Abstract Geometric Art

Beautiful table top sculpture by renowned Israeli sculptor Menashe Kadishman. Super quality, and visually stunning. There is a large monumentsal version of this in Rabin Square in th...

**ANNUAL SUPER SALE UNTIL MAY 15TH ONLY** **This Price Won't Be Repeated Again This Year - Take Advantage** Celebrating the universe with this colorful and beautiful p...

"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...

Agnes Weinrich was born in Burlington, Iowa in 1873. She studied with French Cubist Albert Gleizes in Berlin, Paris, and Rome, and with Charles Webster Hawthorne and Blanche Lazzell ...

Robert Glick’s "Clouds and Canyons" is a captivating 24" x 36" oil on canvas that brilliantly showcases his mastery of abstract geometric landscapes. The composition juxtaposes the o...

Sol LeWitt (1928-2007) is an important contributor to the 20th century's most cerebral "isms" notably minimalism and conceptual art. Many of his works were created from elaborate a...

Hula V, John Van Alstine. Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the mo...

riverstone, pigmented and sealed steel Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major fo...

Gvranite, pigmented and sealed steel. Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major foc...

Round Mountain Landscape, John Van Alstine. Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a majo...

Column 7-16, John Van Alstine. Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On ...

Lilly Muth's geometric abstractions are colourful works full figures that of space such as the distance, shape, size, and relative position of figures. Her use of colour is bold yet ...

Lilly Muth's geometric abstractions are colourful works full figures that of space such as the distance, shape, size, and relative position of figures. Her use of colour is bold yet ...

slate, pigmented and sealed steel Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. ...

Charon's Steel Styx Passage, John Van Alstine. Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a ...

Sisyphean Circle LXIV by John Van Alstine. Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a majo...

Rose Granite / Steel Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most b...

Sisyphean Circle (Diagonally Down), John Van Alstine. Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these material...

Column XIV (Pointer), John Van Alstine. This sculpture will be shipped directly from the artist's studio.

Sisyphean Circle XXV, John Van Alstine. Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major f...

Pique A Terre VIII, John Van Alstine. Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focu...

Column XII (Strange Fruit), John Van Alstine. This sculpture will be shipped directly from the artist's studio.

"Les ombres du savoir" by Sophie Dumont is a striking representation of a dynamic library, where books are meticulously arranged. Executed in oil on canvas with a palette knife, this...

Sisyphean Circle 8-14-17, John Van Alstine. Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a maj...

Cornucopia With Columns, John Van Alstine. Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a majo...

Crossover, John Van Alstine. Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the...

oil enamel on steel stone Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the m...

At the heart of each of Frank’s paintings is the Japanese concept of Ma, which is the space or pause between events, moments, forms, and thoughts. It can be felt, for example, at the...

slate/ powder coated steel Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the ...

Painting by Daniel Brush (1947-2022). Signed and dated 73'. Aquatec pigments, mediums and gels on board. Measures 60" x 10". Exhibited at the Phillips Collection, 1974 when Dan...

Intricate and lively work Watercolour, Acrylic paint and Ink. On paper framed

Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level the work is...

MODULATED PATHS INTO SUNDAY'S DESIRING, is an original etching by Sharon E. Sutton printed on heavyweight buff color printmaking paper. An architecturally inspired composition compri...

Artist: Rafael Bogarin – Venezuelan (1946- ) Title: Jupiter 4 Year: 1980 Medium: Screen Print Sight size: 19.5 x 25.5 inches. Sheet size: 22.5 x 28.5 inches. Signature: Signed lower right Edition: 295 This one: 116/295 Condition: Excellent Unframed This exceptional geometric abstract serigraph is by the noted Venezuelan artist Rafael Bogarin (1946- ). This is Jupiter 4. I have others from the series, also for sale. The print has never been framed and is in excellent condition. It measures 22.5" x 28.5". Rafael Bogarin is an established contemporary Venezuelan artist known for his abstract serigraphs. Bogarin was born in 1946, in El Tigre, where he grew up making his own toys and learning to draw. He studied in Caracas at the Cristobal Rojas School of Fine Arts, specializing in lithography and etching. From 1970 to 1992, Bogarin, like so many artists, lived in New York. As he explored various techniques, he became an expert in serigraphs, earning himself acclaim in Latin America as a pioneer. In South America he traveled the continent giving classes and learning about native cultures. When he returned to the land of his youth, he was inspired to create the concept of the entire world in the Museo Vial in El Tigre in 1982. Later he made others along the route between Colombia and Venezuela. Recently he has been creating and realizing ideas like the Museo de Murales a Cielo Abierto (Museum of Murals to the Open Sky). Detailed biographical information (source: artist's website): Rafael Bogarín was born in El Tigre, Anzoátegui state, Venezuela, on January 20, 1946. He studied at the Cristóbal Rojas School, which he finished in 1966; Among his teachers are Luis Guevara Moreno, Pedro León Zapata, Luisa Palacios and Luis Chacón. Upon returning from school he founded the Zapato Roto group with other artists, with the aim of taking art to the streets. In 1966 he directed the outdoor exhibitions of the Venezuelan American Center, and two years later he participated in the XXVIII Official Salon, where he received the Rome Prize. During that time he ordered elements such as nuts and serrated blades in relation to discs engraved with burin and other techniques, and made the final impression in planes of one color. In 1970 he received a scholarship and traveled to New York; He studies at the Pratt Graphic Center and the Blackburn Printmaking Workshop. In 1973 he founded, together with Manuel Kohn, the Bogarín Printmaking Workshop, a workplace for Venezuelan artists living in the United States; This workshop, of which he has been master printer, allowed continuity to his artistic work. Bogarín investigates the possibilities of super eight cinema and makes films with quality similar to commercial formats; From these experiences emerge The Lonely World (1975) and New World Symphony (1976). In 1977 he deepened his study of color with The New Color, a portfolio where he produced superimposed colors through transparencies and glazes. His teaching experience includes courses at the Rafael Monasterios School of Plastic Arts in Maracay (1969-1970), Ceagraf (1979), as well as workshops in various cities around the world. In 1980 he made an exhibition of silkscreen prints in cities in Italy, El Salvador, Colombia, Mexico and the United States. That year he resumed his interest in outdoor exhibitions with a museum project with murals by 30 artists for El Tigre (Venezuela); The Rafael Bogarín Road Museum was inaugurated in 1982 and brought together 30 murals on 2 x 4 meter fences, by artists such as Mario Toral, Édgar Sánchez and Paul Davis. He carried out the project to recover the architectural spaces of El Tigre (Venezuela), through murals, sculptures, plazas and humanized spaces. In 2006 he painted the largest painted flag in the world in El Tigre, Venezuela. Bogarín has exhibited his work on all 5 continents and currently lives and works in Panama City in his private workshop and in the Articruz workshop. Individual exhibitions Ø 1966. Gallery of the Medical College. Caracas Venezuela. Ø 1966. Venezuelan American Center. Caracas Venezuela. Ø 1970. Protobello Gallery. Caracas Venezuela. Ø 1977. First National Bank of Louisville. Luosville, Kentucky, USA. Ø 1978. Venezuela Gallery. New York City, USA. Ø 1979. Julián Marchena Room, Museum of Costa Rica. San Jose Costa Rica. Ø 1979. La Otra Banda Gallery. Merida, Venezuela. Ø 1980. Galeter Center. Adro, Italy. Ø 1980. Gallery of Modern Art. Santo Domingo Dominican Republic. Ø 1980. Jewish Community Center. Monmouth, New Jersey, USA. Ø 1980. Frank Fedele Fine Arts. New York City, USA. Ø 1980. El Túnel Gallery. Guatemala, Guatemala. Ø 1981. Garcés – Velásquez Gallery. Bogota Colombia. Ø 1982. Siete Siete Gallery. Caracas Venezuela. Ø 1984. Acquavella Gallery. Caracas Venezuela. Ø 1985. Cultural Center. Santa Cruz, Bolivia. Ø 1992. Sotage Gallery, Puerto La Cruz, Venezuela. Ø 2017. Arteconsult Gallery. Panama City, Panama. Awards Ø 1969. Rome Prize. XXIX Official Salon of Venezuelan Art, Museum of Fine Arts. Caracas Venezuela. Ø 1971. Honorable mention. First Young Artists' Salon. Maracay, Venezuela. Ø 1984. First prize, Salón Aragua. Maracay, Venezuela. Murals Ø 1974. Venezuelan Consulate. New York City, USA. Ø 1982. Creator of the First Road Museum in the World. El Tigre, Venezuela. Ø 1983. Road Museum. Roldanillo, Colombia. Ø 1984. Bicentennial Road Museum. Cucuta, Colombia. Ø 2000. Ceramic mural. Dairy, Venezuela. Group exhibitions Ø 1963 to 1966. Spiral Gallery. Caracas Venezuela. Ø 1966. El Pez Dorado Gallery. Caracas Venezuela. Ø 1966. “Zapato Roto” Festival. Caracas Venezuela. Ø 1967. D´Empaire Hall. Maracaibo Venezuela. Ø 1970. Drawings and engravings room. Central University of Venezuela. Caracas Venezuela. Ø 1966 and 1971. Arturo Michelena Hall. Valencia, Venezuela. Ø 1966 to 1968. Annual Venezuelan Art Salon. Museum of Fine Arts. Caracas Venezuela. Ø 1968. Luis Ángel Arango Library. Bogota Colombia. Ø 1969. Tertulia Room. Cali, Colombia. Ø 1969. Lunn Gallery. Washington, DC, USA. Ø 1969. Gallery of Visual Arts. Maracay, Venezuela. Ø 1970. Venezuelan Cultural Week. Miami and Jamaica. Ø 1972. Two Rivers Gallery. Binghampton, New York City, USA. Ø 1972. Moos Gallery. Montreal, Canada. Ø 1973. Spoleto Festival. Italy. Ø 1974. Young Artists, Union Carbide Building. New York City, USA. Ø 1975. Government of Caracas. Caracas Venezuela. Ø 1975. Graphic VII, Mendoza Gallery. Caracas Venezuela. Ø 1976. Brooke Alexander Gallery. New York City, USA. Ø 1977. Denise Rene Gallery. New York City, USA. Ø 1978. Sam Flax...

At the heart of each of Frank’s paintings is the Japanese concept of Ma, which is the space or pause between events, moments, forms, and thoughts. It can be felt, for example, at the...

At the heart of each of Frank’s paintings is the Japanese concept of Ma, which is the space or pause between events, moments, forms, and thoughts. It can be felt, for example, at the...

At the heart of each of Frank’s paintings is the Japanese concept of Ma, which is the space or pause between events, moments, forms, and thoughts. It can be felt, for example, at the...

lecture en bleu is a work of striking depth that captures the essence of intellectual exploration. This oil painting on linen canvas, transports the viewer into a world of introspec...

Christopher Barrow has studied the smallest details of life in urban society and translated these details into engaging paintings. His scenes are familiar to us but also ever so slig...

Dan Flavin Dan Flavin at Albright Knox Gallery (hand signed and inscribed to renowned curator) Offset Lithograph. Hand signed and inscribed by Dan Flavin 18 × 22 inches Provenance: Estate of artist and collector Rick Collar Unframed Uniquely inscribed and hand signed 1972 Dan Flavin exhibition poster from his Albright Knox exhibition. Dan Flavin hand signs and inscribes it to Paulus Hendrik Hefting, the curator of the Neue Nationalgalerie in Berlin. The inscription reads: "Best regards and best wishes to you especially in "diagrams and drawings". What Flavin is referring to is the important exhibition also in 1972, "Diagrams & Drawings" curated by Hefting, at the Rijksmuseum Kröller-Müller (Netherlands), which featured Carl Andre, Christo, Walter De Maria, Dan Flavin, Michael Heizer, Don Judd, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Richard Serra, Robert Smithson. An extremely rare signed poster with a unique inscription to a major European curator referencing an historic Minimalist exhibition in the early 1970s. We may not see the likes of something like this anytime soon! Dan Flavin Biography From 1963, when he conceived the diagonal of May 25, 1963 (to Constantin Brancusi), a single gold fluorescent lamp installed diagonally on the wall, until his death in 1996, Dan Flavin (1933-1996) produced a singularly consistent and prodigious body of work that utilized commercially available fluorescent lamps to create installations (or “situations,” as he preferred to call them) of light and color. Through these light constructions, Flavin was able to establish and redefine space. Flavin’s first solo exhibitions were held at the Judson Gallery in 1961 and the Green Gallery in 1964, both in New York. His first European exhibition was in 1966 at Galerie Rudolf Zwirner in Cologne, Germany; and in 1969, the National Gallery of Canada, Ottawa, organized his first major museum retrospective. His work was included in a number of key early exhibitions of Minimal art in the 1960s, among them Black, White, and Gray (Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 1964); Primary Structures (The Jewish Museum, New York, 1966); and Minimal Art (Gemeentemuseum, The Hague, 1968). Flavin’s work would continue to be presented internationally over the course of the pursuant decades at venues including the St. Louis Art Museum, Missouri (1973); Kunsthalle Basel (1975); Museum Boymans-van Beuningen, Rotterdam (1975); Stedelijk Museum, Amsterdam (1986); and the Solomon R. Guggenheim Museum, New York (1992), among others. A major museum retrospective devoted to Flavin’s work was organized, in cooperation with the Estate of Dan Flavin, by the Dia Art Foundation in association with the National Gallery of Art, Washington, DC, where it was first on view in 2004. The exhibition traveled from 2005 to 2007 to the Modern Art Museum of Fort Worth, Texas; Museum of Contemporary Art, Chicago; Hayward Gallery, London; Musée d’Art Moderne de la Ville de Paris...

Martin Rosenthal "Triangles and Semi Circles" 1965 Encaustic & Oil paint on paper 20"x13" unframed Signed and dated in ink lower left Martin Rosenthal 189...

Firenze, 2022 Screenprint in colors, on Saunders Waterford 425gsm paper Sheet size: 32 x 24 in. (81.3 x 61 cm) Edition of 100 + 25 AP Signed, dated and numbered in pencil, lower marg...

Nicholas Wilton Born 1961, San Francisco, CA EDUCATION 1979-1983 College of Creative Studies, University of Santa Barbara, CA 1983-1986 Art Center College of Design, Pasadena, CA. BFA EXHIBITIONS 2014 Solo Exhibition Caldwell Snyder Gallery, San Francisco, CA 2013 Solo Exhibition Campton Gallery, New York City, NY 2012 Solo Exhibition Caldwell Snyder Gallery, San Francisco, CA 2011 Solo Exhibition Costello Childs Gallery, Scottsdale, AZ Three Person Show Stremmel Gallery, Reno, NV 2010 Solo Exhibition Gallatin River Gallery, Big Sky, MT Solo Exhibition Selby Fleetwood Gallery, Santa Fe, NM Solo Exhibition gallery Jones...

"Coral Sculpture" is an acrylic painting from Ryan Rivadeneyra's series of imagined modernist sculptures. In this series, Rivadeneyra explores the possibilities of colorful sculptura...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technica...

Josef Albers Study for Homage to the Square, 1999 Screenprint on glazed Italian Porcelain in original Museum of Contemporary Art (MOCA) LA Box. Josef Albers, "Study for Homage to the Square" 1954, Limited edition reproduction on ceramic, © 1999 The Josef and Anni Albers Foundation. 12 × 12 inches This gorgeous Josef Albers platter is new in original vintage gift box...

Lithographs by Blair Litho, Los Angeles, CA, USA Lithograph in brilliant Colors on paper, 1966 Image 6 x 6 inches Sheet: 7.5 x 7.33 inches COA provided Lithographs by Blair Litho, L...

Spooning Daubs 3 16.0 x 20.0 x 1.5 Oil on canvas Hand signed by artist Artist's Commentary: "Heavily textured abstract rainbow painting from my Polka Daubs series. Background and ed...

Alan Shields TV Re-Run A, 1978 Mixed Media Monotype embossing, linocut, with watercolor and silver leaf applied decoration on TGL Handmade Paper. Mounted on Linen Board Signed by Ala...

Michael Todd Welded Brushed Steel Sculpture - geometric abstraction, 1968 Welded Brushed Steel Hand signed and dated 1968 in marker on surface....

Kasimir Severinovich Malevich Suprematist Tea Service (Limited Edition with signed COA), 1918-1988 Porcelain (Four pieces) with hand signed COA Certificate of Authenticity, hand numb...

Paul Pagk Untitled Geometric Abstraction, 1989 Gouache and watercolor on paper Signed, dated and inscribed "A Jacqueline". Frame included Excellent unique work on paper by contempora...

Monochromatic, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the tech...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

'Ramunės' London, United Kingdom 2022 Limited edition of 20. Photograph printed on heavyweight fine art paper. Photograph is shipped fast and flat in secure thick cardboard packa...

This abstract painting on canvas puts emphasis on pattern and composition. High contrasting, geometric sequences keep the eye engaged. Rows of mixed patterns create a rhythmic compos...

Available at Madelyn Jordon Fine Art. 'Stairway to the Sky' 2023 by Contemporary American artist, Sheryl Zacharia. Ceramic, 24 x 16 x 5 in. This sculpture incorporates a rich palett...

Bold abstract geometric landscape, an expressive black and white line drawing done in pastel, by Erle Loran (American, 1905-1999). Unsigned, but was acquired from the artist's estate. Presented in a new black mat with foam core backing. Provenance: Estate of Earle Loran; David Carlson...