Abstract Geometric Art

Artist: Arthur Boden, American Title: Seasons 3 Year: 1974 Medium: Screenprint, signed and numbered in pencil Edition: 75 Size: 25 in. x 24 in. (63.5 cm x 60.96 cm)

"Cherry Coke Red Pill" is part of Dopamine Mosaic, a series of 28 tondos created by Melisa Taylor Metzger in the winter of 2024. This layered piece blends pyrography, airbrushing, an...

Diane Englander uses formal means to create a place between discord and tranquility, a zone with a charged harmony that energizes as it also provides refuge. That often requires tha...

Charles Hinman Untitled Geometric Abstraction (Hand Signed), 1980 Pastel & Graphite painting on Paper Signed and dedicated to "Michael and Rene" in graphite by the artist on the fron...

This piece depicts an abstract composition with the use of mixed media and bold patterns producing a work that is visually textured and rich with layers, as Owen creates an intricate geometric minimalistic composition. Even though this work has a rustic and heavily textured quality, the final result is intended to appear quiet to reflect a more minimal outlook on life and art. Creating a piece that allows us to escape the technological realm, contemplate modern living and nature and then communicate how each domain influences another. Her piece aims to engage the viewer with an emotional and environmental disposition that evokes a sense of balance and tranquility in the modern world. This unique work is executed on 1.5 depth baltic birch panel, and signed and titled by the artist on verso. Art measures 36 x 36 inches A native New Yorker, Christie Owen...

Artist: Jack Sonenberg, American/Canadian (1925 - ) Title: Perimeter Year: circa 1965 Medium: Etching with Aquatint, signed and numbered in pencil Edition: AP Size: 36 x 29.5 in. (9...

Blue Mother Drawing #3, by Jeanette Fintz in 2020 22 x 30 inches watercolor, gouache on Fabriano paper Signed lower right corner Framed: 32 x 39.5 inches, custom white frame, 8 ply w...

Portrait/ abstract geometric by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a fe...

**ANNUAL SUPER SALE UNTIL JANUARY 31ST ONLY** *This Price Won't Be Repeated Again This Year-Take Advantage Of It* **IMPORTANT: This is a Limited edition of 30 museum qua...

Silk Stockings and Candlelit Cafes, is an original hand drawn lithograph by Sharon E. Sutton printed using hand lithography techniques on archival paper 100% acid free. An architectu...

Agustin Cardenas (1927-2003) Untitled from El Circulo de Piedra, 1971 One of fifteen original lithographs, signed and numbered by the artist, commissioned t...

Erin Parish draws on patterns found in nature for the subject matter of her tactile, bold, and brilliant abstract paintings created with oil and resin on wood and canvas. Inspired by...

Contemporary Abstract Painting of grid in pastel blue, grey, white, green and pink "When the World is a Monster" painted by Hudson Valley, NY based painter, Anthony Finta, in 2020 40...

Abstract Composition signed by Jacqueline VERDET (French, 1931-2023) oil painting on canvas, unframed canvas: 46 x 35 inches condition: the work is in overall very sound and good co...

This series of hand painted acrylic paintings by Natalia Roman are inspired by the colors and textures of Italian terrazzo tiling. The patterns created combine a variety of vivid colors in the foreground with subtle background tones, painted on a variety of shapes, mimicking the effect of pieces of marble or granite on a flat surface. Natalia Roman was born in 1984 in Girona, Spain. She has exhibited in galleries across Europe and her colorful, abstract paintings are part of private collections all over the world. Details: Title: Blue and Pink Terrazzo...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Artist: Peter Mack Title: Circulars 2 Year: circa 1980 Medium: Acrylic on Canvas, Signed l.r. Size: 54 x 54 in. (137.16 x 137.16 cm)

No.090924 is an abstract sculpture in wood by French sculptor Thierry Martenon. This large, oval-shaped sculpture subtly intertwines wooden geometric forms, evoking a sense of moveme...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

GEO, Original Framed Contemporary Blue and White Abstract Painting, 2022 10" x 11" Acrylic on Paper 12" x 12" x 1.5" (HxWxD) Framed and matted with a plexiglass front. Hand-signed by the artist. A modern and minimalist blue and white painting by artist KR Moehr...

Balance & Beam, Locus in Transit #2, 2021 by Jeanette Fintz 60 x 72 inches, acrylic on canvas Signed verso Hanging wire on reverse Balance and Beam - Locus in Transit #2 is a paint...

“Homage to the Square - Portfolio 1, Folder 23, Image 2 “ from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 orig...

"Cascadia 6" explores the assimilation of aerosol painting, pyrography and sanding techniques on wood. The artist engages her work with notions of repetition, mark-making and blur de...

Slim vertical bands of lime green, sky blue, turquoise, pink and cerise repeat in a mirrored pattern and appear optically to move back and forth on the violet and maroon ground. The ...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Acrylic over Paper on Canvas by renown artist Cecil Touchon. Signed verso Cecil Touchon (born 1956, Austin, Texas) is a contemporary American collage artist, painter, published poet...

"Homage to the Square - Portfolio 2, Folder 4, Image 2" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origina...

Al Dickstein New York school Abstract Geometric work. Came in with small collection of his work including signed letters and a signed card and some monogrammed pieces. Signed and inscribed by artist. Showed at New York's Stable Gallery...

Glows 3, Acrylic and gold leaf on paper signed, titled and dated by the artist 20 x 20 cm - paper 31 x 31 cm - Framed with 92% UV-resistant Art Glass. Frea Buckler is a British cont...

**ANNUAL SUPER SALE UNTIL JANUARY 31ST ONLY** *This Price Won't Be Repeated Again This Year-Take Advantage Of It* Limited edition of 30 museum quality Giclee prints on C...

Intellect and order are at play in shades of yellow in the abstract mixed media painting that visually references landscape and water, yet takes it's inspiration from music. 'Square ...

James Rosati Untitled Geometric Abstraction, 1982 Two-sided Acrylic and Colored Pencil on Paper drawing Hand signed and dated on lower right front 14 1/2 × 13 1/2 inches This is a un...

Melisa Taylor Metzger’s MH I is a striking large-scale optical spray painting on wood, created through pyrography, airbrushed paint, stencils, and a removed tape grid. The piece vibr...

This white color PVC artwork in fact is full of colors that capture the light: under every carved lines are visible the presence of jellow color and blue color. In the 1966 Estuard...

Sol LeWitt Unique Geometric Abstraction on Postcard, 1982 Original drawing done on postcard from the Van Gogh Museum (Amsterdam), mailed, stamped and postmarked (franked) from Spolet...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

Masaaki Yamada (1929-2010) Work C.87 Executed in 1961 Oil on canvas 65.2 x 45.6 cm. (25 5/8 x 17 6/8 in.) Signed, dated and artist’s seal in Japanese (on the reverse)

City Lines acrylic on canvas 40 x 50 x 1.75 inches 2018 NYC Signed, dated and titled on the reverse side. series: Linepainting "Line series influenced by the digital city" Internal...

"This work was created with two separate entities that play against each other, in real and illusionary space, thus combining two separate realms that come together and play with one...

Walter Hoyle (1922 - 2000) Untitled Abstract Linocut 10 x 68 cm Signed and inscribed A/P in pencil. This linocut by Walter Hoyle is a striking abstract composition that blends geo...

Robert Petrick’s ’P.E.S.' is a fusion of meticulous geometry and bold abstract expression. From the artist’s ’Ziggurat Series' series, this piece is both timeless and contemporary, o...

Artist/ School: Modern British contemporary Title: abstract composition Medium: oil on canvas , unframed Canvas : 19.5 x 19.5 inches Provenance: private collection, UK Conditi...

Celebrating the universe by Mauro Oliveira Limited edition of 30 museum quality Giclee prints on PAPER, signed and numbered by the artist. Print lead time 1 week. A "Certificate o...

Bold abstract geometric composition by Marc Foster Grant (American, b. 1947). Unsigned. but was acquired with a collection of other Grant pieces. No frame, but the edges are painted ...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the arti...

Abstract Composition British School, monogrammed/ dated lower corner gouache painting on paper laid over card, unframed actual painting: 22 x 15.5 inches Superb - bold - and very co...

Artist: Tony Bechara, Puerto Rican (1942 - ) Title: Nines Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 250, AP 35 Image Size: 19 x 19 inches Size: 27 in. x 2...

Sergio Nates Untitled, 2015 Acrylic on canvas Unframed dimensions: 21.75 x 23 inches Framed dimensions: 22.75 x 24 x 1.875 inches This one-of-a-kind acrylic painting on canvas inclu...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Geometric abstract painting by contemporary artist Stephanie Beukers. The work features layers of hard-edged shapes in red, brown, tan, and black set against a light background. Curr...

Blue Mother Drawing #2, by Jeanette Fintz in 2020 22 x 30 inches watercolor, gouache on Fabriano paper Signed lower right corner Framed: 32 x 39.5 inches, custom white frame, 8 ply w...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Richard Anuszkiewicz Annual Edition, 1987-1988 Limited edition silkscreen on masonite Signed and dated by the artist lower right in pencil Frame Included (floated within a box frame)...

Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she began working in encaustic in 2001. Mary grew u...

Tadashi Kawamata Untitled for the Relocation Project, Serpentine Gallery, London, 1997 Screenprint on wove paper Pencil signed, dated '97 and numbered 169/180. 34 1/2 × 24 3/4 inches...

Patrick Hughes (British, b.1939) House Bricks Collage and oil on board Inscribed with title and dated ‘1966’ (on the reverse) 24 x 24 in. (61 x 61 cm.) Patrick Hughes is a British ...

PETER HALLEY 6/21/96.9, 1998 Graphite and ink drawing Hand-signed by artist, signed and dated in graphite lower right front; lower left front bears title: 6/21/96.9 Frame included: elegantly matted and framed in a hand made museum frame with UV plexiglass signed and dated in graphite lower right front; lower left front bears title: 6/21/96.9 This is a unique work Frame included: elegantly floated and framed in a museum quality hand made white wood frame under UV plexiglass Measurements: Framed 16.5 inches vertical by 13 inches horizontal by 1.5 inches Artwork (visible) 10 inches vertical by 8 inches horizontal Peter Halley Biography Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

New Nucleus Herbert Bayer, Austrian (1900–1985) Date: 1973 Screenprint, signed and numbered in pencil Edition of 7/50 Image Size: 29.75 x 29.75 inches Size: 32 in. x 32 in. (81.28 cm...

This painting is a great example of David Adickes' early work that embodies the abstract geometric style. Most likely originally sold at DuBose Gallery in Houston, Texas. Circa 1960s...

Gorgeous abstracted geometric landscape titled, "Cliff's Formation" by Erle Loran (American, 1905-1999), 1984. Unframed. Signed and dated lower right "Loran '84" and titled "Cliff's ...