Marjorie Mau Art

Yin — from the Seeds of the Sea series — embodies the feminine essence in its purest form: receptive, fluid, and quietly powerful. Smooth, white scales flow over a luminous crimson c...

As an artist, I am a storyteller wielding visual art as my medium. My creative journey is fueled by a relentless thirst for knowledge acquired through both hands-on experience and ke...

Honor your inner superstar with a unique porcelain ceramic artwork from Katharine Morling's newest series, "The Paparazzi Collection". This sculpture titled "Camera with Double Lens" is handcrafted and especially designed in the artist's signature monotone black & white style by award winning ceramicist Katharine Morling. Morling's ceramic sculptures have been shown internationally at Bergdorf Goodman in New York, Liberty’s London, Miami, Italy, Kuwait, Algiers, Germany and France. She has also had solo exhibitions in Sweden, The Netherlands and throughout the UK. In 2019, Katharine Morling’s work was selected for the Royal Academy Summer Exhibition. It was the fifth time that Katharine Morling has exhibited in the Summer Exhibition and “Cut”, an over-sized chainsaw is the largest piece which Morling has shown to date. After graduating from the Royal College of Art in 2009, she was awarded first prize at the 2010 World Crafts Council Triennial in Belgium. Morling also represented the UK at the 2010 European Ceramic Context in Denmark. For COLLECT 2011, she showed a new installation Out of the House in the Project Space of the Saatchi Gallery. Other projects include created a large wall mounted installation for the new children’s ward commissioned by the Royal London Hospital...

Freedom is a contemporary porcelain sculpture by Katharine Morling, featuring a dynamic flight of hand-sculpted butterflies emerging from an open book. Executed in fine white porcela...

Johanan Vitta, painter, born 1941, Jerusalem. Lives in Italy. Education Firenze, Florence, Italy He designed the famous La Sinagoga di Firenze poster. The poster features a painterly synagogue it was done for the “Comunita Israelitica" He has also designed Judaic ritual objects including a menorah that is in a famous museum collection. Arman, Elio Carmi, Eugenio Carmi, Lucio Del Pezzo, Guy De Rougemont, Maurizio Galimberti, David Gerstein, Claude Lalanne, Marino Marinelli, Mimmo Paladino, Arnaldo Pomodoro, Tobia Rava...

Peter Voulkos Ceramic Sculptural Dish, ca. 1985 Sculpted ceramic Hand-signed by artist, Incised signature on the base. 1.5 x 11.5 inches This charger plate by Voulkos features a Gree...

Poem that goes with this artwork: 'From My Point Of View' On his morning rounds the Master Goes to learn how all things fare; Searches pasture after pasture, Sheep and cattle eyes w...

"Keys to My Heart" by Katharine Morling – Black and white porcelain sculpture of pop art surreal key chain with six handmade keys, charms and a locket. Delicate yet bold, "Keys to M...

This romantic and lovely Alabaster marble is classic Jose De Creeft who was a world recognized stone sculptor carver. He has a remarkable career and story. And this work is what he is best known to do. Female form that has face and form emerging from rougher hewn areas of the stone. This was a technique that Rodin used as well and was popular around the turn of the century. Size is attractive as it can go on a well balanced table or a pedestal of easy size! Provenance: The Hannelore and Rudolph Schulhof Collection, New York* *Ecstasy was originally a part of the Schulhof Collection, founded by the couple Hannelore and Rudolph Schulhof and begun a few years into their marriage in the 1950s. The established collection is known for exceptional Postwar works including pieces by Johns, Rothko, and Twombly, to name a few. As Hannelore Schulhof stated in 2011, “Art is almost like a religion. It is what I believe in… it is what gives my life dimension beyond the material world.” Signed: J. De Creeft in the rear The stylized, placid face of Ecstasy, as well as the contrast between smooth and rough-hewn stone, are typical of de Creeft’s hand and instantly recognizable. Its natural alabaster inclusions and the generally fragmentized feel of the piece are both essential to its aesthetic and classic de Creeft. The Guadalajara-born sculptor studied alongside Rodin at the Académie Julian starting in 1905 and would eventually become Alexander Calder’s tutor in direct carving. Ecstasy was undoubtedly inspired by a wide variety of influences that had a profound effect on his work, including his early employment at the young age of six earning pennies by carrying stones to aid the construction of Gaudí’s Sagrada Familia, and an inspiring encounter with Inuit sculptors in Madrid’s El Retiro Park during the nascency of his career. Towards the mid-20th century, de Creeft was working within a group of Spanish expatriate artists in New York, including Vicente and Dalí. 1956, the year he carved Ecstasy—using the method of direct carving of which he was a firm proponent—marked the year he gained representation at the Contemporary Galleries in New York City. He would exhibit biannually there until 1966. In the 1950s de Creeft received numerous public commissions, including an eight-foot granite Poetess for the city of Philadelphia in 1951 and his famous 16-foot Alice in Wonderland climbing sculpture...

This sculpture from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. The series references popular and religious icons suc...

Gold Laugh (1980-85) metallic and acrylic thread, cotton. Gold, Metallic Woven Abstract Textile Sculpture. Textile artist, Micheline Beauchemin (1929-2009) was born in Longqueuil, Quebec, Canada. She has created a repertory of various works which includes theatre curtains, tapestries, wall hangings, embroidery murals, flexible walls, stained glass works, scale models, collages, toys, costumes and illustrations. Micheline Beauchemin began her career making stained-glass windows but early on turned to weaving and embroidering spectacular wall hangings in vibrant colors, including blues and greens. travelled and studied in Japan, China, India, North Africa, the Canadian Arctic and the Andes, adding depth and mystery to the love of light, water, wings and nets that is evident in her body of work. Beauchemin’s works are included in the collections of the National Gallery of Canada, Ottawa; the Montreal Museum of Fine Arts; the Musée du Québec; Pearson Airport, Toronto; the Canada Council, Ottawa; the Canadian Museum of Civilization, Gatineau; the Bibliothèque Centrale, Quebec; the Taxation Data Centre, Shawinigan; the Revenue Building, Québec; North York...

"Shifting Diamonds - Pickup Truck”, by ceramic dynamo Katharine Morling is a whimsical porcelain installation of a truck loaded with gold and diamonds. Th...