Brick Prints and Multiples

Escaliers de Montmartre is a vintage offset print after by Hakan Strand in 2013. Good conditions. Hand signed. The artwork is represented in a well-balanced composition.

Hand painted multiple with archival inkjet Edition 19 of 60 Signed and numbered on the front Mint, as issued Framed in Perspex Published by Reverspective Ltd

Richard Haas Puck Corner, SOHO, New York, 1971 Etching and Aquatint (affixed to white matting) Hand signed and numbered 10/100 by the artist on the lower front Elegantly matted and f...

Paper Size: 23 x 34.75 inches ( 58.42 x 88.265 cm ) Image Size: 14.75 x 26.75 inches ( 37.465 x 67.945 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling ...

Rebecca Skinner’s “Dancing Chair” was photographed at an abandoned lace factory and is part of a series documenting the loss of industry in America. The 18 x 12 inch color photo with...

Salvador Dali ( 1904 - 1989 ) Aliyah, Return, O Virgin of Israel, Aliyah suite edition 232/ 250 published Shorewood Press 1968 on Arches paper paper size 25 x 19.63 image size 20....

Wolff Buchholz Title: Untitled Medium: Lithograph Year: 1993 Signed and dated by hand Size: 25.2 × 17.9 on 23.0 × 15.4 inches Wolff Buchholz was born in 1935 in Hamburg, Germany. Fr...

Lorna Patrick, American - Approaching Storm of Taos Pueblo, Year: 1981, Medium: Screenprint, signed and numbered in pencil, Edition: 295, Size: 31 x 42 in. (78.74 x 106.68 cm),...

Hans-Georg Rauch, German (1939 - 1993) - Mauer, Year: 1978, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: HC XII/XX, Size: 21 in. x 27 in. (53.34 cm x 68...

Rebecca Skinner’s “Industrial Beauty” was photographed at an abandoned lace factory and is part of a series documenting the loss of industry in America. The color photo portrays an a...

Girl in Blue Charles Levier, French (1920–2003) Date: circa 1970 Lithograph, signed in pencil l.r. Edition of 250 Image Size: 24 x 17 inches Size: 30 x 22 in. (76.2 x 55.88 cm)

In Urban Landscape #54, McDonald's becomes an unavoidable visual anchor—its iconic Happy Meal box transformed into a provocative symbol of cultural saturation. Set against a layered ...

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 10 x 12 inches (254 x 306 mm), the full sheet. ...

edition of 100 plus 15 AP

Barchetta, ref. 531 Etching, mm 216 x 292 - inches 8,5 x 11,5 A prominent figure of the art of engraving in Italy, Federica Galli was born in 1932 in Soresina – a village just outs...

Bernard Brussel-Smith, 'City Scene I', wood engraving, 1949, edition 100. Signed, titled, and numbered '93/100' in pencil. A superb, richly-inked impression, on white wove paper, wi...

'Petits Hotels. Boulevard Berthier 45 et 47, a Paris. Elevations, Coupe et Plans, par Mr Boland, Archte.' French architectural chromolithograph. From 'La Brique Ordinaire', by J Lac...

Lithograph realized in 1980s. Hand signed and numbered. Edition of 100. Excellent condition.

This exquisite lithograph after Jean-Edouard Vuillard (1868-1940), titled Sur le pont de l'Europe (On the Europe Bridge), from L'oeuvre grave de Vuillard (The Graphic Work of Vuillar...

Vintage French lithograph of a rustic stone building and stairway with a figure in the shade of an alcove by artist Andre Trost, circa 1960....

Ricky Powell ANDY WARHOL & JEAN-MICHEL BASQUIAT SOHO. NYC. 1985 - 44 X 32 INCH EDITION Archival Pigment Print on 310gsm Fine Art Paper 44 x 32 Inches Run of 25 (Printers Proof) Bor...

“Metope” is an etching, aquatint, and drypoint, hand colored. Created in 1993 in an edition of 80. This impression is inscribed “43/80” – meaning it is the forty-third impression o...

Pierre-Jean COUARRAZE Impressions of Egypt Original lithograph Handsigned in pencil Limited /275 copies On vellum 56 x 76 cm (c. 22.04 x 29.92 in) Excellent condition

'College Ste Barbe. Facade sur la rue Valette a Paris, par Mr L Heureux, Archte' French architectural chromolithograph. From 'La Brique Ordinaire', by J Lacroux, 1878. A series of ...

Lalibela is an original etching on paper realized by Lino Bianchi Barriviera in 1939. Hand-signed in pencil. Image Dimensions: 35 x 47.5 cm. Num...

Interiors VII: The Train from Munich Robert E. Townsend, 1991. Resist ground etching and engraving with hand refinement in charcoal, pencil, stabilo, and eraser on BFK Rives white wove paper, 20 x 36 inches (507 x 914 mm), full margins. Signed, titled, dated and numbered 51/175 by the artist in pencil, lower margin. A brilliant, inky impression with luminous light and gradient tones. In excellent condition with one extremely minor and superficial spot of light tan adhesive residue on the verso, unobtrusive and not visible on the recto, with no other visible defects. With the blind stamp of the printer, Robert E. Townsend in the lower left margin. An especially fine impression in superb condition. [Milton 113]. When asked about this work in particular, Milton expressed that his favorite images were his darkest images, in theme, mood, and in ink. Milton, who has said that his work is infused with a postmodern awareness of the past, has focused here in a deeply personal way on a segment of history that continues to haunt us all. The work, published in 1991, evokes one of the darkest periods of European history, the eroding and erasing of European culture under fascism, and the eventual total loss of humanity. The Train from Munich is an especially relevant and emotional work for Milton, who created the piece for his wife, Edith, who escaped Munich in 1939 as a child on the fabled Kinderstransport. The Kinderstransport was a desperate rescue effort on the part of the British government to save as many Jewish children as possible by railway before borders closed on the precipice of the Second World War. Children left their parents behind, and boarded the trains alone, leaving the impending doom of Nazi Germany, they arrived in Great Britain as refugees. More than 10,000 children escaped the holocaust via the Kinderstransport. In Train from Munich, the image itself holds an almost immeasurable amount of symbolism; each inch of the matrix is a successful effort to confront this history in a way that is poignant through a series of motifs. We see the Café disappearing into a ghostlike memory of the past, an allegory to the disintegration of culture, while through the windows we can see a rampant, snarling dog; a portrait of Hitler's shepherd, Blondi. Blondi isn't the only notable figure in the composition. Milton has pointed out that the fading figure of the doorman at the Hotel Metropole is modeled after the artist and intellectual Marcel Duchamp, and the face of the young girl peering...

Lithograph realized in 1980s. Hand signed and numbered. Edition of 100. Excellent condition.

One of eight prints completed for this set based on Henry James Aspern Papers. Signed and numbered digital print from the editon of 75. Peter Milton is one of the most honored and respected printmakers in the world today. His work is in most major museums, and he continues to produce stunning and masterful prints in his 6th decade of printmaking. Since 2008 he has been a major proponent for digital printmaking. THE ASPERN PAPERS is a classic tale by Henry James of duplicity foiled and love denied. Taking place in Venice, this is one print from a portfolio set of eight prints...

Screen print by Antonio Saliola. Hand signed in pencil lower right. Very good condition.

View of the magnificent substructure is an original etching realized by the italian artist Giovanni Battista Piranesi. Very precoius and rare specimen. Roman edition. Complete tit...

This is an exhibition poster titled "Family Group" by renowned artist Henry Moore, published in 1992 by Shorewood Press in Connecticut. It features Moore's iconic depiction of a fami...

The first edition poster created by Jasper Johns for the exhibition at Leo Castelli's gallery, held from April 19 to May 17, 1969, is a notable piece of art history. This offset lith...

'Ecuries et Remises.' French architectural chromolithograph. From 'La Brique Ordinaire', by J Lacroux, 1878. A series of fine illustrations of French designs for brick buildings. ...

Paper Size: 34.25 x 22.25 inches ( 86.995 x 56.515 cm ) Image Size: 34.25 x 22.25 inches ( 86.995 x 56.515 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling ...

Rio Osmarin shows boats on the canal Rio de S. Provolo o de l'Osmarin in Venice) It was created in 2006 and this impression is #31 of 75 It is signed, titled, numbered and dated by...

This hand-signed offset lithograph by Davis Cone, titled Wink, represents the historic Wink Theater in Dalton, Georgia. The Wink Theater, built by J.C.W. Wink in 1941, stands as one ...

Robert Kipness was an American painter and printmaker who’s work focused on forms and a pronounced moodiness. This print is signed, numbered, dated, and...

Russia-born Ray Euffa studied at the Detroit School of Fine Arts, the Educational Alliance Art School, and Art Students League in NYC. It is New York City i...

Original UK Lobby Card of Roger Spottiswoode´s movie "James Bond 007 - Tomorrow never dies", UK 1997. Bond car Keywords: James Bond, 007, action, Thriller, Great Britain, adventure,...

Franz Eggenschwiler The Hanging Gardens of Babylon (Eggenberger 1970.8), 1970 Lithograph with Embossing Hand signed and numbered 26/200 on the lower front 19 3/4 × 25 3/4 inches Unfr...

Rebecca Skinner’s “Resolute” is a 11 x 17 inch metal print of graffiti on a wall of peeling paint in a deserted school. The color photograph with hues of peach and brown is almost ab...

The King Pelé, Flag Portrait by Mr. Brainwash. Contemporary screenprint, numbered 27 from an edition of 75. Wonderful collaboration with the legend, Pele. A one-color screenprint on ...

Lithograph on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Dent Prompte, Dix poèmes inédits illustrés par Max Ernst, ...

Artist: Roland Topor (French, 1938-1997) Title: Nouvelles En Trois Lignes IV Year: 1975 Medium: Lithograph with pochoir hand coloring Edition: Inscribed A.P (Artist Proof) Paper: Wove Image size: 21 x 15 inches paper size: 25.5 x 19.5 inches Signature: Hand signed in pencil by the artist Publisher: Editions Sauret, Paris, Monaco Condition: Excellent Description: From the suite"Nouvelles En Trois Lignes" About the artist. Roland Topor (January 7, 1938 – April 16, 1997), was a French illustrator, painter, writer, filmmaker and actor, known for the surreal nature of his work. He attended the School of Fine Arts in Paris (1955-1964). He publishes his first drawings in the review « Bizarre », his first short stories appear in the review « Fiction » in 1958. His corrosive humor leads him to collaborate with the satirical newspaper « Hari-Kiri » (1961-1965). « Masochists » his first book is edited by Losfeld in 1961. Totally tragic, absurd and grotesque , the humor he disseminates evokes more the one of Central Europe. All his creations from the beginning till the end remain provocative and bizarre. He is mainly known as an illustrator and graphic artist and famous for combining surrealism with black humor. Abram Topor, father of the artist came to settle in Paris in 1930 thanks to a grant from the Warsow Arts Academy. In his young age during the war, he and his family will stay for a while in Savoie trying to escape Nazis. In 1962 he created the Panic Movement (mouvement panique), together with Alejandro Jodorowsky and Fernando Arrabal. Topor wrote the novel "The Tenant" (1964), which was filmed by Roman Polanski as The Tenant Topor was responsible for the odd visual style of the Czech/French animated sci-fi feature La Planete Sauvage (Fantastic Planet...

Signed lower right, 'Peter Baczek' (American, born 1945) and dated 1983; additionally titled, lower left, 'Industrial Complex' with number and limitation, lower center, '14/80'. Pape...

Uses and Customs - The Catacombs in Naples is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History...

Arch is original Hand-colored etching, realized by Luigi Rossini (1790–1857) with description on the lower. In good conditions with some folding. Image Dimensions: 25 x 18 cm The ...

Copper etching with aquatint The power of memory and how it recalls individuality begins in such basic experiences as the ability to link internal ideas to external manifestations of those ideas. Memories as simple as an old toy or a street can set off a chain reaction of thoughts that snowball into issues as broad as nationalism, identity politics or a body politic to name a few. Hector Ruiz’s works encompass the broad, complex and often painful world particular to the Arizona and neighboring Mexican landscape. United States and Mexican border...

Etching on fine, light cream laid paper, 2 1/4 x 2 15/16 inches ( 58 x 75 mm), full margins. Signed and inscribed "II" in pencil, lower margin. A trial proof impression of the second...

Ancient Roman Ruins, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Carlo Nolli in the 18th century. Signed on the plate on the lower rig...

Golden hues mingle with palm silhouettes, crafting a serene tropical escape... Palm leaves create a mysterious interplay of light and shadow over a textured golden backdrop… A sympho...

Rebecca Skinner’s “Scale” was photographed at an abandoned silk mill and is part of a series documenting the loss of industry in America. The 18 x 12 inch black and white photo with ...

Etching realized in 1980s. Hand signed in pencil. Artist Proof. Very good condition.

Harry McCormick, American (1942 - ) - The Window. Medium: Lithograph, signed and numbered in pencil, Edition: 175, Size: 26 in. x 16.5 in. (66.04 cm x 41.91 cm)

Signed and Numbered by the Artist who is the son of Mr. Brainwash A six-color screen-print on hand-torn archival art paper. Each print is signed and numbered by the artist. Editi...

Artist: John Baeder, American (1938 - ) Title: Blue Beacon Diner Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 250 Size: 22 x 30 in. (55.88 x 76.2 cm)

Sunset over a distressed stairway of former grandeur in Salvador – The Spaces in Between series developed out of visits to Naples in Italy and Havana in Cuba, two cities whose past g...

The Empress cinema building in Manchester before its demise – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with comfortable interiors. It is ...

An abandoned cinema in Caibarien, Cuba. This pre-Revolutionary edifice was built when Cuba was a playground for tourists and mobsters alike, and America was still revered as somewhe...

Sunset over a distressed stairway of former grandeur in Salvador – The Spaces in Between series developed out of visits to Naples in Italy and Havana in Cuba, two cities whose past g...