Thread Abstract Sculptures

Located in Philadelphia, PA

This fabric work titled "New Address" is an original artwork by Kelly Kozma made of hand embroidery and photographs on paper. The piece measures 13”h by 13”w framed. Kelly Kozma is ...

Category

21st Century and Contemporary Thread Abstract Sculptures

Materials

Fabric, Thread, Found Objects

Kelly Kozma
New Address, 2021

$1,600

Pillow Cloud II - Silver Three-Dimensional Lightweight Metal Wall Art

By Atticus Adams

Located in Los Angeles, CA

Atticus Adams' organically composed modern metal sculptures embody the transformative power of art, illustrating the creation of beauty, meaning, and emotional impact from industrial materials. Using mostly aluminum mesh—generally found in screen doors, windows and filters—he creates contemporary abstract sculptural artworks and installations, which resemble flowers, clouds, and other natural phenomena. Working in metal, Adams effortlessly transforms rigid material into airy, effervescent artworks. This 12 by 12 by 8 inch silver metal wall sculpture...

Category

21st Century and Contemporary Contemporary Thread Abstract Sculptures

Materials

Metal

Atticus Adams
Pillow Cloud II - Silver Three-Dimensional Lightweight Metal Wall Art, 2017

$875

Attached

By Stephanie Lanter

Located in Kansas City, MO

Artist : Stephanie Lanter Title : "Attached" Materials : Porcelain, glaze, stoneware, wire, thread Date : 2020 Dimensions : 20" x 9" x 8.5" Description : Manually slip-trailed sculpture...

Category

2010s Contemporary Thread Abstract Sculptures

Materials

Wire

Stephanie Lanter
Attached, 2020

$2,750 Sale Price

38% Off

Coin Cunt XXVII

By Suzanna Scott

Located in Philadelphia, PA

This is an original navy blue sculpture from Suzanna Scott's ongoing "Coin Cunt" series made from a kisslock coin purse and thread. The piece measures approximately 4in x 4in. ABOU...

Category

21st Century and Contemporary Contemporary Thread Abstract Sculptures

Materials

Thread, Found Objects

Suzanna Scott
Coin Cunt XXVII, 2020

$250

Transitioning

By Gwen Samuels

Located in Boston, MA

Artist Commentary: Transitioning is part of my sculptural dress series. I was interested in experimenting with open and closed spaces and colors transitioning from yellow to pink. ...

Category

21st Century and Contemporary Abstract Thread Abstract Sculptures

Materials

Wire

Gwen Samuels
Transitioning, 2021

$3,800

Miss You

Located in Philadelphia, PA

This fabric work titled "Miss You" is an original artwork by Kelly Kozma made of hand embroidery, stickers, and chain on paper. The piece measures 13”h by 13”...

Category

21st Century and Contemporary Thread Abstract Sculptures

Materials

Fabric, Thread, Found Objects

Kelly Kozma
Miss You, 2021

$1,600

Butterfly Girl

By Eric Rhein

Located in New York, NY

Eric Rhein “Butterfly Girl” 1992-1995 Accompanied by a certificate of authenticity Steel, brass, and gold-filled wire, thread, glue, and found object...

Category

1990s Contemporary Thread Abstract Sculptures

Materials

Brass, Steel, Wire

Eric Rhein
Butterfly Girl, 1992-1995

$22,500

Thinking About the Old Carpet & the Air Hockey Table

Located in Philadelphia, PA

This fabric work titled "Thinking About the Old Carpet & the Air Hockey Table" is an original artwork by Kelly Kozma made of hand embroidery and photographs...

Category

21st Century and Contemporary Thread Abstract Sculptures

Materials

Fabric, Thread, Found Objects

Kelly Kozma
Thinking About the Old Carpet & the Air Hockey Table, 2021

$1,600

Superpowers

Located in Philadelphia, PA

This fabric work titled "Squeaking By" is an original artwork by Kelly Kozma made of hand embroidery, stickers, glitter paper and acrylic paint on paper. The piece measures 13”h by 1...

Category

21st Century and Contemporary Thread Abstract Sculptures

Materials

Fabric, Thread, Found Objects

Kelly Kozma
Superpowers, 2021

$1,600

Get Free

Located in Philadelphia, PA

This fabric work titled "Get Free" is an original artwork by Kelly Kozma made of hand embroidery and photographs on paper. The piece measures 13”h by 13”w framed. Kelly Kozma is a m...

Category

21st Century and Contemporary Thread Abstract Sculptures

Materials

Fabric, Thread, Found Objects

Kelly Kozma
Get Free, 2021

$1,600

Little April Shower

Located in Philadelphia, PA

This fabric work titled "Little April Shower" is an original artwork by Kelly Kozma made of hand embroidery on paper. The piece measures 13”h by 13”w fra...

Category

21st Century and Contemporary Thread Abstract Sculptures

Materials

Fabric, Thread, Found Objects

Kelly Kozma
Little April Shower, 2021

$1,600

Grounding

Located in Philadelphia, PA

This sculpture titled "Grounding" is an original artwork by Kelly Kozma made of punched paper and photographs hand-stitched together with embroidery thread...

Category

21st Century and Contemporary Thread Abstract Sculptures

Materials

Metal

Kelly Kozma
Grounding, 2021

$6,800

"A FLATNESS IN THE EYES", Assemblage Wall-Hanging, Found Objects, Threat, Paint

By Jim Houser

Located in Philadelphia, PA

This artwork "A FLATNESS IN THE EYES" is an original assemblage artwork by Jim Houser. Incorporating various dimensional elements and techniques, such as painting and found objects, ...

Category

2010s Contemporary Thread Abstract Sculptures

Materials

Thread, Found Objects, Acrylic

Jim Houser
"A FLATNESS IN THE EYES", Assemblage Wall-Hanging, Found Objects, Threat, Paint, 2014

$3,000

Her Voice - Handwoven dolls thread wrapped on vinyl records in acrylic cases

Located in West Hollywood, CA

Mary Lai is a multifaceted Korean-American artist based in Los Angeles, California. Her outlook is that “Art is a universal language that can speak to anyone...

Category

2010s Contemporary Thread Abstract Sculptures

Materials

Thread

Mary Lai
Her Voice - Handwoven dolls thread wrapped on vinyl records in acrylic cases, 2023

$1,100

"SAFE", Sculpture, Concrete and Steel Mesh, Black, Red, Grey, Temple Form, 2016

Located in Toronto, Ontario

Eva Ennist, a mixed media and fiber artist, travels extensively through the Far East, gathering materials and techniques for her practice. The sculpture "SAFE" is a prime example of ...

Category

21st Century and Contemporary Abstract Geometric Thread Abstract Sculptures

Materials

Concrete, Steel

Eva Ennist
"SAFE", Sculpture, Concrete and Steel Mesh, Black, Red, Grey, Temple Form, 2016, 2016

$5,000

Hannover

By Jesús Rafael Soto

Located in Miami, FL

Jesus Rafael Soto "Hannover" 1970 Color silkscreen on transparent plexiglass panel, metal rods on nylon threads. It has the original box. 7 x 21 x 5 in Ed. 170 of 200 Provenance: Va...

Category

1970s Kinetic Thread Abstract Sculptures

Materials

Metal

Jesús Rafael Soto
Hannover, 1970

$15,000

"Big Rope", Cotton Crochet Thread, Hanging Fiber Sculpture, Soft, Installation

By John Garrett

Located in St. Louis, MO

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Category

2010s Contemporary Thread Abstract Sculptures

Materials

Cotton, Thread, Polyester, Mixed Media

John Garrett
"Big Rope", Cotton Crochet Thread, Hanging Fiber Sculpture, Soft, Installation, 2023

$12,000

Palisades, Contemporary Abstract Textile Wall Sculpture, Woven Tapestry

Located in Wilton, CT

Palisades, wool and sisal, 55" x 70", 1992. Contemporary Abstract Textile Wall Sculpture, Woven Tapestry. Anna Urbanowicz-Krowacka (b 1938, Poland) gra...

Category

1990s Abstract Thread Abstract Sculptures

Materials

Fabric, Textile, Tapestry, Wool, Thread

Anna Urbanowicz-Krowacka
Palisades, Contemporary Abstract Textile Wall Sculpture, Woven Tapestry, 1992

$24,000

Ceramic and textile sculpture: 'No. 10'

By Ak Jansen

Located in New York, NY

This is part of a collection of ceramics, textiles, and drawings by Ak Jansen which comprise his first solo show in New York City. Born in the Netherlands, Jansen’s work occupies que...

Category

2010s Contemporary Thread Abstract Sculptures

Materials

Gold

Ak Jansen
Ceramic and textile sculpture: 'No. 10', 2020

$1,550

Patricia Miranda, Dreaming Awake, 2020, nightdress, cochineal dyes, plaster,

Located in Darien, CT

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Category

2010s Feminist Thread Abstract Sculptures

Materials

Fabric, Thread, Dye, Found Objects, Plaster

Patricia Miranda
Patricia Miranda, Dreaming Awake, 2020, nightdress, cochineal dyes, plaster,, 2020

$5,000

"NESTING LOTUS #1", Sculpture, Wire Mesh, Reed, Bamboo, Handmade Paper, Concrete

Located in Toronto, Ontario

Eva Ennist, a mixed media and fiber artist, travels extensively through the Far East, gathering materials and techniques for her practice. The sculpture "NE...

Category

21st Century and Contemporary Naturalistic Thread Abstract Sculptures

Materials

Concrete, Wire

Eva Ennist
"NESTING LOTUS #1", Sculpture, Wire Mesh, Reed, Bamboo, Handmade Paper, Concrete, 2010

$1,500

Pathways of Desire, Contemporary Abstract Tapestry, Textile Wall Sculpture

Located in Wilton, CT

Pathways of Desire (2009) - block printed, manipulated, stitched, heat-set polyester, cotton thread. This contemporary abstract tapestry is by UK-based contemporary textile artist, Caroline Bartlett...

Category

Early 2000s Abstract Geometric Thread Abstract Sculptures

Materials

Fabric, Tapestry, Cotton, Thread, Polyester

Caroline Bartlett
Pathways of Desire, Contemporary Abstract Tapestry, Textile Wall Sculpture, 2009

$6,400

Large Sculpture: 'Lady Whistlesdown Baggage Cart' : Emotional Baggage Cart

By Theda Sandiford

Located in New York, NY

My Emotional Baggage Carts are vessels to dispose of racial trauma. The act of making, weaves the sting of macro and microaggressions into the cart, freeing me from these constraints. Each recovered shopping cart is unique, but they all are woven with upcycled materials like rope, paracord, grocery bags, rope lights, beads, fabric, and bottle caps. The cart is with a protective zip tie blanket to trap trauma and prevent its escape. For me, my Emotional Baggage Carts are a release, for you, they are an opportunity to look within and recognize any emotional baggage you, yourself may be carrying and release it. Theda Sandiford...

Category

2010s Contemporary Thread Abstract Sculptures

Materials

Silk, Mesh, Mixed Media

Theda Sandiford
Large Sculpture: 'Lady Whistlesdown Baggage Cart' : Emotional Baggage Cart, 2021

$13,500

"Composition in Black and White", Cotton Wall Tapestry, Thread, Textile, Fiber

By John Garrett

Located in St. Louis, MO

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Category

2010s Contemporary Thread Abstract Sculptures

Materials

Textile, Cotton, Thread, Polyester

John Garrett
"Composition in Black and White", Cotton Wall Tapestry, Thread, Textile, Fiber, 2023

$7,500

Patricia Miranda, Pearls Before Swine 2020, cochineal dyes, pages, sewn pearls

Located in Darien, CT

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Category

2010s Feminist Thread Abstract Sculptures

Materials

Thread, Dye, Found Objects

Patricia Miranda
Patricia Miranda, Pearls Before Swine 2020, cochineal dyes, pages, sewn pearls, 2016

$1,250

Patricia Miranda, Lamentations for Rebecca; 2020, lace, cochineal dye, thread

Located in Darien, CT

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Category

2010s Feminist Thread Abstract Sculptures

Materials

Ceramic, Fabric, Thread, Dye, Found Objects

Patricia Miranda
Patricia Miranda, Lamentations for Rebecca; 2020, lace, cochineal dye, thread, 2020

$11,250

Patricia Miranda, Florilegium Series, 2016, cochineal dyes, antique books, pearl

By Agnieszka Ruszczynska-Szafranska

Located in Darien, CT

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Category

2010s Feminist Thread Abstract Sculptures

Materials

Fabric, Thread, Plaster, Dye, Found Objects

Patricia Miranda
Patricia Miranda, Florilegium Series, 2016, cochineal dyes, antique books, pearl, 2016

$1,500

Portrait of Nut / Goddess No. 2

By Melissa Dadourian

Located in New York, NY

Hand-machine knitted thread, fluid acrylic on dyed fabric Statement My work is at the intersection of painting, object making, and immersive installation. I use various materials such as vintage threads...

Category

2010s Abstract Thread Abstract Sculptures

Materials

Fabric, Thread, Dye

Melissa Dadourian
Portrait of Nut / Goddess No. 2, 2020

$3,220

Podroz (Journey), Mid-Century Modern Woven Textile Wall Sculpture

Located in Wilton, CT

Podroz (Journey) from the Kolodia series, linen, sisal, wool 60" x 56", 1986. This mid-century modern woven textile wall sculpture was done by fiber artist, Agnieszka Ruszczynska-Sza...

Category

1980s Modern Thread Abstract Sculptures

Materials

Fabric, Textile, Wool, Linen, Thread

Agnieszka Ruszczynska-Szafranska
Podroz (Journey), Mid-Century Modern Woven Textile Wall Sculpture, 1986

$26,000

"NESTING LOTUS #3", Sculpture, Wire Mesh, Reed, Handmade Paper, Concrete, Temple

Located in Toronto, Ontario

Eva Ennist, a mixed media and fiber artist, travels extensively through the Far East, gathering materials and techniques for her practice. The sculpture "NESTING LOTUS #3" is a prime...

Category

21st Century and Contemporary Naturalistic Thread Abstract Sculptures

Materials

Concrete, Wire

Eva Ennist
"NESTING LOTUS #3", Sculpture, Wire Mesh, Reed, Handmade Paper, Concrete, Temple, 2010

$1,500

"Lyric Space" Contemporary Korean Textile Wall Sculpture

Located in Wilton, CT

"Lyric Space" Korean silk fabric and handmade ramie threads, maple floater frame. This contemporary silk textile piece is by Korean fiber artist, Shin You...

Category

2010s Contemporary Thread Abstract Sculptures

Materials

Fabric, Textile, Silk, Thread

Shin Young-Ok
"Lyric Space" Contemporary Korean Textile Wall Sculpture, 2014

$16,000

"NESTING LOTUS #4", Sculpture, Wire Mesh, Wood, Concrete, White, Black, Tan Base