Performer Prints and Multiples

The 1895 original poster by Jules Chéret, promoting the Palais de Glace on the Champs-Élysées, represents a captivating glimpse into the vibrant nightlife and entertainment scene of ...

Barefoot In The Park - Original 1967 Lobby Card #4 Vintage 1967 Lobby Card: Paul, a conservative young lawyer, marries the vivacious Corie. Their highly passionate relationship desc...

Fernando Botero (Colombian, b.1932) is celebrated for his painted and sculpted scenes featuring animals and figures with inflated proportions, reflecting the artist’s predilection for satire, caricature, and political commentary. Born in Medellin, Colombia, Botero began exhibiting his paintings there in 1948, and later worked as a set designer in Bogotá. In the 1950s, he traveled to several different European countries, including Spain, Italy, and France, to study the work of Renaissance and Baroque masters. He also traveled to Mexico to familiarize himself with the current Mexican avant-­‐garde. Botero became renowned for the varied source material he drew upon, from Colombian folk imagery to canonical works by Diego Velázquez, Pablo Picasso, and Francisco de Goya. In his depictions of contemporary Latin American life, he portrays the poverty and violence prevalent in Colombia in somber images, as well as in his iconic inflated figures, satiric images of Latin American presidents, first ladies, and government officials. A meeting with Dorothy Miller from The Museum of Modern Art in the early 1960s proved to be a turning point in his career; she acquired his work at a time when abstraction was the celebrated idiom, and he later exhibited his work in a major exhibition at the museum, solidifying his international reputation. In the 1970s, Botero moved to Paris, where he created large figural sculptures with his signature inflated forms. He remains engaged with images of his Latin American home city, and with overtly political imagery; his recent works include large paintings of prisoners at Abu Ghraib in a direct commentary on the war in Iraq. Botero has exhibited his work at the Museum of Modern Art in Copenhagen, the Maillol Museum in Paris, the Palazzo Benezia in Rome, the Hermitage Museum in St. Petersburg, and the National Museum in Bogotá. He currently lives and works in Paris, Montecarlo, and New York. 2012–2013 Museo Bellas Artes de Bilbao, Bilbao, Spain 2012 Una celebración, Palacio Bellas Artes de México, Mexico 2012 Hommage zum 80. Geburtstag, Botero -­‐ Gemälde, Skulpturen und Zeichnungen, Samuelis Baumgarte Galerie, Bielefeld, Germany 2010 Art is deformation, Nassau County Museum of Art, Roslyn Harbor, NY (solo) Inaurgural Exhibition: Fernando Botero, David Benrimon Gallery, New York, NY (solo) Latinas!, Nassau County Museum of Art, Roslyn Harbor, NY 2009 Gary Nader Fine Art, Coral Gables, FL Fernando Botero: The Circus. James Goodman Gallery, New York, NY El Dolor de Colombia, Pinacoteca Diego Rivero, Xalapa, Veracruz, Mexico 2008 The Baroque World of Fernando Botero, Brooks Museum of Art, Memphis, TN; New Orleans Museum of Art, New Orleans, LA; Delaware Art Museum, Wilmington, DE 2007–2008 Botero: Oeuvres récentes, Marlborough Monaco, Monte Carlo, Monaco (solo) 2007 Fernando Botero: Abu Ghraib, University of California, Berkeley, CA (solo) The Baroque World of Fernando Botero, Musée National des Beaux-­‐Arts du Québec, Canada (solo) Delaware Art Museum, Wilmington, DE (solo) New Orleans Museum of Art, New Orleans, LA (solo) Summer Exhibition, Marlborough Gallery, New York, NY Latin Masters...

COOL BLUE is an original, handmade, limited edition lithograph by the woman artist Robin Morris printed using hand lithography techniques on archival Coventry paper, 100% acid free. ...

This poster for Cachou Lajaunie was designed by famous poster artist Leonetto Cappiello. This image features a woman with red hair calmly exhaling smoke from her cigarette. Set again...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino...

Basquiat Gray: Rare Gray 7" Vinyl Record Album featuring a limited photo card/poster of Jean Michel Basquiat and his band Gray at Hurrah's, NYC, 1979 by Nicholas Taylor of Gray. This...

Original Lithograph by Jean-Gabriel Domergue Title: Elegant Couple Signed Dimensions: 40 x 31 cm 1956 Edition of 197 This artwork is part of the famous...

Etching in colors on Somerset vélin paper. Paper Size: 20 x 23 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Music, Deep Rivers in My Soul, 2003. Published by The Limited Editions Club, New York; printed by Wingate Studio, Hinsdale, under the direction of Peter Pettengili, Hinsdale, 2003. Excerpted from the folio, This edition of Music, Deep Rivers in my Soul consists of CD examples printed on Somerset paper. Dan Carr and Julia Ferrari designed the typography. Cast the Spectrum and Romulus type in metal, handset the type and printed the text at Golgonooza Letter Foundry and Press in Ashuelot, New Hampshire. The color etchings were printed by hand on Somerset paper by Peter Pettengili at Wingate Studio in Hinsdale, New Hampshire. DEAN MITCHELL...

Edition : 20/50 Publisher : Galerie-F Edition Very good condition Handsigned by the artist in pencil

This 1963 original poster, designed by M. Katzourakis, was created to promote the Festival d’Athènes et d’Épidaure, one of Greece’s most prestigious cultural events. Held in the historic venues of the Odeon of Herodes Atticus in Athens and the Ancient Theatre of Epidaurus, the festival is renowned for its performances of classical Greek drama, music, and dance, celebrating Greece’s rich artistic and theatrical heritage. The Festival of Athens and Epidaurus has long been a meeting point for renowned national and international artists, attracting audiences from around the world to experience performances in settings of profound historical significance. The Ancient Theatre of Epidaurus, in particular, is famous for its exceptional acoustics and classical architecture, making it one of the most iconic performance spaces for ancient Greek tragedies and comedies. The poster by M. Katzourakis captures the essence of this cultural tradition, reflecting the festival’s blend of antiquity and modernity. With its striking design, it serves as a historical artifact representing Greece’s enduring dedication to the performing arts. This rare original 1963 exhibition poster is a highly sought-after piece for collectors of theater history, Greek culture, and vintage festival posters...

This is a printer's proof of "Clowns, Clowns, Clowns" by Wayland Moore, from his 1977 circus portfolio, published by Pamplemousse Press. The screen print captures the whimsical and c...

Lithograph and stencil on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Pablo Picasso, 1930. Published by Éditions des Chroniques du Jour, P...

Etching in colors on Somerset vélin paper. Paper Size: 20 x 23 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Music, Deep Rivers in My Soul, 2003. Published by The Limited Editions Club, New York; printed by Wingate Studio, Hinsdale, under the direction of Peter Pettengili, Hinsdale, 2003. Excerpted from the folio, This edition of Music, Deep Rivers in my Soul consists of CD examples printed on Somerset paper. Dan Carr and Julia Ferrari designed the typography. Cast the Spectrum and Romulus type in metal, handset the type and printed the text at Golgonooza Letter Foundry and Press in Ashuelot, New Hampshire. The color etchings were printed by hand on Somerset paper by Peter Pettengili at Wingate Studio in Hinsdale, New Hampshire. DEAN MITCHELL...

Etching in colors on Somerset vélin paper. Paper Size: 20 x 23 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Music, Deep Rivers in My Soul, 2003. Published by The Limited Editions Club, New York; printed by Wingate Studio, Hinsdale, under the direction of Peter Pettengili, Hinsdale, 2003. Excerpted from the folio, This edition of Music, Deep Rivers in my Soul consists of CD examples printed on Somerset paper. Dan Carr and Julia Ferrari designed the typography. Cast the Spectrum and Romulus type in metal, handset the type and printed the text at Golgonooza Letter Foundry and Press in Ashuelot, New Hampshire. The color etchings were printed by hand on Somerset paper by Peter Pettengili at Wingate Studio in Hinsdale, New Hampshire. DEAN MITCHELL...

Evidently, Cherry Kobler was a woman who composed songs and sang them while accompanying herself on the piano. Why she chose a fruity dessert as a stage name is anyone's guess. According to the French files of Columbia Records...

About the Artist: Richard Klein is a Connecticut-based artist, curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Ca...

Paper Size: 32.25 x 23.5 inches ( 81.915 x 59.69 cm )?Image Size: 32.25 x 23.5 inches ( 81.915 x 59.69 cm )?Framed: No?Condition: A-: Near Mint, very light signs of handling??Additio...

Paper Size: 23.75 x 16 inches ( 60.325 x 40.64 cm )?Image Size: 12.5 x 12.75 inches ( 31.75 x 32.385 cm )?Framed: No?Condition: A-: Near Mint, very light signs of handling??Additional Details: Original exhibition poster for a Cindy Sherman show at Jeu de Paume...

The Pianist is a lithograph realized by Raoul Dufy in 1920. Good conditions. Edition of 110. Unsigned and unnumbered as issued. The artwork is depicted through confident strokes i...

The 1953 original travel poster titled "The Caribbean Fly There by BOAC" by artist Hayes captures the allure and excitement of mid-20th-century air travel. Produced in association wi...

Artist: Larry Rivers (American, 1923–2002) Title: Fred and Ginger Date: 1999 Medium: Lithograph, unsigned proof Paper Size: 40 x 35 in. (101.6 x 88.9 cm)

"Reverie" Black & White Photography 30" x 24" inch Edition 1/7 by Brendan North Available sizes: Edition of 15: 20" x 16" inch Edition of 7: 30" x 24" inch Edition of 3: 50" x 40" ...

Modern Landscape is an original xylograph realized during the half of the 20th Century by an anonymous artist. The artwork represents a view of a village with several buildings and ...

This Giuseppe Gallo - Galerie Di Meo is a vintage poster. This artwork was realized on occasion of the exhibition Symphonie en trois mouvements dedicated to the artist and held at G...

Original poster of the ERP European Reunification Program, Inter-europaische Zusammenarbeit fur bessere Lebenbedingungen, which translates to "Inter-European Collaboration for Better...

Caught in hand. 2006. Paper, lithography, 72x54.5 cm Flamenco dancer in black and white colors

Offered at an exceptional price, this piece is in excellent condition and will ship rolled. Edition number 135 / 200. There are 200 pieces in the edition all signed and numbered b...

"Cherry Kobler" is an original color lithograph poster by Pierre marrast. This artwork features a red-haired woman playing the piano. She is in...

La Danse is a poetic and colorful lithograph realized by Emile Deschler. This Modern artwork representing a scene of a gala danse, is signed on plate on lower right corner, under th...

Nice poster made around the 60's to promote the music metropolis, the city of Vienna. Music - Orchestra - Austria

Rogues Series 30" x 40" Unframed AP Artist Proof on Canvas of 50 Hand signed by Stickman

Bag of Tricks II is a lithograph on paper, 9.25 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 237/275 (there were also 100 Roman and 20 AP...

TECHNICAL INFORMATION Ron English Combrat Boy 2015 3D Lenticular archival inks on PETG Plastic 36 x 24 in. Edition of 10 Signed and numbered on verso Accompanied with COA by G...

Guitarists Eric Clapton, Chuck Berry, and Keith Richards are photographed at Chuck Berry's Los Angeles home in 1986. The trio were gathered to film Taylor Hackford's documentary Hail...