Conceptual Sculptures

Hyperrealistic bronze female head sculpture with hollowed skull evokes mystery and organic patina. Soño (24 × 17 × 22 cm) by Aldonza is cast by the artist using the traditional lost-...

Material: Racing spikes, ink, acetate, pins This piece traces Huhn’s journey back to the freedom she discovered when she fled a psychiatric hospital in Pennsylvania and ran, literal...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for comm...

"Niemand and Soldier Duo" is of a limited edition of 25 works, edition 20/25 and signed. The Duo will be shipped directly from the artist's studio in Slovakia to your location. Ship...

"Goodfellas" is comprised of 3 individual white statues that are meant to be presented as a trio. They are part of a limited edition of 25 of which this is number 12. Each individual...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck arrived, but in that moment it was a revolving abstraction of potential, delineation, growth, and destruction. Once filled it was gone: the plywood was stripped away, the earth was backfilled. To suspend that moment he began building models of formworks. Leaving them unfilled, they are perpetually unfinished. From models based directly on architecture, Horstman expanded to forms found in the landscape. Making a formwork that depicts constraint upon the landscape is not exactly a reversal of the formwork’s function, but it asks different questions than a formwork designed for a building would. Why would you make a cement creek? What is the relationship between a flowing creek and poured cement? Is this a barrier or just delineation? For River Woman ODETTA, in addition to several small sculptures in the Flat File, Horstman will install Formwork for the East River, which describes that river’s shape as it flows from Rikers Island to the tip of Manhattan. The 3 x 18 x 7 foot sculpture...

This is a large sculpture and also includes an artist custom framed silkscreen with extensive handwork titled Line of Time, pencil signed and inscribed, presented in heavy metal and ...

Arik Levy, Israeli (1963 - ) - Solid Liquid, Medium: Hand-Blown Colored and Silvered Glass, Size: 27 x 18 x 18 in. (68.58 x 45.72 x 45.72 cm)

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

Where do we come from? Where are we going? What the hell is going on here? 2017-2018 Hand cut paper in wood box Gil Scullion’s conceptual text-based work has been featured in exhibi...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Y...

An original hand built porcelain and paper sculpture by contemporary conceptual American artist Bethany Krull.

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

Wall sculpture assemblage by Gertie Lowe, from 1978, is a conceptual abstract with everyday objects. Muted neutral tones are contrasted with vibrant accents. Signed and dated verso...

An original sculptural installation by contemporary conceptual American artist Bethany Krull. This work titled The Swamp features a series of individual concrete cups each with a se...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

An original mixed media woven paper and staple wall sculpture by Jozef Bajus. This work can be acquired in a shadow box frame presentation for an additional $350.

Robert Booth is a visionary conceptual sculpture artist known for his haunting and thought-provoking creations. His work takes viewers on a journey into t...

“My art explores the similarity between seemingly disparate cultures through the lens of my African American ancestry. I examine my family’s plight shaped by the history of racism an...

Robert Booth is a Western New York visionary conceptual sculpture artist known for his haunting and thought-provoking creations. His work takes viewers on...

AI WEIWEI - PEQUI TREE Date of creation: 2021 Medium: Tin sculpture Edition: 250 Size: 32 x 12 x 8 cm Condition: In mint conditions, brand new and never displayed ABOUT THE WORK Li...

“My art explores the similarity between seemingly disparate cultures through the lens of my African American ancestry. I examine my family’s plight shaped by the history of racism a...

An original conceptual hand carved and joined wood wall sculpture by Kevin Kegler. This work is currently featured in the artist's solo exhibition inside The Corridors Gallery at ...

Robert Booth is a visionary conceptual sculpture artist known for his haunting and thought-provoking creations. His work takes viewers on a journey into t...

An original conceptual sculpture by Kevin Kegler. This work is currently featured in the artist's solo exhibition inside The Corridors Gallery at Hotel Henry.

A contemporary collection of conceptual wall sculptures by Dianne Baker titled "Wood = Paper" created in 2016 with wood, metal, leather and handmade paper. Various Sizes: 16" x 1...

Oleg Lobykin (Russian, b. 1966) is a sculptor. Born in St. Petersburg, Russia, Lobykin now resides in Silicon Valley and also specializes in the restoration of landmark architecture ...

Cardboard, gold leaf, gilder’s bole This work was created for an exhibit as part of the artistic unit SHIKŌ, a collaborative effort between sculptors Kanji Hasegawa, Isaji Yugo, and...

EDUCATION: 1990 - BFA- College of Fine Arts, Boston University, Boston, MA PROFESSIONAL EXPERIENCE: PRESENT STUDIO 740- ARTIST/ STUDIO MANAGER, Helena, MT ASSISTANT CURATOR OF EDUCATION- HOLTER MUSEUM OF ART, Helena, MT 1998-2014 SCULPTURE DEPART. CHAIR/ FOUNDRY DIRECTOR - Armory Art Center,WPB, FL 2012 SUMMER RESIDENT ARTIST @ THE ARCHIE BRAY FOUNDATION, Helena, MT 2010 ELECTED MEMBER OF THE NATIONAL SCULPTURE SOCIETY DESIGNED & FABRICATED ANNUAL AWARD - The Arthur R. Marshall Foundation, WPB, FL DESIGNED & FABRICATED SENIOR GIFT SCULPTURE - Northwood University, WPB, FL 2008 DESIGNED & FABRICATED ANNUAL AWARD - Judge Knott Award, Historical Society of Palm Beach County DESIGNED & FABRICATED ANNUAL AWARD - Providencia Award- Palm Beach County Convention Bureau, WPB, FL FINALIST - My Wendy, My Way, Wendy’s International, Dublin, OH 2003 DESIGNED & FABRICATED CEE CEE LYLES MEMORIAL- Veteran’s Park, Ft. Pierce, FL 1998 - 1996 RDK STUDIOS - Owner/Operator, FIne Art Bronze Foundry, Riviera Beach, FL EXHIBITIONS: 2015 CHRIS RICCARDO & FRIENDS, The Art Spirit Gallery of Fine Art, Coure d’Alene, ID 16TH ANNUAL SMALLL ARTWORKS INVITATIONAL, The Art Spirit Gallery of Fine Art, Coure d’Alene, ID 2014 ON & OFF THE WALL: SOFLO CERAMICS, The Art Gallery @ Eissey Campus Gallery ART PALM BEACH, JF Gallery, WPB, FL IN LIQUID 15, Philadelphia, PA 2013 NCECA 2013: Resident Artist Exhibtion, NCECA 18 Hands Gallery, Houston TX ART PALM BEACH, JF Gallery, WPB, FL THE INVISIBLE HOURDE: Unit 1 Gallery, WPB, FL 2012 ARCHIE BRAY @ the Kolva-Sullivan Gallery, Spokane, WA RESIDENT ARTIST EXHIBITION: Bray Warehouse Galley, The Archie Bray Foundation, Helena, MT MUSES & SIRENS: CHRIS RICCARDO & JACQUES De BEAUFORT, The Art GAllery @ Eissey Campus, PBG, FL PALM BEACH ART & ANTIQUES, JF Gallery, WPB, FL SMALL FAVORS VII- The Clay Studio, Philadelphia, PA BEYOND THE BRICKYARD ( 4th Annual Juried Exhibition ) Juried by Richard Shaw...

“My art explores the similarity between seemingly disparate cultures through the lens of my African American ancestry. I examine my family’s plight shaped by the history of racism an...

“My art explores the similarity between seemingly disparate cultures through the lens of my African American ancestry. I examine my family’s plight shaped by the history of racism a...

Lego, gold leaf (24k, 22.66k), copper wire, wood This collaborative work, which began with a common interest in Buddhism, explored the idea of expressing the sacred within everyday life. As artist and Zen monk...

“My art explores the similarity between seemingly disparate cultures through the lens of my African American ancestry. I examine my family’s plight shaped by the history of racism a...

“My art explores the similarity between seemingly disparate cultures through the lens of my African American ancestry. I examine my family’s plight shaped by the history of racism a...

Gold leaf, concrete, wood, copper wire W220 × D65 × H40 mm + W60 × D35 × H75 mm (concrete) This collaborative work, which began with a common interest in Buddhism, explored the idea of expressing the sacred within everyday life. As artist and Zen monk...

Materials are often the driving force and inspiration behind the works of art that I create. I have always been drawn to the functional wear and patina of vintage and found objects. ...

An original hand built porcelain sculpture by contemporary conceptual American artist Bethany Krull. This work titled Extinction Stack is a prime example of the artist's commentary ...

Hand-carved eucalyptus wood sculpture by the artist Álvaro de la Vega (1954, Lugo, Spain) in 20006. It is part of a series of sculptures of bodies and animals made with chisel and ha...

Ray Johnson replaces objects with words in this 1959 conceptual piece. With a hint of playfulness, the artist arranges three words in a collage pattern of Alber's-like squares. Eac...

AI WEIWEI - CEDAR (I) Date of creation: 2023 Medium: Cast aluminium Edition: 50 + 2 A/P Size: 20 x 15.8 x 14.4 cm Condition: In mint conditions, brand new and never displayed ABOUT...

Jenny Holzer's menacing "Truisms" first appeared in 1983 when the artist was invited to participate in a group show exploring the themes and dialogue from George Orwell's "1984". O...

Eduardo Costa is one of the key figures in global conceptual art. He was born in Buenos Aires in 1940. He graduated in Literature and Art at the University of Buenos Aires in 1965 where he took courses with Jorge Luis Borges in the late fifties. His practice developed into Conceptual POP with the Fashion Fictions Series, 1966-to the present. He is also credited with creating Conceptual Geometry which he showed internationally starting in 1995 at the Elga Wimmer Gallery, NY, and in 2001 at Cecilia de Torres LTD., NY. With Cecilia de Torres he exhibited a fully developed edition of his Volumetric Paintings, which use painting to such a volume that it stands by itself without any cloth or other support.Eduardo Costa lived twenty-five years in New York and over four years in Rio de Janeiro where he met almost daily with Hélio Oiticica, Lygia Pape...

In the present work, Ray Johnson predates On Kawara in the conceptual use of written numbers as "Number Art/Word Art". Johnson's work elevates "Idea over Object" in his art, in whic...

#murano #glass Barry Wolfryd (1952) Barry Wolfryd, born in Los Angeles and a naturalized Mexican, has spent most of his artistic career in Mexico, where he has lived for the past 35 ...

Hand-carved eucalyptus wood sculpture by the artist Álvaro de la Vega (1954, Lugo, Spain) in 20006. It is part of a series of sculptures of bodies and animals made with chisel and ha...

Hand-carved eucalyptus wood sculpture by the artist Álvaro de la Vega (1954, Lugo, Spain) in 20006. It is part of a series of sculptures of bodies and animals made with chisel and ha...

Ray Johnson, 1964. Mail art assemblage collage titled "Ed Brush," composed of cut paper stamped " Ed Brush Collage by Ray Johnson " with a paper cutout, and two mailed covers addressed by Johnson to Ed Brush- one c/o Ray Johnson and one c/o Stanton Kreider- postmarked October 20, 1964, and November 19, 1964, respectively. Mounted on board covered with fabric, board measures 13 x 11 in. Not framed. Signed on Envelopes, Stamped Collage by Ray Johnson Bio from Wikipedia: Raymond Edward "Ray" Johnson (October 16, 1927 – January 13, 1995) was an American artist. Known primarily as a collagist and correspondence artist, he was a seminal figure in the history of Neo-Dada and early Pop art and was described as "New York's most famous unknown artist".[1][3] Johnson also staged and participated in early performance art events as the founder of a far-ranging mail art network – the New York Correspondence School –which picked up momentum in the 1960s and is still active today. He is occasionally associated with members of the Fluxus movement but was never a member. He lived in New York City from 1949 to 1968, when he moved to a small town in Long Island and remained there until his suicide. Early years and education Born in Detroit, Michigan, on October 16, 1927,Ray Johnson grew up in a working-class neighborhood and attended Cass Technical High School where he was enrolled in the advertising art program. He took weekly classes at the Detroit Art Institute and spent a summer drawing at Ox-Bow School in Saugatuck, Michigan, affiliated with the Art Institute of Chicago. Johnson left Detroit after high school in the summer of 1945 to attend the progressive Black Mountain College (BMC) in North Carolina,[4][6] where he stayed for the next three years (spending the spring 1946 semester at the Art Students League in New York but returning the following summer). Josef Albers, before and after his notable sabbatical in Mexico, was in residence at Black Mountain College for six of the ten semesters that Johnson studied there. Anni Albers, Walter Gropius, Lyonel Feininger, Robert Motherwell, Ossip Zadkine, Paul Rand, Alvin Lustig, Ilya Bolotowsky, Jacob Lawrence, Beaumont Newhall, M. C. Richards, and Jean Varda also taught at BMC during Johnson's time there. Johnson decided on Albers' advice to stay at BMC for a final term in summer 1948, when the visiting faculty included John Cage, Merce Cunningham, Willem de Kooning, Buckminster Fuller, and Richard Lippold.[1] Johnson took part in "The Ruse of Medusa" – the culmination of Cunningham's Satie Festival - with Cage, Cunningham, Fuller, Willem and Elaine de Kooning, Lippold, Ruth Asawa, Arthur Penn, and others among the cast and crew. "Because of those who participated, the event has taken on the reputation of a watershed event in 'mixed media'" wrote Martin Duberman in his history of BMC. In the documentary How to Draw a Bunny, Richard Lippold confessed to carrying on a love affair with Johnson for several years. I risk to say, [that at Black Mountain College] 'anything went'—between the students and the faculty ... he would arrive every morning with a little bouquet of wild flowers, and singing. Eventually our relationship became very intimate, so I brought him back to New York ... and obviously, we didn't live together, steadily, because I had my family. We were quite close together until 1974, so that's a long period of time. From '48 to '74, twenty some years. Because it was a very intimate relationship, a loving relationship.[8] New York years Johnson moved with Richard Lippold to New York City by early 1949, rejoining Cage and Cunningham and befriending, within the next couple of years, Robert Rauschenberg, Jasper Johns, Cy Twombly, Ad Reinhardt, Stan Vanderbeek, Norman Solomon, Lucy Lippard, Sonia Sekula, Carolyn Brown and Earle Brown, Judith Malina, Diane di Prima, Julian Beck...

“My art explores the similarity between seemingly disparate cultures through the lens of my African American ancestry. I examine my family’s plight shaped by the history of racism an...

The artistic collaboration of Kelly Bugden + Van Wifvat has produced a thought-provoking body of sculptures, paintings, and constructions. Nature, childhood memories, and everyday ar...

Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...

Mark Wallinger It's the Thought that Counts, 2001 Mixed media Christmas cracker, colored paper/ cardboard and ribbon with snap Plate signed by Mark W...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

An accumulation sculpture of paintbrushes by the great accumulator sculptor, Arman. This work features 13 paintbrushes with various shades of paint in oranges, greens, and reds again...

Artur Balder, Spanish/American (1984 - ) - Triptych - Political debate [mostly peaceful], Year: 2022, Medium: Glazed Ceramic, Edition: 7/9, Size: 13 x 11.8 x 11.8 in. (33.02 x 29...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for comm...