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Erté
Copacabana

1990

$9,850
£7,577.28
€8,795.06
CA$13,890.85
A$15,560.09
CHF 8,172.72
MX$189,205.70
NOK 103,493.34
SEK 98,243.01
DKK 65,640.96

About the Item

Copacabana presents Erté's vision of fantasy, splendor, and femininity in a statuesque model wearing a cabaret costume. The gown is noted for its luxuriant richness and design. Softened contours create the folds in the drapery, forming a magnificent train of bows which seductively begins around her breasts and neck, framing her head and continues down her back. The bows are delicately illuminated with white gold leaf and pastel colors indicative of Art Deco. The Copacabana (also referred to as "The Copa") is a famous New York nightclub. Opening on November 10, 1940 at 10 East 60th Street, "The Copa" was a springboard to fame for many of the talented and beautiful Copa dancers such as June Allyson, Lucille Bremer, Janice Rule, Joanne Dru, Janis Paige, and Julie Wilson. The club offered first-class entertainment, a full-course dinner, music, dancing, and libations. The Copa dancers or "Samba Sirens" offered glamour and allure in their dazzling, colorful costumes. Catalogue - Erté: The Last Works (Dutton, pgs. 173, 206). From the total edition of 462; numbered XXXVIII/L (there were also 375 Arabic and 37 AP). The bronze sculpture/casting medium and process is, and has always played, a fascinating part in the history of art, admired by civilization for thousands of years and continuously developed with modern technology. Erté sculpture exemplifies the timeless beauty of this intriguing art form and manifests the artist’s personal unique flair in every bronze creation.
  • Creator:
    Erté (1892 - 1990, Russian)
  • Creation Year:
    1990
  • Dimensions:
    Height: 19 in (48.26 cm)Width: 11 in (27.94 cm)Depth: 6 in (15.24 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Greenwich, CT
  • Reference Number:
    Seller: 2921stDibs: LU2664213541992

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Cabaret, so evocative of cabaret-style shows, was a costume design for a 1940 production entitled 'Dream Waltz' by Oscar Strauss, based on a novella from 1905 by Hans Müller-Einingen...
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Erté is largely credited with creating the look of the Jazz Age. The 'Roaring Twenties' is a phrase used to describe the 1920s, principally in North America, but also in London and P...
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Whether in the draping of a silk gown worn by an opera diva, or in the sparkle of an intricately beaded headdress worn by a woman of society, Erté had an exceptionally acute visual memory of every detail of his early design creations. It was no wonder then that his fashion designs were so adeptly applied to the sculpture format. In Mermaid, we have a fine example of how Erté carried the technical possibilities of the sculpture medium to a new level. This attention to detail added to his legend as one of the Twentieth Century’s foremost artist-designers, with work represented in the collections of the Metropolitan Museum of Art, New York, the Museum of Modern Art, New York, the Paris Opera House, the Smithsonian Institution and the Victoria and Albert Museum, London. Through Mermaid, Erté takes us beyond the female form by choosing the intriguing legendary sea creature whose upper body is that of a woman, and whose lower body is that of an aquatic creature. In quintessential Erté style...
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