American Impressionist Sculptures

Adam Fragment, detail from the full-scale trumeau figure of Adam commissioned as part of The Creation Series at Washington National Cathedral...

Don't miss this opportunity to own a piece of history! Ex Nihilo Figure 4, a full-scale plaster from the final stone sculpture of Ex Nihilo, commissioned as part of the Creation Scul...

This is a monumental sculpture which gives us a conversation about our relationship with the natural world. It is not only a straight up beautiful form of our majestic elk but it is ...

Ex Nihilo Figure 3 is a full scale plaster from the final stone sculpture of Ex Nihilo, commissioned as part of the The Creation Sculptures at Washington National Cathedral...

Indulge in the beauty of divine creation with Adam by Frederick Hart. This masterpiece, number 2 out of 8, is up for sale and waiting to be cherished by its new owner. This piece is ...

Don't miss this opportunity to own a piece of history! Ex Nihilo Figure 2, a full-scale plaster from the final stone sculpture of Ex Nihilo, commissioned as part of the Creation Scul...

Edition of 17 American, b. 1961 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her ...

Edition of 17 American, b. 1961 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her ...

Edition of 10

This artwork titled "Untitled #1" c.1980 is a painted wood bas-relief by noted California artist Arnold A. Grossman, 1923-2016. It is signed at the lower right corner by the artist. ...

Edition of 21 Jane DeDecker, American, b. 1961 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her twelve nieces and nephews are the primary source of her inspiration, though DeDecker’s sculptures are not portraits. In fact, her loose style leaves her viewers with room for interpretation, so as to see their own lives within her sculptures. This imprecision, combined with her unique ability to capture specific moments to which each viewer can relate on a personal level, regardless of age, give DeDecker’s work a timeless quality that spans generations. DeDecker began her artistic training as a painter at the University of Northern Colorado, until a professor, noticing her joy in the portrayal of shapes and forms, suggested she try her hand at sculpture...

This vibrant carved wood sculpture by Al Czerepak (1928-1986) features a charming and rustic design of a bird surrounded by colorful flowers and a butterfly. The textured carving sty...

Ex Nihilo Fragment 7 is a detail from the full-scale plaster from the final stone sculpture of Ex Nihilo, commissioned as part of the Creation Sculptures at Washington National Cathe...

Edition of 17 American, b. 1961 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her twelve nieces and nephews are the primary source of her inspiration, though DeDecker’s sculptures are not portraits. In fact, her loose style leaves her viewers with room for interpretation, so as to see their own lives within her sculptures. This imprecision, combined with her unique ability to capture specific moments to which each viewer can relate on a personal level, regardless of age, give DeDecker’s work a timeless quality that spans generations. DeDecker began her artistic training as a painter at the University of Northern Colorado, until a professor, noticing her joy in the portrayal of shapes and forms, suggested she try her hand at sculpture. Taking his advice, DeDecker went on to study at Gobelins School of Tapestry in Paris...

American, b. 1961 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her twelve nieces and nephews are the primary source of her inspiration, though DeDecker’s sculptures are not portraits. In fact, her loose style leaves her viewers with room for interpretation, so as to see their own lives within her sculptures. This imprecision, combined with her unique ability to capture specific moments to which each viewer can relate on a personal level, regardless of age, give DeDecker’s work a timeless quality that spans generations. DeDecker began her artistic training as a painter at the University of Northern Colorado, until a professor, noticing her joy in the portrayal of shapes and forms, suggested she try her hand at sculpture. Taking his advice, DeDecker went on to study at Gobelins School of Tapestry in...