Chair Sculptures

Macho is a bronze sculpture by French contemporary artist Marie Louise Sorbac, dimensions are 46 × 29 × 27 cm (18.1 × 11.4 × 10.6 in). The sculpture is signed and numbered, it is pa...

Rare child's Windsor chair, ca. 1880s. American antique, crafted in Maine. Original red wash. Seat is 22" from the floor. Originally made for a child. (Does not conform to today's sa...

Karin Beek's (1948) bronze sculptures are characterized by a friendly, round and at the same time monumental style. They breathe the atmosphere of everyday life. Beek would like her ...

Cartography, the study and practice of making and using maps, was at the cutting edge in the 18th-century, helping to shape and define a world rapidly coming into focus. Over the course of the century, exploration and colonization expanded the scope of the known world, especially in the Pacific and the Americas. Advances in geography enabled cartographers to map these new discoveries with increasing accuracy. The days of conjecture and myth in cartography were fast coming to an end. Here, the Kupjack Studios has captured this discipline with exacting details. From the smallest of tools, to the rolls of maps and maps in progress displayed on the desk, the world of miniatures comes to life and brings us into a bygone era. Kupjack Miniatures 18th Century New England Cartographer, circa. 2008 mixed media 14h x 26.25w x 14.75d in 35.56h x 66.67w x 37.47d cm KJK001 Eugene Kupjack and his sons Hank and Jay created museum quality miniature rooms in their studio outside of Chicago for many years. Hank and Jay learned the at their father’s side as he assisted Mrs. Narcissa Niblack Thorne with the creation her many miniature rooms now housed at The Art Institute of Chicago. Almost every piece of molding, furniture, rugs, and accessory items that are contained in their rooms are designed and created by hand. In addition to designing and building rooms they would sometimes work to restore the rooms built many years ago by their father and Mrs. Thorne. Their work can be seen in various museums as far away as Turkey where they were exhibited in 2009. In the United States their work can be seen in the permanent collections of The Kentucky Museum Center, The Art Institute of Chicago, The Philadelphia Art Museum...

"Weekday, Faraway" is an original Metal, mirrored glass, crushed quartz, polyesterfibre, plastic, wire, and enamel paint artwork by Kendal Murray measuri...

Eugene Laurent (1832-1898) original signed bronze of Erato holding Lyre gilded gold Red & black marble base 14 x 18 x7 great condition for its age very heavy bronze

Paradiso Bronze Sculpture Torse Torso Nude Figure Female Belly Black Patina KOBE, pseudonym of Jacques Saelens, was a Belgian artist (Kortrijk, Belgium 1950 – Saint-Julien (Var), Fra...

Edition of 5 'Majestic Humpback Whale' by Tobias Martin. The whale swims gracefully through imagined waters, conveys a sense of weightless motion despite being cast in enduring met...

Small Bear Armchair is a polyester sculpture by contemporary artist Eric Valat, dimensions are 130 × 80 × 90 cm (51.2 × 31.5 × 35.4 in). The sculpture is signed and numbered, it is part of a limited edition of 8 editions + 4 artist’s proofs, and comes with a certificate of authenticity. Available colours: *black *red *blue *white This sculpture represents a seating bear, with its arms on its knees. This functional sculpture of wild animal can be used as an armchair. The bear makes an appearance in Eric Valat's bestiary of scribal vocabulary straight out of childhood. Eric Valat is attempting to reimagine the traditional bear representation in the wake of the wolf and panther benches...

Four people seated waiting to be called for an interview. Edition of 9

Handmade by the artists - lacquered wood Mega size Things disappear. Sometimes things disappear as the result of an accident. Sometimes neglect causes things to disappear. Sometime...

Beautifull Mexican Modernist Madonna and Child ; Maternity Midcentury wood sculpture. Probably caribbean rosewood characteristic of the ext...

Equally fun and compelling, this new contemporary sculpture from Paul Duval immediately engages the viewer. On a large metal chair (la grande chaise) painted a bright blue, a figure ...

In good condition measures 33 inches very heavy. Signed and numbered

Introducing the Pink Burberry Pattern Skateboard Deck, a stunning piece of art created through the collaboration between Supreme and Burberry. Measuring 32.125 inches by 8.275 inches...

Ana, a striking mixed medea sculpture by Juan Manuel Gomez-Quiroz. From the estate of the artist. Painter and printmaker and sculptor Juan Manuel Gomez-Quiroz was born in Santiago d...

CARLO RAMPAZZI (b. 1949) Chair (Collection Etruska) Wood, fur 110 x 50 x 50 cm 43.31 x 19.69 x 19.69 inches

Original Barcelona chairs, designed by the last director of the Bauhaus - Ludwig Mies van der Rohe. The newly-replaced cushions are supported by steel frames laced with new leather s...

Artist: Mirkò, Italian (1980 - ) Title: Fruit and Rubix Cube Still Life Year: 2007 Medium: Painted Terracotta Plaque, signed and dated Size: 15 in. x 23 in...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Artist: Lucio del Pezzo, Italian (1933 - ) Title: Chair Year: circa 1970 Medium: Sculpture Assemblage with wood, upholstery and paint, signed and numbered in ink Edition: 26/70 ...

This beautiful one of a kind ceramic hand made NY Yankees cap is from Yael Yanay’s latest body of works. These hand-crafted ceramic hats are meticulously designed to resemble iconi...

Numbered and limited to 8 copies Artwork signed Authenticity: Sold with certificate of Authenticity Invoice from the gallery Sculpture: iron, metal Display: The sculpture can be di...

Born in Byblos lebanon, in 1946, is a contemporary plastician artist franco-canadian. Artistic journey Early days (1970-1975) Paris (1976-2001) Quebec...

gilded wood with gold leaf and fabric For over a decade Mateo has focused his work on the analysis of the rites and symbols of power, the high classes, aristocracy, and royalty. H...

Six Vintage Stainless Steel Sculptural Dining Chairs Sculpture Mid-Century Set Kings and Queens could feats on these sculptures, this stunning set of six dining chairs. They are art...

"Rex and his Chair" is a bronze sculpture. The bronze is covered with patina. It is created by the artist Maestro Willem Botha. About the artwork Edition : 2 of 15 in total Certificate of authenticity: issued by Snow Pearl art gallery NEW MOVEMENT & STYLE: Contemporary Maestro Willem Botha The masterpiece is suitable for representative offices, gardens, parks, homes etc. “The impressions of this artwork on the viewer is so mighty, mesmerizing, grand, that it paralyzes the imagination. All his sculptures bring positive energy, emotion, represented by the vast creative power of the author's talent.” Maestro Willem Botha was born in South Africa in 1962. Today he lives in Bulgaria and works in a creative workshop in Sofia. Willem started his career as Sculptor at Shows and Exhibitions in the South African Defense Force in 1981. He was mentored by Artists like Andre Prinsloo and Jan van Der Merwe. In 1986, he moved to Namibia where he was a Sculptor for the Windhoek State Museum. During the time in Windhoek, he had several one man and group expeditions in various galleries in Windhoek and Swakopmund. In 1988 he was commissioned to remake the Atlas Sculpture...

edition 3/3 ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both ...

“It took two years of tireless experimentation for me to develop the process of casting paper into bronze, another seven years to perfect, and it continues to evolve today.” - Kevin Box Santa Fe-based artist, Kevin Box, pushes the boundaries of traditional metal casting...

La Mattina The Morning Bronze Sculpture Female Figure Lying Down KOBE, pseudonym of Jacques Saelens, was a Belgian artist (Kortrijk, B...

Presence Horse Animal Bronze Sculpture Contemporary Brown Patina KOBE, pseudonym of Jacques Saelens, was a Belgian artist (Kortrijk, Belgium 1950 – Saint-Julien (Var), France 2014)....

Espressione Bronze Sculpture Torso Lying Down Black Patina Figurative KOBE, pseudonym of Jacques Saelens, was a Belgian artist (Kortrijk, Belgiu...

Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...

Guillaume Lachapelle’s artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful unive...

This unique, small bronze sculpture by Sven Dalsgaard, dated 1964, transforms an ordinary object into something psychologically charged and quietly ambiguous. Standing just 11.25 inches tall, the form recalls a chair lifted into an improbable vertical stance. Its narrow seat and elongated legs deny any practical use. What Dalsgaard presents is not furniture but the idea of a chair, reduced to structure and presence rather than function. The bronze surface is worked rather than refined, with visible traces of the artist’s hand that catch the light unevenly. This rough handling introduces a sense of vitality into an otherwise rigid form. The exaggerated proportions give the sculpture a totem-like quality, almost figurative in character, as if the chair itself has assumed an upright posture. As the viewer moves around it, the open spaces within the structure become as important as the solid bronze, creating a shifting balance between mass and void. There is a clear surrealist element in this transformation. The chair remains immediately recognizable, yet it no longer belongs to the world of ordinary experience. By displacing scale and function, Dalsgaard creates a subtle tension between familiarity and estrangement. The sculpture suggests presence without an occupant and purpose without use, encouraging psychological rather than literal interpretation. This aligns with a restrained, Northern strain of Surrealism, one shaped by austerity and understatement rather than spectacle. Signed and dated on the base, the sculpture dates from a period when Dalsgaard increasingly explored the symbolic potential of everyday forms. Modest in scale but rich in implication, it demonstrates how a common object can be quietly reimagined as a vessel for reflection, ambiguity, and poetic abstraction. A unique bronze sculpture. Born in Vorup near Randers, Sven Dalsgaard was self-taught as a painter. His earliest paintings are Naturalistic but around 1934 he was inspired by Wassily Kandinsky and Paul Klee to paint more Abstract works. He debuted at the Kunstnernes Efterårsudstilling in 1943. Inspired by Marcel Duchamp, he embarked on Surrealism in the 1940s but moved into a simpler, more stylized approach in the 1950s, producing tall thin sculptures...

Born in 1980 in Sainte-Émelie de l’Énergie, Karine Giboulo lives and works in Montreal. Since early 2000, she has been creating work in a variety of media from paintings and works on...

These playful translucid resin sculptures show the artist's constant contact with her imagination, dreams, and nature. Alejandra imagines these beings as if they co-exist with us but...

Louis Durot was born in Paris on April 22, 1939. He was something of an enfant terrible, and managed to be expelled from various schools for bad conduct. His ambition, as stated to his parents, was to earn money without having to work, and for a time, he was an “escort-boy” for a Parisian Grande Dame. He did, however, manage to get a good education in spite of himself, and received his Baccalaureate degree from Lycee Louis Pasteur in 1956. In 1960, he enrolled in the Facultie de Sciences, where he studied mathematics. He terminated his math studies in 1963, and turned his attention to engineering, working for Equipel, where he was responsible for calculating and measuring resistance for prototype nuclear generators. Equipel became a research facility, and offered Durot the opportunity to study organic chemistry. Durot directed numerous research projects for Equipel between 1966 and 1972. During this time, in fact, starting in 1964, he made many friends in the art world, gathering together artists from a variety of disciplines to form an artists commune — the Freelane Studio. Among the members were jazz journalist Gilles Brinnon, and a young painter, Jean Ihallero — a friend of the painter Maxime Defert. Through them, he met the artist Francois Arnal, who was interested in Durots’ engineering expertise for his sculptures. They got on well, and worked together for two years. Also in this circle were the actress Micheline Presle and the actor Daniel Gelin. In 1968, Arnal and Presle created Le Festival de Theatre de Chateauvallon, and through this, Durot became friends with the noted film director Ulysse Reynaud. In 1966, Francois Arnal introduced Durot to the artist Cesar, with the idea that Durot’s talents as a chemical engineer would be useful. Durot spent a year helping Cesar to master the techniques of working with polyurethane foam, with Durot searching for ways to make this fragile and ephemeral substance more stable and permanent, and more amenable to control. Cesars’ first works in this medium were flat, due to the difficulty of controlling the foam, but he went on to create his famous “expansions”. In 1968, Durot conceived a project to create more three-dimensional sculptures following a simple and precise design. It was during this time that Durot made his first polyurethane sculptures — the Champignons and Plantes Carnivores. Also in 1968, he He opened his first technical studio at 35, rue Leon. In order to support this new endeavor,( he needed more space, equipment, time and money), he created La Societe Durgalith. 1971 saw the Durat’s first works exhibited at the Salon Batimat in Paris. With this exhibition, Durot was hoping to attract the attention of architects with whom he could collaborate. Between 1971 and 1974, Durot created sixty sculptures inspired by fantastical “alien” life, mushrooms, and carnivorous plants. In 1974, Durot”s Societie Durgalith ran into problems with the Italian firm that owned Batimat. Credit Lyonnaise seized his studio and many of his sculptures, and quite a number of them were destroyed. This same year, Durot worked with the architects Sloan and Lecouter on an inflatable structure for the Pavillion Franaise in Osaka. Unfortunately, the project was never realized. Durot continued to pursue his research on polyurethanes, and gained world-wide recognition for his developments in this field. In 1977, a “student prank” had un-expectedly bad consequences. Durot was employed as an engineer at L’Usine Francaise de la Monnaie (the French mint) in Pessac. He took three kilos of “blanks”, and used them for playing slot-machines. For this, he spent seven weeks in jail, which was ended by an amnesty granted by Mitterand in 1981. During Durot’s time in prison, he took up weight-lifting, and also designed his next generation of sculptures. The spirals, feet, lips, and a series of erotic chairs...

Creating sculptures of exquisite peculiarity is an art in which Takei excels. His elegantly crafted works embody the notion of the whimsical, contradictory and idiosyncratic. There is an immediately detectable sense of humor and quick wit about the sculptures in this exhibition. Beyond playfulness, however, Takei’s aim is to challenge the viewer to alter the way in which they look at reality. Taking cues from the Surrealists of the early 20th century, Takei transforms the mundane into the fantastic - and sometimes absurd. His work is a constant inquiry into the meaning of functionality and the perception of purpose. Much like Man Ray’s iconic readymade sculpture, The Gift (1921), and Meret Oppenheim’s infamous fur-covered teacup (Object, 1936), Takei recontextualizes those pragmatic objects that we immediately recognize. With his piece Soft Shoulders (2011), Takei deconstructs a wooden clothes hanger...

George Long received his BFA from the Atlanta College of Art in 1995 and currently lives and works in Atlanta. His first solo exhibition was at Marcia Wood Gallery in Atlanta in 2004, where he introduced the widely acclaimed 8 x 8 work. Long’s solo and 2 person exhibitions include Flux Projects, Atlanta, the Zuckerman Museum, Kennesaw State University, Space Eight, St Augustine, FL, Gallery One Twelve, Atlanta, Tempus Projects, St. Augustine, FL,Cosms, Dashboard Coop, Atlanta, Columbus Museum, Columbus, GA, the University of West Georgia, Carrolton, GA, the Madison County Art Council, Marshall N.C. among others. Group exhibitions have included the International Kunstler Kolonie Exhibition,Nuremburg, (and residency), The Atlanta Contemporary Art Center (2007 Biennial and 2012 "Day Job: Georgia), the Jacksonville Museum of Modern Art, Jacksonville, FL, the Zuckerman Museum, Kennesaw, GA, Art on the Beltline, Atlanta, GA, Paco Sas Artes, Sao Paulo, Brazil, Tempus Projects, Tampa, FL, Dalton Gallery, Agnes Scott College, Georgia, and Brenau University, Georgia. In 2010 he received an NEA grant for public sculpture. Sculpture exhibitions include theAnn Marie Sculpture Center in Solomon Island, Maryland, North River Park, Charleston, SC, and the Chattahooche Nature Center, Roswell, GA, Art in Freedom Park, Atlanta, and Bonaroo, Manchester, Ten. Long has collaborated with Spelman University choreographer T. Lang, New Orleans Airlift, Georgia Tech, Lucky Penny...

Giuseppe Palumbo’s whimsical, anthropomorphic sculptures delve into the human psyche through irony, wit, and humor. By applying classical techniques to his contemporary subjects, Pal...

Born in 1980 in Sainte-Émelie de l’Énergie, Karine Giboulo lives and works in Montreal. Since early 2000, she has been creating work in a variety of media from paintings and works on...

Red Porsche Guard on Fiberglass Edition of 6

George Long received his BFA from the Atlanta College of Art in 1995 and currently lives and works in Atlanta. His first solo exhibition was at Marcia Wood Gallery in Atlanta in 2004, where he introduced the widely acclaimed 8 x 8 work. Long’s solo and 2 person exhibitions include Flux Projects, Atlanta, the Zuckerman Museum, Kennesaw State University, Space Eight, St Augustine, FL, Gallery One Twelve, Atlanta, Tempus Projects, St. Augustine, FL,Cosms, Dashboard Coop, Atlanta, Columbus Museum, Columbus, GA, the University of West Georgia, Carrolton, GA, the Madison County Art Council, Marshall N.C. among others. Group exhibitions have included the International Kunstler Kolonie Exhibition,Nuremburg, (and residency), The Atlanta Contemporary Art Center (2007 Biennial and 2012 "Day Job: Georgia), the Jacksonville Museum of Modern Art, Jacksonville, FL, the Zuckerman Museum, Kennesaw, GA, Art on the Beltline, Atlanta, GA, Paco Sas Artes, Sao Paulo, Brazil, Tempus Projects, Tampa, FL, Dalton Gallery, Agnes Scott College, Georgia, and Brenau University, Georgia. In 2010 he received an NEA grant for public sculpture. Sculpture exhibitions include theAnn Marie Sculpture Center in Solomon Island, Maryland, North River Park, Charleston, SC, and the Chattahooche Nature Center, Roswell, GA, Art in Freedom Park, Atlanta, and Bonaroo, Manchester, Ten. Long has collaborated with Spelman University choreographer T. Lang, New Orleans Airlift, Georgia Tech, Lucky Penny...

Lina Condes is a contemporary American - Ukrainian artist known for her stick figure sculptures, earned her MFA in Fine Arts, Interior and Furniture Design from Kiev University of T...

Santiago Medina (b. 1964) Desire in Black, 2023, (/5) Italian Stainless Steel Sculpture72 x 8 x 6 in (182.88 x 20.32 x 15.24 cm)