Abstract Impressionist Art

Signed upper left and dated.

Jim’s of Lambertville is proud to offer this artwork. Signed on Verso. Complemented by a hand carved and gilt frame. Nancy Maybin Ferguson (1...

Jacopo Scassellati was born in Sassari (Sardinia) in 1989 where he still resides today. His family is originally from Umbria. Very early on, he displayed a strong predisposition for ...

Christopher is interested in the way that society interacts with the wild and not so wild things around it, the effect that we have on the environment and the living things that rely...

This painting is a perfect example of lyrical abstraction and a choice painting out of the best period of Vlerick's career. Geen nachtschade (No Nightshade), 1962 Oil on Masonite board 121 x 61 cm (without frame) 136 x 75 cm (framed) Signed and dated bottom left ‘P. Vlerick 1962’& with title, signature place and date at the back Pierre Vlerick...

Gray Scale Study for Pure Painting 4, 2016 Acrylic on museum board mounted to board Artwork size - 8 x 6.5 inches Framed Size - 16 x 20 inches signed and dated on recto Lee We...

Maurice Sterne American, 1878-1957 On the Ganges Oil on canvas 28 by 31 ¼ in, w/ frame 35 by 38 ¼ in Signed lower right Maurice Sterne studied with Thomas Eakins at the National Ac...

This painting is a perfect example of lyrical abstraction and a choice painting out of the best period of Vlerick's career. Pierre Vlerick’s work shows...

Jacopo Scassellati was born in Sassari (Sardinia) in 1989 where he still resides today. His family is originally from Umbria. Very early on, he displayed a strong predisposition for ...

With an upward zoom and a slow exposure, Photographer Mitchell Funk reimagines one of the world's most iconic landmarks. The photograph is a lyrical evocation of a normally cold stre...

Archival pigment ink print on 315 gsm fine art paper Edition 100

This impressionist wooden sculpture of the biblical story of Jonah & The Whale was done by New Hampshire artist Robert Hughes (1915-2004). Hughes was born in...

"The bottomless depths of a private koi pond in a Sussex garden. Dancing light, rhythmic flow and a coloured whirl of so many flashing fins, all help to convey the dark mystery of a life below the surface" ETERNAL FLAME III, 2017 Printed on museum glass, hand finished with White Gold and Silver leaf 30 x 30 cm image glass size/ 31 x 31 cm/ 12.2 x 12.2 inches (Framed) From edition of 5 Series: Southern Song Each piece is individually hand finished by the artist with White Gold and Silver leaf giving the piece its own unique style. Larger dimensions available from limited edition of 5 also available and made upon order. The beauty of the pieces printed on glass are truly revealed when seen in the flesh, which shimmer in the daylight and change constantly as different light sources are reflected off the print. "I am primarily driven by an exploration of colour and form. My objective is to bring an emotional element and aesthetic balance to my work. I try to depict the subtleties of the landscape and am happiest making images from the smallest, most insignificant detail - the challenge being to portray the essence of what is about my subject matter that has taken my eye." - Valda Bailey...

In this deliberately out-of-focus 1979 photograph of the New York skyline from Weehawken, Mitchell Funk captures the dynamic urban energy of Mid-Town Manhattan through the expressive...

You meet the Spanish artist Alexandro Santana and you think, cripes, can he be for real? So handsome, so flamboyant, so seductive, so amusing -- you’...

Artist Statement on ceramic work: I am fascinated with clay and the myriad of possibilities in form and surface that are possible with ceramics. A diversion from my painting studio...

Artist Statement on Ceramic work: I am also fascinated with clay and the myriad of possibilities in form and surface that are possible with ceramics. A diversion from my painting s...

Artist Statement on Ceramic work: I am also fascinated with clay and the myriad of possibilities in form and surface that are possible with ceramics. A diversion from my painting s...

Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...

"THE BLACK COAT PROJECT - RACHEL JEAN 2" Painting 72 x 48 in by Charles Malinsky Artwork full name: THE BLACK COAT PROJECT - THE NEW YORK SESSIONS - RACHEL JEAN 2 Artwork ships rol...

Signed upper left. In this vibrant composition, Tibor Jankay captures a moment of serene repose through bold color and stylized form. A reclining figure,...

Untitled (2002) Screenprint on wove paper Signed, dated and numbered by the artist. Date: 2002 6 17 Ed. 1/23 26.9 x 45 cm (Image) 39.6 x 54.8 cm (Sheet)

The heart and hand needed to create a strong American painting is not limited to those living east of the Mississippi. It is a product of endless work, self-evaluation, and the coura...

Jeff’s recent paintings draw inspiration from construction sites and various man-made materials, harking back to his earlier work. However, these new paintings are also radically dif...

Jacopo Scassellati was born in Sassari (Sardinia) in 1989 where he still resides today. His family is originally from Umbria. Very early on, he displayed a strong predisposition for ...

Jacopo Scassellati was born in Sassari (Sardinia) in 1989 where he still resides today. His family is originally from Umbria. Very early on, he displayed a strong predisposition for ...

acrylic, latex, gel medium, sand, spray paint, oil on canvas

Signed, dated lower right and numbered verso 4 /15, Unframed, Other sizes available. Printed later, Printed on Hahnemühle Fine Art paper Shot in Manhattan The uploaded video on 1s...

This colourful painting is vintage Tcholaria. It is signed and there is a certificate by the artist himself.

Elizabeth Higgins Biography b. 1960 Elizabeth Higgins describes herself as an abstract figurative and landscape painter. Everything around her serves as a potential subject, an insp...

"Geo (X1)". Abstract Impressionist. Blue Red Large format painting. Acrylic paint on canvas. 2014 Dimensions in cm.: 180 x 162 cm. Framed: 186 x 168 x 4 cm. In inches: 70.87" x 66.14" . Framed: 73.23 " x 66.14" x 1.57" According to the author's words, in his first abstract paintings -like the one we see now-, the term "Geo" refers to those elements with a real appearance; with a geological, stony, magmatic, crystalline, glacial appearance...; that are part of real scenarios, with a spatial, cosmic appearance, of empty spaces... ABOUT THE ARTIST Juan Pita...

"RED (FRATERNITY)" Oil Painting 75.5" x 147.5" inch by Charles Malinsky Artwork ships rolled due to its size. ABOUT THE ARTIST: Charles Malinsky is an internationally acclaimed Canadian painter. His artwork is represented in many distinguished museums throughout the world and has been featured in countless publications. His extraordinary achievements throughout his career have made him one of the most dynamic figurative painters working in the 21st century. Malinsky was born in 1956 in Yorkton, Saskatchewan, and grew up in the isolation of the vast Canadian prairies. He earned his diploma from the Alberta College of Art and Design in 1978. He then spent his early years in Calgary as a graphic designer in educational Television, winning several international awards from the small, obscure station. Malinsky states, "The shear good fortune to be taken under the wing of a small group of the most talented and creative individuals I’ve encountered in my entire life, including Greg and Gary Crossley, Brian Huffman, John Blackie, and Peter Ivens was a revelatory experience for me." In 1984, he took a posting at ACAD where he taught drawing. It was at this point that Malinsky changed streams and devoted himself to pure art. It took seven years of dedicated studio work for him to find his voice as an artist. His first public exhibition at the Fran Willis Gallery in Victoria, British Colombia created a media sensation normally reserved for rock stars and garnered wide public attention. Malinsky’s richly complex, layered visual narratives are emotionally clear and accessible. His suburban prairie upbringing provided him with a backdrop of physical and social isolation, obsessed with image over content. His early work thus became focused on the rift between what was experienced and what could not be said. Malinsky’s first exhibitions in the early ’90s, during a time when figurative painting was not considered a legitimate, cutting-edge genre for art, flew in the face of the self-created, intellectual elitism of the deconstructionist movement of the time by creating complex, rich, layered narratives accessible through his figurative approach. He first received critical attention for depicting the dark, disturbing undercurrents of mainstream life, eloquently communicated to a popular reception through his figurative approach. In 1998, Malinsky left the comfortable confines of his Calgary studio and his posting at ACAD to take on the International art world. He established a base in Madrid, Spain, and began showing successfully throughout Europe as well as the United States. Malinsky’s paintings and drawings have been the subject of numerous solo and major group exhibitions and his work is represented in many museums, as well as prestigious private and corporate collections, including Fundació de les Arts i els Artistes, Barcelona, Spain(5 works), Collection of the Victoria College of art, Victoria British Colombia, Canada, Nickel Arts Museum, Calgary, Alberta, Canada, Michael Williams Collection, University of Victoria, Victoria, British Colombia, Canada(18 works), Permanent collection of the Gallery of Greater Victoria, Victoria, British Colombia, Canada, Seymour Art Gallery, Vancouver, British Columbia, Canada, Alberta Foundation for the Arts, Edmonton, Alberta, Canada. His work can also be found in the private collections of notable celebrities such as Dr. Dre, Phil Everly...

Before one of America's most iconic streets was desecrated into a mall, Fremont street was a wonderland of classic casino signs. Mitchell Funk doubles down...

In Thornton Dial's assemblage, masklike faces with staring eyes and open mouths emerge from a dense maze of layers streaked in red, white, blue, and black. Ropes painted brown snake ...

Street Photographer Mitchell Funk nabs the frenetic energy of Times Square, where the streets are as over-stuffed as the billboards. They are one and the same and powered by an ele...

Shipping should be around $100. Signed, dated , numbered 3/15 lower right recto, unframed, other sizes available, printed later Funk did this for a magazine assignment during the ps...

It's 1971, and most photographers were shooting in black and white. Fine Art Photography was not yet in the mainstream vocabulary of museums — almost no art galleries considered or ...

John Kato's print, titled "Still Thinking of Her: Orange Breakfast," captures a poignant yet cheery scene. The composition centers on a cut-up orange placed ...

"Butterfly 25" Photography 24" x 24" in Edition 1/24 by Giuliano Bekor Title: Butterfly B12 Year: 2018 Print size: 24" x 24" Inch Edition: 1/24 Artist proof: 2 Medium: Archival f...

Green Birds / Blue

Graffiti-clad New York City Street scene with wall shot by veteran street photographer Mitchell Funk in his trademark colorful style. In Funk's oeuvre co...

Signed, dated lower and numbered 2/15 lower right recto, unframed, other sizes available. Manhattanhenge. Unique moment where the sun aligns with the east to west grid structure of t...

I intuitively paint each of my paintings based on my mood of the day or at that moment. I never know what I am going to create until I see the end result. Sometimes it is a colorful,...

Lewis Barrett Lehrman's ( American, 1933- 2023) exceptional artistic vision shines brilliantly in his one-of-a-kind creation : a 3D print capturing the iconic skyline of New York Ci...

Crowds of people in blurred motions on Fifth Avenue in New York City. This archival color photograph by fine art photographer Mitchell Funk is signed, dated, and numbered 2/15, lower...

"M4" "FRAMED" Photography 40" x 40" inch Edition 3/20 by Giuliano Bekor Print size 40x40 Inches trim bleed Artwork finished size 42x42 Inches Limited edition 3 of 20 Artist proof ...

Contemporary collage by Jill Haas. Haas grew up watching her grandmother and mother paint flowers, acquiring the love of leaf and petal. Her subject matter is informed by the wisdom...

Signed, Dated, number Lower left 3/15 recto, unframed, another size available, printed later, Printed on Hahnemühle Fine Art paper Mitchell Funk is a pioneer of " Color Photograph...

"WB9" Photography (FRAMED) 62" x 42" inch Edition of 10 by Giuliano Bekor Print size 62x42 Inches Artwork finished size 64x44 Inches Limited edition of 10 Artist proof 2 Signed and numbered by the artist. Comes with COA issues by the artist. Medium This artwork printed on the highest resolution archival fine art 100% cotton rag velvet Somerset museum quality smooth surface heavyweight paper. It’s printed with a high saturation finish. Mounted on half inch thick dibond. Coated with a museum quality archival premier print shield with extra UV protection. Custom gallery style matte black finish Roma frame. WILD BELOW series Glowing projections of marine life flood the darkness of an aquatic underworld. Evoking the silence following a dive into the ocean, this series gives the viewer a sense of being submerged. Detailed projections create compositional magic on the bodies of human subjects; water droplets render movement and transmit light across the fluid landscape. ABOUT THE ARTIST Internationally recognized photographer, Giuliano Bekor, holds a portfolio that includes work from the realms of fashion, beauty, celebrity, advertising, and fine art. Giuliano’s photography has been featured in top publications around the globe, and his client list includes an endless file of beauty industry leaders, advertising agencies, celebrities, producers, and artists. With 30 years in the industry, Giuliano has perfected his craft to an exceptional level of expertise. Composed of light, color, space and form, Giuliano brings ideas conceptualized in his own imagination into reality throughout his work. Currently living between New York and Los Angeles, Giuliano is often on the move traveling for work and inspiration. Always the restless visionary, he ceases to continually express his fresh and nuanced style. For Giuliano Bekor, a photograph is an image that comes into being consciously, composed of light, color, space and form. Like a painter, he sketches, refining ideas through pen and pencil well before the shutter clicks. A camera is strictly a means to an end, a way of making a palpable visual record of an idea that gestates in his mind, gains shape by his hand, and resolves through his eye as it peers through the lens. His subject is the human body, almost always nude. These images delve into the splendor of the body - how it can express the inner meaning of who we are. Limbs, torsos, muscles and bones are exposed as though carved out of a supple, glowing stone that flexes and twists. Many of these photographs feature subjects posed with the eyes obscured, the face covered. If we look closely, Bekor says, we can see that the body is as much a window into the soul as the eyes. This is a gallery of the soul etched into the forms we assume in the physical world. Through exaggerated contrast between light and dark, smooth and textured, vaporous and tactile, Giuliano deliberately filters the extraneous. The camera captures the image, but for Bekor each exposure is a transformation - of himself, his subjects, and us. He is digging into uneasy turf, fraught with tension: masculine/feminine, heroic/cowardly, shameless/shameful, eternal/fleeting. The intensity of detail, the fiercely exquisite perfection of the bodies themselves, the unflinching, scrupulous engagement of the lens, negates all pretense of politeness. Confronted, we are summoned to look. So we must. And we do. And we experience the beautiful human forms we inhabit and the silent, eloquent language they speak. EXHIBITION HIGHLIGHTS Giuliano Bekor’s most recent fine art photography solo shows include: 2019 - March Lips The cool HeArt...

Adrien Schulz was a French painter who was born in 1851. Adrien Schulz's work has been offered at auction multiple times, with realized prices ranging from $60 USD to $2,337 USD, de...

Edition 2/15 Archival pigment print “Water's Edge” a collection of photos by Marian Crostic defines the power of the ocean and the land which borders it. Having spent much of her l...

Edition 2/15 Archival pigment print “Water's Edge” a collection of photos by Marian Crostic defines the power of the ocean and the land which borders it. Having spent much of her l...

Vincent Donato Roselli (b. 1995) is a self-taught artist from Staten Island, NY. Vincent works with a variety of mediums, favoring distorted brushes to manipulate plaster, beeswax, o...

Resisting the present 60 x 48 x 2, 20 lbs Acrylic Painting Hand signed by artist Artist's Commentary: You will receive the artwork 'Ready to Hang,' the canvas is stretched on a w...

Jacopo Scassellati was born in Sassari (Sardinia) in 1989 where he still resides today. His family is originally from Umbria. Very early on, he disp...

This pastel artwork brings the vivid beauty of red flowers to life, set against bold green leaves. The rich red tones and lush green hues create a striking contrast, making the flowe...

Contemporary collage by Alex Wetmore. Wetmore has been making collages using torn magazine swatches of color as her palette since 2013. Collaging started out as a hobby and later mo...

Bernd Zimmer is a contemporary German artist. Often discussed as representative of the Neue Wilde group, Zimmer's paintings are characterized by their mon...

Out of the Blue 01, Original Contemporary Colorful Expressionist Forest Painting 26" x 48" x 1" (HxWxD) Acrylic on Canvas In this expressionist landscape scene, artist Poonam Choudhary...

Resisting the Present, Original Contemporary Abstract Impressionist Painting 48" x 60" x 2" (HxWxD) Acrylic on Canvas This large painting by Poonam Choudhary...