Post-Modern Sculptures

"Homage to Picasso" is an acrylic on gourd signed by Kyle Zubatsky. This sculpture shows a nude woman. Her body is shown in the lower and larger part of the gourd, everything is circular. The face is pouty and a crown is made by yellow sticks around her head. Sculpture: 11.5 x 8 x 8 in Wisconsin artist Owner of the Tall Tree Gallery Used to co-own the Art Escape Gallery in Thiensville, WI with Diane Arenberg Volunteered her talents to Wisconsin Breast Cancer Coalition's "The Rare Chair Affair" an auction/event to raise awareness about Breast cancer; was a guest artist for ColettaScope 2008-10th Anniversary...

Guillaume Lachapelle's artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful universes which combine objects of undetermined purpose; in this way, he opens the conventions of our reality to fresh disposition. The architecture of his models - which Lachapelle has recently begun to make with the help of the latest 3-D printing technology - shows motifs originating from the everyday, certainly, but seeming strange, alienating or even uncanny when combined as the artist chooses. A kind of transition between two worlds often appears in Lachapelle's work - for example when the model of a library filled with books curves inwards and reveals a mysterious opening pointing into darkness - these are the artist's references to spaces and occurrences which may be concealed below the surface of outward semblance. Guillaume Lachapelle has participated in several solo and group exhibitions including Manèges at Circa - Centre d'Exposition Art Contemporain (Montreal) in 2006; Quebec Gold at the Ancien Collège des Jésuites (Rheims, France) in 2008 and in Abracadabra (Edward Day...

Guillaume Lachapelle's artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful unive...

Text by Michelle Cantin-Reid The common object reconstructed through skilful assembly and technique; casted, welded, and chased metal forms; almost perfect doppelgangers of the originals, this is how Zeke Moores’ work appears. Upon closer consideration, the materiality of these pieces comes to light. Deceivingly close to the real thing, they greatly diverge from the original. From chromed steel Trashcans to the reconstructed Port-O-Potty made from cast aluminum and nickel-plated steel, Moores uses metalsmithing techniques to render his sculptures, usurping of the traditional modes of mass production as well as the disposable materiality that we associate with these objects. In his work, mechanised assembly line production and objects made to be thrown out or forgotten become a craftsman’s labour of love. As the disposable dejected everyday object is taken from the street and placed into the gallery, our use and imposition of a hierarchy on objects becomes apparent. However, it also speaks of the amount of work no longer done by people or often done by a series of anonymous workers in a repetitive but carefully choreographed dance with machines. We approach very differently a practical or a mass-produced object and one that is crafted. These works also celebrate those objects designed for practical but not specifically aesthetic purposes. The imposition of a new materiality gives them durability and in the case of bronze casts or chrome plating a superficial prestige. Sitting in a gallery contemplated and beheld, the cast bronze Barrier is not unlike a monument or a statue. Though, these nobler materials are not wherein the beauty lies. Happy Meal...

Guillaume Lachapelle's artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful universes which combine objects of undetermined purpose; in this way, he opens the conventions of our reality to fresh disposition. The architecture of his models - which Lachapelle has recently begun to make with the help of the latest 3-D printing technology - shows motifs originating from the everyday, certainly, but seeming strange, alienating or even uncanny when combined as the artist chooses. A kind of transition between two worlds often appears in Lachapelle's work - for example when the model of a library filled with books curves inwards and reveals a mysterious opening pointing into darkness - these are the artist's references to spaces and occurrences which may be concealed below the surface of outward semblance. Guillaume Lachapelle has participated in several solo and group exhibitions including Manèges at Circa - Centre d'Exposition Art Contemporain (Montreal) in 2006; Quebec Gold at the Ancien Collège des Jésuites (Rheims, France) in 2008 and in Abracadabra (Edward Day...

The bronze sparrow rests on an iron support. Three wires wisely positioned on the upper edge hold it like a swing. Jessica Carroll's elegant artwork results from years of study, ex...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant cont...

The Elektra series was the first of Chadwick's bronzes to make use of polished surfaces added to the head, breast, and upper thorax. In explaining this, Chadwick writes, 'In the case...

Very rare cast. (edition of 1 or 2) This work was featured in an article "The Appropriation of Marginal Art in the 1980s Author: Donald Kuspit Source: American Art, Vol. 5, No. 1/2 (...

This fascinating artwork depicts a serene face, sculpted from a complex assemblage of small three-dimensional wooden pieces. Each meticulously carved element contributes to the uniqu...

This fascinating artwork features a relief-sculpted face, composed of small wooden cubes assembled with exceptional precision. The varying shades of brown, pink, and green create a s...

This captivating sculpture stands out for its futuristic and organic aesthetic. Shaped in metal, it depicts a stylized human head with fluid curves and undulating patterns that evoke...

David L. Deming’s world of lively canine sculptures captures the artist’s love for dogs and presents a whimsical look at four-legged behavior at its best. His extensive and unique collection of painted steel and lacquered steel dog sculptures...

Peter Voulkos Title: Plate CR952-W Medium: Woodfired ceramic Year: 1989 Signed and dated by the artist Size: approx. 20.5 x 5 inches A West Coast potter and sculptor, Peter Voulkos (1924-2002) led in the development of pottery as an art form. . With an MFA from California College of Arts and Crafts (1952), he taught at Black Mountain College (1953) where he was exposed to the avant-garde. In 1954, Voulkos moved to Los Angeles to become the chairman of a newly established ceramics department at the Los Angeles County Art Institute (later renamed the Otis Art Institute) and soon assembled a remarkable group of students: Paul Soldner, Jerry Rothman, Kenneth Price, John Mason, Henry Takemoto...