Conceptual Sculptures

Hyperrealistic bronze female head sculpture with hollowed skull evokes mystery and organic patina. Soño (24 × 17 × 22 cm) by Aldonza is cast by the artist using the traditional lost-...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for comm...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

This is a large sculpture and also includes an artist custom framed silkscreen with extensive handwork titled Line of Time, pencil signed and inscribed, presented in heavy metal and ...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

"Niemand and Soldier Duo" is of a limited edition of 25 works, edition 20/25 and signed. The Duo will be shipped directly from the artist's studio in Slovakia to your location. Ship...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Y...

"Goodfellas" is comprised of 3 individual white statues that are meant to be presented as a trio. They are part of a limited edition of 25 of which this is number 12. Each individual...

Where do we come from? Where are we going? What the hell is going on here? 2017-2018 Hand cut paper in wood box Gil Scullion’s conceptual text-based work has been featured in exhibi...

Arik Levy, Israeli (1963 - ) - Solid Liquid, Medium: Hand-Blown Colored and Silvered Glass, Size: 27 x 18 x 18 in. (68.58 x 45.72 x 45.72 cm)

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

Wall sculpture assemblage by Gertie Lowe, from 1978, is a conceptual abstract with everyday objects. Muted neutral tones are contrasted with vibrant accents. Signed and dated verso...

An original sculptural installation by contemporary conceptual American artist Bethany Krull. This work titled The Swamp features a series of individual concrete cups each with a se...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

Robert Booth is a visionary conceptual sculpture artist known for his haunting and thought-provoking creations. His work takes viewers on a journey into t...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

An original hand built porcelain and paper sculpture by contemporary conceptual American artist Bethany Krull.

Robert Booth is a Western New York visionary conceptual sculpture artist known for his haunting and thought-provoking creations. His work takes viewers on...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck...

Where do we come from? Where are we going? What the hell is going on here? 2017-2018 Hand cut paper in wood box Gil Scullion’s conceptual text-based work has been featured in exhibi...

“My art explores the similarity between seemingly disparate cultures through the lens of my African American ancestry. I examine my family’s plight shaped by the history of racism a...

“My art explores the similarity between seemingly disparate cultures through the lens of my African American ancestry. I examine my family’s plight shaped by the history of racism a...

An original conceptual wall sculpture by contemporary Canadian female artist Lyn Carter. Lyn Carter works primarily in sculpture as well as drawing and has exhibited across Canada...

An original conceptual sculpture by Kevin Kegler. This work is currently featured in the artist's solo exhibition inside The Corridors Gallery at Hotel Henry.

An original conceptual hand carved and joined wood wall sculpture by Kevin Kegler. This work is currently featured in the artist's solo exhibition inside The Corridors Gallery at ...

“My art explores the similarity between seemingly disparate cultures through the lens of my African American ancestry. I examine my family’s plight shaped by the history of racism an...

“My art explores the similarity between seemingly disparate cultures through the lens of my African American ancestry. I examine my family’s plight shaped by the history of racism an...

Robert Booth is a visionary conceptual sculpture artist known for his haunting and thought-provoking creations. His work takes viewers on a journey into t...

AI WEIWEI - PEQUI TREE Date of creation: 2021 Medium: Tin sculpture Edition: 250 Size: 32 x 12 x 8 cm Condition: In mint conditions, brand new and never displayed ABOUT THE WORK Li...

Lego, gold leaf (24k, 22.66k), copper wire, wood This collaborative work, which began with a common interest in Buddhism, explored the idea of expressing the sacred within everyday life. As artist and Zen monk...

An original unique mixed media painting and sculptural creation by well listed artist Enrico Embrolli. Enrico Embroli is a mixed media artist born in the small Western New York town...

A contemporary collection of conceptual wall sculptures by Dianne Baker titled "Wood = Paper" created in 2016 with wood, metal, leather and handmade paper. Various Sizes: 16" x 1...

John Petrey’s Shaman is a striking mixed-media sculpture that merges mythology, ritual, and contemporary artistry. The figure wears a robe of richly patterned patchwork, assembled fr...

Materials are often the driving force and inspiration behind the works of art that I create. I have always been drawn to the functional wear and patina of vintage and found objects. ...

Hand-carved eucalyptus wood sculpture by the artist Álvaro de la Vega (1954, Lugo, Spain) in 20006. It is part of a series of sculptures of bodies and animals made with chisel and ha...

Cardboard, gold leaf, gilder’s bole This work was created for an exhibit as part of the artistic unit SHIKŌ, a collaborative effort between sculptors Kanji Hasegawa, Isaji Yugo, and...

“My art explores the similarity between seemingly disparate cultures through the lens of my African American ancestry. I examine my family’s plight shaped by the history of racism a...

AI WEIWEI - CEDAR (I) Date of creation: 2023 Medium: Cast aluminium Edition: 50 + 2 A/P Size: 20 x 15.8 x 14.4 cm Condition: In mint conditions, brand new and never displayed ABOUT...

Gold leaf, concrete, wood, copper wire W220 × D65 × H40 mm + W60 × D35 × H75 mm (concrete) This collaborative work, which began with a common interest in Buddhism, explored the idea of expressing the sacred within everyday life. As artist and Zen monk...

Ray Johnson, 1964. Mail art assemblage collage titled "Ed Brush," composed of cut paper stamped " Ed Brush Collage by Ray Johnson " with a paper cutout, and two mailed covers address...

An original hand built porcelain sculpture by contemporary conceptual American artist Bethany Krull. This work titled Extinction Stack is a prime example of the artist's commentary ...

“My art explores the similarity between seemingly disparate cultures through the lens of my African American ancestry. I examine my family’s plight shaped by the history of racism a...

“My art explores the similarity between seemingly disparate cultures through the lens of my African American ancestry. I examine my family’s plight shaped by the history of racism an...

Words are like color they reflect mood sentiment feelings temperament . For Ray Johnson they were the elements by which his work could be made and come into existence. Whether fragm...

Eduardo Costa is one of the key figures in global conceptual art. He was born in Buenos Aires in 1940. He graduated in Literature and Art at the University of Buenos Aires in 1965 where he took courses with Jorge Luis Borges in the late fifties. His practice developed into Conceptual POP with the Fashion Fictions Series, 1966-to the present. He is also credited with creating Conceptual Geometry which he showed internationally starting in 1995 at the Elga Wimmer Gallery, NY, and in 2001 at Cecilia de Torres LTD., NY. With Cecilia de Torres he exhibited a fully developed edition of his Volumetric Paintings, which use painting to such a volume that it stands by itself without any cloth or other support.Eduardo Costa lived twenty-five years in New York and over four years in Rio de Janeiro where he met almost daily with Hélio Oiticica, Lygia Pape...

Jenny Holzer's menacing "Truisms" first appeared in 1983 when the artist was invited to participate in a group show exploring the themes and dialogue from George Orwell's "1984". O...

#murano #glass Barry Wolfryd (1952) Barry Wolfryd, born in Los Angeles and a naturalized Mexican, has spent most of his artistic career in Mexico, where he has lived for the past 35 ...

Hand-carved eucalyptus wood sculpture by the artist Álvaro de la Vega (1954, Lugo, Spain) in 20006. It is part of a series of sculptures of bodies and animals made with chisel and ha...

Hand-carved eucalyptus wood sculpture by the artist Álvaro de la Vega (1954, Lugo, Spain) in 20006. It is part of a series of sculptures of bodies and animals made with chisel and ha...

Oleg Lobykin (Russian, b. 1966) is a sculptor. Born in St. Petersburg, Russia, Lobykin now resides in Silicon Valley and also specializes in the restoration of landmark architecture ...

There are two Little Oil installations available with 6 sculptures each on top of LED light boxes. Little Oil 19 is a digital photographic print on aluminum for the flat files. Katherine Jackson has been working with glass and light together for many years, Recently, she's been making glass castings of vintage oil cans, and displaying them -- singly, in small groupings, or in vitrines -- on light boxes. So far she has created about 90, each one unique. The series is called Little Oil, alluding to Big Oil, and sometimes Small Oils, as in oil painting. But “oil” can mean many things. It has been a source of light (sometimes from unconscionable sources) since ancient times as well as a source of eternal light in many faith traditions. Set atop lightboxes, where each work glows from within, these pieces can simply seem like vessels of light itself. At times, they appear to me to transcend their relation to oil altogether, appearing anthropomorphic or creaturely, even biological. These days, I think of them as archeological artifacts, relics of a past, oil-based, civilization. Necropolis is a print of a painting inspired by a map of the necropolis where the terra cotta soldiers...

To get a complete description of this work, we will mail it to you. Ray Johnson, 1960/1963. Mail art assemblage titled "Grey Envelope With Hinge," consisting of an envelope mailed ...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

The artistic collaboration of Kelly Bugden + Van Wifvat has produced a thought-provoking body of sculptures, paintings, and constructions. Nature, childhood memories, and everyday ar...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck arrived, but in that moment it was a revolving abstraction of potential, delineation, growth, and destruction. Once filled it was gone: the plywood was stripped away, the earth was backfilled. To suspend that moment he began building models of formworks. Leaving them unfilled, they are perpetually unfinished. From models based directly on architecture, Horstman expanded to forms found in the landscape. Making a formwork that depicts constraint upon the landscape is not exactly a reversal of the formwork’s function, but it asks different questions than a formwork designed for a building would. Why would you make a cement creek? What is the relationship between a flowing creek and poured cement? Is this a barrier or just delineation? For River Woman ODETTA, in addition to several small sculptures in the Flat File, Horstman will install Formwork for the East River, which describes that river’s shape as it flows from Rikers Island to the tip of Manhattan. The 3 x 18 x 7 foot sculpture...

Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck...