in the lower left. The image depicts an overflowing bushel of apples...

"One of Twelve X" is an etching, 1995, 4 3/4 x 4 3/4, edition: 24, signed in pencil. The print has an embossed chop in the lower right corner, a capital P in a circle indicating tha...

The boy 1/17. 1983. Paper, lithography, 39x51 cm The artwork was published in the catalog - "Baņuta Ancāne. Personālizstāde ''Rīgas galerijā''. 30.09.-11.10.2003" Publisher: Neputn...

A minimal geometric silkscreen of a traditional Japanese living room with cushions and a portable hand warmer by Yuiichiro Kato (Japanese, b- 1926). Displayed in a metal frame. Image...

Lothar Gunther Buchheim (* 1918 † 2007) Title: In Coke we trust Color lithograph Year: 1968 Size: 24.0 × 16.8 inches Lothar-Günther Buchheim (February ...

Hans Jurgen Diehl Kohlkoepfe Year: 1971 Medium: Color Etching Edition: 10 Size: 33.5 x 25.5 in. Publisher: Ketterer, Germany Signed, numbered and/or titled Hans-Jürgen Diehl was bor...

Reiner Schwarz "Reiner Schwarz" (III) From Portfolio "Portrait #11 - Reiner Schwarz" with Karin Szekessy Year: 1972 Medium: Phototype (Lichtdruck) Edition: 100 Size: 26.4 x 20.1 in. ...

Caricature etching by American artist Charles Bragg. A viking poses looking out into the distance. Viking Charles Bragg,American (1931–2017) Date: circa 1970 Etching, signed, number...

Caricature etching by American artist Charles Bragg. Bragg depicts god creating new creatures The Fifth Day Charles Bragg, American (1931–2017) Date: circa 1970 Etching, signed, num...

Witness Charles Bragg, American (1931–2017) Date: 1976 Lithograph Image Size: 5.5 x 7 inches Size: 11.5 in. x 14.5 in. (29.21 cm x 36.83 cm)

A signed and numbered etching of a nude couple sitting outside and laughing. This black-and-white print is done in Bragg’s signature caricature style. The Lovers Charles Bragg, Amer...

Artist proof intaglio print of a trio of Jazz players by the American printmaker and author, Ruth Leaf. Signed, dated and titled in pencil. Condition: Very good. Provenance: Art-O-Rama, 1965. The artwork is matted and in its original thick mahogany frame with brass front edge. Overall framed 25 by 31.25 inches. Not examined out of frame. Ruth Leaf (1923 - 2015) Ruth Leaf was an American artist and a pioneer in the discipline of printmaking. While also fluent in the methods of linoleum, monotype, collagraph and collage, she is most known for her viscosity etchings...

Artist proof edition of 150 Signed in pencil lower right and in pencil lower left Sight size 18 x 12 in Overall size in Museum quality matted frame 30 x 23 in

"Maria (Artist's Wife)" is an original etching by Moishe Smith, signed in the bottom right corner and numbered in the bottom left. The piece depicts a seated woman from the waist up,...

Genre: Modern, Modernist Subject: Abstract Medium: Print, Aquatint Hand signed dated 1988, limited edition Surface: Paper Country: Italy Dimensions: 26" x 20" approximately Eugenio ...

"Little Crow-Sioux" is an original lithograph created by Leonard Baskin. This is a proof purchased directly from the artist. Baskin signed the work in the lower right margin and lab...

"Ebb Tide" is an original color lithograph by Helen Rundell, signed in the lower right corner. It depicts a light sea green rowboat with red oars stranded on a rocky shore at low tid...

Genre: Modern, Modernist Subject: Abstract Medium: Print, Aquatint Hand signed dated 1988, limited edition Surface: Paper Country: Italy Dimensions: 26" x 20" approximately Eugenio ...

Genre: Modern, Modernist Subject: Abstract Medium: Print, Aquatint Hand signed dated 1988, limited edition Surface: Paper Country: Italy Dimensions: 26" x 20" approximately Eugenio ...

Dimensions w/Frame: 25 3/4" x 20 3/4" Alek Rapoport (November 24, 1933, Kharkiv, Ukraine SSR – February 4, 1997, San Francisco) was a Russian Nonconformist artist, art theorist and teacher. Alek Rapoport spent his childhood in Kiev (Ukraine SSR). During Stalin's "purges" both his parents were arrested. His father was shot and his mother spent ten years in a Siberian labor camp. Rapoport lived with his aunt. At the beginning of World War II, he was evacuated to the city of Ufa (the Bashkir Autonomous Soviet Socialist Republic). A time of extreme loneliness, cold, hunger and deprivation, this period also marked the beginning of Rapoport's drawing studies. After the war, Rapoport lived in Chernovtsy (Western Ukraine), a city with a certain European flair. At the local House of Folk Arts, he found his first art teacher, E.Sagaidachny (1886–1961), a former member of the nonconformist artist groups Union of the Youth (Soyuz Molodyozhi) and Donkey's Tail, popular during the 1910s–1920s. His other art teacher was I. Beklemisheva (1903–1988). Impressed by Rapoport's talent, she later (1950) organized his move to Leningrad, where he entered the famous V.Serov School of Art (the former School of the Imperial Society for the Promotion of Arts, OPKh, later the Tavricheskaya Art School). His association with this school lasted eight years, first as a student, and then, from 1965 to 1968, as a teacher. With "Socialist realism" the only official style during this time, most of the art school's faculty had to conceal any prior involvement in non-conformist art movements. Ya.K.Shablovsky, V.M.Sudakov, A.A.Gromov introduced their students to Constructivism only through clandestine means. (1959–1963) Rapoport studied stage design at the Leningrad Institute of Theater, Music and Cinema under the supervision of the famous artist and stage director N.P.Akimov. Akimov taught a unique course based on theories of Russian Suprematism and Constructivism, while encouraging his graduate students to apply their knowledge to every field of art design. Despite differences in personal artistic taste with Akimov, who was drawn to Vermeer and Dalí, Rapoport was influenced by Akimov's personality and liberalism, as well as the logical style of his art. In 1963, Rapoport graduated from the institute. His highly acclaimed MFA work involved the stage and costume design for I.Babel's play Sunset. In preparation, he traveled to the southwest regions of the Soviet Union, where he accumulated many objects of Judaic iconography from former ghettos, disappearing synagogues and old cemeteries. He wandered Odessa in search of Babel's characters and the atmosphere of his books. He organized a new liberal course in technical aesthetics, introducing his students to Lotman's theory of semiotics, the Modulor of Le Corbusier, the Bauhaus school, Russian Constructivism, Russian icons and contemporary Western art. As a result of his "radicalism," Rapoport was fired for "ideological conspiracy." He sought to cultivate himself as Jewish artist. This became particularly noticeable after the Six-Day War, when the Israeli victory led intellectuals, including the Jewish intelligentsia, to feel a heightened interest in Jewish culture and its Biblical roots. Rapoport's works of this period include Three Figures, a series of images of Talmudic Scholars, and works dealing with anti-Semitism. In the 1970s Rapoport joined the non-conformist movement, which opposed the dogmas of "Socialist realism" in art, along with Soviet censorship. The movement sought to preserve the traditions of Russian iconography and the Constructivist/Suprematist style of the 1910s. Despite the authorities' persecutions of nonconformist artists (including arrests, forced evictions, terminations of employment, and various forms of routine hassling), they united in a group, "TEV – Fellowship of Experimental Exhibitions." TEV's exhibitions proved tremendously successful. In the same period, Rapoport became one of the initiators of another anti-establishment group, ALEF (Union of Leningrad's Jewish Artists). In the United States this group was known as "Twelve from the Soviet Underground." Rapoport's involvement with this group increased tension with the authorities and attracted KGB scrutiny, including "friendly conversations," surveillance, detentions and house arrests. It became increasingly dangerous for him to live and work in the USSR. In October 1976, Rapoport with his wife and son were forced to leave Russia. In Italy, Rapoport exhibited at the Venice Biennale, "La Nuova Arte Sovietica-Una prospettiva non-ufficiale" (1977), participated in television programs about nonconformist art in the Soviet Union, and created lithographic works continuing his theme of Jewish characters from Babel's play Sunset. In 1977, Rapoport's family was granted U.S. immigration status and settled in San Francisco. a significant event in Rapoport's life occurred in his meeting with San Francisco gallery owner Michael Dunev, who became his friend and representative, organizing all his exhibitions until the artist's death. Toward the end of the 1980s and beginning of the 1990s, Rapoport completed his most ambitious works on the theme of the Old Testament prophets: Samson Destroying the House of the Philistines (1989), Lamentation and Mourning and Woe (1990), the four paintings Angel and Prophets (1990–1991) and Three Deeds of Moses (1992). In 1992, the artist's friends in St. Petersburg organized the first exhibition of his works there since his departure into exile, with works patiently gathered from collectors and art museums. This exhibition, held in the City Museum of St. Petersburg and accompanied by headlines such as "A St. Petersburg artist returns to his town," was followed by much larger ones in 1993 (St. Petersburg and Moscow), organized in collaboration with Michael Dunev Gallery under the name California Branches – Russian Roots. He Exhibited in "Soviet Artists, Jewish Themes...

Artist: Henri Matisse Title: La Voix Tintante Portfolio: Poesies Antillaises Medium: Lithograph Year: 1972 Edition: 250 Sheet Size: 14 7/8" x 11 1/8" Image Siz...

"Americana" is a major and consistent theme in Robert Rauschenberg's oeuvre. The artist embraces it, expounds on it, subverts it and dissects it. Not surprisingly political elemen...

Richard Avedon was an American fashion and portrait photographer who's work often showed the vulnerability and humanity in celebrities. This poster is signed in marker. Published by ...

Untitled, 1981 (Stacked Signs Series) lithograph with Glosscote overprinting. Published by Holly Solomon Editions. (original gallery label photo is included for reference and not included in sale) Hand signed and numbered from limited edition of 40. This is a beautiful piece perfect for the Memphis Milano early 1980's Post Modern Era. It also bears influence from Pop Art (Particularly Allan D'Arcangelo) Gary Burnley...

Artist: Albert Hirschfeld Title: Kabuki Kyo Medium: Lithograph, signed and numbered in pencil Edition: 1116/275 Size: 30 x 21.75 in. (76.2 x 55.25 cm)

Richard Avedon was an American fashion and portrait photographer who's work often showed the vulnerability and humanity in celebrities. This poster is signed in marker. Published by ...

Richard Avedon was an American fashion and portrait photographer who's work often showed the vulnerability and humanity in celebrities. This poster is signed in marker. Published by ...

"New Hampshire Green" is an original color lithograph by Helen Rundell, signed in the lower right corner and numbered in the lower left. The piece features a massive old tree next to...

Artist: Dganit Blechner, Israeli (1957 - ) Title: Marilyn Monroe Medium: Screenprint on Canvas, signed and numbered in marker verso Edition: 2/8 Size: 27.5 x 47 in. (69.85 x 119.38 ...

Ernst Iosifovich Neizvestny (Russian: Эрнст Ио́сифович Неизве́стный) (born 1925) is a Russian sculptor. He lives and works in New York City. Non Conformist Post Soviet Avant Garde Neizvestny was born 9 April 1925 in Sverdlovsk (now Yekaterinburg). In 1942, at the age of 17, he joined the Red Army as a volunteer. At the close of World War II, he was heavily wounded and sustained a clinical death. Although he was awarded the Order of the Red Star and his mother received an official notification that her son had died, Neizvestny managed to survive. In 1947, Neizvestny was enrolled at the Art Academy of Latvia in Riga. He continued his education at the Surikov Moscow Art Institute and the Philosophy Department of the Moscow State University. His sculptures, often based on the forms of the human body, are noted for their expressionism and powerful plasticity. Although his preferred material is bronze, his larger, monumental installations are often executed in concrete. Most of his works are arranged in extensive cycles, the best known of which is The Tree of Life, a theme he has developed since 1956. Art career Although Nikita Khrushchev...

Artist: Enrico Baj, Italian (1924 - 2003) Title: Les Demoiselles Year: circa 1980 Medium: Silkscreen on Flocked Paper with glitter, signed and numbered in pencil Edition: 35/250 Imag...

"Parc Monceau" is an original color lithograph by Harod Altman. It is a signed edition 29/285. It features a park scene, and is a great example of Altman'...

Things are not Right! Silk screen, c. 1970 Signed, editioned, and inscribed "To V.V." in pencil by the artist Image size: 2 x 2 inches Sheet size: 5 x 4 1/8 inches One of an unnumbe...

Artist: Charles Bragg, American (1931 - 2017) Title: Day Traders Medium: Etching, signed, numbered, and titled in pencil Edition: 300 Image Size: 6 x 9 inches Paper Size: 11 x 14 i...

This figurative piece by Paul Jauregui is a hand colored etching depicting the silhouette of a father, his daughter and her small dog all walking in the rain. The father holds an umb...

"Cheveaux Et Cavalier (Horse & Rider) VI (Black, Red, Blue, White)" is an original color lithograph signed in pencil by the artist Marino Marini in the lower right. Reference: Guasta...

Artist: Mario Avati, French (1921 - 2009) Title: Nature Morte au Coquetieu Year: 1966 Medium: Mezzotint, signed and numbered in pencil Edition: 31/75 Image Size: 10 x 11.5 inches Fra...

In order to subvert common associations, Baldessari calls one’s attention to minute details, absurd juxtapositions, and obscured or fragmented portions of imagery.

Massimo Listri State Hermitage Museum, St. Petersburg, Russia, 2018 40 x 48 inches 100 x 120 cm Edition of 5 47 x 60 inches 120 x 150 cm Edition of ...

Vintage Poster for the exhibition Editions de se sur Marcel Duchamp. One of 400 copies with title and date of exhibition, of a total edition of 500. Unsigned. Schwarz, Ref: Catalogue Rainsonne 396 Marcel Duchamp was born July 28, 1887, in France. After the sensation caused by Nude Descending a...

"Two Horses from Homage to Marino Marini" is an original color lithograph signed in stone by Marino Marini. It depicts a horse and rider in abstracted contour lines and black shapes ...

This sculpture is a multiple 1 piece of 50 realized in 1980 by the well known international artist Riccardo Dalisi. All the pieces are numbered and signed by the artist and completed...

"Benches" is an original color lithograph by Harold Altman. It is numbered 24 out of an edition of 285, signed by the artist at the lower right. A large tree covers people sitting b...

Fits in a standard album frame. CONNIE BECKLEY Untitled (from the Artsounds Collection), 1986 color offset print, ed. 200 12 x 12 cm. 30.5 x 30.5 cm. Edition 49/100 signed and num...

"Round the Bend" is an original color lithograph by Helen Rundell, signed in pencil in the lower right. The image features a country road on the light edge, leading into the distance...

"Texas Turtle Cup" 12,000.00 Ken Price 16 color screenprint Edition of 75 signed and numbered in pencil 1971 41 x 32.5'' Ken Price (1935 - 2012) received a BFA from the University...

Artist: Alexander Calder Title: Derriere le Miroir #221 Portfolio: Derriere le Miroir #221 Medium: Lithograph in colors Date: 1975 Edition: Unnumbered Sheet Size: 15" x 22" Image Siz...

"One of Twelve XII" is an etching, 1995, 4 3/4 x 4 3/4, edition: 24, signed in pencil. The print has an embossed chop in the lower right corner, a capital P in a circle indicating t...

"One of Twelve VI" is an etching, 1995, 4 3/4 x 4 3/4, edition: 24, signed in pencil. The print has an embossed chop in the lower right corner, a capital P in a circle indicating th...