Post-Modern Sculptures

This sculpture is a multiple 1 piece of 50 realized in 1980 by the well known artist Bruno Chersicla. All the pieces are numbered and signed by the artist and completed by the Certif...

Urano Palma is an Italian artist who starts to create his artworks following the philosophy of Lucio Fontana. He specially worked to the sculptured furniture, inventing a casting tec...

This is an engaging black aluminum sculpture create by the Italian artist Patrizia Guerresi, in the 1988. The piece is a multiple of 1000 specimen on a black wooden base. The title o...

This intense and engaging artwork was created by the Italian artist Nato Frascà. The title is "Il Volume" translated in " The Book". This is a multiple of 50 specimens and this piec...

Wonderful post-modern wall sculpture that is part of artist Jack Reilly (American, b. 1950) "Classics Series" solo exhibition held at the Boritzer-Gray Gallery in October, 1989 at Los Angeles. This unique piece juxtaposes classical motifs with 3 dimensional stacked geometrically modern shapes and hues. The combination of linear structure and color field painting with illusionary space resulted in a unique synthesis of abstraction and pictorial depth, which was sometimes referred to as "Abstract Illusionism." Signed and dated on verso "Jack Reilly, October 1989." Image size: 19"H x 29"W x 3.5"D Reilly's early work reflected various influences of prominent artists of the time including Frank Stella, Elsworth Kelly...

Ugo Cara’ was born in Trieste, Italy in 1908. He took part to numerous Home and International Shows, among which: International Biennale in Venice, Quadrienni...

This engaging artwork was created in 1978 by the Italian artist Fanna Roncoroni. It is a multiple of 1000 pieces numbered and signed by the author. The title is "Labirinto", translat...

This engagind artwork was create in 1980 by the Italian artist Edmondo Cirillo. It was forged in bronze and then nickel plated. The title of this piece is "Stele". Translate in "Stel...

This sculpture is a multiple 1 piece of 1000 realized in 1980 by the well known Italian artist Bruno Chersicla. All the pieces are numbered and signed by the artist and completed by ...

This sculpture is a multiple 1 piece of 50 realized in 1980 by the wellknown International artist Riccardo Dalisi. All the pieces are numbered and signed by the artist and completed ...

This sculpture is a multiple 1 piece of 50 realized in 1980 by the well known international artist Riccardo Dalisi. All the pieces are numbered and signed by the artist and completed...

This sculpture is a multiple 1 piece of 50 realized in 1980 by the well known international artist Riccardo Dalisi. All the pieces are numbered and signed by the artist and completed by the Certificate of the artist and the Editor who made the artworks. The white painted metal sculpture...

This engaging artwork was created in 1978 by the Italian artist Fanna Roncoroni. It is a multiple of 1000 pieces. The title is "Forma ovale", translate in "Oval shape". Maria Pia Fa...

This sculpture is a multiple 1 piece of 50 realized in 1980 by the well known artist Bruno Chersicla. All the pieces are numbered and signed by the artist and completed by the Certif...

This sculpture is a multiple 1 piece of 50 realized in 1980 by the well known international artist Riccardo Dalisi. All the pieces are numbered and signed by the artist and completed...

Modern abstract sculpture of a woman's torso, signed and dated Warner in stone and marker pen, "Warner '80" and "Warner #106". Dimensions: 16"L x 11"W x 9"H. Listed artist Doris Ann...

Roleke creates politically aware work. Her wall reliefs are composed of multitudes of plastic toys, oddly sexualized Disney characters and Happy Meal trinkets. Through investigation ...

Thomas Blank was born in Berne, Switzerland, in 1973. He is a master of transformation, who has been investigating the nature of glass for 20 years now, without losing his fascinatio...

Kathleen Vance explores environmental issues such as water conservation and protection through positive stewardship of the land. She looks to convey an appreciation of nature and tra...

Pierre Casenove (French) Silver patina bronze table lamp having a column form and various stamped patterns to the body, stamped signed mark to back of bas...

Signed, dedicated and dated by the artist on the underside. Peter Shire (born 1947) is a Los Angeles, California artist. Shire was born in the Echo Park district of Los Angeles, where he currently lives and works. His sculpture, furniture and ceramics have been exhibited in the United States, Italy, France, Japan and Poland; Shire has been associated with the Memphis Group of designers, has worked on the Design Team for the XXIII Olympiad with the American Institute of Architects, and has designed public sculptures in Los Angeles and other California cities. Shire has been honored by awards for his contribution to the cultural life of the City of Los Angeles. He is an influential LA ceramicist along with and influenced by Ken Price and Peter Voulkos. The Memphis Milano Group was an Italian design and architecture group founded in Milan by Ettore Sottsass in 1982 that designed Postmodern furniture, fabrics, ceramics, glass, and welded, painted, metal objects from 1981 to 1988. The Memphis group's work often incorporated plastic laminate and was characterized by ephemeral design featuring colorful and abstract decoration as well as asymmetrical shapes, sometimes arbitrarily alluding to exotic or earlier styles. They drew inspiration from such movements as Art Deco and Pop Art, including styles such as the 1950s Kitsch and futuristic themes. Other members included Martine Bedin Michael Graves, Javier Mariscal, Nathalie du Pasquier, Matteo Thun and Marco Zanuso. Further reading A Neglected History: 20th Century American Craft. New York, New York: American Craft Museum, 1990. Clark, Garth. American Ceramics 1907–Present. New York, New York: Abbeville Press, 1987. Domergue, Denise. Artists Design Furniture. New York, New York: Harry N. Abrams, 1984. Fiell, Charlotte and Peter. 1000 Chairs. Italy: Taschen, 2000. Herman, Lloyd E. Art that Works. Seattle, Washington: University of Washington Press, 1990. Horn, Richard. Memphis: Objects, Furniture, and Patterns. Philadelphia, Pennsylvania: Running Press, 1983. Radice, Barbara. Memphis. New York, New York: Rizzoli International Publications, 1984. Taragin, Davara S. Contemporary Crafts and Saxe Collection, The Toledo Museum of Art. New York, New York: Hudson Hills Press, 1993. Tempest in a Teapot: The Ceramic Art of Peter Shire. New York, New York: Rizzoli International Publications, 1991. Select Museum Collections: Art Institute of Chicago, Illinois Brooklyn Museum of Art, Brooklyn, New York Berkeley Museum, Berkeley, California Fresno Museum of Art, Fresno, California The Israel Museum, Jerusalem, Israel The Jewish Museum, New york city Judisches Museum, Frankfurt, Germany Laguna Art Museum, Laguna Beach, California Long Beach Museum of Art, Long Beach, California Los Angeles County Museum of Art, Los Angeles, California Metropolitan Museum of Art, New York Mint Museum of Craft and Design, Charlotte, North Carolina Museum of Arts and Design, New York Museum of Fine Arts, Houston, Texas Museum of Modern Art, Lodz, Poland Newport Art Museum, Newport Beach, California Oakland Museum of Art, Oakland, California Österreichisches Museum für Angewandte Kunst, Vienna, Austria Portland Art Museum, Portland, Oregon Sak’s Fifth Avenue, New York San Francisco Museum of Modern Art, San Francisco, California San Jose Museum of Art, San Jose, California Seattle Museum of Art, Seattle, Washington Skirball Museum, Los Angeles, California Stedelijk Museum, Amsterdam, The Netherlands Total Contemporary Art Museum, Seoul, Korea Victoria and Albert Museum, London, United Kingdom Selected Solo Exhibition venues Los Angeles County Museum of Art, Los Angeles, California Chouinard Gallery, South Pasadena, California Antonia Jannone Gallery, Milan, Italy Teapots and Drawings, Tobey C. Moss Gallery, Los Angeles, California LA Artcore Center, Los Angeles, California S.K. Josefsberg Gallery, Portland, Oregon 20th Century Collage, Dallas, Texas Toomy-Turrel Gallery, San Francisco, California Frank Lloyd Gallery, Santa Monica, California Bobbie Greenfield Gallery, Santa Monica, California Diane Nelson Fine Art, Laguna Beach, California Loyola University, New Orleans, Louisiana S.K. Josefsberg Gallery, Portland, Oregon University of Judaism, Platt Gallery, Los Angeles, California El Centro del Pueblo, Los Angeles, California Gallery Saito, Sapporo Hokkaido, Japan Morgan Gallery, Kansas City, Missouri Riva Yares Gallery, Scottsdale, Arizona Daniel Saxon Gallery, Los Angeles, California David Lawrence Editions, Beverly Hills, California Art et Industrie, New York Clara Scremini Gallery, Paris, France Design Gallery Milano, Milan, Italy Lucy Berman Gallery, Palo Alto, California Parallel Gallery, Del Mar, California Davis-McClain...

Provenance: Part of an important collection that had work Both Benjamin Edols and Kathy Elliott were born in Sydney. The two began working together as recent graduates from the Canberra School of Art. Ben also studied at the Royal College of Arts in Sydney. The first exhibition of their collaborative work was in 1993. Since that time they have developed a body of work of blown and cold worked glass vessels and forms. Ben specialises in glassblowing and Kathy specialises in cold working techniques such as carving and engraving. In 2000 they built their own glassblowing and cold working studio in Sydney. In recent years, their work has been inspired by the botanical forms and patterns found in nature. One of the qualities of glass that they most appreciate is its ability to carry light. They have taught in Australia, America and Japan. Their work has been exhibited widely and is held in many public museums and private collections around the world including the Victoria and Albert Museum, the American Craft Museum, the National Gallery of Australia and the Auckland War Memorial Museum. Ben Edols & Kathy Elliott SELECTED SOLO EXHIBITIONS Tutti, Sabbia Gallery, Sydney, NSW Glance, Beaver Galleries, Canberra ACT Dwell, Collector Space, Jam Factory, Adelaide. SA Shelter, Sabbia Gallery, Sydney Benjamin Edols Kathy Elliott, Flame Run Gallery , Louisville KY Light Marks, William Traver Gallery, Seattle Studio Glass, Beaver Galleries, Canberra Benjamin Edols Kathy Elliott, Masterworks Gallery, Auckland Evolve, Sabbia Gallery, Sydney Edols & Elliott, Kirra Gallery, Melbourne, VIC Recent Work, deVera, New York, NY Cultivate II, Quadrivium , Sydney, NSW Botanicals, de Vera...

Elegant gold gilt design metal candleholders, circa 1980, France. Signed Illegibly on bottom felt. It appears to be Elizabeth and then something else but it is not clear these candle...

Thomas Blank was born in Berne, Switzerland, in 1973. He is a master of transformation, who has been investigating the nature of glass for 20 years now, without losing his fascination for the versatility of this unique material. On his artistic voyage towards ever more sublime expression, he creates marvelous vitreous objects, both in terms of shape and color. The reflections, refractions, and optical illusions are especially appealing, and challenge the perception of the viewer. Thomas Blank is both an artist and a craftsman. During his art studies in San Francisco, he already used to work both as a glass-melting technician and as a glass-blower, and he attended workshops by the famous Michael Schunke and Michael Schreiner. Later, he learned the Venetian technique from Josiah McEleheny (1998) and became the assistant to Simone Cenedese in Murano in 2003. Today, Thomas Blank teaches courses himself, works as a lecturer, and creates objects for artists and designers around the world. His works of art have been shown in Europe, the USA, and Japan. Many of them can be seen in numerous collections, including those of the Contemporary Art Museum of Honolulu (Hawaii) and the Museum for Design and Applied Arts in Lausanne, Switzerland. This came from an important Northern California collection that included a wonderful selection of Murano Glass. Aldo Nason, Peter Shire and Ettore Sottsass, Murano master Gigi Toso. A descendent of the legendary Venini dynasty of glassmakers, Laura Diaz de Santillana Incalmo Vases, Lino Tagliapietra, Yoichi Ohira...

The ceramic sculpture made in Italy's best artistic kiln, Gatti, is coated (when fired) with a pure gold patina. Essential and meaningful, it is an object of rare elegance, at the ...

This engaging bronze abstract sculpture was created by the Italian artist Luciana Matalon in 1980. This is a mulptiple of 1000 specimens numbered and signed. The title is " Archeolog...

Guillaume Lachapelle's artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful unive...

This sculpture is a multiple 1 piece of 50 realized in 1980 by the well known international artist Riccardo Dalisi. All the pieces are numbered and signed by the artist and completed...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant cont...

"Miro, Miro, On the Wall... Who's the Fairest of Them All?..." is a painted wood birdhouse homage to Miro signed by Kyle Zubatsky. This piece is surroun...

Patrick BRUN was born in Paris in 1941. After obtaining his Engineering degree, he began his professional life as a teacher in mathematics and physics. After this period, he started ...

Gold Laugh (1980-85) metallic and acrylic thread, cotton. Gold, Metallic Woven Abstract Textile Sculpture. Textile artist, Micheline Beauchemin (1929-2009) was born in Longqueuil, Quebec, Canada. She has created a repertory of various works which includes theatre curtains, tapestries, wall hangings, embroidery murals, flexible walls, stained glass works, scale models, collages, toys, costumes and illustrations. Micheline Beauchemin began her career making stained-glass windows but early on turned to weaving and embroidering spectacular wall hangings in vibrant colors, including blues and greens. travelled and studied in Japan, China, India, North Africa, the Canadian Arctic and the Andes, adding depth and mystery to the love of light, water, wings and nets that is evident in her body of work. Beauchemin’s works are included in the collections of the National Gallery of Canada, Ottawa; the Montreal Museum of Fine Arts; the Musée du Québec; Pearson Airport, Toronto; the Canada Council, Ottawa; the Canadian Museum of Civilization, Gatineau; the Bibliothèque Centrale, Quebec; the Taxation Data Centre, Shawinigan; the Revenue Building, Québec; North York...

Levesque Isabelle was born in 1954 in Antananarivo. She attended the school of fine arts of Brest (France) and practiced sculpture since 1997. She made her first official exhibition ...

Patrick BRUN was born in Paris in 1941. After obtaining his Engineering degree, he began his professional life as a teacher in mathematics and physics. After this period, he started ...

The bronze sparrow rests on an iron support. Three wires wisely positioned on the upper edge hold it like a swing. Jessica Carroll's elegant artwork results from years of study, ex...

Philippe Chambault The artist was born August 9, 1930, in Châtenay-Malabry (Hauts-de-Seine), where he did his primary schooling. Then he studied art at the School of Applied Arts in Paris, and especially at the woodcarving workshop. In 1954, he entered the studio of the sculptor Georges Serraz (the author of Christ-Roi des Houches), and he replaced Henri Dunand, who returned to Vallorcine to run the family business (this is also his friendship with the latter who is the cause of his installation as a secondary residence in Vallorcine, from 1961). He meets the sculptor Louis Derbré, become one of the leaders of the figurative renewal, and befriends him. It is at his instigation that he participates in different salons. He won two national awards: the Fénéon Fellowship in 1956 and the Vikings Prize in 1957. In 1961, he joined J. Balme, a medal publisher in Saumur. Since then, he has created the creations of this house: commemorative medals.On the other hand, Philippe Chambault has kept a small activity as an independent sculptor, often in sacred art. His most important work, created for a Strasbourg seminar, is a three-meter-high wooden and copper crucifix...

"Homage to Picasso" is an acrylic on gourd signed by Kyle Zubatsky. This sculpture shows a nude woman. Her body is shown in the lower and larger part of the gourd, everything is circular. The face is pouty and a crown is made by yellow sticks around her head. Sculpture: 11.5 x 8 x 8 in Wisconsin artist Owner of the Tall Tree Gallery Used to co-own the Art Escape Gallery in Thiensville, WI with Diane Arenberg Volunteered her talents to Wisconsin Breast Cancer Coalition's "The Rare Chair Affair" an auction/event to raise awareness about Breast cancer; was a guest artist for ColettaScope 2008-10th Anniversary...

Guillaume Lachapelle's artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful unive...

Guillaume Lachapelle's artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful universes which combine objects of undetermined purpose; in this way, he opens the conventions of our reality to fresh disposition. The architecture of his models - which Lachapelle has recently begun to make with the help of the latest 3-D printing technology - shows motifs originating from the everyday, certainly, but seeming strange, alienating or even uncanny when combined as the artist chooses. A kind of transition between two worlds often appears in Lachapelle's work - for example when the model of a library filled with books curves inwards and reveals a mysterious opening pointing into darkness - these are the artist's references to spaces and occurrences which may be concealed below the surface of outward semblance. Guillaume Lachapelle has participated in several solo and group exhibitions including Manèges at Circa - Centre d'Exposition Art Contemporain (Montreal) in 2006; Quebec Gold at the Ancien Collège des Jésuites (Rheims, France) in 2008 and in Abracadabra (Edward Day...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant cont...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant cont...

"Kite Series; Guardian III" is an original porcelain sculpture by Marjorie Mau. The work looks like a child's garment, but is executed in porcelain. It is creased and tucked at the n...

Text by Michelle Cantin-Reid The common object reconstructed through skilful assembly and technique; casted, welded, and chased metal forms; almost perfect doppelgangers of the originals, this is how Zeke Moores’ work appears. Upon closer consideration, the materiality of these pieces comes to light. Deceivingly close to the real thing, they greatly diverge from the original. From chromed steel Trashcans to the reconstructed Port-O-Potty made from cast aluminum and nickel-plated steel, Moores uses metalsmithing techniques to render his sculptures, usurping of the traditional modes of mass production as well as the disposable materiality that we associate with these objects. In his work, mechanised assembly line production and objects made to be thrown out or forgotten become a craftsman’s labour of love. As the disposable dejected everyday object is taken from the street and placed into the gallery, our use and imposition of a hierarchy on objects becomes apparent. However, it also speaks of the amount of work no longer done by people or often done by a series of anonymous workers in a repetitive but carefully choreographed dance with machines. We approach very differently a practical or a mass-produced object and one that is crafted. These works also celebrate those objects designed for practical but not specifically aesthetic purposes. The imposition of a new materiality gives them durability and in the case of bronze casts or chrome plating a superficial prestige. Sitting in a gallery contemplated and beheld, the cast bronze Barrier is not unlike a monument or a statue. Though, these nobler materials are not wherein the beauty lies. Happy Meal...

Guillaume Lachapelle's artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful universes which combine objects of undetermined purpose; in this way, he opens the conventions of our reality to fresh disposition. The architecture of his models - which Lachapelle has recently begun to make with the help of the latest 3-D printing technology - shows motifs originating from the everyday, certainly, but seeming strange, alienating or even uncanny when combined as the artist chooses. A kind of transition between two worlds often appears in Lachapelle's work - for example when the model of a library filled with books curves inwards and reveals a mysterious opening pointing into darkness - these are the artist's references to spaces and occurrences which may be concealed below the surface of outward semblance. Guillaume Lachapelle has participated in several solo and group exhibitions including Manèges at Circa - Centre d'Exposition Art Contemporain (Montreal) in 2006; Quebec Gold at the Ancien Collège des Jésuites (Rheims, France) in 2008 and in Abracadabra (Edward Day...

Guillaume Lachapelle's artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful unive...

Guillaume Lachapelle's artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful universes which combine objects of undetermined purpose; in this way, he opens the conventions of our reality to fresh disposition. The architecture of his models - which Lachapelle has recently begun to make with the help of the latest 3-D printing technology - shows motifs originating from the everyday, certainly, but seeming strange, alienating or even uncanny when combined as the artist chooses. A kind of transition between two worlds often appears in Lachapelle's work - for example when the model of a library filled with books curves inwards and reveals a mysterious opening pointing into darkness - these are the artist's references to spaces and occurrences which may be concealed below the surface of outward semblance. Guillaume Lachapelle has participated in several solo and group exhibitions including Manèges at Circa - Centre d'Exposition Art Contemporain (Montreal) in 2006; Quebec Gold at the Ancien Collège des Jésuites (Rheims, France) in 2008 and in Abracadabra (Edward Day...

This striking artwork features a relief sculpture of a human face, crafted with remarkable precision. The artist has thoughtfully chosen a palette of blues and reds that blend harmon...

This fascinating artwork depicts a serene face, sculpted from a complex assemblage of small three-dimensional wooden pieces. Each meticulously carved element contributes to the uniqu...

This fascinating artwork features a relief-sculpted face, composed of small wooden cubes assembled with exceptional precision. The varying shades of brown, pink, and green create a s...

Original and unique sculpture, stacked wooden sticks and paint. Signed and titled on the back of the sculpture. This captivating work of art depicts a sculpture in the shape of a s...

This captivating artwork features a serene face, sculpted from multiple wooden cubes, creating a fascinating three-dimensional illusion. The cubes, varying in size, come together to ...

This captivating sculpture stands out for its futuristic and organic aesthetic. Shaped in metal, it depicts a stylized human head with fluid curves and undulating patterns that evoke...

Very rare cast. (edition of 1 or 2) This work was featured in an article "The Appropriation of Marginal Art in the 1980s Author: Donald Kuspit Source: American Art, Vol. 5, No. 1/2 (Winter - Spring, 1991), pp. 132-141 Published by: The University of Chicago Press on behalf of the Smithsonian American Art Museum. This appears to be modeled after a figure by HR Giger. it was cast by Polich Tallix Foundry. Born in Brooklyn, 1953 Robert Longo became synonymous with American pictorial art during the 80s, his ambitious large-scale works seemingly synchronized with the booming economy and boisterous values of the Reagan era. In 1974, whilst studying at State University College, Buffalo, Longo co-founded Hallwalls. As a studio and exhibition space for contemporary art, Hallwalls was the precursor of Longo's ongoing concern for utilizing art's multi-disciplinary potential. His partner in this venture was Cindy ShermanAfter graduation Longo showed in 1979 at The Kitchen, a downtown space which encouraged artistic experimentation and collaboration. In the following year, he had his first one-person exhibition in Europe, at Studio d'Arte Cannaviello in Milan. Since then, Longo has shown continuously in Europe and America. However, it was his first solo exhibition at Metro Pictures, New York, in 1981 that brought him international critical acclaim. This installation of Men in the Cities presented his charcoal, graphite and dye studies of office workersThis interruption of a smooth linear reading, notably used in Dada and Surrealist collage, undermines assumptions, whether they be cultural, social or political. In 'Men in the Cities' Longo cuts anonymous people from their environments, then splices their portraits in amongst blocks of buildings. The association is made between the private and the corporate, the human and the industrial, the fragile and the impervious. Engagement with the social and political can be seen in Longo's work throughout the 80s, setting him apart from fellow artists David Salle and Julian Schnabel. Following a major retrospective at The Los Angeles County Museum of Art in 1989, Longo began to focus on single themes, rather than montages of associations. Furthermore, he moved to Paris the following year. The 'Black Flag' series resulted from this change in direction, and location. Taking the Stars and Stripes as his subject, Longo re-worked the treatment of the spangled banner by Pop artist Jasper Johns. J Longo is a multi talented artist who works equally successfully in a variety of media. He is equally well known as a sculptor and film director as he is as a draftsman/painter, and like the best of the contemporary film directors, his aim is to seduce, elucidate, transform, and instruct. SELECTED PERMANENT COLLECTIONS Art Institute of Chicago, USA Guggenheim Museum, New York Los Angeles County Museum of Art, Los Angeles, USA Musee d'Art Contemporain, Montreal, Canada Museum of Modern Art, New York Saatchi Collection, London Stedelijk Museum, Amsterdam, The Netherlands Tate Gallery, London Walker Art Center, Minneapolis, USA The Whitney Museum of American Art, New York SELECTED SOLO EXHIBITIONS 'Das Magellan Projekt', Kunsthalle Tubingen, Germany, 1997 'Das Magellan Projekt', Kunsthal Rotterdam, Rotterdam, The Netherlands, 1997 'Das Magellan Projekt', Kunsthalle Bielefeld, Bielefeld, Germany, 1997 'Robert Longo: Kreuze', Museum Fridericianum, Kassel, Germany, 1996 'Robert Longo: A Retrospective', The Isetan Museum of Art, Tokyo, 1995 'Robert Longo: A Retrospective', Ashikaga City Museum, Kirin Plaza Art Space, Osaka, Japan, 1995 'Faith in Zero' Project: Galerie Daniel Templon, Galerie Antoine Candau, Galerie Thaddaeus Ropac, A.B. Galleries, Galerie Gordon Pym et Fils, Paris, France, 1991 'Black Flags', Galerie Daniel Templon, Paris, 1990 'Robert Longo 1976 - 1989', The Los Angeles County Museum of Art, Los Angeles, 1989 'Robert Longo 1976 - 1989', Museum of Contemporary Art, Chicago, USA, 1989 'Robert Longo 1976 - 1989', Wadsworth Atheneum, Hartford, CT, USA, 1989 'Sequences/Men in the Cities', University Art Museum, California State University, Long Beach, USA, 1986 'Sequences/Men in the Cities', Contemporary Arts Museum, Houston, Texas, USA, 1986 'Sequences/Men in the Cities', Fort Wayne Museum of Art, Fort Wayne, Indiana, USA, 1986 Stedelijk Museum, Amsterdam, The Netherlands, 1985 Metro Pictures, New York, 1981 SELECTED GROUP EXHIBITIONS La Biennale di Venezia: XLVII Esposizioione Internationale d'Arte, Venice, Italy, 1997 'Views From Abroad: European Perspectives on American Art 3', Whitney Museum of American Art, New York, 1997 'Allegories of Modernism: Contemporary Drawing', The Museum of Modern Art, New York, 1992 'A Forest of Signs: Art in the Crisis of Representation', The Museum of Contemporary Art, Los Angeles, USA, 1989 'Documenta 8', Kassel, Germany, 1987 L?epoque, La Mode, La Morale, La Passion, 1977 - 1987', Mus'e National d'Art Moderne, Centre Georges Pompidou, Paris, France, 1987 "New York '85" (with Jasper Johns, Elsworth Kelly...

David L. Deming’s world of lively canine sculptures captures the artist’s love for dogs and presents a whimsical look at four-legged behavior at its best. His extensive and unique collection of painted steel and lacquered steel dog sculptures...

Peter Voulkos Title: Plate CR952-W Medium: Woodfired ceramic Year: 1989 Signed and dated by the artist Size: approx. 20.5 x 5 inches A West Coast potter and sculptor, Peter Voulkos (1924-2002) led in the development of pottery as an art form. . With an MFA from California College of Arts and Crafts (1952), he taught at Black Mountain College (1953) where he was exposed to the avant-garde. In 1954, Voulkos moved to Los Angeles to become the chairman of a newly established ceramics department at the Los Angeles County Art Institute (later renamed the Otis Art Institute) and soon assembled a remarkable group of students: Paul Soldner, Jerry Rothman, Kenneth Price, John Mason, Henry Takemoto...

Particle IX (Nine) Materials: Ceramic, glaze Year: 2016 The formal languages and frequencies that we find in the natural existence of the universe inform and inspire the investigati...