Abstract Geometric Art

Another example of this iconic Frank Stella print can be found at the Poster House Museum in Manhattan. For inspiration only are photographs from their display. "The concentric squ...

Michael Challenger Not Yet - 1979 Print - Silkscreen   25'' x 25'' Edition: Signed in pencil, titled, dated and marked AP VIII Challenger's work is a powerful interplay of op-art an...

Like a symphony that blends different instruments and musical themes, a library can contain a variety of books representing diverse genres, authors, and subjects. Each book brings i...

LeWitt has been the subject of hundreds of solo exhibitions in museums and galleries worldwide since 1965. A leading figure of the Conceptual and Minimalist movements, his prolific ...

John Plumb 'Colour Step C' 1971 Medium Type: Screen Print Size-Width Size-Height: 22'' x 30'' Signed Edition Size: Signed in pencil, titled and marked 18/75 John Plumb is one o...

Within this captivating abstract and geometric composition, the artist invites us into a library of books painted with natural tones, unveiling a mesmerizing celebration of knowledge...

Artist : Susan Kiefer Title : Vertigo Materials : oil on canvas Date : March 2020 Dimensions : 20" x 20" x 20" Description : Tilted green oval balanced between orange and brown oval...

Bernard BUFFET (1928-1999) Still Life with Violin, 1965 Original lithograph (Mourlot workshop) Printed signature in the plate On vellum 30 x 24 cm (c. 11.8 x 9.4 in) INFORMATION :...

This large abstract contemporary statement painting by Roger Mudre features many light circle shapes, layered over one another in a concentric fashion and a cool blue and silver pale...

PETER HALLEY 6/21/96.9, 1998 Graphite and ink drawing Hand-signed by artist, signed and dated in graphite lower right front; lower left front bears title: 6/21/96.9 Frame included: elegantly matted and framed in a hand made museum frame with UV plexiglass signed and dated in graphite lower right front; lower left front bears title: 6/21/96.9 This is a unique work Frame included: elegantly floated and framed in a museum quality hand made white wood frame under UV plexiglass Measurements: Framed 16.5 inches vertical by 13 inches horizontal by 1.5 inches Artwork (visible) 10 inches vertical by 8 inches horizontal Peter Halley Biography Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

Ellsworth Kelly Color Squares 1 2011 Five color lithograph 21 x 77 inches; 53 x 196 cm Edition of 35 Signed and numbered in graphite (lower right recto) Frame available upon request...

Jean Baier (1932-1999) was a Swiss artist who initially as a trained mechanic after the Second World War. This interest enabled him to develop an artistic fascination for practica...

Krista Rosenkilde, a prominent Danish artist, is renowned for her dynamic use of color and abstract forms. Shock Blue Black Hole is an original lithograph, one of four in a captivati...

This series of hand painted acrylic paintings by Natalia Roman are inspired by the colors and textures of Italian terrazzo tiling. The patterns created c...

Magical Box Large Abstract On Wood Panel Nicholas Wilton Nicholas Wilton Born 1961, San Francisco, CA. Is known for vibrant abstract paintings that delve into themes of nature, personal experience, and emotional complexity. His work, described as “visual poetry,” is characterized by rich color, texture, and organic forms, creating a complex visual weave that reflects the underlying feelings and intricacies of life. Informed by spontaneity and a balance of opposites, his paintings emphasize the accuracy of feeling over literal representation. Wilton studied at the College of Creative Studies in Santa Barbara, California, and earned a BFA from the ArtCenter College of Design in Pasadena. His work has been chosen for a stamp by the U.S. Postal Service, and featured on book covers such as The Four Agreements by Don Miguel Ruiz. Wilton also founded Art 2 Life, a program dedicated to nurturing creativity and artistic development through workshops and classes. EDUCATION 1979-1983 College of Creative Studies, University of Santa Barbara, CA 1983-1986 Art Center College of Design, Pasadena, CA EXHIBITIONS 2014 Solo Exhibition Caldwell Snyder Gallery, San Francisco, CA 2013 Solo Exhibition Campton Gallery, New York City, NY 2012 Solo Exhibition Caldwell Snyder Gallery, San Francisco, CA 2011 Solo Exhibition Costello Childs Gallery, Scottsdale Three Person Show Stremmel Gallery, Reno, NV 2010 Solo Exhibition Gallatin River Gallery, Big Sky, MT Solo Exhibition: Selby Fleetwood Gallery, Santa Fe, NM Solo Exhibition gallery Jones...

**ANNUAL SUPER SALE UNTIL JANUARY 31ST ONLY** *This Price Won't Be Repeated Again This Year-Take Advantage Of It* Limited edition of 30 museum quality Giclee prints on C...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. This original abstract painting, Setting, stands as a beautif...

Dee Shapiro Illustrate Illusion, 1990 Oil painting on panel Signed twice: once on the front, and once on the back, with copyright, date and title Unique Oil on panel painting, unique Signed twice: once on the front, and once on the back, with copyright, date and title Provenance: Acquired from the estate of renowned New York art dealer Andre Zarre Frame included: Double framed in an elegant white wood museum quality frame Measurements: Framed 14.5 inches by 16.75 inches by 1.75 inches Artwork: 7.75 inches by 9.5 inches DEE SHAPIRO BIOGRAPHY Biography • Dee Shapiro (b. 1936) Dee Shapiro was born in Brooklyn, NY. She studied art and psychology in college, receiving both a BA and an MA from Queens College (1954-1960). There she studied color with abstract artist John Ferren. A semester in Mexico in 1956 introduced her to bright patterns and colors, as well as the murals of River, Orozco, and Siqueiros. From 1960 to 1968, Shapiro taught, got married, and raised kids. She still made time for art, taking painting classes with Richard Mayhew at the Brooklyn Museum. When she and her family moved to Great Neck in 1968, she founded Central Hall, the first women’s cooperative gallery in Long Island. Shapiro was also a contributor to Heresies, a feminist publication on art and politics. Shapiro explores the intersections of pattern, geometry, nature, and craft in her work. As a child, knitting instilled an interest in how patterns develop from small individual components into larger compositions, as well as the importance of counting and learning numerical patterns. Her first abstract paintings in the 1970s were based on mathematical concepts, particularly the Fibonacci sequence that generates the Golden Mean. Early works included arrangements of ordered tally marks in bright colors or gridded diagrams of the Fibonacci sequence. Shapiro soon moved to patterns that allowed her to use color intuitively within a grid. She built up the surface of the paintings by squeezing paint directly from the tube to create a woven or knitted texture. Shapiro was included in Pattern Painting at PS 1 in 1977, organized by noted curator John Perreault, which presented work by twenty-two artists working in the P&D Movement. The Everson Museum in Syracuse, NY organized a solo exhibition of her work in 1981. Her New York dealer was Andre Zarre. Shapiro was a member of the Criss-Cross Artist Collective, founded in 1974. The group originated in Boulder, CO as artists interested in Systemic Pattern Painting or Structuralism. The group expanded into New York, California and Europe with its art journal Criss-Cross Art Communications, published from 1974 to 1981. They aimed to foster group work, interaction, integration, and synthesis. The artists were interested in geometry and pattern yet worked in a variety of art forms including text, sound, film, and dance. What connected the artists were: a capacity for visual organization; valuing the importance of pattern on perception and knowledge; and a methodology of system, ordering, and counting. The artists that crossed over with the Pattern and Decoration Group were Dee Shapiro, Gloria Klein...

Victor Vasarely (Hungarian-French, 1906-1997) Untitled, ca. 1966 Medium: Screen print on card Dimensions: 27 3/5 × 27 3/5 in (70 × 70 cm) Edition of 100: Hand-signed in pencil, not n...

Jodi Fuchs creates modern abstract expressionistic artworks with undeniable energy. Years of inquiry into the metaphysical aspects of life have influenced her studio practice. This is where the act of creation is the muse. By following intuitive impulses, Fuchs' work speaks to the chaos and stillness (and the reconciliation of these two forces) inherent in the human experience. This original 24-inch high by 36-inch wide artwork is an acrylic composition on canvas. It is Fuchs’ fascination with the pure creative force: understanding it, harnessing it and expressing it, that fuels her painting process. This painting is signed on the back. The sides of this artwork are painted and it does not require framing. Free local Los Angeles area delivery. Affordable Continental U. S. and worldwide shipping available. A certificate of authenticity issued by the art gallery is included. Born in New York in 1964, Jodi Fuchs is an award-winning contemporary abstract painter living in Los Angeles. Her education about color and pattern came on the job while working as a decorative painter for 20+ years. One hundred thousand wine labels by Georges Duboeuf have been adorned with her art. Fuchs' work has been featured on 50+ TV and film productions, graced the lobbies of hotels from New York to Miami to Portland Oregon, and has been exhibited and collected worldwide. REPRESENTATION Artspace Warehouse, Los Angeles, CA SOLO EXHIBITIONS 2017 Bar Mingo Portland, OR PIA Agency Portland, OR 2016 Last Thursday on Alberta Street Portland, OR 2015 Energy Moving Soul Center Kona, Hawaii 2013 Chakra Code 143 East Meets West, Los Angeles, CA 2011 Rose Café Venice, CA 2010 Jodi Fuchs Art Gallery Santa Monica, CA 2009 Rawvolution Café Santa Monica, CA 2007 Butter Brooklyn, NY 2006 Epoxy Box Venice, CA 2004 The Garage Show solo exhibition Santa Monica, CA 2001 Buddha’s Mudras and Biology Studio 6 Santa Fe, NM EXHIBITIONS 2023 “About Face”, Artspace Warehouse, Los Angeles, CA 2023 WADA Sumer Heat Show, St. Petersburg, Fl 2023 Las Laguna Gallery Abstract Show, Laguna Beach, CA 2022 “Clarifying Color”, Artspace Warehouse, Los Angeles, CA 2020 “In Search of Principle”, Artspace Warehouse, Los Angeles, CA 2019 Whole 9 Gallery, Culver City, CA 2019 Gallery, Hermosa Beach, CA 2019 Art + Home, LA Family Housing Benefit Los Angeles, CA 2018 Art + Home, LA Family Housing Benefit Los Angeles, CA Gallery Cerulean, Portland, OR 2017 Southeast Art Walk Portland, OR 2015 SOKO South Kona Artist Collective Tour Big Island Hawaii ETC Gallery Santa Monica, CA Kohala Mountain Gallery Hawi, Hawaii 2014 Abstract Art Now Collection Saatchi Art Online 2013 Rose Café Venice, CA Saatchi Art Online offices Santa Monica, CA Art 4 All People Malibu, CA 2012 Wall Space Gallery Los Angeles, CA Small Works Whole 9 Gallery Culver City, CA 2011 Urban Pop Jeanie Madsen Gallery Santa Monica, CA Moksha Festival Santa Monica, CA Japan Relief Initiative Show Architecture for Humanity 2010 Rethink Green Culver City, CA group show The Art of Summer Orange County Center Contemporary 2009 Access Institute group show San Francisco, CA 2006 Phresh/Live Group Show Venice, CA Epoxy Box Venice, CA 2002 Charge Art Barn Gallery Santa Fe, NM Compassion Art Barn Gallery Group Show Santa Fe, NM Collect Plan B Santa Fe, NM 1998 Abbot’s Habit Venice, CA 1997 Needles LACE Gallery Group Show Los Angeles, CA PUBLICATIONS 2012 –19 World Art Group best-selling artist for art publishing company 2009 -19 Poems Art...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

KIMBER SMITH Untitled Abstract Expressionist Geometric Abstraction, 1967 Lithograph on Rives paper 25 × 19 3/5 inches Signed in silver...

JOSEF ALBERS, Bottrop 1888 - New Haven 1976 Study to Homage to the Square Yes Sir, 1977 (no.8) Color d'après silkscreen, mm. 207x207. (from 1962 oil on masonite). Perfect copy, publ...

Red and Blue Abstract - Original Oil On Canvas Original oil painting depicting blue, red and yellow geometric shapes by J. Greene (American, 20th Century). Shapes of red and yellow ...

Lilly Muth's geometric abstractions are colourful works full figures that of space such as the distance, shape, size, and relative position of figures. Her use of colour is bold yet ...

Erin Parish draws on patterns found in nature for the subject matter of her tactile, bold, and brilliant abstract paintings created with oil and resin on wood and canvas. Inspired by...

Red Six is a lithograph realized by the Italian painter  Lorenzo Indrimi in the 1970s. The artist found inspiration in the most primitive human experiences. This print is a hand-si...

Anita Johnson Untitled (Red Construct), c. 1960s Oil on canvas Framed dimensions: 31 in. H × 25 in. W Original artist-selected silver-toned floater frame In Untitled (Red Construct)...

Robert Petrick’s ’Stoop' is a fusion of meticulous geometry and bold abstract expression. From the artist’s ’Ziggurat Series' series, this piece is both timeless and contemporary, of...

"Like Being in Love" is an original, handmade mixed media abstract painting by Jennifer Bobola, that depicts an abstract painting with colorful shapes in black, orange, blue and more...

**Annual Summer Sale Until August 31st** **This Offer Won't Be Repeated Again This Year - Tale Advantage of it** **IMPORTANT: This is Limited edition of 30 mu...

“Untitled” 2018-2019 Porcelain, Paper Clay Cone 6 Size: 54 in. x 54 in. COA provided Danielle Weigandt explores the construct of events in time and their role in our lives. Time can...

Jay Rosenblum Polarity #9, 1981 Acrylic on Paper painting 6 × 9 1/2 inches Pencil signed and titled on the front Unique work Unframed ]This gem of a work is an acrylic painting on p...

Contemporary blue and yellow geometric abstract painting by Venezuelan artist Subero Oswaldo. The work features hard-edge linear shapes in an optical illusion pattern. Signed in the ...

Gottfried Honegger Parmenides: Das Herz der Wahrheit. Fragmente. Folio with 3 Original Etchings on handmade Velin d'Arches Year: 1990 Size: 8.25x5.5.5in on 11.625x7.75in Edition 26 S...

"He Opened His Hand And I Put My Stories Into It" (2024) is an original, handmade oil painting on canvas, by Amy Hutcheson, that depicts an abstract painting with colorful geometric ...

Waterline Fine Art, Austin, TX is pleased to present the following work: Acrylic on canvas. Signed, dated, titled, and estate stamped on verso. 50.25 x 31 in. 51.25 x 32 in. (framed) Custom framed in maple. Provenance Estate of Jack Roth Born in Brockway, Pennsylvania, Jack Roth was at various times a painter, poet, photographer, and mathematician. He enrolled at Pennsylvania State University in 1943 to study chemistry, but like many of his fellow Abstract Expressionists, his matriculation was interrupted World War II, where he served in both the Army and Air Force. Discharged from the service in 1948, Roth moved to Big Sur, California and married his first wife, Colleen Bleier, with whom he had two daughters. A year later, the young family settled in San Francisco, where Jack enrolled at the California School of Fine Arts. It was here that he studied painting under Mark Rothko, Clyfford Still, Richard Diebenkorn, David Park, and Elmer Bischoff. The Roth family left the Bay Area to return to Pennsylvania, where Jack completed his Bachelor of Science degree in Chemistry in 1951. In pursuit of his seemingly discordant academic interests, Roth moved yet again, this time to Iowa where he received a Master of Fine Arts at Iowa State University in 1953. Seeking gainful employment, Roth moved to New York, settling in the lower East Side where he began looking for a teaching job and working as a reviewer for Arts Digest magazine. Now divorced, in 1954 Roth married the artist Rachel Chester whom he had met in Iowa. He continued to paint and work odd jobs, some of which were as a hotel night clerk and an orderly at Beekman Downtown Hospital. That year, he unsuccessfully applied for the Guggenheim Memorial Foundation Fellowship in the field of photography. However, Roth’s professional prospects greatly improved when his work was selected by James Johnson Sweeney, Director of the Guggenheim Museum of Art for the traveling exhibition Younger American Painters, alongside giants such as William Baziotes, Richard Diebenkorn, Adolph Gottlieb, Philip Guston, Franz Kline, Willem de Kooning, Robert Motherwell, Jackson Pollock, Morris Louis, and others. One of the first major debuts of the Abstract Expressionist movement to be shown at an American museum, the exhibit traveled to the prominent museums across the country. In 1956 he began graduate work in mathematics at New York University. Opting to dive back into academia, Roth began graduate coursework in mathematics at New York University in 1956. He enrolled at Duke University in 1958, receiving his PhD in mathematics in 1962. Roth continued to create art throughout the pendency of his graduate studies and in 1963, legendary Museum of Modern Art (MoMA) curators Dorothy Miller and William Lieberman recommended Roth as the new talent graphic artist for Art in America. Concurrently, MoMA purchased several works from Roth for the museum’s permanent collection. During this period of artistic achievement, Roth continued to teach - first, at the University of South Florida in Tampa, before moving back north to Montclair, New Jersey, where he was hired as the chairman of the Mathematics department at Upsala College. In 1971 he accepted a dual appointment at Ramapo College, teaching both mathematics and advanced painting. After he received tenure and his finances were secure, his artistic production thrived as he received the first Thomases Award for contributions at the school, which came with the use of a large studio space. This allowed him to work with larger canvases and become what he saw as an Abstract Expressionist Color Field painter. In 1978, the acclaimed gallery Knoedler & Co. in New York began representation of Roth’s work. Other artists represented by the gallery at this time included Alexander Calder, Adolf Gottlieb...

Abstract Composition British School, monogrammed/ dated lower corner gouache painting on paper laid over card, unframed actual painting: 22 x 15.5 inches Superb - bold - and very co...

Califonia artist, Brandon Neher captivates with his abstract artworks that seamlessly blend German Expressionism and Abstraction. His original paintings on canvas embody a profound exploration of space, structure, and balance, infused with a touch of modern minimalism. Drawing inspiration from his coastal upbringing in California, Neher's art reveals layered references to his surroundings, merging physical and subconscious energies to create captivating shapes and patterns. This abstract artwork measures 60 inches square, showcasing Neher's fascination with artificial naturalism. Using acrylic and oil pastel on canvas, the artist meticulously crafted a uniform grid of 900 squares, overlaid with 900 circles...

**Annual Summer Sale Until August 31st** **This Offer Won't Be Repeated Again This Year - Tale Advantage of it** A "Certificate of Authenticity" issued by the...

Ibram Lassaw Continuity #1 1971 Screenprint Visible: 19.5 x 25.5 inches Framed: 27 x 32.5 x 1 inches Edition: 100 Signed, titled, dated and numbered in pencil along lower edge COA pr...

Artist: Dan Teis Title: Candy Stripes X Year: 1979 Medium: Acrylic on Canvas, Signed l.r. Size: 48 x 64 in. (121.92 x 162.56 cm) Frame Size: 49.5 x 65.5 inches

Brown Ombre Leonid Date: circa 1980 Screenprint, signed and numbered in pencil Edition of 100, AP Image Size: 23 x 23 inches Size: 29 x 29 in. (73.66 x 73.66 cm)

Sophie Dumont is a renowned French artist recognized worldwide for her distinctive and evocative works. Blue Books is a striking abstract composition that explores the interplay of c...

Glows 3, Acrylic and gold leaf on paper signed, titled and dated by the artist 20 x 20 cm - paper 31 x 31 cm - Framed with 92% UV-resistant Art Glass. Frea Buckler is a British cont...

Black_X, 2016 pencil, white pastel on black cardboard 27.55 H x 19.68 W in. 70 H x 50 W cm Alina Aldea's drawings project all the possible forms which appear to rapidly disappear, w...

Artist/ School: signed initials ' MD', French mid 20th century Title: cubist abstract still life composition Medium: oil on canvas, unframed Canvas: 28.75 x 19.5 inches Provenan...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the arti...

Artist: Risaburo Kimura– Japanese/American (1924-2014 ) Title: City 365 Year: circa 1972 Medium: Serigraph Sight size: 25 x 19.75 inches. Sheet size: 28.75 x 22.75 inches. Signatur...

Limited edition of 30 museum quality Giclee prints on CANVAS, signed and numbered by the artist. A "Certificate of Authenticity" issued by the artist is included. We are the only...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Kramer’s modern and graphic paintings express lyrical, geometric abstraction via a harmonic interplay of syncopated shapes of various sizes and colours. Trained at Yale University (M...

Artist: Arthur Boden Title: Sea Deep Year: 1970 Medium: Acrylic on Canvas, signed verso Size: 87 in. x 51 in. (220.98 cm x 129.54 cm) (can be hung vertically as well)

An original mid century modern abstract expressionist monotype print by American artist Toma Yovanovich. Toma Yovanovich (1931-2016) Yovanovich was a painter/printmaker whos...

Abstract Urban landscape. 1970 circa Abstract Geometric Composition with Figures and Architecture Artist: Unattributed Date: Circa 1970 Medium: Oil on cardboard Dimensions: H 65 c...

The abstract print "CY, SOL AND NOT AT ALL 03032019 1211am" is a digital artwork, created with the Brushes Redux iPhone app, and printed at 36x36" on museum-quality Canson Platine Fi...

Debris Etching, engraving and color aquatint, 1947 Signed, dated, titled and number Edition: 25 (1/25), never fully realized Created in the artist's first year studying at the Univer...

Sharon Sutton I Am Here In The World - 1981 Print - Silkscreen print on Somerset Paper paper size 29.5'' x 29.5'' inches Edition: Signed, titled and numbered in pencil 190/200 Sha...