Abstract Geometric Art

This abstract painting is highly reflective and depending on the light changes its color. Sometimes vividly green, sometimes a darker grey. At the heart of each of Frank’s painting...

Signed lower right. The composition is a tightly organized geometric abstraction on a deep blue ground. A large, centrally placed triangular form asserts the vertical axis and is an...

The Embrace by Rya Wu features a softly balanced composition of rounded, overlapping forms that seem to orbit one another within a warm pink field. Teals, coral, mustard, deep blue, ...

Artist/ School: French School, second half 20th century Title: abstract composition Medium: oil on canvas, unframed Canvas: 28.75 x 21 inches Provenance: private collection, Fra...

Beautiful Lithograph unframed si2gned and numbered 3/18 circa 1980' s in the style of Victor Vasarely very nice condition. Signed by Chester Solomon , title Cubist Extensions #2.

Ralston Crawford is best known for his Precisionist abstract paintings suggestive of urban landscapes and industrial spaces. SS De Grasse by Ralston Crawford, American (1906–1978) ...

Purple is a contemporary artwork realized by Lorenzo Indrimi in the 1970s. Mixed colored lithograph. Hand signed on the lower margin. Edition of XVIII/XXX.

Melisa Taylor Metzger’s Sateen X2 extends her exploration of surface and gesture with a composition that feels simultaneously luminous and turbulent. Broad washes of deep cobalt and ...

Alexander CALDER (after) Crags and Critters, 1975 Lithograph poster Made for the exhibition of Alexander Calder at Maeght Gallery Printer : Arte Paris Editor : Maeght 69 x 48.8 cm (...

Artist: Jack Graves III (American, 1988-) Title: "Diamond XXX" Series: Diamond *Signed by Graves lower right. It is also signed, titled, and dated on verso Year: 2021 Medium: Origin...

This work is part of our exhibition Marina Stern Luminary, the first retrospective of the artist since 2007. Previously exhibited: Marina Stern Paintings, Eleanor Rigelhaupt Gallery...

Original linen-backed Secret Ceremony vintage film poster. French, archival linen backed in fine condition, ready to frame. A woman and the girl s...

Artist: Cris Cristofaro, American Title: Untitled - Green and Blue Rectangles Year: 1978 Medium: Silkscreen on Arches Paper, signed and numbered in pencil Edition: 50 Size: 22 x...

Standout pair of 19th Century neoclassical Italian obelisks clad in mirrored sections with etched floral designs now oxidized to perfection with the expected imperfections. Presented...

Abstract Composition by Serge Guerin (b. 1916), French oil painting on canvas, unframed size: 20 x 26 inches provenance: private collection, Paris, France condition: overall good an...

A fine black and white silkscreen geometric print from the Kinderstern Portfolio by American artist Sol LeWitt (1928-2007). LeWitt was was born in Hartford, Connecticut, and attended...

Charles Arthur Arnoldi (b. 1946) Macchu Picchu 4, 2019 Woodcut in colors on wove paper Edition: 25/30 Signed, editioned, and dated in pencil along lower edge Printed by Peter Kosowicz, Thumbprint Editions, London Published by Harvey Bayer...

"Cinderblock II" is a geometric abstract painting featuring hues of white and orange. Amanda Brazier creates handmade oil paints from locally harvested ...

Artist: Josef Albers Title: Homage to the Square Medium: Screenprint Date: 1977 Edition: 1500 Image Size: 8 1/4" x 8 1/4" Sheet Size: 9" x 9 1/2" Frame Size: 14 7/8" x 14 7/8" Signat...

Mexican-American visual artist Javier Arizmendi-Kalb’s expressive and texturally rich paintings are nuanced with symbolic and narrative motif in oil and oil-crayon on canvas. 'Hacked...

Robert Petrick's "Post Metro" is a fusion of meticulous geometry and bold abstract expression. From the artist's Ziggurat series, this piece is both timeless and contemporary, offeri...

Abstract Composition British School, monogrammed/ dated lower corner gouache painting on paper laid over card, unframed actual painting: 22 x 15.5 inches Superb - bold - and very co...

Josef Albers (1888-1976) is affiliated with, or an active participant within numerous movements that have defined visual culture in the 20th century. In the "Mitered Squares" works,...

Joël FROMENT (1938-2023) S, blue square, 2007 Acrylic on composite material Signed on the base, signed and dated on the back Height : 30 cm a very few minor stains on the base (visib...

Dimensions w/Frame: 16 3/4" x 14 3/4" Zvi Tolkovsky was among the founders of the current Bezalel Academy. Also among the founders of the Art Department in the late 1960s, he establ...

Ross Bleckner (American, b. 1949) Untitled (Geometric Abstraction) Acrylic on board 19 1/2 x 16 3/4 in. Signed lower right: Ross '66 Ross Bleckner grew up in Hewlett, Long Island, N...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the arti...

Bold abstract aquatint by Johnny Friedlaender (Polish-French, 1912-1992). Comprised of two main sections, this piece is full of detail and texture. The upper layer is a reddish tan, whereas the bottom layer is a rich brown. Geometrical shapes are arranged such that they almost form mirror images of each other, but vary enough to create interest and a sense of movement. Signed in the lower right corner. Numbered 56/350 in the lower left corner. Includes original certificate of authenticity. Presented in a new cream mat with foamcore backing. Mat size: 42"H x 32"W Paper size: 33.75"H x 24.5"W Johnny Friedlaender was a leading 20th century artist, whose works have been exhibited in Germany, France, Netherlands, Italy, Japan and the United States. He has been influential upon other notable artists, who were students in his Paris gallery. His preferred medium of aquatint etching is a technically difficult artistic process, of which Friedlaender has been a pioneer. Johnny Gotthard Friedlaender was born in Pless (Silesia) and his early studies were in Breslau under Otto Mueller. In 1936 Friedlaender journeyed to Czechoslovakia, Switzerland, Austria, France and Belgium. At the Hague he held a successful exhibition of etchings and watercolours. He fled to Paris in 1937 as a political refugee of the Nazi regime with his young wife, who was an actress. In that year he held an exhibition of his etchings which included the works: L 'Equipe and Matieres et Formes. From 1939 to 1943 he was interned in a series of concentration camps, but survived against poor odds. After freedom in 1944 Friedlaender began a series of twelve etchings entitled Images du Malheur with Sagile as his publisher. In the same year he received a commission to illustrate four books by Freres Tharaud of the French Academy. In 1945 he performed work for several newspapers including Cavalcade and Carrefour. In the year 1947, he produced the work Reves Cosmiques, and in that same year he became a member of the Salon de Mai, which position he held until 1969. In the year 1948 he began a friendship with the painter Nicolas de Stael and held his first exhibition in Copenhagen at Galerie Birch. The following year he showed for the first time in Galerie La Hune in Paris. After living in Paris for 13 years, Friedlaender became a French citizen in 1950. Friedlaender expanded his geographic scope in 1951, and exhibited in Tokyo in a modern art show. In the same year he was a participant in the XI Trienale in Milan, Italy. By 1953 he had produced works for a one-man show at the Museum of Neuchâtel and exhibited at the Galerie Moers in Amsterdam, the II Camino Gallery in Rome, in São Paulo, Brazil and in Paris. He was a participant of the French Italian Art Conference in Turin, Italy that same year. Friedlaender accepted an international art award in 1957, becoming the recipient of the Biennial Kakamura Prize in Tokyo. In 1959 he received a teaching post awarded by UNESCO at the Museum of Modern Art in Rio de Janeiro. By 1968, Friedlaender was travelling to Puerto Rico, New York and Washington, D.C. to hold exhibitions. That year he also purchased a home in the Burgundy region of France. 1971 was another year of diverse international travel including shows in Bern, Milan, Paris, Krefeld and again New York. In the latter city he exhibited paintings at the Far Gallery, a venue becoming well known for its patronage of important twentieth century artists. From his atelier in Paris Friedlaender instructed younger artists who themselves went on to become noteworthy, among them Arthur Luiz Piza, Brigitte Coudrain, Rene Carcan...

Kramer’s modern and graphic paintings express lyrical, geometric abstraction via a harmonic interplay of syncopated shapes of various sizes and colours. Trained at Yale University (M...

Working within the constraints of unyielding ninety-degree angles, Brindle applies color with a Fauvist abandon, creating works with an otherworldly presence.

This contemporary abstract painting by Sophie Dumont depicts a stylized stack of books rendered in richly textured oil paint. The composition belongs to the artist’s well-known serie...

Paul Laoria Reflections V, c. late 20th/early 21st century Spray paint and oil paint on canvas 24 x 30 in. Signed lower right, signed and inscribed verso Paul Laoria grew up in New ...

Red Six is a lithograph realized by the Italian painter  Lorenzo Indrimi in the 1970s. The artist found inspiration in the most primitive human experiences. This print is a hand-si...

Precisely painted squares and rectangles in orange, rust red, green, yellow, light green, sapphire blue, black and pink dance, overlap and swirl on a washed green-blue ground in this...

14th New York Film Festival Allan D’Arcangelo, American (1930–1998) Date: 1976 Screenprint, signed and numbered in pencil Edition of 107/144 Size: 40 x 59 in. (101.6 x 149.86 cm)

Tadashi Kawamata Untitled for the Relocation Project, Serpentine Gallery, London, 1997 Screenprint on wove paper Pencil signed, dated '97 and numbered 169/180. 34 1/2 × 24 3/4 inches...

Untitled #507 by Murray Duncan, 2024 Mix media on paper Unframed Size: 32" x 40" Murray Duncan Studio: Murray Duncan, born in 1966, is a self-taught creative visionary celebrated f...

Brown, Orange, Blue, Pink, Green, Yellow, Red Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she be...

Richard Andres (American, 1927-2013) Naval Occurrence, c. 1963 oil on canvas signed and titled verso 24 x 32 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

Robert Petrick’s ’P.E.S.' is a fusion of meticulous geometry and bold abstract expression. From the artist’s ’Ziggurat Series' series, this piece is both timeless and contemporary, o...

"Orange Row", Abstract Geometric Minimalist Composition w Ovals, Limited Edition Delicate and perfect ovals in orange, yellow, red, and blue are purposefully arranged on lined paper...

"Homage to the Square - Portfolio 2, Folder 5, Image 1" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origina...

Artist: Sewell Sillman (American, 1924-1992) Title: "I-S #1" *Signed and dated by Sillman in pencil lower right Year: 1968 Medium: Original Screenprint on unbranded heavy white wove ...

Artist: Charles Hinman, American (1932 - ) Title: Lavender on Tan Year: 1972 Medium: Embossed Silkscreen, signed and numbered in pencil Edition: 44/200 Size: 25.5 x 34.25 in. (64.77 ...

Measurements 35x35 Frame 65x55

Artist/ School: signed initials ' MD', French mid 20th century Title: cubist abstract still life composition Medium: oil on canvas, unframed Canvas: 28.75 x 19.5 inches Provenan...

Screenprint in colours, 2014, signed, edition of 50, 54 x 42 cm. (21¼ x 16½ in.) Keith Coventry was born in Burnley in 1958 and lives and works in London. He attended Brighton Polytechnic 1978– 81 and Chelsea School of Art London 1981– 82. He was featured in the seminal exhibition Sensation at the Royal Academy of Arts, London, in 1997 and in 2006, he received a mid-career retrospective at Glasgow's Tramway (Art Centre). He was also a co-founder and curator of City Racing, an influential not-for-profit gallery in Kennington, South London from 1988-98. His work has been exhibited widely in the UK and Europe and is included in collections worldwide, including the British Council; Tate Modern; Arts Council of England; Walker Art Center, Minneapolis;, and The Museum of Modern Art, New York. In 2010 Coventry was awarded the John Moores Painting...

Slim vertical bands of lime green, sky blue, turquoise, pink and cerise repeat in a mirrored pattern and appear optically to move back and forth on the violet and maroon ground. The ...

Richard Mock, American (1944 - 2006) - Mechanics, Year: 1986, Medium: Linocut on thin wove paper, signed, dated and numbered in pencil, Edition: 16/34, Image Size: 38 x 35 inches...

"Homage to the Square - Portfolio 1, Folder 19, Image 2" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origin...

Cups "F" - is an one-of-a-kind, hand-crafted, abstract wall sculpture of fine brass wire, employed gesturally, like pencil lines, covered with a soft Japanese paper, creating translu...

Sandi Gehring (1957), American artist living and working in Amsterdam. Education; Art Students League, NY and Wackers Academie, Amsterdam. Currently repr...

Sophie Dumont is a French artist whose work has been exhibited internationally. His book series started in 2016 and is still going strong. "The Archives" by Sophie Dumont is an artw...

Dorothy Dehner, American (1901 - 1994) - Navaho, Year: 1970, Medium: Screenprint, signed and numbered in pencil, Edition: 77/150, Image Size: 17 x 22 inches, Size: 20 x 26 in. ...

This artwork explores the delicate interplay between light and shadow, creating a harmonious balance of geometric forms. #Modern eclipse #serenade in #crimson #transcendent #forms #...

Blue Mother Drawing #2, by Jeanette Fintz in 2020 22 x 30 inches watercolor, gouache on Fabriano paper Signed lower right corner Framed: 32 x 39.5 inches, custom white frame, 8 ply w...

This series of hand painted acrylic paintings by Natalia Roman are inspired by the colors and textures of Italian terrazzo tiling. The patterns created combine a variety of vivid col...

Snow Fence on Dunes in the Hamptons Black & White Photography Printed to order edition of 10 Title: Great Dune Year: 2018 Medium: Photography (printed on metal) Size: 20" x 30" (lar...

Artist: Jack Graves III (American, 1988-) Title: "Pelican" Series: Abstract *Signed by Graves lower right. It is also signed, titled, and dated on verso Year: 2024 Medium: Original...

Artist: Charles Hinman, American (1932 - ) Title: Dance Year: 1972 Medium: Screenprint, signed and numbered in pencil Edition: 150; AP XII Image Size: 12 x 16 inches Size: 14 x 18 in...