Cross Prints and Multiples

Modern artwork realized by Wifredo Lam in 1970s. Colored lithograph on paper. Hand monogrammed in the right lower margin with original dry stamp by Galleria Nuovo Sagittario, Milan...

Artist: Rufino Tamayo Title: Iron Cross Year: 1988 Medium: Color lithograph Edition: Numbered CCXLV/CCC in pencil Paper: Wove Image size: 22.5 x 30...

Shepard Fairey Post-Punk Flower (Black) Letterpress on Cream Cotton Paper with Hand-deckled Edges Year: 2022 Size: 18 x 12 inches (45.72 × 30.48 cm) Edition: 375 Signed, dated and nu...

A beautiful and significant oleograph depicting a crucified Jesus with rare intensity and skill, rendered in an almost hyper-realistic style. The figure of Jesus stands out against ...

Artist: Roger Mühl Medium: Original Lithograph, signed and numbered, 1986 Dimensions: 12.5 x 16.5 in, 41.9 x 31.8 cm Arches Paper - Perfect Condition A+ ...

4 from the 10 Horses portfolio by Lebadang (aka Hoi), Vietnamese (1922 - 2015) Year: 1974 Medium: Lithograph with Embossing, signed in pencil Edition: EA Size: 30 x 21 in. (76 x 53 cm)

A remarkable eighteenth-century crayon manner engraving by Gilles Antoine Demarteau (1722-1776) after a drawing by Jean-Joseph Taillasson (1745-1809) depicting Saint John of the Cros...

Medium: pochoir (after the watercolor). Printed in 1961 at the atelier of Daniel Jacomet and published in Paris by the Berggruen Gallery. Image size: 5 x 3 7/8 inches (128 x 98 mm). ...

This limited edition print, titled Composition, May 1953, is a striking work on thick paper, showcasing the artist's distinctive style. The print is hand-numbered 30 out of a limited...

Linda Plotkin, American (1938 - ) - Mountain Ridge, Year: circa 1965, Medium: Etching and Aquatint on BFK Rives, signed, titled and numbered in pencil, Edition: 67/120, Image Size...

This original exhibition poster features Don Quixote by George Segal, created in 1968 for the New York City Ballet. A leading figure of American Pop Art, Segal is renowned for his sc...

This poster of Alexei Jawlensky’s Looking Within – Rosy Light was created for the Philadelphia Museum of Art and published by Springdale Graphics in 1987. Featuring Jawlensky’s signa...

Raoul Ubac (1910-1985) Torse Color lithograph, 1967 Unsigned as issued Published by Maeght Editeur and the Redfern Gallery, London Printed by L'Atelier Arte, Paris Edition 1500 Raou...

Etching on paper realized in 1980s. Hand signed in pencil. Artist proof. Very good condition.

They Thunder forth from Their Clouds is an original lithograph, realized by George Grosz in 1922, from Die Raüber, edition Malik Verlag in 100 prints, plate n°8 da Die Raüber, hand-signed in pencil. "They thunder forth from their clouds about gentleness and forbearance, while they sacrifice human victims to the God of love." (Da donnern sie Sanftmut und Duldung aus ihren Wolken und bringen dem Gott der Liebe Menschenopfer.)" Sheet dimension: 61,5 x 42 cm. In very good conditions. Here representing a man in front of cross miserably praying, below of his feet laid down many dead bodies and ruined part of the city. here is one of his artwork affected by consequences drama of war. George Grosz (1893 -1959) was a German artist known especially for his caricatural drawings and paintings of Berlin life in the 1920s. He was a prominent member of the Berlin Dada and New Objectivity group during the Weimar Republic. He studied drawing at the Dresden Academy 1909-11 and at the School of Arts and Crafts in Berlin 1912-14, He was in the army 1914-15 and again for a short time in 1917, but spent the rest of the war in Berlin where he made violently anti-war drawings...

Etching and aquatint realized by Edolo Masci. Hand signed and numbered in pencil. Edition of 90. Excellent condition.

From Untitled 1-6, Keith Haring's first series of printed works. Lithograph on Arches paper. Hand signed, dated and numbered in red crayon by the artist. Published by Barbara Gladsto...

Lithograph on paper. Hand Signed. Edition of 70 pieces.  Very good condition.

Woodcut print realized by Escher for the series "Emblemata", and published in 1931. On Hollande van Gelder paper. Edition of 300. Unsigned, as issued. Excellent condition, matted....

Part of Richard Heeps 'Ordinary Places' Series, it captures Britain on the brink of change. It was Richard's first colour series and it achieved much success with an exhibition at th...

Letter T - from the suite Letters of the Alphabet is a contemporary artwork realized by Erté (Romain de Tirtoff). Lithograph and Screen Print. The artwork is from the suite "Letters of the Alphabet", 1976. Hand signed on the lower margin. Artist Proof (PA). Provenance Personal Collection Serge Leeman. According to the fascinating story of the alfabeth.Letter T stands...

after Carl Otto Czeschka, (1878-1960), Austrian A leading member of the Vienna Secession and later the Wiener Werkstätte (Viennese Workshop), Carl Otto Czeschka was a vital figur...

Setsugo-Δ Mezzotint, 1977 Signed, titled and numbered in pencil (see photo) Edition: 30 (8/30) Provenance: Ninion and Sheldon Landy Collection, Donors to Art Inst. of Chicago Hamanishi Exhibition, Oct. 12, 2013-January 5, 2014 Hamanishi Large 12 HAMANISHI Katsunori...

Decorative motifs is vintage chromolithograph realized by an anonymous artist. Good conditions. The artwork represents several Decorative motifs in a well-balanced composition.

This image seems to capture the opening of knowledge through books. At the top of the image doors are opening revealing a sliver of light providing entree to the massive book at the...

Original collotype created from a detail of Gustav Klimt’s Beethoven Frieze. Published and edited by Verlag H.O. Miethke and printed by k.k. Hof- und Staatsdruckerei, Vienna, in an e...

Painter is an original etching on paper realized by Gian Paolo Berto, in 1974. Good conditions . Hand-signed and numbered, edition: 19/40. Sheet di...

Painter is an original etching on paper realized by Gian Paolo Berto in 1974. Good conditions . Hand-signed and numbered, edition: 30/40. Sheet dimension: 61 x 49.5 cm. Image Dime...

"Uditore di Rota con Croce Papale" is an Artwork realized in 1827 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879). Etching hand colored on ivory paper. Signed on plate and dat...

The Crucifixion is an etching and drypoint on paper realized by Gian Paolo Berto in 1974. Good conditions. Hand-signed and numbered, edition of 40 p...

The Crucifixion is an etching and drypoint on paper realized by Gian Paolo Berto in 1974. Good conditions, except for light scratches at the top marg...

Salvador Dali Jude from The Twelve Apostles, 1977 Lithographs in colors with embossment on Arches paper Hand signed lower right Edition EA lower left Sheet size 64.5 x 47.5 cm Publis...

MASSIMO LISTRI Sammezanno VIII, Tuscany, 2005 Unframed Unframed Available sizes: 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inches 120 x 150 cm Edition of 5 71 x 88.5 in...

To see our other original vintage posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Jeux de la Passion Oberammergau 1960 Original vintage poster 100 x 63 cm Printed in Germany. This magnificent poster advertises the Passion Play (an outdoor play...

Lazer Fundora (Cuba, 1965) 'Monólogo interior', 2001 silkscreen on paper Fabriano 300 g. 9.9 x 11.9 in. (25 x 30 cm.) Edition of 70 ID: FUN-101 Unframed

Tribal Man is an original lithograph realized in the early 1930s by Emmanuel Gondouin, (Versailles, 1883 - Parigi, 1934) The artwork is depicted through strong strokes and is part ...

This artwork "Downington/Inglesham" c.1970 Is an original colors lithograph by noted French artist Denis Paul Noyer, b.1940. It is signed and numbered 15/375 in pencil by the artist....

In this lithograph we can find several fundamental stylistic points of the work of the maestro Salvador Aulestia. The subject of the Christ is presented in figure, but accompanied by...

This 1956 Paris city of the arts poster by Eric Lancaster captures the essence of Paris through a brilliantly composed kaleidoscope of iconic imagery. The Paris city of the arts post...

Etching and aquatint realized by Edolo Masci. Hand signed and numbered in pencil. Edition of 90. Excellent condition.

This is a very rare litograph made by Salvador Aulestia. Only 15 were printed and signed by the artist. Particularly unique is a second partial signature on the upper side of the pap...

This 1963 original Soviet poster by artist An. Zhrebin was created for Intourist, promoting international travel to the USSR during the height of the Cold War. The composition is do...

Engraving printed in black ink on hand-made, thin-laid paper, 3 5/8 x 3 5/8 inches (84 x 84 mm), 3/4 inch margins. In excellent condition, printed 19th century.

Veni, Domine Jesu is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Sign...

Medium: original lithograph. Printed in 1972 for the "Ficelles et autres jeux" catalogue, published by the Musee d'Art Moderne de la Ville de Paris and the Centre Culturel Canadien. ...

Italian maestro Lucio Fontana, a trailblazer in spatialism and the mastermind behind "Concetto spaziale," pushed artistic boundaries with his innovative use of plexiglass. One such groundbreaking exhibition unfolded at Galleria il Quadro Biella. Fontana, renowned for his Spatialist theories that advocated for a fusion of art and technology, harnessed the transparent allure of plexiglass to redefine the boundaries of artistic expression. The exhibition at Galleria il Quadro Biella became a testament to Fontana's avant-garde spirit and his relentless pursuit of transcending traditional artistic mediums. With plexiglass as his canvas, Fontana delved into a realm where space and art converged. The material's transparency allowed for a unique interplay of light and form, creating an immersive experience for the viewer. Each piece, a testament to Fontana's mastery, unfolded a narrative that extended beyond the physical confines of the gallery. Silvio Zamorani...

Untitled is a modern artwork realized by Wifredo Lam in 1970s. Colored lithograph on paper. Hand monogrammed in the right lower margin with original dry stamp by Galleria Nuovo Sag...

This original poster was created for a 1980 exhibition of Eduardo Chillida’s works at the Museum of Art, Carnegie Institute in Pittsburgh. Known for his mastery of form and space, Ch...

Etching on paper realized in 1980s. Hand signed and numbered in pencil. Edition of 35. Very good condition.

Original 1929 Barcelona International Exposition Poster – "Sobre El Arte en España" by F. Galí Rare original poster from the 1929 Barcelona International Exposition, titled "Sobre El...

Tome VIII – Plate VII, p. 54 from Buffon's Histoire Naturelle, Générale et Particulière. Fine 18th-century copperplate engraving from the 1771 edition of Buffon’s celebrated Histoir...

Dokuro (silver), 2000 by Takashi Murakami Offset print, numbered and signed by the artist in silver ink 19 11/16 × 19 11/16 in 50 × 50 cm Edition 69/300 Dokuro (literally starving ...

Vintage 1960s Chile Travel Poster – Mid-Century Modern Wall Art Print Showcasing Historic Architecture and a Fountain Scene. Archival linen backed and in Grade A condition, ready to frame. Transport yourself to the scenic beauty of Chile with this authentic 1960s travel poster...

An evening view of lower Manhattan rooftops, looking north towards Times Square and kleig lights in the distance. New York: 1974. Etching on white wove paper, 7 1/8 x 11 15/16 inche...

Cotoneaster is a multi-plate color etching by David Smith-Harrison, depicting a flowering cotoneaster tree set before an architectural façade rendered with classical precision. The c...

In 1987, the renowned French artist Pierre Soulages showcased his work in an exhibition titled Estampes at Artcurial in Paris, marking a significant moment in his long career. The exhibition, which focused on Soulages' prints, was accompanied by an original poster that has since become a celebrated piece of art in its own right, capturing the essence of his distinctive style. Pierre Soulages, known for his groundbreaking work with black, revolutionized the way the color was used in contemporary art. His series of works referred to as "noir-lumiere" (black light) explored the interplay of light and dark, where the use of black paint became an instrument for creating dynamic surfaces full of texture and depth. Throughout his career, Soulages was deeply interested in the idea of the materiality of paint itself and how it could be manipulated to reflect light, which led him to develop an innovative approach to printmaking. The Estampes exhibition at Artcurial focused specifically on Soulages' prints, offering a closer look at his exploration of graphic arts. This body of work was crucial in understanding the breadth of his artistic practice. Soulages' prints, much like his paintings, were not merely reproductions of his earlier works; they were unique pieces that engaged with the act of creating marks on paper, emphasizing texture and form in a way that was completely aligned with his larger body of work. The original exhibition poster designed for Estampes encapsulated the essence of Soulages’ philosophy. Though the poster’s design reflects the focus on printmaking, it also draws from his signature approach to texture and abstraction. The boldness of Soulages’ work, whether in painting or print, is often characterized by a sense of energy and movement, as he manipulates the surface of the material to evoke both light and shadow. The 1987 poster...

Lithograph on cream wove paper, 12 3/4 x 9 1/8 inches (322 x 231 mm), margins trimmed. Some scattered light foxing on the verso, handling creases, and adhesive residue along the top sheet edge, and left sheet edge, verso. Recto is clean. Born in Bordeaux in 1804, Adrien Dauzats...

Lithograph, 1965-66. Printed by ULAE, West Islip, A superb impression. Field 50A Johns' imagery derives from, as he put it, "things the mind already knows," leading to the use of w...

The Singers (4th State), 1667 Etching printed with tone 240 x 190 mm.; 9 1/2 x 7 1/2 inches Provenance: W. Benoni White (Lugt 2592) Karl Herweg (not in Lugt) References: Godefroy 19 IV/VII Hollstein 19 IV/VII Pelletier, Georgia Museum of Art, 1994: nos. 46 and 47 Notes: A very fine impression of the rare 4th state (of seven) of this major Van Ostade. Godefroy illustrates differences between this 4th state and the following 5th state. In the latter state, there are several “escaped lines”, going obliquely from left to right, directly above the central post. These lines are not visible in the 4th state. Ostade was one of the most important of the printmakers within the Rembrandt circle. His prints, avoiding religious subjects, depicted beggars, peasants and artisans. Combining great artistic sensitivity with thorough mastery of the medium of etching, Ostade etchings present a unique artistic panorama of life in seventeenth-century Holland. Pelletier (S. William Pelletier, Adrian Van Ostade...

Original Cruise to South America, Moore-McCormack (cruise) lines. Artist: Dong Kingman. Archival linen backed in fine condition, ready to frame. Grade A. Bring the allure of...