Alberto Montaño Mason Art

Heliogravure, etching, and drypoint, 1934. From the deluxe edition of 40 with the drypoint remarqué, before the published edition of 100 printed from the reduced plate. From the po...

(after) PABLO PICASSO (1881-1973) Tête en forme d'horloge 2 1/16 in (5.2 cm) (diameter) (Conceived in 1956 and executed in gold by François & Pierre Hugo in a numbered edition of...

Homage to Wonder Woman. Made completely of legos. About the Artist: Joseph Kraham is an "engineering artist". He combines thousands of Lego pieces...

Nick Thomm 'LUMINANCE' (SET) 69cm x 92cm (27"×36″) per print. Blue Limited Edition of 425. Orange Limited Edition of 409. Archival Pigment Print on Hahnemühle 308gsm Fine Art Pape...

Oleg Sohanievich (Soviet Ukrainian, American 1935-2017) Steel Stress Sculpture #3, 1982, Hand signed and dated Oleg Sohanievich '82 Dimensions: 17" h., 23" w., 16" d. Very heavy Th...

Oleg Sohanievich (Soviet Ukrainian, American 1935-2017) Steel plates and rods Stress Steel Sculpture, 1997, Hand signed and dated Oleg Sohanievich '97, Dimensions: 18 1/2" h., 21" ...

Color screenprint, color pencil on heavy white wove paper, 1971. 840x595 mm; 33 1/4×23 1/2 inches (sheet), full margins. Signed and numbered 47/175 in pencil, lower margin. Publishe...

Nick Thomm - 'HEMISPHERE' - (Multi) XL SIZE 92cm x 122cm 36" x 48" Limited Edition of #85 Hand Signed & Numbered. Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. C...

Nick Thomm 'After Dark' (Orange) 69cm x 92cm (27"×36″) Limited Edition of 125 Hand Signed and Numbered #76 Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: NE...

Nick Thomm CHROMATIC - 4 Print Set (XL SIZE 36" x 48" PER PRINT). Limited Edition #43 of 50. Hand Signed & Numbered. Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. ...

Nick Thomm 'LOOM' (Sky) 69cm x 92cm (27"×36″) Limited Edition of 343. Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: NEW. Worldwide Shipping. Sold Unframed.

Nick Thomm 'LOOM' (Hydra) 69cm x 92cm (27"×36″) Limited Edition of 305. Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: NEW. Worldwide Shipping. Sold Unframed.

Yaacov Agam (b. 1928) Magic Rainbow II, late 20th century Screenprint in colors on wove paper LXIII/XC (edition 63/90) Signed and numbered in pencil along lower edge 13 x 15...

Gerhard Richter Untitled Abstract Picture, 2002 Offset lithograph on GardaMatt Art 250 GSM paper Not signed, edition of 3433 12 1/2 × 16 3.5 inches Unframed Printed on GardaMatt Art 250 GSM paper, this beautiful and colorful piece was part of a portfolio of loose plate reproductions for Gerhard Richter's Abstraktes works. Released during his exhibitions at the San Francisco Museum of Art (Abstract Pictures) and the Museum of Modern Art (Gerhard Richter, 40 Years of Painting). It depicts Richters 1999 Oil on Aluminum abstract picture) More about Gerhard Richter: Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other. Richter’s life traces the defining moments of twentieth-century history and his work reverberates with the trauma of National Socialism and the Holocaust. In the wake of the Second World War, Richter trained in a Socialist Realist style sanctioned by East Germany’s Communist government. When he defected to West Germany in 1961, a month before the Berlin Wall was erected, Richter left his entire artistic oeuvre up to that point behind. From 1961 to 1964—alongside Blinky Palermo and Sigmar Polke—Richter studied at the Staatliche Kunstakademie Düsseldorf, where he began to explore the material, conceptual, and historical implications of painting without ideological restraint. Richter’s earliest paintings in Düsseldorf, stimulated by a fascination with current affairs and popular culture, responded to images from magazines and newspaper cuttings. Through the 1960s, Richter continued to address found and media images of subjects such as military jets, portraits, and aerial photographs. Notably, he reimagined family pictures he had smuggled from East Germany that included his smiling uncle Rudi, dressed in a Nazi uniform...

Sol LeWitt Limited Edition Geometric Abstraction Silk Scarf, ca. 1987 Limited Edition Silkscreen on 100% Italian silk scarf/shawl Signed on the fabric with artist's printed signature...