Abstract Geometric Art

Gouache, colored pencil, graphite, and pastel on paper Signed and dated in black ink, verso This artwork is offered by ClampArt, located in New York City. Born in Peekskill, New Yo...

Bold abstract composition with sweeping purple and green pastel tones in organic flowing forms, by Renee Harwin (Austrian, b. 1924). Tag on verso with name, date, title, and dimensions. Presented in a white plexiglass frame with plexiglass covering. Image size: 44.5"H x 31.75"W As a young Viennese woman, Renee Harwin found her artistic development interrupted by Hitler's arrival to her city. Soon after, Renee and her family left and moved to the United States. Harwin says that while "one can drawn his or her own conclusions from my work, I believe that the tremendous impact of change from Nazism to free America has left deep impressions on me that are played out on these canvases." Her work combines the influence of Midwest painters such as Clyfford Still and San Francisco Art Institute instructor Jack...

Karl Momen, Swedish b. 1937. This oil on canvas was painted in 1989 and finished in 1990, titled "The Golden Force." It is titled and signed on the reverse. Provenance: Marissa de...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Yaacov Agam Lithograph Tribute to Mondrian Number 50/100 Circa 1975 71 x 67 cms

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

This painting by Linda King Ferguson is part of her equivalence series, which began as a feminist project; works that subvert the historically male gaze and a material language speak...

ABBY GOLDSTEIN Untitled, 2012 8.0 x 11.3 inches; framed in white frame 13 x 16.1 inches watercolor and pencil on paper pencil signed recto American artist, Abby Goldstein has been f...

Artist: Pierre Clerk, Canadian (1928 - ) Title: Morocco Series #10 Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: 300, AP 45 Image Size: 21 x 36 inches Paper S...

Robert Petrick's "God Walker" is a fusion of meticulous geometry and bold abstract expression. From the artist's Chalkboard Series, this piece is both timeless and contemporary, offe...

Dana Piazza's creates abstract black and white drawings, full of the illusion of depth, movement, and three-dimensionality. His highly obsessive ink drawings on paper are built upon ...

Michael Kessler makes nature-based paintings that merge geometric elements with biomorphism. He began his art career as a landscape painter. While an undergraduate at Kutztown University Kessler received a fellowship from the Whitney Museum of American Art to study and produce art in New York City at the Whitney Independent Study Program. Michael Kessler’s work explores the continuum between gesture and geometry. Each work consists of as many as 50 micro-thin layers of translucent and transparent acrylic. Biomorphic tendrils branch to and fro, while arcs of line and color slip over and under matrices, balancing nature’s sinuous curves with the mindfulness of structure. He likens the gestural freedom in his works to a kind of painterly “tai chi” – a...

Anna Kruhelska is a visual artist and architect working across fields of art and design. She creates abstract, three-dimensional paper wall reliefs that...

Dana Piazza's creates abstract black and white drawings, full of the illusion of depth, movement, and three-dimensionality. His highl...

Artist Bio: Carole Eisner was born and raised in New York City and received a BFA from Syracuse University. She has had eight solo shows in New York City at David Findlay Gallery, E...

Schmidt mainly worked in cast iron and bronze. This work reflects the influences of ancient cultures, natural forms, and the machinery of the modern age. Synthesizing these elements,...

Robert Petrick’s ’P.E.S.' is a fusion of meticulous geometry and bold abstract expression. From the artist’s ’Ziggurat Series' series, this piece is both timeless and contemporary, o...

A contemporary mixed media vinyl and watercolor paint on paper by emerging female artist Winslow Tee. This work measures 20 x 16 on the wall, and the paper size is 14" x 11". A wh...

Ethel Rosetta Davis was born in Hardin County, Tennessee in 1897. She studied art in Birmingham, Alabama. Davis married and located to Tuscumbia a...

This is a mixed-media artwork by Monty Montgomery. Its dimensions are 48 x 84 x 2.5 and it is Aerosol on Custom Panel with UV Gloss Varnish. A certificat...

Clifford Singer has been working with the concept of Hypocycloid since 2023. He has published Hypocycloid with JMM and Bridges Organization in 2025. This work based on a Hypocycloid...

Clifford Singer has been working with Damping Coefficient since 2022. His interest in this mathematical concept has enabled him to produce more than (10) origninal artworks in this v...

Post Dogmatist Painting on Panel, signed verso Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, painter, published poet and theorist living in Pagosa...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Anna Kruhelska is a visual artist and architect working across fields of art and design. She creates abstract, three-dimensional paper wall reliefs that startle in their intricacy an...

Fine Art Giclée print on Hahnemühle German Etching 21 x 29. 7 cm Edition of 100 Accompanying certificate of authenticity with the artist's digital signature Patrick Hughes is a ren...

A pair of original cut paper collages by Venezuelan American artist Ricardo Morin. Each of these works measure 7" x 5" unframed and come housed in a...

Robert Petrick's paintings create a link between the street culture of the East Village, where he has lived for 31 years, and the power of language, which he has worked with his enti...

A truly unique and vibrant original abstract painting. Created with acrylic and UV reactive acrylic accents as a unique surprise effect. This artist draws inspiration from the great Keith Haring and creates beautiful and mesmerizing compositions with rich color and movement. About the artist: Avi Ash...

Limited edition of 99 prints, numbered and hand signed.

Untitled 2015 Color serigraph 15.75 x 15.75 inches Framed: 21 x 21 inches

Artist: Kenneth Noland, American (1924 - 2010) Title: Stripes Year: circa 1965 Medium: Watercolor Size: 4.5 in. x 6.75 in. (11.43 cm x 17.15 cm) Frame Size: 11.5 x 13.5 inches

This is a mixed-media artwork by Monty Montgomery. Its dimensions are 48 x 76 x 2.5 and it is Aerosol on Custom Panel with UV Gloss Varnish. A certificat...

"Home" is an abstract artwork by Stan Olthuis composed of acrylic paint on baltic birch panel. Home measures 40" high by 30" wide by 1" deep. Typical of the artist, this minimal geometric abstraction resonates with a rich charge. It's a sculpture and a painting. The lines are elegant. The artist's obsession with geometry and intersecting shapes is a clear gesture here. The eye delights in the formal play of shape and color, while the mind engages the material force of the wood and paint. From Stan Olthuis – "My work has always involved tactility and expressionistic energy. I visualize the story and imagery simultaneously, allowing the work to surprise me and come to life as I work. I am almost careless in how I use color and texture, facing the fear of improvising on-the-fly. I like to leave the obvious raw record of the process visible, but I believe a mystery remains." Stan Olthuis looks for expressive opportunities in found and harvested raw material – wood, stone, metal, rubber – and brings a fabricator's expertise to the work of making minimalist, joyful sculptures. Geometry is key, as are a sense of play and an adept's feel for sacred energies. His work is exhibited and collected internationally, including private and corporate commissions in Canada, United States, France, Japan and Norway. Stan is represented by Gagné Contemporary in Toronto and New York City, and has select works available through the Art Gallery of Ontario (AGO), and Motokawa Gallery in Japan. Stan Olthuis' formal education began in Chicago with Henk Krijger, the celebrated master printmaker, type designer, painter and sculptor. Back in Toronto, Olthuis graduated (with distinction) with a degree in Experimental Arts at Ontario College of Art & Design (OCAD), studying under artists Fred Hagen, Tom Hodgson...

Image dimensions: 48x64 cm Hand Signed, titled, dated and numbered. Edition of 100 prints. Very good conditions. Nicola Carrino (1932-) Italian sculptor who was self-taught. His ne...

Artist: Jon Becklers Title: Echo Structure Year: circa 1980 Medium: Screenprint and collage multiple, signed and numbered in pencil Edition: 9/25 Size: 39 x 27 in. (99.06 x 68.58 cm)

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original screenprints that are a definitive survey of the artis...

Image dimensions: 48x64 cm Hand Signed, titled, dated and numbered. Edition of 100 prints. Very good conditions. Nicola Carrino (1932-) Italian sculptor who was self-taught. His ne...

Chinatown Portfolio 2, Image 6 Chryssa, Greek (1933–2013) Date: circa 1978 Screenprint, signed and numbered in pencil Edition of 150 Size: 40 in. x 30.5 in. (101.6 cm x 77.47 cm)

Yvaral Lithograph Structure géométrique 1 Signed in pencil Numbered 209/225 Circa 1974 59x64 cms 950 euros

Simon Samsonian (1912 - 2003) Colorful Geometric Abstraction, 1981 Oil on paper 16 x 22 inches Signed and dated lower right Provenance: Estate of the artist This survivor of the Armenian genocide wound up in a Cairo orphanage in 1927. He rose to fame as one of Egypt’s great modernists, but after moving to Long Island late in life he withdrew into anonymity. Now his compelling story is being told. Art historians are finally beginning to realize that the power of abstraction in its early years was a zeitgeist not limited to the major European centers of the avant-garde — Paris, Munich, and Moscow — but one that quickly rippled to major cities throughout the world. Within a few decades that original shock of a new vision had inspired thousands of artists from different cultures — particularly those the Middle East — whose translations were not slavish imitations of works by seminal figures like Picasso, Braque, Malevich, and Kandinsky but creative variants colored by their respective cultures. This essay focuses on an extraordinary Armenian artist, his harrowing survival of the genocide, his rise to fame in Cairo, and his creation of a unique style of abstraction. Art historians have typically formed a chorus that teaches the history of abstraction like this: Just before and during the World War I era, several avant-garde artists emerged to create shockingly different new forms by which artists could express themselves. In Paris, Picasso and Braque broke out with cubism, quickly followed by Mondrian. In Moscow, Malevich created Suprematism, the ultimate hard-edge geometric abstraction. And in Munich, Kandinsky emerged as the father of Abstract Expressionism. Within these few short years a zeitgeist was sensed throughout the art world. American pioneers, too — particularly Stanton Macdonald-Wright and Morgan Russell — felt this explosive freedom of expression. When Europe was recovering after World War I it became clear that Paris would retain its title as capitol of the art world, lasting through the Roaring Twenties and even through the Great Depression. But the end of World War II changed everything. A parallel war had been won by a group of irascible young Abstract Expressionists in New York — led by Pollock, Rothko, DeKooning, and Kline. No sooner had Paris been liberated from the Germans than Picasso, Matisse, Breton, and Duchamp surrendered to the Americans. From that point on New York would be the epicenter of the art world. But a lens that focuses myopically on the war between the avant-garde of Paris and New York misses the wider narrative of multiple aesthetic modernities that developed in the several decades following World War I. For Armenian artists the matter is even more complex owing to the genocide of 1915 where more than 1.5 million people — seventy-five percent of Armenians in the Ottoman Empire — were massacred. Those not shot on the spot were sent on death marches through the Mesopotamian desert without food or water. Frequently, the marchers were stripped and forced to walk naked under the scorching sun until they dropped dead. As a child Samsonian witnessed the murder of his parents and most of the members of his family. Soon thereafter, his older sister, Anahid, quickly shepherded him into a line of children being rescued by Greek nuns. But they became separated and he lost her, too. He was sent to a Greek orphanage in Smyrna (now Izmir), on Turkey’s west coast. Because he only knew his first name, the orphanage gave him a last name based on the place where they found him — Samsun — a major port on Turkey’s north coast on the Black Sea. His birth date was unknown, too. According to Samsonian’s vague recollections he assumed he was about three or four years old at the onset of the genocide, which would place his birth year in 1911 or 1912. In 1922, when Samsonian was about 10, the Turks ended their war with the Greeks by putting Smyrna to the torch in what has been called the “Catastrophe of Smyrna.” Once again, the child was on the run, escaping the fire and slaughter. He found temporary refuge in Constantinople, but within a year that major port would fall to the Turks, too, and become renamed as Istanbul. This time, Samsonian was whisked away to an orphanage in Greece founded by the American charity, Near East Relief — which is credited with saving so many Armenian orphans that the American historian Howard M. Sachar said it “quite literally kept an entire nation alive. Any understanding of Samsonian’s approach to modernism requires careful consideration of the impact of his early years because his art is inseparable from the anguish he experienced. In 1927, when he was a teenager, he was transferred to Cairo, Egypt, then a cosmopolitan city hosting a sizable portion of the Armenian diaspora. There he lived with thirty-two other children on the top floor of the Kalousdian Armenian School. Upon graduating in 1932 he won a scholarship to attend the Leonardo da Vinci Art Institute — an Italian art school in Cairo — where he won first prize in final examinations among one hundred students. He found work with an Armenian lithographic printer and he returned to the Kalousdian Armenian School to teach drawing. In 1939 he married one of his students, Lucy Guendimian. The Cairo in which Samsonian matured as an artist was home to many prominent art collectors after World War I. In this receptive environment Samsonian exhibited widely and won many awards. Beginning in 1937 and for the next thirty years he exhibited annually at the prestigious Le Salon du Caire hosted by the Société les Amis de l’Art (founded in 1921). After World War II he hit his stride as a modernist in Cairo, counting among his peers other artists of the Armenian diaspora such as Onnig Avedissian, Achod Zorian, Gregoire Meguerdichian, Hagop Hagopian...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original screenprints that are a definitive survey of the artis...

Don't Let's Start 16.0 x 16.0 x 1.5, 3.0 lbs Acrylic on fabric Hand signed by artist Artist's Commentary: "This is an original painting, 16" x 16" acrylic and fabric on 1.5" deep...

Mixed media geometric abstract painting/wall sculpture titled "Red Up" by Gary Jurysta. Oil on shaped canvas, circa 1982. Artist Biography: Gary Jurysta graduated from Butler Area High School in 1955. After serving four years in the US Navy he earned a degree in Art Education from Edinboro State University. Additional degrees were earned at the University of Pittsburgh...

Artist: Kyohei Inukai Title: Fanfare Year: 1978 Medium: Serigraph, Signed and numbered in pencil Edition: AP 30 Size: 22 x 30 inches

This work takes its cues from Ilya Bolotowsky and Piet Mondrian. A fine example of 1970's hard edged geometric abstraction. Artist, painter & master photographer Jonathan Singer was...

Lucio Saffaro - vintage poster is an original offset advertising of 1979. The state of preservation of the artwork is good. The artwork represents Artist's exhibition in Museo di C...

Figurative landscape set in parkland. Discover beautiful artwork by Ana Bianchi online with Wychwood Art. Originally trained as a designer in Paris, Ana B...

Photograph of Blue Sky option of paper +can be printed on metal..inquire for pricing comes unframed. Inquire about various sizing About the Artist: Short Biography in a Nutshell: ...

Nicolas Dubreuille is a multi-faceted abstract artist who likes to multiply mediums - sculpture, painting, drawing, photography - to explore form and colour. Nicolas Dubreuille's wo...

Artist: Jean-Marie Haessle, American (1939 - ) Title: Symmetries Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: 295 Paper Size: 23 in. x 29 in. (58.42 cm x 73.6...

Composition is an original lithograph artwork on cardboard, realized by in the Late 20th Century. Hand-signed on the lower right. Numbered on the lower left, Edition 26/100. The s...

Signed, titled, dated, and numbered (1/1) in pencil, verso Archival pigment print on rag paper 30 x 24 inches, sheet This artwork is offered by ClampArt in New York City.

Charles Battaglini was a professional artist/teacher in printmaking. He exhibited for more than 55 years in juried and gallery exhibits, including the Associated Artists...

Artist: Arthur Boden, American Title: T Series (Green) Year: circa 1970 Medium: Serigraph, signed and numbered in pencil Edition: 100 Size: 29 in. x 23 in. (73.66 cm x 58.42 cm)

Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she began working in encaustic in 2001. Mary grew up ...

Nathalie Palomino is a French self-taught artist practicing pyrography on paper. Her perpetual quest for light and transparency in her works pushes her to multiply the perforations o...

Excerpts from William Peterson, Tom Waldron, 1985 They cut through space like beautiful and efficient tools. No bases or pedestals are required. They sit ...

Finesse and delicacy are what characterize best Antonin Anzil’s artistic practice. Paper as a medium seems incompatible with the idea of engraving or sculpturing; and yet. Using a sh...

This mesmerizing ink drawing on clay-coated panel by Jenifer Kent shows off the artist's meditative process as she hand-draws, without assistance from a straight edge, a network of l...