Spire Prints and Multiples

WEDDING is a hand drawn, limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival Arches ...

MONT SAINT-MICHEL is a hand drawn, limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archiv...

An original 20th century etching by artist Richard Beer, signed and titled in graphite below the plate lines. On paper laid to card.

A superb impression on Japon paper, one of only three proofs. Etching on handmade Japon paper with a deckle edge, 13 1/8 x 9 7/8 inches (333 x 252 mm); sheet 18 1/4 x 13 3/4 inches ...

This stunning vintage travel poster from around 1950 showcases one of Thailand’s most iconic landmarks: the Royal Chapel of Wat Phra Keo (also spelled Wat Phra Kaew), nestled within ...

Bernard BUFFET Buildings in New York, 1967 Original stone lithograph Printed signature in the plate Printed in Mourlot workshop 71 x 52 cm (c. 28 x 21 in) REFRENCES : Catalog raiso...

Church of St. Stephen in Vienna is a lithograph made by Auguste Wahlen in 1844. Good condition. Drawing in black and white. At the center of the artwork is the original title " Ch...

Etching on antique cream laid paper, 12 7/8 x 5 1/2 inches (328 x 140 mm), full margins. Signed in pencil, lower margin. Laid down to non-archival board, general age tone and some ma...

This artwork titled "Cologne (Koln) Promenade, Germany" c.1950 is a color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed n pencil by the artist, ins...

Original "Visitez la France: Bretagne" French Travel Poster by Jean Farcia, 1950s. Archival linen-backed with vibrant lithographic colors, it is ready to be framed. See condition b...

Original French travel poster: ROUEN, Chemins de Fer de L'Etat French Railway. For literary enthusiasts, this is where a fair portion of Madame Bovary took place. The poster is in...

Etching on elaborately watermarked, antique, cream laid Dard Hunter paper, 13 5/8 x 7 1/78 inches (347 x 181 mm), full margins. Signed, titled, dated and inscribed "Ed. 100 II." From...

H.N. Han Han Hsiang-Ning (Chinese b.1939) New York Skyline 1980 From the Cityscape Portfolio Pencil signed, dated and marked PP 4/25 in the margin Color lithograph on Somerset. Pape...

'St. Mark's Church on the Bowery', aquatint with etching, edition not stated but small, 1932. Signed in pencil. Signed in the plate lower left and titled in the plate lower right. A superb, atmospheric impression, on cream wove paper, with full margins (1 1/8 to 2 inches), in excellent condition. Matted to museum standards, unframed. Image size 9 3/4 x 7 3/8 inches (248 x 187 mm); sheet size 13 1/8 x 10 inches (333 x 254 mm). Impressions of this work are held in the collections of the Princeton University Art Museum and the Five College Museums. ABOUT THE ARTIST Born in Vienna, Leon Dolice left a secure position in the family business to pursue his artistic interests. He began his art education in his teens and early twenties when he traveled through Europe to study the works of the Old Masters. He immigrated to America in 1920 and made his home in Manhattan. As a printmaker, he chose as his subjects the architecture, back streets, dock scenes, and other aspects of New York City life that were being overtaken by the modern world. In 1950, learning of the coming demolition of the Third Avenue El, Dolice created a series of Third Avenue and other New York City landmarks that were threatened with extinction. His images from that period provide a record of a New York that has passed into history. During his lifetime, Dolice exhibited throughout Europe and the United States. Retrospectives of his work include a one-man show of his graphic work at Tribeca Gallery, New York; the traveling exhibition ‘Vintage New York’ with the New Rochelle Council on the Arts; and the Hofstra Museum, Hempstead. Dolice's works are in the permanent collections of the Museum of the City of New York, the National Gallery of Art, the New York Historical Society, Georgetown University, the Philadelphia Print Club, and the New York Public Library, as well as private and corporate collections. ABOUT ST. MARKS CHURCH St. Mark's Church in-the-Bowery is a parish of the Episcopal Church located at 131 East 10th Street, at the intersection of Stuyvesant Street and Second Avenue in the East Village neighborhood of Manhattan in New York City. The property has been the site of continuous Christian worship since the mid-17th century, making it New York City's oldest site of continuous religious practice. The structure is the second-oldest church building in Manhattan. In 1651, Petrus Stuyvesant, Director General of New Netherland, purchased land for a bowery or farm from the Dutch West India Company and, by 1660, built a family chapel at the present-day site of St. Mark's Church. Stuyvesant died in 1672 and was interred in a vault under the chapel. Stuyvesant's great-grandson, Petrus "Peter" Stuyvesant, sold the chapel property to the Episcopal Church for $1 in 1793, stipulating that a new chapel be erected to serve Bowery Village, the community which had coalesced around the Stuyvesant family chapel. In 1795, the cornerstone of the present-day St. Mark's Church was laid, and the fieldstone Georgian-style church, built by the architect and mason John McComb Jr., was completed and consecrated on May 9, 1799.[4] Alexander Hamilton provided legal aid in incorporating St. Mark's Church as the first Episcopal parish independent of Trinity Church in New York City. By 1807, the church had as many as two hundred worshipers at its summer services, with 70 during the winter. While the 19th century saw St. Mark's Church grow through its many construction projects, the 20th century was marked by community service and cultural expansion. Today, the rectory houses the Neighborhood Preservation Center, the Greenwich Village Society for Historic Preservation, and the Historic Districts Council, as well as other preservation and community organizations such as the Poetry Project, the Millennium Film Workshop, and the Danspace Project. St Mark's has supported an active artistic community since the 19th century. In 1919, poet Kahlil Gibran was appointed a member of the St. Mark's Arts Committee, and the next year, the two prominent Indian statues, "Aspiration" and "Inspiration" by sculptor Solon Borglum...

Drypoint etching on white, buff laid paper with deckle edges, 8 13/16 x 12 inches (224 x 305 mm), full margins. One of only 25 proof impressions. In superb condition with excellent i...

Original New England American Airlines vintage travel poster. Size 30” x 40”. Archival linen backed, untrimmed, A condition. This original vintage poster from the 1950s captures the essence of New England and American Airlines flights to the region. Designed by Bern Hill...

'Durham Cathedral' Wood-engraving after Samuel Read. From 'The Illustrated London News'. Samuel Read was an English illustrator who provided many illust...

(New York: John Taylor Arms, 1930) Etching on antique cream laid paper with a fancy "G" watermark, 7 1/8 x 16 1/2 inches (182 x 442 mm), full margins. Signed, dated and inscribed "Ed. 70" in pencil, lower margin. From a total edirion of 81 plus 5 trial proofs. Printed by Henry E. Carling. Number 18 from the Italian Series. A superb impression of this scarce print, with all of the subtleties and details of the reflections in the water printing clearly. [Fletcher 232] [Illustrated: Page 192, Arms, Dorothy Noyes, "Hilltowns and Cities of Northern Italy"]. Along with his constant companion and wife, Dorothy Noyes, Arms spent decades exploring and documenting gothic structures throughout Europe. Noyes, an accomplished travel writer, had gifted Arms an etching set...

'London Bridge' Aquatint by JC Stadler after J Farmington. Published c1795 for Boydell's 'History of the River Thames'. Joseph Constantine Stadler (fl London, 1780-1822) was an eng...

Etching on handmade cream laid paper, 3 1/2 x 4 1/4 inches (890 x 108 mm), full margins. Signed, dated and inscribed "III" in pencil, lower margin. Edition of 150, third state (of th...

Original 1958 Normandie Le Mont Saint Michel Travel Poster – Authentic French Vintage Art. Acid-free archival linen backed in Grade A condition, ready to frame. Step back into the g...

Selected from the Derujinsky: Around The World Portfolio, shot at the Grand Palace in Thailand for Harper's Bazaar Artist: Gleb Derujinsky Title: Fragrant Harbor Year: 1957 Estat...

Artworks sold in perfect condition : Set # 1 composed of 5 Gallery Print 30x40 cm This is an exceptional offer that we are presenting today. For almost four years, here on 1stdibs, a...

Medium: original etching. This impression on laid paper was printed in 1903 and published in Paris by the Revue de l'Art ancien et moderne. Plate size: 6 1/2 x 4 5/8 inches (167 x 11...

This artwork titled "Hamburg, Michael's Church, Germany" c.1950 is a color etching on Wove paper by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed and titled in pencil by the artist. Published/printed by Graphics International, Austria. The plate mark (image) size is 13 x 9.15 inches, sheet size is 18 x 13.75 inches. It is in excellent condition, has never been framed. About the artist. Josef Eidenberger was born in 1899 in the little town of Goisern, Austria,he began his artistic career as a landscape painter. In 1923 he enrolled in the famed Graphic Academy of Art in Vienna and studied under Professor Alfred Cossman. His recognized talent brought him many commissions from city officials and members of the business communities throughout Europe, especially in Austria and Germany. In 1973 after visiting the United States for the first time he created a series of California etchings...

Original 1926 Pointe de Penmarch vintage French travel poster, linen-backed, Grade A- condition, ready to frame. The poster is in very good condition. The right-hand border has a mark along its outer edge, as shown in the images. The mark is about 1.5" long and .75" wide. It is not a paper loss but a stain. Minimal wear for a used poster...

This elegant Art Deco travel poster by Swiss artist Vera Hirzel, dating from around 1935, invites viewers to explore the charm and heritage of Lausanne and...

This artwork titled "Ulm on the Danube" c.1950 is a color etching on Wove paper by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed ...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Hill (1770 - 1850) after Augustus Charles Pugin (1762 - 1832) St Sepulchre's - The Round Church (1814) Aquatint with original hand colouring 24 x 29 cm Published by Rudolph Ackermann (1764 - 1834). An engraving of the Church of the Holy Sepulchre, Cambridge, the round shape of which is inspired by the rotunda in the church of the Holy Sepulchre, Jerusalem. John Hill was born in London in 1770, and was an engraver's apprentice. He worked in aquatint and largely produced book illustration aquatints. He went to America in 1816 and produced the notable Picturesque Views of American Scenery amongst other books of prints. Augustus Charles Pugin was an Anglo-French artist and architectural draughtsman. Pugin produced views of London, jointly creating the illustrations for the 'Microcosm of London' published by Rudolph Ackermann in 1811, followed by plates for Ackermann's books about Westminster Abbey, Oxford and Cambridge universities, and Winchester College. His later works included illustrations for Specimens of Gothic Architecture (1821–1823), The Royal Pavilion at Brighton (1826), Architectural Antiquities of Great Britain (1826), Specimens of the Architectural Antiquities of Normandy (1827), Illustrations of the Public Buildings of London (1825 to 1828), Paris and its Environs (1829 to 1831), and Examples of Gothic Architecture (1831). He also produced a book of furniture designs called Gothic Furniture, and assisted architects with detailing for their gothic designs. He ran a drawing school at his house in Bloomsbury. Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father. He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden. Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...

Limited edition aquatint etching of the New York City skyline by Katherine E. Gallagher. This piece features the famous Chrysler Building prominently in the background along with a M...

Church of the Sorbonne in Paris is a lithograph made by Auguste Wahlen in 1844. Good condition. Drawing in black and white. At the center of the artwork is the original title "Chi...

Edition of 199 prints, numbered and hand signed. Very good conditions.

This original 1934 travel poster, created by Swiss artist Bernhard Reber, was commissioned to promote tourism to Berne, the capital of Switzerland. Issued by the Swiss National Touri...

John Cowey (1786-1833) Christ Church Cathedral, Oxford, 1816, from the Dean's gardens  Engraving  23 x 32 cm Early nineteenth-century view of Christ Church Cathedral from the Dean's...

To see our other original vintage travel posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find th...

Original Vintage Travel Poster by Frank Newbould, commissioned by LNER (The London & North Eastern Railway of England & Scotland) to promote its connection to Norwich; beautifully pr...

Walther Koch (1875-1915) Zug Berg und Strassenbahn Original lithographic poster (1914) 40x30" Printed in Zurich by Anstalt Gebr Fretz

To see our other Modern British Art and views of London, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot ...

Artist: Richard Haas, American (1936 - ) Title: Cities Services Building (Blue) Year: 2005 Medium: Etching, signed and numbered in pencil Edition: 30 Image Size: 20 x 16 inches Size:...

Reginald Marsh, 'A Morning in May', etching, 1936, edition 100 (Whitney, 1969), Sasowsky 169. Unsigned as published; numbered '89/100' in pencil. A superb, richly-inked impression, ...

Lithograph on heavy weight wove paper, 12 3/8 x 16 3/8 inches (313 x 416 mm), full margins. Titled and signed (illegibly) in pencil, lower margins. With scattered notations in red pe...

A superb impression of a scarce proof on rare paper. Etching on blue laid watermarked "Hand Made" paper, 7 3/8 x 3/14 inches (188 x 83 mm); sheet 11 1/2 x 8 1/4 inches (292 x 209 mm...

Chrysler Building is a lithograph on paper with an image size of 3.75 x 2.75 inches, inititaled 'LK' lower right and annotated lower left, framed in a gold-tone classic 'reed and rib...

Empire State Building is a lithograph on paper with an image size of 3 x 1.5 inches, inititaled 'LK' lower right and annotated lower left, framed in a gold-tone classic 'reed and rib...

Île de la Cité is a serigraph on paper with an image size of 30 x 36 inches, signed ‘Kondakova’ lower right and numbered lower left. From the edition of 325 and numbered 48/75 (there...

A complicated collaboration between two perfectionists. by John Taylor Arms & Kerr Eby Etching on cream laid paper with a deckle edge, 12 5/8 x 8 11/16 (322 x 222 mm); sheet 18 x 11...

Etching on cream laid antique J Whatman paper with a watermark, 4 1/2 x 2 3/8 inches (109 x 61 mm); sheet 8 1/2 x 6 1/8 inches (216 x 153 mm), full margins. A proof impression from t...

Etching on antique cream laid paper with a deckle edge and an unidentified round watermark with an arm holding a torch, 3 1/2 x 5 5/8 inches (89 x 144 mm); sheet 5 3/4 x 8 3/8 inches...

Chicago: A. Ackermann & Son, Inc., 1930. Aquatint with engraving on heavy wove paper with a deckle edge, 15 1/8 x 12 inches (384 x 304 mm); sheet 24 1/2 x 17 1/2 inches (622 x 445 m...

Dan GANDRE (1936-) FRENCH CASTLE : Azay Le Rideau, 1982 Original Lithograph Handsigned in pencil Numbered / 250 (the number you can see can be different) On Vellum 56 x 76 cm (c. 2...

From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from the story of ‘Fundevogel’. This etching is from the Brothers Grimm tale of ‘Fundevoge...

Created by Surrealist Fanny Brennan from 1992-96, Shell City is an original lithograph in colors on wove paper, hand-monogrammed by the artist in pencil and numbered from the edition...

Etching on cream laid paper, 12 7/8 x 5 1/2 inches (328 x 140 mm); sheet 14 7/8 X 8 3/8 inches (389 x 217 mm), full margins. Signed and dated in pencil in the lower right margin. Fro...

Etching in brownish black ink on cream laid paper, 8 1/4 x 4 1/4 inches (209 x 111 mm), full margins. Signed (illegibly) in pencil, lower right margin. In good condition with a print...

An atmospheric view of the Charles Bridge and Old Town Bridge Tower. Dresden: Max Sinz, 1928. Etching and aquatint in colors on cream wove paper, 11 1/2 x 9 inches (292 x 227 mm) f...

A magnificent impression from the collection of the artist's sister, with a dedication in Arms's hand. Etching on antique grayish-blue laid paper, 9 1/2 x 5 1/2 inches (242 x 140 mm...

Venice, St. Mark's square is an original artwork realized in the mid 19th century by Giuseppe Kier. Mixed colored lithograph. Framed. Good conditions except for some stains. A be...

A fine impression on antique watermarked paper. Etching on antique blueish-gray antique laid paper with an unknown crown watermark, 10 1/2 x 6 7/8 inches ( 268 x 175 mm); sheet 13 3...

Jane Dickson has been exhibiting her paintings, drawings and prints in museums and galleries domestically and internationally for three decades. She frequently works with unusual sur...

This stunning original vintage travel poster from circa 1930, created by the artist Gadoud, is a striking celebration of the charm and cultural richness of Turckheim in the Haute-Als...