Wax Sculptures

In this contemporary encaustic sculpture, colorful layers of pigmented beeswax suggest a meteorite or geological formations. Handmade pedestal shown in photos not included in the p...

In this contemporary encaustic sculpture, colorful layers of pigmented beeswax suggest a meteorite and geological formations. Handmade wood pedestal included in the price. Laura Mor...

An imposing fourteen-foot tower of curved abstract shapes is fabricated from stainless steel in this new sculpture from Viktor Mitic. He is known for his colourful abstract paintings and sculptures that were inspired by paint drippings on his studio floor. This intriguing patinated piece in rich dark tones signals a departure for Mitic. “My goal with these is to showcase the universal human connection we are all a part of, and if I can make a statement while doing so, even better.” Viktor Mitic Serbian-born Viktor Mitic earned a BFA from the University of Toronto in 1995 with studies in art history at Sheridan College. He has exhibited his post-Pop inspired...

Medium: Charred wood and wax As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual la...

Dale Dunning’s contemporary sculptures often use the generic image of the human head as a metaphor for our collective experience. With this table top piece in bronze, the Canadian ar...

Kate Anderson transitioned her painting background into a full career in craft and textile after a knotting workshop at Craft Alliance in St. Louis. Now with nearly 30 years experien...

This found-object assemblage by Oklahoma based artist Sunni Mercer was created in 2020 and is made up of various materials, including clay, aluminum, bottle caps, wax and paint. Much...

This piece titled "Diptych: Egg Bag & Insect Net" is an original artwork made from beeswax, quail eggs, mica, plastic, copper, linen, and silverpoint, moun...

Dana Younger's (US based) "Coral Skull" is an original, handmade sculpture that depicts yellow, blue, and red coral emerging from a human skull. About t...

This piece titled "Shovel, Recovered" is an original artwork made from iron, paper, beeswax, brass, pine, mounted on panel by Katie VanVliet. This piece measures 12"h x 24"w x 5"d Katie VanVliet (she/her) is a sculptor and printmaker practicing from her home studio in Elkins Park...

Their work is coded within art history and ideologies from archetypes of mysticism. They explore found truths from modernity and a personal historical perspective. A process-driven s...

In this contemporary encaustic sculpture, colorful layers of pigmented beeswax suggest a meteorite and geological formations. Handmade wood pedestal included in the price. Laura Mor...

Materials: Handmade paper, paper string, wax After working as a textile artist for nearly two decades, in 1998, Iwasaki began making both baskets and her own paper. In 2000, her new...

Kate Anderson transitioned her painting background into a full career in craft and textile after a knotting workshop at Craft Alliance in St. Louis. Now with nearly 30 years experien...

In this contemporary encaustic sculpture, colorful layers of pigmented beeswax suggest geological formations. Laura Moriarty is engaged in a visual dialogue that finds equilibrium b...

Lily, red osier (willow), beeswax and damar resin, 43" x 28" x 16", 2002. This biomorphic, abstract basket-sculpture was created by American fiber artist, Christine Joy (b. 1952, I...

Contemporary Knotted Waxed Linen Sculpture, Stainless Steel Frame, Mixed Media Kate Anderson transitioned her painting background into a full career in craft and textile after a kno...

Electric Coffin is coded within art history and ideologies from archetypes of mysticism. We explore found truths from modernity and a personal historical perspective. A process-drive...

Kate Anderson transitioned her painting background into a full career in craft and textile after a knotting workshop at Craft Alliance in St. Louis. Now with nearly 30 years experien...

GRAND POOL is a unique painted iron, oxidized patina and wax finish sculpture by contemporary artist Ramon Enrich, dimensions are 23 × 50 × 30 cm (9.1 × 19.7 × 11.8 in). This unique...

In this contemporary encaustic sculpture, colorful layers of pigmented beeswax suggest a meteorite or geological formations. Laura Moriarty is engaged in a visual dialogue that find...

In this contemporary encaustic sculpture, colorful layers of pigmented beeswax suggest a meteorite or geological formations. Laura Moriarty is engaged in a visual dialogue that find...

In this contemporary encaustic sculpture, colorful layers of pigmented beeswax suggest a meteorite or geological formations. Laura Moriarty is engaged in a visual dialogue that find...

Kora is a unique oil, acrylic and wax on Carrara marble sculpture by contemporary artist Richard Perry, dimensions are 26 × 27.5 × 25.5 cm (10.2 × 10.8 × 10 in). The sculpture is si...

Theia is a unique ink, paint and wax on Carrara marble sculpture by contemporary artist Richard Perry, dimensions are 20.5 × 23 × 19 cm (8.1 × 9.1 × 7.5 in). The sculpture is signed...

LARGE POOL is a unique painted iron, oxidized patina and wax finish sculpture by contemporary artist Ramon Enrich, dimensions are 11 × 49 × 15 cm (4.3 × 19.3 × 5.9 in). This unique ...

Luna is a unique ink, paint and wax on Carrara marble sculpture by contemporary artist Richard Perry, dimensions are 20 × 20 × 17 cm (7.9 × 7.9 × 6.7 in). The sculpture is signed an...

October Moon is a unique ink, paint and wax on Alabaster sculpture by contemporary artist Richard Perry, dimensions are 21.5 × 21.5 × 19 cm (8.5 × 8.5 × 7.5 in). The sculpture is si...

This free-standing sculpture titled "An Exact Record Of How It Happened" is an original artwork by Jedediah Morfit made of plaster, paint, wax, thermoplastic, epoxy, wood, rope. This piece measures 33.25"h x 10"w x 14"d. BIO Jedediah Morfit received his MFA in sculpture from the Rhode Island School of Design in 2005, where he was awarded the Sylvia Leslie Herman Young Scholarship and the Award Of Excellence. He was a Fellow at the Center For Emerging Visual Artists from 2007-2009, and received a New Jersey Council On the Arts Fellowship for sculpture in 2009. He received the Louise Kahn Award for Sculpture from the Woodmere Art Museum in 2006, and was awarded the Dexter Jones Award for Bas Relief from the National Sculpture Society in 2011 and 2012. In 2013, he was commissioned to create a series of new work for Artlantic:Wonder, which was named one of the 50 best...

From Memories of Egypt Series. The figure has always been Deborah Ballard’s muse in her sculptures. Ballard works in bronze, cast stone, and plaster; her figures ranging from life-s...

The figure has always been Deborah Ballard’s muse in her sculptures. Ballard works in bronze, cast stone, and plaster; her figures ranging from life-size to hand-size. Ballard says, ...

Contemporary bust from John Goodman, whose sculptures, drawings and paintings are a dichotomy of understated minimalism conveying a subtle, but evi...

Wall Mounting Mixed Media Sculpture, Waxed Linen, 19 x 14 x 7 in, Mary Giles Mary Giles (1944-2018) received her BS in Art Education from Mankato State University in Minnesota. Aft...

Wheel, Christie Joy, willow, beeswax, damar resin, 24.25” x 28” x 9”, 2013. This abstract woven willow sculpture was created by American fiber artist, Ch...

Mixed Media Sculpture with Waxed Linen, Hammered Copper and Iron Wire Mary Giles (1944-2018) received her BS in Art Education from Mankato State University in Minnesota. After rece...

Wall Mounting Mixed Media Sculpture, Iron on Wood Panel, Populace by Mary Giles Mary Giles (1944-2018) received her BS in Art Education from Mankato State University in Minnesota. ...

Looking For You by Denny Haskew Figurative Bronze/Paraffin Wax 11x14x14" Ed/15 2015 Female and Male Nudes 5 figures total "Love has no age, no limit; and no death." — John Galswo...

Contemporary head sculpture from John Goodman, whose magnetic sculptures, drawings and paintings are a dichotomy of understated minimalism conveying a subtle, but evident smoldering ...

Elegy in Plastic is a striking illuminated artwork by Kumikaho Oshima from the series Luminous Transactions : Barbie Chronicles in Currency Boxes, where the artist stages a dense acc...

Artist Commentary: This piece is inspired by the flight of birds, and the joy in seeing the flight. Created from nine winged bamboo and fused glass sculptures. These pieces can be h...

Their work is coded within art history and ideologies from archetypes of mysticism. They explore found truths from modernity and a personal historical perspective. A process-driven s...

Their work is coded within art history and ideologies from archetypes of mysticism. They explore found truths from modernity and a personal historical perspective. A process-driven s...

Linen, linen strap, acrylic glass (mirror, iridescent), gesso, golden wax, wire & acrylic paint on panel Eric Beauplace is a French contemporary plastic artist born in 1962 who live...

Linen, linen strap, acrylic glass (mirror, iridescent), gesso, golden wax, wire & acrylic paint on panel Eric Beauplace is a French contemporary plastic artist born in 1962 who live...

JONATHAN FERRARA GALLERY is proud to announce, Shape-Memory, a solo exhibition of new textile and sculptural artworks by New Orleans-based artist Gina Phillips. Initially born from h...

Artist Commentary: Spira Fiore comes from a body of work based on a tying system I created which draws inspiration from sea shells. It is made of three layers of bamboo. One layer u...

Artist Commentary: "Float" was pictured in American Craft Magazine in an article about the artist in Dec 2018. Additional hanging Bar for Float is 7’ long 10” from wall is available...

Artist Commentary: This very three dimensional wall piece is created out of split bamboo. The bamboo starts out as a whole strip, then is split down finer and tied into a star shape...

This four panel composition has a rich blue and violet tones in the pigmented wax, which compliments the warmth of the tones of the embedded packaging material beneath the surface. ...

Lawrence Carroll Untitled , 1988 Signed and dated 'LAWRENCE CARROLL "1954" 1988' (on the interior) Oil, wax, canvas, fabric and staples on wood 19.4 x...

Sherry Owens is known for her meticulous crepe myrtle sculptures, as well as large outdoor works in bronze and steel. Informed by observations in nature, she constructs nest-like obj...

Linen, linen strap, acrylic glass (mirror, iridescent), gesso, golden wax, wire & acrylic paint on panel Eric Beauplace is a French contemporary plastic artist born in 1962 who live...

Artist Commentary: Created using my stacking technique, this piece draws inspiration from Diatoms. Words used to describe this piece: science, diatom, biology, bamboo Artist Biogr...

Sherry Owens Windows and Maidens #6, 2019 Bronze, patina, crepe myrtle, dye, milk paint, wax 11 x 14 3/4 x 11 3/4 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...

Sherry Owens Windows and Maidens #5, 2019 Bronze, patina, crepe myrtle, dye, milk paint, wax 9 1/4 x 14 1/4 x 9 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...

Sherry Owens Waterhole, 2017 Crepe myrtle, dye, paint, wax 24 x 36 x 36 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...

Sherry Owens Reawakening the Spirit, 2019 Crepe myrtle, steel, milk paint, dye, oil, wax 108 1/2 x 36 x 31 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...

Sherry Owens Grandfather's Land, 2021 Bronze, patina, crepe myrtle, paint, wax 30 x 46 x 18 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...